Selected Stories of Bret Harte

“Why, it’s John, Mamma! It’s our old John what we had in Fiddletown.”

For an instant Ah Fe’s eyes and teeth electrically lightened. The child clapped her hands, and caught at his blouse. Then he said shortly: “Me John—Ah Fe—allee same. Me know you. How do?”

Mrs. Tretherick dropped the clothes nervously, and looked hard at Ah Fe. Wanting the quick-witted instinct of affection that sharpened Carry’s perception, she even then could not distinguish him above his fellows. With a recollection of past pain, and an obscure suspicion of impending danger, she asked him when he had left Fiddletown.

“Longee time. No likee Fiddletown, no likee Tlevelick. Likee San Flisco. Likee washee. Likee Tally.”

Ah Fe’s laconics pleased Mrs. Tretherick. She did not stop to consider how much an imperfect knowledge of English added to his curt directness and sincerity. But she said, “Don’t tell anybody you have seen me,” and took out her pocketbook.

Ah Fe, without looking at it, saw that it was nearly empty. Ah Fe, without examining the apartment, saw that it was scantily furnished. Ah Fe, without removing his eyes from blank vacancy, saw that both Mrs. Tretherick and Carry were poorly dressed. Yet it is my duty to state that Ah Fe’s long fingers closed promptly and firmly over the half-dollar which Mrs. Tretherick extended to him.

Then he began to fumble in his blouse with a series of extraordinary contortions. After a few moments, he extracted from apparently no particular place a child’s apron, which he laid upon the basket with the remark:

“One piecee washman flagittee.”

Then he began anew his fumblings and contortions. At last his efforts were rewarded by his producing, apparently from his right ear, a many-folded piece of tissue paper. Unwrapping this carefully, he at last disclosed two twenty-dollar gold pieces, which he handed to Mrs. Tretherick.

“You leavee money topside of blulow, Fiddletown. Me findee money. Me fetchee money to you. All lightee.”

“But I left no money on the top of the bureau, John,” said Mrs. Tretherick earnestly. “There must be some mistake. It belongs to some other person. Take it back, John.”

Ah Fe’s brow darkened. He drew away from Mrs. Tretherick’s extended hand, and began hastily to gather up his basket.

“Me no takee it back. No, no! Bimeby pleesman he catchee me. He say, ‘God damn thief!—catchee flowty dollar: come to jailee.’ Me no takee back. You leavee money topside blulow, Fiddletown. Me fetchee money you. Me no takee back.”

Mrs. Tretherick hesitated. In the confusion of her flight, she MIGHT have left the money in the manner he had said. In any event, she had no right to jeopardize this honest Chinaman’s safety by refusing it. So she said: “Very well, John, I will keep it. But you must come again and see me—” here Mrs. Tretherick hesitated with a new and sudden revelation of the fact that any man could wish to see any other than herself—“and, and—Carry.”

Ah Fe’s face lightened. He even uttered a short ventriloquistic laugh without moving his mouth. Then, shouldering his basket, he shut the door carefully and slid quietly down stairs. In the lower hall he, however, found an unexpected difficulty in opening the front door, and, after fumbling vainly at the lock for a moment, looked around for some help or instruction. But the Irish handmaid who had let him in was contemptuously oblivious of his needs, and did not appear.

There occurred a mysterious and painful incident, which I shall simply record without attempting to explain. On the hall table a scarf, evidently the property of the servant before alluded to, was lying. As Ah Fe tried the lock with one hand, the other rested lightly on the table. Suddenly, and apparently of its own volition, the scarf began to creep slowly toward Ah Fe’s hand; from Ah Fe’s hand it began to creep up his sleeve slowly, and with an insinuating, snakelike motion; and then disappeared somewhere in the recesses of his blouse. Without betraying the least interest or concern in this phenomenon, Ah Fe still repeated his experiments upon the lock. A moment later the tablecloth of red damask, moved by apparently the same mysterious impulse, slowly gathered itself under Ah Fe’s fingers, and sinuously disappeared by the same hidden channel. What further mystery might have followed, I cannot say; for at this moment Ah Fe discovered the secret of the lock, and was enabled to open the door coincident with the sound of footsteps upon the kitchen stairs. Ah Fe did not hasten his movements, but patiently shouldering his basket, closed the door carefully behind him again, and stepped forth into the thick encompassing fog that now shrouded earth and sky.

From her high casement window, Mrs. Tretherick watched Ah Fe’s figure until it disappeared in the gray cloud. In her present loneliness, she felt a keen sense of gratitude toward him, and may have ascribed to the higher emotions and the consciousness of a good deed that certain expansiveness of the chest, and swelling of the bosom, that was really due to the hidden presence of the scarf and tablecloth under his blouse. For Mrs. Tretherick was still poetically sensitive. As the gray fog deepened into night, she drew Carry closer toward her, and, above the prattle of the child, pursued a vein of sentimental and egotistic recollection at once bitter and dangerous. The sudden apparition of Ah Fe linked her again with her past life at Fiddletown. Over the dreary interval between, she was now wandering—a journey so piteous, willful, thorny, and useless that it was no wonder that at last Carry stopped suddenly in the midst of her voluble confidences to throw her small arms around the woman’s neck, and bid her not to cry.

Heaven forefend that I should use a pen that should be ever dedicated to an exposition of unalterable moral principle to transcribe Mrs. Tretherick’s own theory of this interval and episode, with its feeble palliations, its illogical deductions, its fond excuses, and weak apologies. It would seem, however, that her experience had been hard. Her slender stock of money was soon exhausted. At Sacramento she found that the composition of verse, although appealing to the highest emotions of the human heart, and compelling the editorial breast to the noblest commendation in the editorial pages, was singularly inadequate to defray the expenses of herself and Carry. Then she tried the stage, but failed signally. Possibly her conception of the passions was different from that which obtained with a Sacramento audience; but it was certain that her charming presence, so effective at short range, was not sufficiently pronounced for the footlights. She had admirers enough in the greenroom, but awakened no abiding affection among the audience. In this strait, it occurred to her that she had a voice—a contralto of no very great compass or cultivation, but singularly sweet and touching; and she finally obtained position in a church choir. She held it for three months, greatly to her pecuniary advantage, and, it is said, much to the satisfaction of the gentlemen in the back pews, who faced toward her during the singing of the last hymn.

I remember her quite distinctly at this time. The light that slanted through the oriel of St. Dives’s choir was wont to fall very tenderly on her beautiful head with its stacked masses of deerskin-colored hair, on the low black arches of her brows, and to deepen the pretty fringes that shaded her eyes of Genoa velvet. Very pleasant it was to watch the opening and shutting of that small straight mouth, with its quick revelation of little white teeth, and to see the foolish blood faintly deepen her satin cheek as you watched. For Mrs. Tretherick was very sweetly conscious of admiration and, like most pretty women, gathered herself under your eye like a racer under the spur.

And then, of course, there came trouble. I have it from the soprano—a little lady who possessed even more than the usual unprejudiced judgment of her sex—that Mrs. Tretherick’s conduct was simply shameful; that her conceit was unbearable; that, if she considered the rest of the choir as slaves, she (the soprano) would like to know it; that her conduct on Easter Sunday with the basso had attracted the attention of the whole congregation; and that she herself had noticed Dr. Cope twice look up during the service; that her (the soprano’s) friends had objected to her singing in the choir with a person who had been on the stage, but she had waived this. Yet she had it from the best authority that Mrs. Tretherick had run away from her husband, and that this red-haired child who sometimes came in the choir was not her own. The tenor confided to me behind the organ that Mrs. Tretherick had a way of sustaining a note at the end of a line in order that her voice might linger longer with the congregation—an act that could be attributed only to a defective moral nature; that as a man (he was a very popular dry goods clerk on weekdays, and sang a good deal from apparently behind his eyebrows on the Sabbath)—that as a man, sir, he would put up with it no longer. The basso alone—a short German with a heavy voice, for which he seemed reluctantly responsible, and rather grieved at its possession—stood up for Mrs. Tretherick, and averred that they were jealous of her because she was “bretty.” The climax was at last reached in an open quarrel, wherein Mrs. Tretherick used her tongue with such precision of statement and epithet that the soprano burst into hysterical tears, and had to be supported from the choir by her husband and the tenor. This act was marked intentionally to the congregation by the omission of the usual soprano solo. Mrs. Tretherick went home flushed with triumph, but on reaching her room frantically told Carry that they were beggars henceforward; that she—her mother—had just taken the very bread out of her darling’s mouth, and ended by bursting into a flood of penitent tears. They did not come so quickly as in her old poetical days; but when they came they stung deeply. She was roused by a formal visit from a vestryman—one of the music committee. Mrs. Tretherick dried her long lashes, put on a new neck ribbon, and went down to the parlor. She staid there two hours—a fact that might have occasioned some remark but that the vestryman was married, and had a family of grownup daughters. When Mrs. Tretherick returned to her room, she sang to herself in the glass and scolded Carry—but she retained her place in the choir.

It was not long, however. In due course of time, her enemies received a powerful addition to their forces in the committeeman’s wife. That lady called upon several of the church members and on Dr. Cope’s family. The result was that, at a later meeting of the music committee, Mrs. Tretherick’s voice was declared inadequate to the size of the building and she was invited to resign. She did so. She had been out of a situation for two months, and her scant means were almost exhausted, when Ah Fe’s unexpected treasure was tossed into her lap.

The gray fog deepened into night, and the street lamps started into shivering life as, absorbed in these unprofitable memories, Mrs. Tretherick still sat drearily at her window. Even Carry had slipped away unnoticed; and her abrupt entrance with the damp evening paper in her hand roused Mrs. Tretherick, and brought her back to an active realization of the present. For Mrs. Tretherick was wont to scan the advertisements in the faint hope of finding some avenue of employment—she knew not what—open to her needs; and Carry had noted this habit.

Mrs. Tretherick mechanically closed the shutters, lit the lights, and opened the paper. Her eye fell instinctively on the following paragraph in the telegraphic column:

FIDDLETOWN, 7th.—Mr. James Tretherick, an old resident of this place, died last night of delirium tremens. Mr. Tretherick was addicted to intemperate habits, said to have been induced by domestic trouble.

Mrs. Tretherick did not start. She quietly turned over another page of the paper, and glanced at Carry. The child was absorbed in a book. Mrs. Tretherick uttered no word, but during the remainder of the evening was unusually silent and cold. When Carry was undressed and in bed, Mrs. Tretherick suddenly dropped on her knees beside the bed, and, taking Carry’s flaming head between her hands, said:

“Should you like to have another papa, Carry, darling?”

“No,” said Carry, after a moment’s thought.

“But a papa to help Mamma take care of you, to love you, to give you nice clothes, to make a lady of you when you grow up?”

Carry turned her sleepy eyes toward the questioner. “Should YOU, Mamma?”

Mrs. Tretherick suddenly flushed to the roots of her hair. “Go to sleep,” she said sharply, and turned away.

But at midnight the child felt two white arms close tightly around her, and was drawn down into a bosom that heaved, fluttered, and at last was broken up by sobs.

“Don’t ky, Mamma,” whispered Carry, with a vague retrospect of their recent conversation. “Don’t ky. I fink I SHOULD like a new papa, if he loved you very much—very, very much!”

A month afterward, to everybody’s astonishment, Mrs. Tretherick was married. The happy bridegroom was one Colonel Starbottle, recently elected to represent Calaveras County in the legislative councils of the State. As I cannot record the event in finer language than that used by the correspondent of THE SACRAMENTO GLOBE, I venture to quote some of his graceful periods. “The relentless shafts of the sly god have been lately busy among our gallant Solons. We quote ‘one more unfortunate.’ The latest victim is the Hon. C. Starbottle of Calaveras. The fair enchantress in the case is a beautiful widow, a former votary of Thespis, and lately a fascinating St. Cecilia of one of the most fashionable churches of San Francisco, where she commanded a high salary.”

THE DUTCH FLAT INTELLIGENCER saw fit, however, to comment upon the fact with that humorous freedom characteristic of an unfettered press. “The new Democratic war horse from Calaveras has lately advented in the legislature with a little bill to change the name of Tretherick to Starbottle. They call it a marriage certificate down there. Mr. Tretherick has been dead just one month; but we presume the gallant colonel is not afraid of ghosts.” It is but just to Mrs. Tretherick to state that the colonel’s victory was by no means an easy one. To a natural degree of coyness on the part of the lady was added the impediment of a rival—a prosperous undertaker from Sacramento, who had first seen and loved Mrs. Tretherick at the theater and church, his professional habits debarring him from ordinary social intercourse, and indeed any other than the most formal public contact with the sex. As this gentleman had made a snug fortune during the felicitous prevalence of a severe epidemic, the colonel regarded him as a dangerous rival. Fortunately, however, the undertaker was called in professionally to lay out a brother senator, who had unhappily fallen by the colonel’s pistol in an affair of honor; and either deterred by physical consideration from rivalry, or wisely concluding that the colonel was professionally valuable, he withdrew from the field.

The honeymoon was brief, and brought to a close by an untoward incident. During their bridal trip, Carry had been placed in the charge of Colonel Starbottle’s sister. On their return to the city, immediately on reaching their lodgings, Mrs. Starbottle announced her intention of at once proceeding to Mrs. Culpepper’s to bring the child home. Colonel Starbottle, who had been exhibiting for some time a certain uneasiness which he had endeavored to overcome by repeated stimulation, finally buttoned his coat tightly across his breast, and after walking unsteadily once or twice up and down the room, suddenly faced his wife with his most imposing manner.

“I have deferred,” said the colonel with an exaggeration of port that increased with his inward fear, and a growing thickness of speech—“I have deferr—I may say poshponed statement o’ fack thash my duty ter dishclose ter ye. I did no wish to mar sushine mushal happ’ness, to bligh bud o’ promise, to darken conjuglar sky by unpleasht revelashun. Musht be done—by God, m’m, musht do it now. The chile is gone!”

“Gone!” echoed Mrs. Starbottle.

There was something in the tone of her voice, in the sudden drawing-together of the pupils of her eyes, that for a moment nearly sobered the colonel, and partly collapsed his chest.

“I’ll splain all in a minit,” he said with a deprecating wave of the hand. “Everything shall be splained. The-the-the-melencholly event wish preshipitate our happ’ness—the myster’us prov’nice wish releash you—releash chile! hunerstan?—releash chile. The mom’t Tretherick die—all claim you have in chile through him—die too. Thash law. Who’s chile b’long to? Tretherick? Tretherick dead. Chile can’t b’long dead man. Damn nonshense b’long dead man. I’sh your chile? no! whose chile then? Chile b’long to ‘ts mother. Unnerstan?”

“Where is she?” said Mrs. Starbottle, with a very white face and a very low voice.

“I’ll splain all. Chile b’long to ‘ts mother. Thash law. I’m lawyer, leshlator, and American sis’n. Ish my duty as lawyer, as leshlator, and ‘merikan sis’n to reshtore chile to suff’rin mother at any coss—any coss.”

“Where is she?” repeated Mrs. Starbottle, with her eyes still fixed on the colonel’s face.

“Gone to ‘ts m’o’r. Gone East on shteamer, yesserday. Waffed by fav’rin gales to suff’rin p’rent. Thash so!”

Mrs. Starbottle did not move. The colonel felt his chest slowly collapsing, but steadied himself against a chair, and endeavored to beam with chivalrous gallantry not unmixed with magisterial firmness upon her as she sat.

“Your feelin’s, m’m, do honor to yer sex, but conshider situashun. Conshider m’or’s feelings—conshider MY feelin’s.” The colonel paused, and flourishing a white handkerchief, placed it negligently in his breast, and then smiled tenderly above it, as over laces and ruffles, on the woman before him. “Why should dark shed-der cass bligh on two sholes with single beat? Chile’s fine chile, good chile, but summonelse chile! Chile’s gone, Clar’; but all ish’n’t gone, Clar’. Conshider dearesht, you all’s have me!”

Mrs. Starbottle started to her feet. “YOU!” she cried, bringing out a chest note that made the chandeliers ring—“You that I married to give my darling food and clothes—YOU! a dog that I whistled to my side to keep the men off me—YOU!”

She choked up, and then dashed past him into the inner room, which had been Carry’s; then she swept by him again into her own bedroom, and then suddenly reappeared before him, erect, menacing, with a burning fire over her cheekbones, a quick straightening of her arched brows and mouth, a squaring of jaw, and ophidian flattening of the head.

“Listen!” she said in a hoarse, half-grown boy’s voice. “Hear me! If you ever expect to set eyes on me again, you must find the child. If you ever expect to speak to me again, to touch me, you must bring her back. For where she goes, I go; you hear me! Where she has gone, look for me.”

She struck out past him again with a quick feminine throwing-out of her arms from the elbows down, as if freeing herself from some imaginary bonds, and dashing into her chamber, slammed and locked the door. Colonel Starbottle, although no coward, stood in superstitious fear of an angry woman, and, recoiling as she swept by, lost his unsteady foothold and rolled helplessly on the sofa. Here, after one or two unsuccessful attempts to regain his foothold, he remained, uttering from time to time profane but not entirely coherent or intelligible protests, until at last he succumbed to the exhausting quality of his emotions, and the narcotic quantity of his potations.

Meantime, within, Mrs. Starbottle was excitedly gathering her valuables and packing her trunk, even as she had done once before in the course of this remarkable history. Perhaps some recollection of this was in her mind; for she stopped to lean her burning cheeks upon her hand, as if she saw again the figure of the child standing in the doorway, and heard once more a childish voice asking, “Is it Mamma?” But the epithet now stung her to the quick, and with a quick, passionate gesture she dashed it away with a tear that had gathered in her eye. And then it chanced that, in turning over some clothes, she came upon the child’s slipper with a broken sandal string. She uttered a great cry here—the first she had uttered—and caught it to her breast, kissing it passionately again and again, and rocking from side to side with a motion peculiar to her sex. And then she took it to the window, the better to see it through her now streaming eyes. Here she was taken with a sudden fit of coughing that she could not stifle with the handkerchief she put to her feverish lips. And then she suddenly grew very faint. The window seemed to recede before her, the floor to sink beneath her feet; and staggering to the bed, she fell prone upon it with the sandal and handkerchief pressed to her breast. Her face was quite pale, the orbit of her eyes dark; and there was a spot upon her lip, another on her handkerchief, and still another on the white counterpane of the bed.