The Man Between: An International Romance

“Father, you never can tell how much brains men like with their beauty. Very little will do generally. And Dora has beauty—great beauty; no one can deny that. I think Dora is giving up a great deal. To her, at least, marriage is a state of passing from perfect freedom into the comparative condition of a slave, giving up her own way constantly for some one else’s way.”

“Well, Ethel, the remedy is in the lady’s hands. She is not forced to marry, and the slavery that is voluntary is no hardship. Now, my dear, I have a case to look over, and you must excuse me to-night. To-morrow we shall know more concerning Mr. Mostyn, and it is easier to talk about certainties than probabilities.”

But if conversation ceased about Mr. Mostyn, thought did not; for, a couple of hours afterwards, Ethel tapped at her aunt’s door and said, “Just a moment, Ruth.”

“Yes, dear, what is it?”

“Did you notice what father said about the mortgage on Rawdon Manor”’

“Yes.”

“He seemed to know all about it.”

“I think he does know all about it.”

“Do you think he holds it?”

“He may do so—it is not unlikely.”

“Oh! Then Mr. Fred Mostyn, if he is to inherit Rawdon, would like the mortgage removed?”

“Of course he would.”

“And the way to remove it would be to marry the daughter of the holder of the mortgage?”

“It would be one way.”

“So he is coming to look me over. I am a matrimonial possibility. How do you like that idea, Aunt Ruth?”

“I do not entertain it for a moment. Mr. Mostyn may not even know of the mortgage. When men mortgage their estates they do not make confidences about the matter, or talk it over with their friends. They always conceal and hide the transaction. If your father holds the mortgage, I feel sure that no one but himself and Squire Rawdon know anything about it. Don’t look at the wrong side of events, Ethel; be content with the right side of life’s tapestry. Why are you not asleep? What are you worrying about?”

“Nothing, only I have not heard all I wanted to hear.”

“And perhaps that is good for you.”

“I shall go and see grandmother first thing in the morning.”

“I would not if I were you. You cannot make any excuse she will not see through. Your father will call on Mr. Mostyn to-morrow, and we shall get unprejudiced information.”

“Oh, I don’t know that, Ruth. Father is intensely American three hundred and sixty-four days and twenty-three hours in a year, and then in the odd hour he will flare up Yorkshire like a conflagration.”

“English, you mean?”

“No. Yorkshire IS England to grandmother and father. They don’t think anything much of the other counties, and people from them are just respectable foreigners. You may depend upon it, whatever grandmother says of Mr. Fred Mostyn, father will believe it, too.”

“Your father always believes whatever your grandmother says. Good night, dear.”

“Good night. I think I shall go to grandmother in the morning. I know how to manage her. I shall meet her squarely with the truth, and acknowledge that I am dying with curiosity about Mr. Mostyn.”

“And she will tease and lecture you, say you are ‘not sweetheart high yet, only a little maid,’ and so on. Far better go and talk with Dora. To-morrow she will need you, I am sure. Ethel, I am very sleepy. Good night again, dear.”

“Good night!” Then with a sudden animation, “I know what to do, I shall tell grandmother about Dora’s marriage. It is all plain enough now. Good night, Ruth.” And this good night, though dropping sweetly into the minor third, had yet on its final inflection something of the pleasant hopefulness of its major key—it expressed anticipation and satisfaction.

What happened in the night session she could not tell, but she awoke with a positive disinclination to ask a question about Mr. Mostyn. “I have received orders from some one,” she said to Ruth; “I simply do not care whether I ever see or hear of the man again. I am going to Dora, and I may not come home until late. You know they will depend upon me for every suggestion.”

In fact, Ethel did not return home until the following day, for a snowstorm came up in the afternoon, and the girl was weary with planning and writing, and well inclined to eat with Dora the delicate little dinner served to them in Dora’s private parlor. Then about nine o’clock Mr. Stanhope called, and Ethel found it pleasant enough to watch the lovers and listen to Mrs. Denning’s opinions of what had been already planned. And the next day she seemed to be so absolutely necessary to the movement of the marriage preparations, that it was nearly dark before she was permitted to return home.

It was but a short walk between the two houses, and Ethel was resolved to have the refreshment of the exercise. And how good it was to feel the pinch of the frost and the gust of the north wind, and after it to come to the happy portal of home, and the familiar atmosphere of the cheerful hall, and then to peep into the firelit room in which Ruth lay dreaming in the dusky shadows.

“Ruth, darling!”

“Ethel! I have just sent for you to come home.” Then she rose and took Ethel in her arms. “How delightfully cold you are! And what rosy cheeks! Do you know that we have a little dinner party?”

“Mr. Mostyn?”

“Yes, and your grandmother, and perhaps Dr. Fisher—the Doctor is not certain.”

“And I see that you are already dressed. How handsome you look! That black lace dress, with the dull gold ornaments, is all right.”

“I felt as if jewels would be overdress for a family dinner.”

“Yes, but jewels always snub men so completely. It is not altogether that they represent money; they give an air of royalty, and a woman without jewels is like an uncrowned queen—she does not get the homage. I can’t account for it, but there it is. I shall wear my sapphire necklace. What did father say about our new kinsman?”

“Very little. It was impossible to judge from his words what he thought. I fancied that he might have been a little disappointed.”

“I should not wonder. We shall see.”

“You will be dressed in an hour?”

“In less time. Shall I wear white or blue?”

“Pale blue and white flowers. There are some white violets in the library. I have a red rose. We shall contrast each other very well.”

“What is it all about? Do we really care how we look in the eyes of this Mr. Mostyn?”

“Of course we care. We should not be women if we did not care. We must make some sort of an impression, and naturally we prefer that it should be a pleasant one.”

“If we consider the mortgage–”

“Nonsense! The mortgage is not in it.”

“Good-by. Tell Mattie to bring me a cup of tea upstairs. I will be dressed in an hour.”

The tea was brought and drank, and Ethel fell asleep while her maid prepared every item for her toilet. Then she spoke to her mistress, and Ethel awakened, as she always did, with a smile; nature’s surest sign of a radically sweet temper. And everything went in accord with the smile; her hair fell naturally into its most becoming waves, her dress into its most graceful folds; the sapphire necklace matched the blue of her happy eyes, the roses of youth were on her cheeks, and white violets on her breast. She felt her own beauty and was glad of it, and with a laughing word of pleasure went down to the parlor.

Madam Rawdon was standing before the fire, but when she heard the door open she turned her face toward it.

“Come here, Ethel Rawdon,” she said, “and let me have a look at you.” And Ethel went to her side, laid her hand lightly on the old lady’s shoulder and kissed her cheek. “You do look middling well,” she continued, “and your dress is about as it should be. I like a girl to dress like a girl—still, the sapphires. Are they necessary?”