Mrs. Skagg's Husbands and Other Stories

“You are very much subdued. You don’t thank me, I dare say, for keeping you and your friend here; but you couldn’t go, you know, until father returned.”

Islington smiled, but not very gayly.

“And then I think it much better for us to part here under these frescos, don’t you? Good by.”

She extended her long, slim hand.

“Out in the sunlight there, when my eyes were red, you were very anxious to look at me,” she added, in a dangerous voice.

Islington raised his sad eyes to hers. Something glittering upon her own sweet lashes trembled and fell.

“Blanche!”

She was rosy enough now, and would have withdrawn her hand, but Islington detained it. She was not quite certain but that her waist was also in jeopardy. Yet she could not help saying, “Are you sure that there isn’t anything in the way of a young woman that would keep you?”

“Blanche!” said Islington in reproachful horror.

“If gentlemen will roar out their secrets before an open window, with a young woman lying on a sofa on the veranda, reading a stupid French novel, they must not be surprised if she gives more attention to them than her book.”

“Then you know all, Blanche?”

“I know,” said Blanche, “let’s see—I know the partiklar style of—ahem!—fool you was, and expected no better. Good by.” And, gliding like a lovely and innocent milk snake out of his grasp, she slipped away.

To the pleasant ripple of waves, the sound of music and light voices, the yellow midsummer moon again rose over Greyport. It looked upon formless masses of rock and shrubbery, wide spaces of lawn and beach, and a shimmering expanse of water. It singled out particular objects,—a white sail in shore, a crystal globe upon the lawn, and flashed upon something held between the teeth of a crouching figure scaling the low wall of Cliffwood Lodge. Then, as a man and woman passed out from under the shadows of the foliage into the open moonlight of the garden path, the figure leaped from the wall, and stood erect and waiting in the shadow.

It was the figure of an old man, with rolling eyes, his trembling hand grasping a long, keen knife,—a figure more pitiable than pitiless, more pathetic than terrible. But the next moment the knife was stricken from his hand, and he struggled in the firm grasp of another figure that apparently sprang from the wall beside him.

“D—n you, Masterman!” cried the old man, hoarsely; “give me fair play, and I’ll kill you yet!”

“Which my name is Yuba Bill,” said Bill, quietly, “and it’s time this d—n fooling was stopped.”

The old man glared in Bill’s face savagely. “I know you. You’re one of Masterman’s friends,—d—n you,—let me go till I cut his heart out,—let me go! Where is my Mary?—where is my wife?—there she is! there!—there!—there! Mary!” He would have screamed, but Bill placed his powerful hand upon his mouth, as he turned in the direction of the old man’s glance. Distinct in the moonlight the figures of Islington and Blanche, arm in arm, stood out upon the garden path.

“Give me my wife!” muttered the old man hoarsely, between Bill’s fingers. “Where is she?”

A sudden fury passed over Yuba Bill’s face. “Where is your wife?” he echoed, pressing the old man back against the garden wall, and holding him there as in a vice. “Where is your wife?” he repeated, thrusting his grim sardonic jaw and savage eyes into the old man’s frightened face. “Where is Jack Adam’s wife? Where is MY wife? Where is the she-devil that drove one man mad, that sent another to hell by his own hand, that eternally broke and ruined me? Where! Where! Do you ask where? In jail in Sacramento,—in jail, do you hear?—in jail for murder, Johnson,—murder!”

The old man gasped, stiffened, and then, relaxing, suddenly slipped, a mere inanimate mass, at Yuba Bill’s feet. With a sudden revulsion of feeling, Yuba Bill dropped at his side, and, lifting him tenderly in his arms, whispered, “Look up, old man, Johnson! look up, for God’s sake!—it’s me,—Yuba Bill! and yonder is your daughter, and—Tommy!—don’t you know—Tommy, little Tommy Islington?”

Johnson’s eyes slowly opened. He whispered, “Tommy! yes, Tommy! Sit by me, Tommy. But don’t sit so near the bank. Don’t you see how the river is rising and beckoning to me,—hissing, and boilin’ over the rocks? It’s gittin higher!—hold me, Tommy,—hold me, and don’t let me go yet. We’ll live to cut his heart out, Tommy,—we’ll live—we’ll—” His head sank, and the rushing river, invisible to all eyes save his, leaped toward him out of the darkness, and bore him away, no longer to the darkness, but through it to the distant, peaceful shining sea.

HOW SANTA CLAUS CAME TO SIMPSON’S BAR

It had been raining in the valley of the Sacramento. The North Fork had overflowed its banks and Rattlesnake Creek was impassable. The few boulders that had marked the summer ford at Simpson’s Crossing were obliterated by a vast sheet of water stretching to the foothills. The up stage was stopped at Grangers; the last mail had been abandoned in the tules, the rider swimming for his life. “An area,” remarked the “Sierra Avalanche,” with pensive local pride, “as large as the State of Massachusetts is now under water.”

Nor was the weather any better in the foothills. The mud lay deep on the mountain road; wagons that neither physical force nor moral objurgation could move from the evil ways into which they had fallen, encumbered the track, and the way to Simpson’s Bar was indicated by broken-down teams and hard swearing. And farther on, cut off and inaccessible, rained upon and bedraggled, smitten by high winds and threatened by high water, Simpson’s Bar, on the eve of Christmas day, 1862, clung like a swallow’s nest to the rocky entablature and splintered capitals of Table Mountain, and shook in the blast.

As night shut down on the settlement, a few lights gleamed through the mist from the windows of cabins on either side of the highway now crossed and gullied by lawless streams and swept by marauding winds. Happily most of the population were gathered at Thompson’s store, clustered around a red-hot stove, at which they silently spat in some accepted sense of social communion that perhaps rendered conversation unnecessary. Indeed, most methods of diversion had long since been exhausted on Simpson’s Bar; high water had suspended the regular occupations on gulch and on river, and a consequent lack of money and whiskey had taken the zest from most illegitimate recreation. Even Mr. Hamlin was fain to leave the Bar with fifty dollars in his pocket,—the only amount actually realized of the large sums won by him in the successful exercise of his arduous profession. “Ef I was asked,” he remarked somewhat later,—“ef I was asked to pint out a purty little village where a retired sport as didn’t care for money could exercise hisself, frequent and lively, I’d say Simpson’s Bar; but for a young man with a large family depending on his exertions, it don’t pay.” As Mr. Hamlin’s family consisted mainly of female adults, this remark is quoted rather to show the breadth of his humor than the exact extent of his responsibilities.

Howbeit, the unconscious objects of this satire sat that evening in the listless apathy begotten of idleness and lack of excitement. Even the sudden splashing of hoofs before the door did not arouse them. Dick Bullen alone paused in the act of scraping out his pipe, and lifted his head, but no other one of the group indicated any interest in, or recognition of, the man who entered.

It was a figure familiar enough to the company, and known in Simpson’s Bar as “The Old Man.” A man of perhaps fifty years; grizzled and scant of hair, but still fresh and youthful of complexion. A face full of ready, but not very powerful sympathy, with a chameleon-like aptitude for taking on the shade and color of contiguous moods and feelings. He had evidently just left some hilarious companions, and did not at first notice the gravity of the group, but clapped the shoulder of the nearest man jocularly, and threw himself into a vacant chair.

“Jest heard the best thing out, boys! Ye know Smiley, over yar,—Jim Smiley,—funniest man in the Bar? Well, Jim was jest telling the richest yarn about—”

“Smiley’s a – fool,” interrupted a gloomy voice.

“A particular – skunk,” added another in sepulchral accents.

A silence followed these positive statements. The Old Man glanced quickly around the group. Then his face slowly changed. “That’s so,” he said reflectively, after a pause, “certingly a sort of a skunk and suthin of a fool. In course.” He was silent for a moment as in painful contemplation of the unsavoriness and folly of the unpopular Smiley. “Dismal weather, ain’t it?” he added, now fully embarked on the current of prevailing sentiment. “Mighty rough papers on the boys, and no show for money this season. And tomorrow’s Christmas.”

There was a movement among the men at this announcement, but whether of satisfaction or disgust was not plain. “Yes,” continued the Old Man in the lugubrious tone he had, within the last few moments, unconsciously adopted,—“yes, Christmas, and to-night’s Christmas eve. Ye see, boys, I kinder thought—that is, I sorter had an idee, jest passin’ like, you know—that may be ye’d all like to come over to my house to-night and have a sort of tear round. But I suppose, now, you wouldn’t? Don’t feel like it, may be?” he added with anxious sympathy, peering into the faces of his companions.

“Well, I don’t know,” responded Tom Flynn with some cheerfulness. “P’r’aps we may. But how about your wife, Old Man? What does SHE say to it?”

The Old Man hesitated. His conjugal experience had not been a happy one, and the fact was known to Simpson’s Bar. His first wife, a delicate, pretty little woman, had suffered keenly and secretly from the jealous suspicions of her husband, until one day he invited the whole Bar to his house to expose her infidelity. On arriving, the party found the shy, petite creature quietly engaged in her household duties, and retired abashed and discomfited. But the sensitive woman did not easily recover from the shock of this extraordinary outrage. It was with difficulty she regained her equanimity sufficiently to release her lover from the closet in which he was concealed and escape with him. She left a boy of three years to comfort her bereaved husband. The Old Man’s present wife had been his cook. She was large, loyal, and aggressive.

Before he could reply, Joe Dimmick suggested with great directness that it was the “Old Man’s house,” and that, invoking the Divine Power, if the case were his own, he would invite whom he pleased, even if in so doing he imperilled his salvation. The Powers of Evil, he further remarked, should contend against him vainly. All this delivered with a terseness and vigor lost in this necessary translation.

“In course. Certainly. Thet’s it,” said the Old Man with a sympathetic frown. “Thar’s no trouble about THET. It’s my own house, built every stick on it myself. Don’t you be afeard o’ her, boys. She MAY cut up a trifle rough,—ez wimmin do,—but she’ll come round.” Secretly the Old Man trusted to the exaltation of liquor and the power of courageous example to sustain him in such an emergency.

As yet, Dick Bullen, the oracle and leader of Simpson’s Bar, had not spoken. He now took his pipe from his lips. “Old Man, how’s that yer Johnny gettin’ on? Seems to me he didn’t look so peart last time I seed him on the bluff heavin’ rocks at Chinamen. Didn’t seem to take much interest in it. Thar was a gang of ‘em by yar yesterday,—drownded out up the river,—and I kinder thought o’ Johnny, and how he’d miss ‘em! May be now, we’d be in the way ef he wus sick?”

The father, evidently touched not only by this pathetic picture of Johnny’s deprivation, but by the considerate delicacy of the speaker, hastened to assure him that Johnny was better and that a “little fun might ‘liven him up.” Whereupon Dick arose, shook himself, and saying, “I’m ready. Lead the way, Old Man: here goes,” himself led the way with a leap, a characteristic howl, and darted out into the night. As he passed through the outer room he caught up a blazing brand from the hearth. The action was repeated by the rest of the party, closely following and elbowing each other, and before the astonished proprietor of Thompson’s grocery was aware of the intention of his guests, the room was deserted.

The night was pitchy dark. In the first gust of wind their temporary torches were extinguished, and only the red brands dancing and flitting in the gloom like drunken will-o’-the-wisps indicated their whereabouts. Their way led up Pine-Tree Canyon, at the head of which a broad, low, bark-thatched cabin burrowed in the mountain-side. It was the home of the Old Man, and the entrance to the tunnel in which he worked when he worked at all. Here the crowd paused for a moment, out of delicate deference to their host, who came up panting in the rear.

“P’r’aps ye’d better hold on a second out yer, whilst I go in and see thet things is all right,” said the Old Man, with an indifference he was far from feeling. The suggestion was graciously accepted, the door opened and closed on the host, and the crowd, leaning their backs against the wall and cowering under the eaves, waited and listened.

For a few moments there was no sound but the dripping of water from the eaves, and the stir and rustle of wrestling boughs above them. Then the men became uneasy, and whispered suggestion and suspicion passed from the one to the other. “Reckon she’s caved in his head the first lick!” “Decoyed him inter the tunnel and barred him up, likely.” “Got him down and sittin’ on him.” “Prob’ly bilin suthin to heave on us: stand clear the door, boys!” For just then the latch clicked, the door slowly opened, and a voice said, “Come in out o’ the wet.”

The voice was neither that of the Old Man nor of his wife. It was the voice of a small boy, its weak treble broken by that preternatural hoarseness which only vagabondage and the habit of premature self-assertion can give. It was the face of a small boy that looked up at theirs,—a face that might have been pretty and even refined but that it was darkened by evil knowledge from within, and dirt and hard experience from without. He had a blanket around his shoulders and had evidently just risen from his bed. “Come in,” he repeated, “and don’t make no noise. The Old Man’s in there talking to mar,” he continued, pointing to an adjacent room which seemed to be a kitchen, from which the Old Man’s voice came in deprecating accents. “Let me be,” he added, querulously, to Dick Bullen, who had caught him up, blanket and all, and was affecting to toss him into the fire, “let go o’ me, you d–d old fool, d’ye hear?”

Thus adjured, Dick Bullen lowered Johnny to the ground with a smothered laugh, while the men, entering quietly, ranged themselves around a long table of rough boards which occupied the centre of the room. Johnny then gravely proceeded to a cupboard and brought out several articles which he deposited on the table. “Thar’s whiskey. And crackers. And red herons. And cheese.” He took a bite of the latter on his way to the table. “And sugar.” He scooped up a mouthful en route with a small and very dirty hand. “And terbacker. Thar’s dried appils too on the shelf, but I don’t admire ‘em. Appils is swellin’. Thar,” he concluded, “now wade in, and don’t be afeard. I don’t mind the old woman. She don’t b’long to ME. S’long.”

He had stepped to the threshold of a small room, scarcely larger than a closet, partitioned off from the main apartment, and holding in its dim recess a small bed. He stood there a moment looking at the company, his bare feet peeping from the blanket, and nodded.

“Hello, Johnny! You ain’t goin’ to turn in agin, are ye?” said Dick.

“Yes, I are,” responded Johnny, decidedly.

“Why, wot’s up, old fellow?”

“I’m sick.”

“How sick!”

“I’ve got a fevier. And childblains. And roomatiz,” returned Johnny, and vanished within. After a moment’s pause, he added in the dark, apparently from under the bedclothes,—“And biles!”