“You would not say corals, would you, grandmother? I have those you gave me when I was three years old.”
“Keep your wit, my dear, for this evening. I should not wonder but you might need it. Fred Mostyn is rather better than I expected. It was a great pleasure to see him. It was like a bit of my own youth back again. When you are a very old woman there are few things sweeter, Ethel.”
“But you are not an old woman, grandmother.”
Nor was she. In spite of her seventy-five years she stood erect at the side of her grand-daughter. Her abundant hair was partly gray, but the gray mingled with the little oval of costly lace that lay upon it, and the effect was soft and fair as powdering. She had been very handsome, and her beauty lingered as the beauty of some flowers linger, in fainter tints and in less firm outlines; for she had never fallen from that “grace of God vouchsafed to children,” and therefore she had kept not only the enthusiasms of her youth, but that sweet promise of the “times of restitution” when the child shall die one hundred years old, because the child-heart shall be kept in all its freshness and trust. Yes, in Rachel Rawdon’s heart the well-springs of love and life lay too deep for the frosts of age to touch. She would be eternally young before she grew old.
She sat down as Ethel spoke, and drew the girl to her side. “I hear your friend is going to marry,” she said.
“Dora? Yes.”
“Are you sorry?”
“Perhaps not. Dora has been a care to me for four years. I hope her husband may manage her as well as I have done.”
“Are you afraid he will not?”
“I cannot tell, grandmother. I see all Dora’s faults. Mr. Stanhope is certain that she has no faults. Hitherto she has had her own way in everything. Excepting myself, no one has ventured to contradict her. But, then, Dora is over head and ears in love, and love, it is said, makes all things easy to bear and to do.”
“One thing, girls, amazes me—it is how readily women go to church and promise to love, honor, and obey their husbands, when they never intend to do anything of the kind.”
“There is a still more amazing thing, Madam,” answered Ruth; “that is that men should be so foolish as to think, or hope, they perhaps might do so.”
“Old-fashioned women used to manage it some way or other, Ruth. But the old-fashioned woman was a very soft-hearted creature, and, maybe, it was just as well that she was.”
“But Woman’s Dark Ages are nearly over, Madam; and is not the New Woman a great improvement on the Old Woman?”
“I haven’t made up my mind yet, Ruth, about the New Woman. I notice one thing that a few of the new kind have got into their pretty heads, and that is, that they ought to have been men; and they have followed up that idea so far that there is now very little difference in their looks, and still less in their walk; they go stamping along with the step of an athlete and the stride of a peasant on fresh plowed fields. It is the most hideous of walks imaginable. The Grecian bend, which you cannot remember, but may have heard of, was a lackadaisical, vulgar walking fad, but it was grace itself compared with the hideous stride which the New Woman has acquired on the golf links or somewhere else.”
“But men stamp and stride in the same way, grandmother.”
“A long stride suits a man’s anatomy well enough; it does not suit a woman’s—she feels every stride she takes, I’ll warrant her.”
“If she plays golf–”
“My dear Ethel, there is no need for her to play golf. It is a man’s game and was played for centuries by men only. In Scotland, the home of golf, it was not thought nice for women to even go to the links, because of the awful language they were likely to hear.”
“Then, grandmother, is it not well for ladies to play golf if it keeps men from using ‘awful language’ to each other?”
“God love you, child! Men will think what they dare not speak.”
“If we could only have some new men!” sighed Ethel. “The lover of to-day is just what a girl can pick up; he has no wit and no wisdom and no illusions. He talks of his muscles and smells of cigarettes—perhaps of whisky”—and at these words, Judge Rawdon, accompanied by Mr. Fred Mostyn, entered the room.
The introductions slipped over easily, they hardly seemed to be necessary, and the young man took the chair offered as naturally as if he had sat by the hearth all his life. There was no pause and no embarrassment and no useless polite platitudes; and Ethel’s first feeling about her kinsman was one of admiration for the perfect ease and almost instinctive at-homeness with which he took his place. He had come to his own and his own had received him; that was the situation, a very pleasant one, which he accepted with the smiling trust that was at once the most perfect and polite of acknowledgments.
“So you do not enjoy traveling?” said Judge Rawdon as if continuing a conversation.
“I think it the most painful way of taking pleasure, sir—that is the actual transit. And sleeping cars and electric-lighted steamers and hotels do not mitigate the suffering. If Dante was writing now he might depict a constant round of personally conducted tours in Purgatory. I should think the punishment adequate for any offense. But I like arriving at places. New York has given me a lot of new sensations to-day, and I have forgotten the transit troubles already.”
He talked well and temperately, and yet Ethel could not avoid the conclusion that he was a man of positive character and uncompromising prejudices. And she also felt a little disappointed in his personality, which contradicted her ideal of a Yorkshire squire. For he was small and slender in stature, and his face was keen and thin, from the high cheek bones to the sharp point of the clean-shaven chin. Yet it was an interesting face, for the brows were broad and the eyes bright and glancing. That his nature held the opposite of his qualities was evident from the mouth, which was composed and discreet and generally clothed with a frank smile, negatived by the deep, sonorous voice which belongs to the indiscreet and quarrelsome. His dress was perfect. Ethel could find no fault in it, except the monocle which he did not use once during the evening, and which she therefore decided was a quite idle and unhandsome adjunct.
One feature of his character was definite—he was a home-loving man. He liked the society of women with whom he could be familiar, and he preferred the company of books and music to fashionable social functions. This pleasant habit of domesticity was illustrated during the evening by an accidental incident—a noisy, mechanical street organ stopped before the windows, and in a blatant manner began its performance. Conversation was paralyzed by the intrusion and when it was removed Judge Rawdon said: “What a democratic, leveling, aggressive thing music is! It insists on being heard. It is always in the way, it thrusts itself upon you, whether you want it or not. Now art is different. You go to see pictures when you wish to.”
Mostyn did not notice the criticism on music itself, but added in a soft, disapproving way: “That man has no music in him. Do you know that was one of Mendelssohn’s delicious dreams. This is how it should have been rendered,” and he went impulsively to the piano and then the sweet monotonous cadences and melodious reveries slipped from his long white fingers till the whole room was permeated with a delicious sense of moonlit solitude and conversation was stilled in its languor. The young man had played his own dismissal, but it was an effective one, and he complimented himself on his readiness to seize opportunities for display, and on his genius in satisfying them.
“I think I astonished them a little,” he mused, “and I wonder what that pretty, cousin of mine thought of the music and the musician. I fancy we shall be good friends; she is proud—that is no fault; and she has very decided opinions—which might be a great fault; but I think I rather astonished them.”
To such reflections he stepped rather pompously down the avenue, not at all influenced by any premonition that his satisfactory feelings might be imperfectly shared. Yet silence was the first result of his departure. Judge Rawdon took out his pocketbook and began to study its entries. Ruth Bayard rose and closed the piano. Ethel lifted a magazine, while it was Madam who finally asked in an impatient tone:
“What do you think of Frederick? I suppose, Edward, you have an opinion. Isn’t he a very clever man?”
“I should not wonder if he were, mother, clever to a fault.”
“I never heard a young man talk better.”
“He talked a great deal, but then, you know, he was not on his oath.”
“I’ll warrant every word he said.”
“Your warrant is fine surety, mother, but I am not bound to believe all I hear. You women can please yourselves.”
And with these words he left the women to find out, if they could, what manner of man their newly-found kinsman might be.
CHAPTER III
ONE of the most comfortable things about Frederick Mostyn was his almost boyish delight in the new life which New York opened to him. Every phase of it was so fresh, so unusual, that his Yorkshire existence at Mostyn Hall gave him no precedents and no experiences by which to measure events. The simplest things were surprising or interesting. He was never weary of taking those exciting “lifts” to the top of twenty-three story buildings and admiring the wonderful views such altitudes gave him. He did not perhaps comprehend how much he was influenced by the friction of two million wills and interests; did not realize how they evoked an electric condition that got behind the foreground of existence and stirred something more at the roots of his being than any previous experience had ever done. And this feeling was especially entrancing when he saw the great city and majestic river lying at his feet in the white, uncanny light of electricity, all its color gone, its breath cold, its life strangely remote and quiet, men moving like shadows, and sounds hollow and faint and far off, as if they came from a distant world. It gave him a sense of dreamland quite as much as that of reality. The Yorkshire moors and words grew dull and dreary in his memory; even the thought of the hunting field could not lure his desire. New York was full of marvelous novelties; its daily routine, even in the hotel and on the streets, gripped his heart and his imagination; and he confessed to himself that New York was life at first hand; fresh drawn, its very foam sparkling and intoxicating. He walked from the Park to the Battery and examined all that caught his eye. He had a history of the city and sought out every historical site; he even went over to Weehawken, and did his best to locate the spot where Burr and Hamilton fought. He admired Hamilton, but after reading all about the two men, gave his sympathy to Burr, “a clever, unlucky little chap,” he said. “Why do clever men hate each other?” and then he smiled queerly as he remembered political enemies of great men in his own day and his own country; and concluded that “it was their nature to do so.”
But in these outside enthusiasms he did not forget his personal relations. It took him but a few days to domesticate himself in both the Rawdon houses. When the weather drove him off the streets, he found a pleasant refuge either with Madam or with Ethel and Miss Bayard. Ethel he saw less frequently than he liked; she was nearly always with Dora Denning, but with Ruth Bayard he contracted a very pleasant friendship. He told her all his adventures and found her more sympathetic than Madam ever pretended to be. Madam thought him provincial in his tastes, and was better pleased to hear that he had a visiting entry at two good clubs, and had hired a motor ear, and was learning how to manage it. Then she told herself that if he was good to her, she would buy him one to be proud of before he returned to Yorkshire.
It was at the Elite Club Bryce Denning first saw him. He came in with Shaw McLaren, a young man whose acquaintance was considered as most definitely satisfactory. Vainly Bryce Denning had striven to obtain any notice whatever from McLaren, whose exclusiveness was proverbial. Who then was this stranger he appeared so anxious to entertain? His look of supreme satisfaction, his high-bred air, and peculiar intonation quickly satisfied Bryce as to his nationality.
“English, of course,” he reflected, “and probably one of the aristocrats that Shaw meets at his recently ennobled sister’s place. He is forever bragging about them. I must find out who Shaw’s last British lion is,” and just as he arrived at this decision the person appeared who could satisfy him.
“That man!” was the reply to the inevitable question—“why, he is some relative of the old lady Rawdon. He is staying at the Holland House, but spends his time with the Rawdons, old and young; the young one is a beauty, you know.”
“Do you think so? She is a good deal at our house. I suppose the fellow has some pretentions. Judge Rawdon will be a man hard to satisfy with a son-in-law.”
“I fancy his daughter will take that subject in her own hand. She looks like a girl of spirit; and this man is not as handsome as most Englishmen.”
“Not if you judge him by bulk, but women want more than mere bulk; he has an air of breeding you can’t mistake, and he looks clever.”
“His name is Mostyn. I have heard him spoken of. Would you like to know him?”
“I could live without that honor”—then Bryce turned the conversation upon a recent horse sale, and a few moments later was sauntering up the avenue. He was now resolved to make up his quarrel with Dora. Through Dora he could manage to meet Mostyn socially, and he smiled in anticipation of that proud moment when he should parade in his own friendly leash McLaren’s new British lion. Besides, the introduction to Mr. Mostyn might, if judiciously managed, promote his own acquaintance with Shaw McLaren, a sequence to be much desired; an end he had persistently looked for.
He went straight to his sister’s apartments and touched the bell quite gently. Her maid opened the door and looked annoyed and uncertain. She knew all about the cruelly wicked opposition of Miss Denning’s brother to that nice young man, Basil Stanhope; and also the general attitude of the Denning household, which was a comprehensive disapproval of all that Mr. Bryce said and did.
Dora had, however, talked all her anger away; she wished now to be friends with her brother. She knew that his absence from her wedding would cause unpleasant notice, and she had other reasons, purely selfish, all emphasizing the advantages of a reconciliation. So she went to meet Bryce with a pretty, pathetic air of injury patiently endured, and when Bryce put out his hands and said, “Forgive me, Dodo! I cannot bear your anger any longer!” she was quite ready for the next act, which was to lay her pretty head on his shoulder and murmur, “I am not angry, Bryce—I am grieved, dear.”