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Mrs. Skagg's Husbands and Other Stories

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2019
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There was an embarrassing silence. The men looked at each other, and at the fire. Even with the appetizing banquet before them, it seemed as if they might again fall into the despondency of Thompson’s grocery, when the voice of the Old Man, incautiously lifted, came deprecatingly from the kitchen.

“Certainly! Thet’s so. In course they is. A gang o’ lazy drunken loafers, and that ar Dick Bullen’s the ornariest of all. Didn’t hev no more sabe than to come round yar with sickness in the house and no provision. Thet’s what I said: ‘Bullen,’ sez I, ‘it’s crazy drunk you are, or a fool,’ sez I, ‘to think o’ such a thing.’ ‘Staples,’ I sez, ‘be you a man, Staples, and ‘spect to raise h-ll under my roof and invalids lyin’ round?’ But they would come,—they would. Thet’s wot you must ‘spect o’ such trash as lays round the Bar.”

A burst of laughter from the men followed this unfortunate exposure. Whether it was overheard in the kitchen, or whether the Old Man’s irate companion had just then exhausted all other modes of expressing her contemptuous indignation, I cannot say, but a back door was suddenly slammed with great violence. A moment later and the Old Man reappeared, haply unconscious of the cause of the late hilarious outburst, and smiled blandly.

“The old woman thought she’d jest run over to Mrs. McFadden’s for a sociable call,” he explained, with jaunty indifference, as he took a seat at the board.

Oddly enough it needed this untoward incident to relieve the embarrassment that was beginning to be felt by the party, and their natural audacity returned with their host. I do not propose to record the convivialities of that evening. The inquisitive reader will accept the statement that the conversation was characterized by the same intellectual exaltation, the same cautious reverence, the same fastidious delicacy, the same rhetorical precision, and the same logical and coherent discourse somewhat later in the evening, which distinguish similar gatherings of the masculine sex in more civilized localities and under more favorable auspices. No glasses were broken in the absence of any; no liquor was uselessly spilt on floor or table in the scarcity of that article.

It was nearly midnight when the festivities were interrupted. “Hush,” said Dick Bullen, holding up his hand. It was the querulous voice of Johnny from his adjacent closet: “O dad!”

The Old Man arose hurriedly and disappeared in the closet. Presently he reappeared. “His rheumatiz is coming on agin bad,” he explained, “and he wants rubbin’.” He lifted the demijohn of whiskey from the table and shook it. It was empty. Dick Bullen put down his tin cup with an embarrassed laugh. So did the others. The Old Man examined their contents and said hopefully, “I reckon that’s enough; he don’t need much. You hold on all o’ you for a spell, and I’ll be back”; and vanished in the closet with an old flannel shirt and the whiskey. The door closed but imperfectly, and the following dialogue was distinctly audible:—

“Now, Sonny, whar does she ache worst?”

“Sometimes over yar and sometimes under yer; but it’s most powerful from yer to yer. Rub yer, dad.”

A silence seemed to indicate a brisk rubbing. Then Johnny:

“Hevin’ a good time out yer, dad?”

“Yes, sonny.”

“To-morrer’s Chrismiss, ain’t it?”

“Yes, Sonny. How does she feel now?”

“Better rub a little furder down. Wot’s Chrismiss, anyway? Wot’s it all about?”

“O, it’s a day.”

This exhaustive definition was apparently satisfactory, for there was a silent interval of rubbing. Presently Johnny again:

“Mar sez that everywhere else but yer everybody gives things to everybody Chrismiss, and then she jist waded inter you. She sez thar’s a man they call Sandy Claws, not a white man, you know, but a kind o’ Chinemin, comes down the chimbley night afore Chrismiss and gives things to chillern,—boys like me. Puts ‘em in their butes! Thet’s what she tried to play upon me. Easy now, pop, whar are you rubbin’ to,—thet’s a mile from the place. She jest made that up, didn’t she, jest to aggrewate me and you? Don’t rub thar. . . . Why, dad!”

In the great quiet that seemed to have fallen upon the house the sigh of the near pines and the drip of leaves without was very distinct. Johnny’s voice, too, was lowered as he went on, “Don’t you take on now, fur I’m gettin’ all right fast. Wot’s the boys doin’ out thar?”

The Old Man partly opened the door and peered through. His guests were sitting there sociably enough, and there were a few silver coins and a lean buckskin purse on the table. “Bettin’ on suthin,—some little game or ‘nother. They’re all right,” he replied to Johnny, and recommenced his rubbing.

“I’d like to take a hand and win some money,” said Johnny, reflectively, after a pause.

The Old Man glibly repeated what was evidently a familiar formula, that if Johnny would wait until he struck it rich in the tunnel he’d have lots of money, etc., etc.

“Yes,” said Johnny, “but you don’t. And whether you strike it or I win it, it’s about the same. It’s all luck. But it’s mighty cur’o’s about Chrismiss,—ain’t it? Why do they call it Chrismiss?”

Perhaps from some instinctive deference to the overhearing of his guests, or from some vague sense of incongruity, the Old Man’s reply was so low as to be inaudible beyond the room.

“Yes,” said Johnny, with some slight abatement of interest, “I’ve heerd o’ HIM before. Thar, that’ll do, dad. I don’t ache near so bad as I did. Now wrap me tight in this yer blanket. So. Now,” he added in a muffled whisper, “sit down yer by me till I go asleep.” To assure himself of obedience, he disengaged one hand from the blanket and, grasping his father’s sleeve, again composed himself to rest.

For some moments the Old Man waited patiently. Then the unwonted stillness of the house excited his curiosity, and without moving from the bed, he cautiously opened the door with his disengaged hand, and looked into the main room. To his infinite surprise it was dark and deserted. But even then a smouldering log on the hearth broke, and by the upspringing blaze he saw the figure of Dick Bullen sitting by the dying embers.

“Hello!”

Dick started, rose, and came somewhat unsteadily toward him.

“Whar’s the boys?” said the Old Man.

“Gone up the canyon on a little pasear. They’re coming back for me in a minit. I’m waitin’ round for ‘em. What are you starin’ at, Old Man?” he added with a forced laugh; “do you think I’m drunk?”

The Old Man might have been pardoned the supposition, for Dick’s eyes were humid and his face flushed. He loitered and lounged back to the chimney, yawned, shook himself, buttoned up his coat and laughed. “Liquor ain’t so plenty as that, Old Man. Now don’t you git up,” he continued, as the Old Man made a movement to release his sleeve from Johnny’s hand. “Don’t you mind manners. Sit jest whar you be; I’m goin’ in a jiffy. Thar, that’s them now.”

There was a low tap at the door. Dick Bullen opened it quickly, nodded “Good night” to his host, and disappeared. The Old Man would have followed him but for the hand that still unconsciously grasped his sleeve. He could have easily disengaged it: it was small, weak, and emaciated. But perhaps because it WAS small, weak, and emaciated, he changed his mind, and, drawing his chair closer to the bed, rested his head upon it. In this defenceless attitude the potency of his earlier potations surprised him. The room flickered and faded before his eyes, reappeared, faded again, went out, and left him—asleep.

Meantime Dick Bullen, closing the door, confronted his companions. “Are you ready?” said Staples. “Ready,” said Dick; “what’s the time?” “Past twelve,” was the reply; “can you make it?—it’s nigh on fifty miles, the round trip hither and yon.” “I reckon,” returned Dick, shortly. “Whar’s the mare?” “Bill and Jack’s holdin’ her at the crossin’.” “Let ‘em hold on a minit longer,” said Dick.

He turned and re-entered the house softly. By the light of the guttering candle and dying fire he saw that the door of the little room was open. He stepped toward it on tiptoe and looked in. The Old Man had fallen back in his chair, snoring, his helpless feet thrust out in a line with his collapsed shoulders, and his hat pulled over his eyes. Beside him, on a narrow wooden bedstead, lay Johnny, muffled tightly in a blanket that hid all save a strip of forehead and a few curls damp with perspiration. Dick Bullen made a step forward, hesitated, and glanced over his shoulder into the deserted room. Everything was quiet. With a sudden resolution he parted his huge mustaches with both hands and stooped over the sleeping boy. But even as he did so a mischievous blast, lying in wait, swooped down the chimney, rekindled the hearth, and lit up the room with a shameless glow from which Dick fled in bashful terror.

His companions were already waiting for him at the crossing. Two of them were struggling in the darkness with some strange misshapen bulk, which as Dick came nearer took the semblance of a great yellow horse.

It was the mare. She was not a pretty picture. From her Roman nose to her rising haunches, from her arched spine hidden by the stiff machillas of a Mexican saddle, to her thick, straight, bony legs, there was not a line of equine grace. In her half-blind but wholly vicious white eyes, in her protruding under lip, in her monstrous color, there was nothing but ugliness and vice.

“Now then,” said Staples, “stand cl’ar of her heels, boys, and up with you. Don’t miss your first holt of her mane, and mind ye get your off stirrup QUICK. Ready!”

There was a leap, a scrambling struggle, a bound, a wild retreat of the crowd, a circle of flying hoofs, two springless leaps that jarred the earth, a rapid play and jingle of spurs, a plunge, and then the voice of Dick somewhere in the darkness, “All right!”

“Don’t take the lower road back onless you’re hard pushed for time! Don’t hold her in down hill! We’ll be at the ford at five. G’lang! Hoopa! Mula! GO!”

A splash, a spark struck from the ledge in the road, a clatter in the rocky cut beyond, and Dick was gone.

Sing, O Muse, the ride of Richard Bullen! Sing, O Muse of chivalrous men! the sacred quest, the doughty deeds, the battery of low churls, the fearsome ride and grewsome perils of the Flower of Simpson’s Bar! Alack! she is dainty, this Muse! She will have none of this bucking brute and swaggering, ragged rider, and I must fain follow him in prose, afoot!

It was one o’clock, and yet he had only gained Rattlesnake Hill. For in that time Jovita had rehearsed to him all her imperfections and practised all her vices. Thrice had she stumbled. Twice had she thrown up her Roman nose in a straight line with the reins, and, resisting bit and spur, struck out madly across country. Twice had she reared, and, rearing, fallen backward; and twice had the agile Dick, unharmed, regained his seat before she found her vicious legs again. And a mile beyond them, at the foot of a long hill, was Rattlesnake Creek. Dick knew that here was the crucial test of his ability to perform his enterprise, set his teeth grimly, put his knees well into her flanks, and changed his defensive tactics to brisk aggression. Bullied and maddened, Jovita began the descent of the hill. Here the artful Richard pretended to hold her in with ostentatious objurgation and well-feigned cries of alarm. It is unnecessary to add that Jovita instantly ran away. Nor need I state the time made in the descent; it is written in the chronicles of Simpson’s Bar. Enough that in another moment, as it seemed to Dick, she was splashing on the overflowed banks of Rattlesnake Creek. As Dick expected, the momentum she had acquired carried her beyond the point of balking, and, holding her well together for a mighty leap, they dashed into the middle of the swiftly flowing current. A few moments of kicking, wading, and swimming, and Dick drew a long breath on the opposite bank.

The road from Rattlesnake Creek to Red Mountain was tolerably level. Either the plunge in Rattlesnake Creek had dampened her baleful fire, or the art which led to it had shown her the superior wickedness of her rider, for Jovita no longer wasted her surplus energy in wanton conceits. Once she bucked, but it was from force of habit; once she shied, but it was from a new freshly painted meeting-house at the crossing of the county road. Hollows, ditches, gravelly deposits, patches of freshly springing grasses, flew from beneath her rattling hoofs. She began to smell unpleasantly, once or twice she coughed slightly, but there was no abatement of her strength or speed. By two o’clock he had passed Red Mountain and begun the descent to the plain. Ten minutes later the driver of the fast Pioneer coach was overtaken and passed by a “man on a Pinto hoss,”—an event sufficiently notable for remark. At half past two Dick rose in his stirrups with a great shout. Stars were glittering through the rifted clouds, and beyond him, out of the plain, rose two spires, a flagstaff, and a straggling line of black objects. Dick jingled his spurs and swung his riata, Jovita bounded forward, and in another moment they swept into Tuttleville and drew up before the wooden piazza of “The Hotel of All Nations.”

What transpired that night at Tuttleville is not strictly a part of this record. Briefly I may state, however, that after Jovita had been handed over to a sleepy ostler, whom she at once kicked into unpleasant consciousness, Dick sallied out with the bar-keeper for a tour of the sleeping town. Lights still gleamed from a few saloons and gambling-houses; but, avoiding these, they stopped before several closed shops, and by persistent tapping and judicious outcry roused the proprietors from their beds, and made them unbar the doors of their magazines and expose their wares. Sometimes they were met by curses, but oftener by interest and some concern in their needs, and the interview was invariably concluded by a drink. It was three o’clock before this pleasantry was given over, and with a small waterproof bag of india-rubber strapped on his shoulders Dick returned to the hotel. But here he was waylaid by Beauty,—Beauty opulent in charms, affluent in dress, persuasive in speech, and Spanish in accent! In vain she repeated the invitation in “Excelsior,” happily scorned by all Alpine-climbing youth, and rejected by this child of the Sierras,—a rejection softened in this instance by a laugh and his last gold coin. And then he sprang to the saddle and dashed down the lonely street and out into the lonelier plain, where presently the lights, the black line of houses, the spires, and the flagstaff sank into the earth behind him again and were lost in the distance.

The storm had cleared away, the air was brisk and cold, the outlines of adjacent landmarks were distinct, but it was half past four before Dick reached the meeting-house and the crossing of the county road. To avoid the rising grade he had taken a longer and more circuitous road, in whose viscid mud Jovita sank fetlock deep at every bound. It was a poor preparation for a steady ascent of five miles more; but Jovita, gathering her legs under her, took it with her usual blind, unreasoning fury, and a half-hour later reached the long level that led to Rattlesnake Creek. Another half-hour would bring him to the creek. He threw the reins lightly upon the neck of the mare, chirruped to her, and began to sing.

Suddenly Jovita shied with a bound that would have unseated a less practised rider. Hanging to her rein was a figure that had leaped from the bank, and at the same time from the road before her arose a shadowy horse and rider. “Throw up your hands,” commanded this second apparition, with an oath.

Dick felt the mare tremble, quiver, and apparently sink under him. He knew what it meant and was prepared.

“Stand aside, Jack Simpson, I know you, you d–d thief. Let me pass or—”

He did not finish the sentence. Jovita rose straight in the air with a terrific bound, throwing the figure from her bit with a single shake of her vicious head, and charged with deadly malevolence down on the impediment before her. An oath, a pistol-shot, horse and highwayman rolled over in the road, and the next moment Jovita was a hundred yards away. But the good right arm of her rider, shattered by a bullet, dropped helplessly at his side.

Without slacking his speed he shifted the reins to his left hand. But a few moments later he was obliged to halt and tighten the saddle-girths that had slipped in the onset. This in his crippled condition took some time. He had no fear of pursuit, but looking up he saw that the eastern stars were already paling, and that the distant peaks had lost their ghostly whiteness, and now stood out blackly against a lighter sky. Day was upon him. Then completely absorbed in a single idea, he forgot the pain of his wound, and mounting again dashed on toward Rattlesnake Creek. But now Jovita’s breath came broken by gasps, Dick reeled in his saddle, and brighter and brighter grew the sky.
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