Selected Stories of Bret Harte

“I fink it’s free days,” said Carry reflectively.

“You think! Don’t you know?” sneered Mrs. Tretherick. “Then, where did you come from?”

Carry’s lip began to work under this sharp cross-examination. With a great effort and a small gulp, she got the better of it, and answered:

“Papa, Papa fetched me—from Miss Simmons—from Sacramento, last week.”

“Last week! You said three days just now,” returned Mrs. Tretherick with severe deliberation.

“I mean a monf,” said Carry, now utterly adrift in sheer helplessness and confusion.

“Do you know what you are talking about?” demanded Mrs. Tretherick shrilly, restraining an impulse to shake the little figure before her and precipitate the truth by specific gravity.

But the flaming red head here suddenly disappeared in the folds of Mrs. Tretherick’s dress, as if it were trying to extinguish itself forever.

“There now—stop that sniffling,” said Mrs. Tretherick, extricating her dress from the moist embraces of the child and feeling exceedingly uncomfortable. “Wipe your face now, and run away, and don’t bother. Stop,” she continued, as Carry moved away. “Where’s your papa?”

“He’s dorn away too. He’s sick. He’s been dorn”—she hesitated—“two, free, days.”

“Who takes care of you, child?” said Mrs. Tretherick, eying her curiously.

“John, the Chinaman. I tresses myselth. John tooks and makes the beds.”

“Well, now, run away and behave yourself, and don’t bother me any more,” said Mrs. Tretherick, remembering the object of her visit. “Stop—where are you going?” she added as the child began to ascend the stairs, dragging the long doll after her by one helpless leg.

“Doin’ upstairs to play and be dood, and no bother Mamma.”

“I ain’t your mamma,” shouted Mrs. Tretherick, and then she swiftly re-entered her bedroom and slammed the door.

Once inside, she drew forth a large trunk from the closet and set to work with querulous and fretful haste to pack her wardrobe. She tore her best dress in taking it from the hook on which it hung: she scratched her soft hands twice with an ambushed pin. All the while, she kept up an indignant commentary on the events of the past few moments. She said to herself she saw it all. Tretherick had sent for this child of his first wife—this child of whose existence he had never seemed to care—just to insult her, to fill her place. Doubtless the first wife herself would follow soon, or perhaps there would be a third. Red hair, not auburn, but RED—of course the child, this Caroline, looked like its mother, and, if so, she was anything but pretty. Or the whole thing had been prepared: this red-haired child, the image of its mother, had been kept at a convenient distance at Sacramento, ready to be sent for when needed. She remembered his occasional visits there on—business, as he said. Perhaps the mother already was there; but no, she had gone East. Nevertheless, Mrs. Tretherick, in her then state of mind, preferred to dwell upon the fact that she might be there. She was dimly conscious, also, of a certain satisfaction in exaggerating her feelings. Surely no woman had ever been so shamefully abused. In fancy, she sketched a picture of herself sitting alone and deserted, at sunset, among the fallen columns of a ruined temple, in a melancholy yet graceful attitude, while her husband drove rapidly away in a luxurious coach-and-four, with a red-haired woman at his side. Sitting upon the trunk she had just packed, she partly composed a lugubrious poem describing her sufferings as, wandering alone and poorly clad, she came upon her husband and “another” flaunting in silks and diamonds. She pictured herself dying of consumption, brought on by sorrow—a beautiful wreck, yet still fascinating, gazed upon adoringly by the editor of the AVALANCHE and Colonel Starbottle. And where was Colonel Starbottle all this while? Why didn’t he come? He, at least, understood her. He—she laughed the reckless, light laugh of a few moments before; and then her face suddenly grew grave, as it had not a few moments before.

What was that little red-haired imp doing all this time? Why was she so quiet? She opened the door noiselessly, and listened. She fancied that she heard, above the multitudinous small noises and creakings and warpings of the vacant house, a smaller voice singing on the floor above. This, as she remembered, was only an open attic that had been used as a storeroom. With a half-guilty consciousness, she crept softly upstairs and, pushing the door partly open, looked within.

Athwart the long, low-studded attic, a slant sunbeam from a single small window lay, filled with dancing motes, and only half illuminating the barren, dreary apartment. In the ray of this sunbeam she saw the child’s glowing hair, as if crowned by a red aureole, as she sat upon the floor with her exaggerated doll between her knees. She appeared to be talking to it; and it was not long before Mrs. Tretherick observed that she was rehearsing the interview of a half-hour before. She catechized the doll severely, cross-examining it in regard to the duration of its stay there, and generally on the measure of time. The imitation of Mrs. Tretherick’s manner was exceedingly successful, and the conversation almost a literal reproduction, with a single exception. After she had informed the doll that she was not her mother, at the close of the interview she added pathetically, “that if she was dood, very dood, she might be her mamma, and love her very much.”

I have already hinted that Mrs. Tretherick was deficient in a sense of humor. Perhaps it was for this reason that this whole scene affected her most unpleasantly; and the conclusion sent the blood tingling to her cheek. There was something, too, inconceivably lonely in the situation. The unfurnished vacant room, the half-lights, the monstrous doll, whose very size seemed to give a pathetic significance to its speechlessness, the smallness of the one animate, self-centered figure—all these touched more or less deeply the half-poetic sensibilities of the woman. She could not help utilizing the impression as she stood there, and thought what a fine poem might be constructed from this material if the room were a little darker, the child lonelier—say, sitting beside a dead mother’s bier, and the wind wailing in the turrets. And then she suddenly heard footsteps at the door below, and recognized the tread of the colonel’s cane.

She flew swiftly down the stairs, and encountered the colonel in the hall. Here she poured into his astonished ear a voluble and exaggerated statement of her discovery, and indignant recital of her wrongs. “Don’t tell me the whole thing wasn’t arranged beforehand; for I know it was!” she almost screamed. “And think,” she added, “of the heartlessness of the wretch, leaving his own child alone here in that way.”

“It’s a blank shame!” stammered the colonel, without the least idea of what he was talking about. In fact, utterly unable as he was to comprehend a reason for the woman’s excitement, with his estimate of her character, I fear he showed it more plainly than he intended. He stammered, expanded his chest, looked stern, gallant, tender, but all unintelligently. Mrs. Tretherick, for an instant, experienced a sickening doubt of the existence of natures in perfect affinity.

“It’s of no use,” said Mrs. Tretherick with sudden vehemence, in answer to some inaudible remark of the colonel’s, and withdrawing her hand from the fervent grasp of that ardent and sympathetic man. “It’s of no use: my mind is made up. You can send for my trunk as soon as you like; but I shall stay here, and confront that man with the proof of his vileness. I will put him face to face with his infamy.”

I do not know whether Colonel Starbottle thoroughly appreciated the convincing proof of Tretherick’s unfaithfulness and malignity afforded by the damning evidence of the existence of Tretherick’s own child in his own house. He was dimly aware, however, of some unforeseen obstacle to the perfect expression of the infinite longing of his own sentimental nature. But, before he could say anything, Carry appeared on the landing above them, looking timidly, and yet half-critically, at the pair.

“That’s her,” said Mrs. Tretherick excitedly. In her deepest emotions, in either verse or prose, she rose above a consideration of grammatical construction.

“Ah!” said the colonel, with a sudden assumption of parental affection and jocularity that was glaringly unreal and affected. “Ah! pretty little girl, pretty little girl! How do you do? How are you? You find yourself pretty well, do you, pretty little girl?” The colonel’s impulse also was to expand his chest and swing his cane, until it occurred to him that this action might be ineffective with a child of six or seven. Carry, however, took no immediate notice of this advance, but further discomposed the chivalrous colonel by running quickly to Mrs. Tretherick and hiding herself, as if for protection, in the folds of her gown. Nevertheless, the colonel was not vanquished. Falling back into an attitude of respectful admiration, he pointed out a marvelous resemblance to the “Madonna and Child.” Mrs. Tretherick simpered, but did not dislodge Carry as before. There was an awkward pause for a moment; and then Mrs. Tretherick, motioning significantly to the child, said in a whisper: “Go now. Don’t come here again, but meet me tonight at the hotel.” She extended her hand: the colonel bent over it gallantly and, raising his hat, the next moment was gone.

“Do you think,” said Mrs. Tretherick with an embarrassed voice and a prodigious blush, looking down, and addressing the fiery curls just visible in the folds of her dress—“do you think you will be ‘dood’ if I let you stay in here and sit with me?”

“And let me tall you Mamma?” queried Carry, looking up.

“And let you call me Mamma!” assented Mrs. Tretherick with an embarrassed laugh.

“Yeth,” said Carry promptly.

They entered the bedroom together. Carry’s eye instantly caught sight of the trunk.

“Are you dowin’ away adain, Mamma?” she said with a quick nervous look, and a clutch at the woman’s dress.

“No-o,” said Mrs. Tretherick, looking out of the window.

“Only playing your dowin’ away,” suggested Carry with a laugh. “Let me play too.”

Mrs. Tretherick assented. Carry flew into the next room, and presently reappeared dragging a small trunk, into which she gravely proceeded to pack her clothes. Mrs. Tretherick noticed that they were not many. A question or two regarding them brought out some further replies from the child; and before many minutes had elapsed, Mrs. Tretherick was in possession of all her earlier history. But, to do this, Mrs. Tretherick had been obliged to take Carry upon her lap, pending the most confidential disclosures. They sat thus a long time after Mrs. Tretherick had apparently ceased to be interested in Carry’s disclosures; and when lost in thought, she allowed the child to rattle on unheeded, and ran her fingers through the scarlet curls.

“You don’t hold me right, Mamma,” said Carry at last, after one or two uneasy shiftings of position.

“How should I hold you?” asked Mrs. Tretherick with a half-amused, half-embarrassed laugh.

“Dis way,” said Carry, curling up into position, with one arm around Mrs. Tretherick’s neck and her cheek resting on her bosom—“dis way—dere.” After a little preparatory nestling, not unlike some small animal, she closed her eyes, and went to sleep.

For a few moments the woman sat silent, scarcely daring to breathe in that artificial attitude. And then, whether from some occult sympathy in the touch, or God best knows what, a sudden fancy began to thrill her. She began by remembering an old pain that she had forgotten, an old horror that she had resolutely put away all these years. She recalled days of sickness and distrust—days of an overshadowing fear—days of preparation for something that was to be prevented, that WAS prevented, with mortal agony and fear. She thought of a life that might have been—she dared not say HAD been—and wondered. It was six years ago; if it had lived, it would have been as old as Carry. The arms which were folded loosely around the sleeping child began to tremble, and tighten their clasp. And then the deep potential impulse came, and with a half-sob, half-sigh, she threw her arms out and drew the body of the sleeping child down, down, into her breast, down again and again as if she would hide it in the grave dug there years before. And the gust that shook her passed, and then, ah me! the rain.

A drop or two fell upon the curls of Carry, and she moved uneasily in her sleep. But the woman soothed her again—it was SO easy to do it now—and they sat there quiet and undisturbed, so quiet that they might have seemed incorporate of the lonely silent house, the slowly declining sunbeams, and the general air of desertion and abandonment, yet a desertion that had in it nothing of age, decay, or despair.

Colonel Starbottle waited at the Fiddletown Hotel all that night in vain. And the next morning, when Mr. Tretherick returned to his husks, he found the house vacant and untenanted, except by motes and sunbeams.

When it was fairly known that Mrs. Tretherick had run away, taking Mr. Tretherick’s own child with her, there was some excitement and much diversity of opinion, in Fiddletown. THE DUTCH FLAT INTELLIGENCER openly alluded to the “forcible abduction” of the child with the same freedom, and it is to be feared the same prejudice, with which it had criticized the abductor’s poetry. All of Mrs. Tretherick’s own sex, and perhaps a few of the opposite sex, whose distinctive quality was not, however, very strongly indicated, fully coincided in the views of the INTELLIGENCER. The majority, however, evaded the moral issue; that Mrs. Tretherick had shaken the red dust of Fiddletown from her dainty slippers was enough for them to know. They mourned the loss of the fair abductor more than her offense. They promptly rejected Tretherick as an injured husband and disconsolate father, and even went so far as to openly cast discredit on the sincerity of his grief. They reserved an ironical condolence for Colonel Starbottle, overbearing that excellent man with untimely and demonstrative sympathy in barrooms, saloons, and other localities not generally deemed favorable to the display of sentiment. “She was alliz a skittish thing, Kernel,” said one sympathizer, with a fine affectation of gloomy concern and great readiness of illustration; “and it’s kinder nat’ril thet she’d get away someday, and stampede that theer colt: but thet she should shake YOU, Kernel, diet she should jist shake you—is what gits me. And they do say thet you jist hung around thet hotel all night, and payrolled them corriders, and histed yourself up and down them stairs, and meandered in and out o’ thet piazzy, and all for nothing?” It was another generous and tenderly commiserating spirit that poured additional oil and wine on the colonel’s wounds. “The boys yer let on thet Mrs. Tretherick prevailed on ye to pack her trunk and a baby over from the house to the stage offis, and that the chap ez did go off with her thanked you, and offered you two short bits, and sed ez how he liked your looks, and ud employ you agin—and now you say it ain’t so? Well, I’ll tell the boys it ain’t so, and I’m glad I met you, for stories DO get round.”

Happily for Mrs. Tretherick’s reputation, however, the Chinaman in Tretherick’s employment, who was the only eyewitness of her flight, stated that she was unaccompanied, except by the child. He further deposed that, obeying her orders, he had stopped the Sacramento coach, and secured a passage for herself and child to San Francisco. It was true that Ah Fe’s testimony was of no legal value. But nobody doubted it. Even those who were skeptical of the pagan’s ability to recognize the sacredness of the truth admitted his passionless, unprejudiced unconcern. But it would appear, from a hitherto unrecorded passage of this veracious chronicle, that herein they were mistaken.

It was about six months after the disappearance of Mrs. Tretherick that Ah Fe, while working in Tretherick’s lot, was hailed by two passing Chinamen. They were the ordinary mining coolies, equipped with long poles and baskets for their usual pilgrimages. An animated conversation at once ensued between Ah Fe and his brother Mongolians—a conversation characterized by that usual shrill volubility and apparent animosity which was at once the delight and scorn of the intelligent Caucasian who did not understand a word of it. Such, at least, was the feeling with which Mr. Tretherick on his veranda and Colonel Starbottle, who was passing, regarded their heathenish jargon. The gallant colonel simply kicked them out of his way; the irate Tretherick, with an oath, threw a stone at the group, and dispersed them, but not before one or two slips of yellow rice paper, marked with hieroglyphics, were exchanged, and a small parcel put into Ah Fe’s hands. When Ah Fe opened this in the dim solitude of his kitchen, he found a little girl’s apron, freshly washed, ironed, and folded. On the corner of the hem were the initials “C. T.” Ah Fe tucked it away in a corner of his blouse, and proceeded to wash his dishes in the sink with a smile of guileless satisfaction.

Two days after this, Ah Fe confronted his master. “Me no likee Fiddletown. Me belly sick. Me go now.” Mr. Tretherick violently suggested a profane locality. Ah Fe gazed at him placidly, and withdrew.

Before leaving Fiddletown, however, he accidentally met Colonel Starbottle, and dropped a few incoherent phrases which apparently interested that gentleman. When he concluded, the colonel handed him a letter and a twenty-dollar gold piece. “If you bring me an answer, I’ll double that—sabe, John?” Ah Fe nodded. An interview equally accidental, with precisely the same result, took place between Ah Fe and another gentleman, whom I suspect to have been the youthful editor of the AVALANCHE. Yet I regret to state that, after proceeding some distance on his journey, Ah Fe calmly broke the seals of both letters, and after trying to read them upside down and sideways, finally divided them into accurate squares, and in this condition disposed of them to a brother Celestial whom he met on the road, for a trifling gratuity. The agony of Colonel Starbottle on finding his wash bill made out on the unwritten side of one of these squares, and delivered to him with his weekly clean clothes, and the subsequent discovery that the remaining portions of his letter were circulated by the same method from the Chinese laundry of one Fung Ti of Fiddletown, has been described to me as peculiarly affecting. Yet I am satisfied that a higher nature, rising above the levity induced by the mere contemplation of the insignificant details of this breach of trust, would find ample retributive justice in the difficulties that subsequently attended Ah Fe’s pilgrimage.

On the road to Sacramento he was twice playfully thrown from the top of the stagecoach by an intelligent but deeply intoxicated Caucasian, whose moral nature was shocked at riding with one addicted to opium-smoking. At Hangtown he was beaten by a passing stranger—purely an act of Christian supererogation. At Dutch Flat he was robbed by well-known hands from unknown motives. At Sacramento he was arrested on suspicion of being something or other, and discharged with a severe reprimand—possibly for not being it, and so delaying the course of justice. At San Francisco he was freely stoned by children of the public schools; but, by carefully avoiding these monuments of enlightened progress, he at last reached, in comparative safety, the Chinese quarters, where his abuse was confined to the police and limited by the strong arm of the law.

The next day he entered the washhouse of Chy Fook as an assistant, and on the following Friday was sent with a basket of clean clothes to Chy Fook’s several clients.

It was the usual foggy afternoon as he climbed the long windswept hill of California Street—one of those bleak, gray intervals that made the summer a misnomer to any but the liveliest San Franciscan fancy. There was no warmth or color in earth or sky, no light nor shade within or without, only one monotonous, universal neutral tint over everything. There was a fierce unrest in the wind-whipped streets: there was a dreary vacant quiet in the gray houses. When Ah Fe reached the top of the hill, the Mission Ridge was already hidden, and the chill sea breeze made him shiver. As he put down his basket to rest himself, it is possible that, to his defective intelligence and heathen experience, this “God’s own climate,” as was called, seemed to possess but scant tenderness, softness, or mercy. But it is possible that Ah Fe illogically confounded this season with his old persecutors, the schoolchildren, who, being released from studious confinement, at this hour were generally most aggressive. So he hastened on, and turning a corner, at last stopped before a small house.

It was the usual San Franciscan urban cottage. There was the little strip of cold green shrubbery before it; the chilly, bare veranda, and above this, again, the grim balcony, on which no one sat. Ah Fe rang the bell. A servant appeared, glanced at his basket, and reluctantly admitted him, as if he were some necessary domestic animal. Ah Fe silently mounted the stairs, and entering the open door of the front chamber, put down the basket and stood passively on the threshold.

A woman, who was sitting in the cold gray light of the window, with a child in her lap, rose listlessly, and came toward him. Ah Fe instantly recognized Mrs. Tretherick; but not a muscle of his immobile face changed, nor did his slant eyes lighten as he met her own placidly. She evidently did not recognize him as she began to count the clothes. But the child, curiously examining him, suddenly uttered a short, glad cry.