"If I could be rich and great, and go to London, and live in society, you'd see if I would do better," retorted Doris.
"You two remind me of verses of a poem on two sisters," said Earle. "Their lives lay far apart.
"'One sought the gilded world, and there became
A being fit to startle and surprise,
Till men moved to the echoes of her name,
And bowed beneath the magic of her eyes.'"
"Yes, that means me," said Doris, tranquilly.
"'But she, the other, with a happier choice,
Dwelt 'mong the breezes of her native fields,
Laughed with the brooks, and saw the flowers rejoice;
Brimmed with all sweetness that the summer yields.'"
"That, then, is Mattie."
Mattie looked up in gratified surprise.
"If you are complimenting Mattie, I won't stay and hear it; I reign alone!" cried Doris, half laughing, half petulant, and darting away she sought her own room, and refused to return that night.
It was often so. When she had sunned Earle with her smiles she withdrew her presence, or changed smiles to frowns; so he was never cloyed with too much sweetness. When Doris withdrew, in vain he sang under the window, or sent her love-full notes. The summer sun of his love had its settings, its shadows, its thunder-clouds, yet Earle loved and was happy.
CHAPTER XII
BEAUTY BECOMES IMMORTAL
It was the good custom of Mark Brace to close the day with prayer; and sometimes a word or two of the psalms for the day penetrated the sedulously deaf ears of Doris.
Such happened to be the case one August night, and set the beauty thinking. She was perched on the sill of the dairy window, next morning, watching Mattie make butter, but her brow wore a perplexed frown, and a look of curiosity not provoked by butter-making was in her blue eyes.
"What is the matter? What are you thinking of, Doris?"
"I am thinking that I am an example of Scripture truth."
"In what particular?" asked Mattie.
"In the particular of tumbling into the pit, or catching in the net, duly set forth by me for other people."
"I don't quite understand you."
"Then you are even duller than usual, and, as I may no more speak in parables, I will expound myself clearly. I deliberately endeavored to entrap and entangle Earle Moray into loving me, for my summer pastime. I did not duly consider that I might fall in love with him myself."
"Why not, if you desired him to love you?"
"That was merely part of beauty's dues, child. Why not? He is not rich enough, or great enough; he cannot take me to London, and make me a society queen."
"Certainly not. You did not expect that."
"True. And I did not expect to fall in love with him."
"But you have? Surely you have, he loves you so much."
"Eh? Do you want me to love him? I thought you wanted him."
"I only want him to be happy," said Mattie, turning away, with a blush.
"Perhaps I love him a little. I am not capable of loving much," said Doris, with exceeding frankness. "My chief affections are set upon the pomps and vanities of this life, which I presume were renounced for me in my baptism."
"Don't be so wicked," cried the scandalized Mattie.
"And yet I don't know that I could say 'yes,' if Earle asked me to marry him. I might, and then repent, and take it back. I suppose, if he asked father and mother, they would say 'yes,' and be fearfully awkward about it."
"You shall not talk so about them!" said Mattie, indignantly.
"I don't feel to them as you do – why is it? I don't feel a part of the Brace family. I like you, Mattie; father amuses me with his outspoken, homely ways; I don't consider mother much. She is good, but commonplace, like brown bread. In fact, you are all too rustic, and homely, and pious, and common-sensical for wicked me. Are you done with that butter? Why don't it grow made? I am sick of life. Earle is off to Brakebury for his mother. It is only half-past eight, and I feel as if I had been up a century. Come with me to get blackberries."
"I cannot. I have much dairy work to do yet," said Mattie.
"I wish you would go for blackberries for supper," said Patty Brace, coming in. "You don't seem disposed to do anything useful, Doris – suppose you try that."
"I take care of my room, and my clothes," pouted Doris, "and that nearly kills me. I wish I had a maid!"
Patty laughed.
"Well, child, the woods are cool and beautiful, and you are tired of doing nothing. Take this basket, and try and fill it with blackberries."
Fearful of being asked to do some more practical duty if she rejected this, Doris picked up the basket, put on a pair of gloves, tied her sun-hat down under her distracting little chin, and set forth toward the knoll, a place famous for blackberries. The grass was long and thick, the aftermath of clover loaded the air with fragrance, scarlet creepers ran along the hedges, and at the knoll, with purple stems and green and orange leaves, grew the blackberries in globules of polished jet. An inspiration of industry seized Doris, and she filled her basket; the soft little tips of her fingers were dyed crimson with the fruit. She lingered over her task. Earle might return, and it would be pleasant under the trees, birds singing and grass rustling about them, while Earle talked poetry to her.
But Earle did not come, and something in the silence of nature set this thoughtless creature to thinking.
It was one of those solemn hours of life when our fate hangs in the balance. What of her future? What should she do with herself? Should she give up her frantic ambition, her intense desire after excitement, riches, and splendor, and, accepting an honest man, settle in a simple, comfortable home, and grace it as a good wife and mother all her days? Could she do that?
Should she refuse Earle Moray, on whose lips an offer of himself and his all was trembling? Should she send him away? She scarcely felt ready for that. She had grown to love him a little – just a little – but more than any one – except herself. Should she fly this homely, quiet life, these good, uncongenial people, fly to the great city, and set out under a feigned name to make her own way in the world, as singer, actress – any wild, adventurous path that might find her at least a lord for a husband? Should she?
"Can I give him up? Can I leave him to Mattie? Will he ever be famous and rich enough to make it worth while to nourish my little bit of love for him into real love, if I can ever love? Oh, for some good fairy to rise up and tell me what to do!"
She started in sudden fear, for surely a step was coming close to her, some one from the other side of the coppice, who had watched her unseen. Not a fairy. A gentleman. A very presentable gentleman, who said:
"I beg pardon. Do not let me alarm you."
Then the two looked at each other.
Doris saw a handsome, middle-aged man, palette on his thumb, box of paints under his arm, portable easel in his hand; wide-awake hat, velveteen suit. She promptly summed him up – "artist."
He saw – Doris; Doris, mold of beauty; naiad in grace; innocence in her startled eyes; face of an angel; mien of a wood nymph. He began to believe in the gods of old. He said to himself, "Maid or spirit? Mortal or vision?"
"Forgive me for startling you," he said; "but I have been watching you as you stood under this tree – "