"I declare, Patty, I never thought of that."
"And yet, if Doris has set her heart on it, she'll have it done – you see," added Patty.
"True," said Mark. "And people will hardly think of seeking resemblances to middle-aged people in a sort of fancy picture. Better let it be done under our eye, Patty."
"I suppose so, since we cannot hinder its doing."
They returned to the kitchen.
"We have no objection, if you wish to make the picture, sir," said Mark.
"I should think not. I had settled that," said Doris.
"In return for your kindness," said the artist to Patty, "I will make a small portrait of her for your parlor."
So one sitting was given then and there, and others were arranged for.
When Earle came that evening he heard all the story, and then, being with Doris in the garden, they fell out over it, beginning as set forth in the opening of this chapter.
"I cannot and will not have another man gazing at you, studying your every look, carrying your face in his soul."
"If you are to begin by being jealous," said Doris, delighted, "I might as well know. I enjoy jealousy as a proof of love, and as amusing me, but I like admiration, and I mean to have it all my life. If ever I go to London, I expect to have London at my feet. Besides, if you mean to sing me, for all the world, why cannot Mr. Leslie paint me. You say Poetry and Art should wait at the feet of Beauty. Now they shall!"
It ended by truce, and Doris agreed that Earle should be present at every sitting. This calmed Earle, and rejoiced her. She thought it would be charming to pit poet and artist one against the other.
But the sittings did not thus fall out. Earle grew much interested, and he and Gregory took a hearty liking for each other. Gregory admired Doris as a beauty, but his experienced eye detected the lacking loveliness of her soul. Besides, he had no love but art, and his heart shrined one sacred pervading memory. Daily, as he painted, that haunting reminiscence of some long-ago-seen face, or painted portrait, grew upon him. He looked at Doris and searched the past. One day he cried out, as he painted:
"I have it!"
"What have you?" demanded Doris, curiously.
"A face, a name, that you constantly brought to mind in a shadowy way – that you resembled."
"Man or woman?" demanded Doris, eagerly.
"A man."
She was disappointed. She had hoped to hear of some reigning belle of society.
"Was he handsome?" she asked, less interested.
"Remarkably so. How else, if your face was like his?"
"But how can it be like a stranger I never heard of?"
"A coincidence – a freak of nature," said Leslie, slowly.
"And what was he like?" demanded Doris.
"Faithless and debonair! False, false and fair, like all his line. It was a fatal race; he no worse than the rest."
CHAPTER XV
"I WILL BE TRUE – FOREVER."
Despite all the love eagerly made by Earle, and readily accepted by Doris, there was no formal engagement. A hundred times the decisive words trembled on the lips of the poet-lover, and he chided himself that they were not uttered. But then, if she said "no," what lot would be his? As for Doris not being prepared to say "yes," she deferred decision, and checked Earle on the verge of a finality, for she was not ready to dismiss her suitor. If he fled from Brackenside, what pleasure would be left in life?
She had soon ceased her efforts to flirt with Gregory Leslie; he regarded her with the eye of an artist – what of his feeling that was not artistic, was paternal.
At first, she had hoped that an opening might be made for her to city life. She had wild dreams that he could get an engagement for her as an actress or concert-singer, where wonderful beauty would make up for lack of training; she built wild castles in the air, about titled ladies who would take her for an adopted daughter, or as a companion. But Gregory Leslie was the last man to tempt a lovely, heedless young girl to the vortex of city life.
She told him one day of some of her longings and distastes. She hated the farm, the country. She wanted the glory of the city – dress, theaters, operas, promenades.
"Can't you tell me how to get what I want?"
"Child," said Gregory, "you would weary of it, and long for peace. You have a devoted young lover, who offers you a comfortable home at Lindenholm."
"To live with my mother-in-law!" sneered Doris.
"An admirable woman. I have met her."
"It would be just this dullness repeated all my life," said Doris, tearful and pouting.
"It would be love, comfort, safety, goodness. Besides, this young Moray is one of our coming men. He has native power. I am much mistaken if he does not make a name, fame, place, fortune."
"Do you suppose he will one day go to London and be great?"
"Yes, I do."
"I would like that. A poet's lovely home, where learned people, and musical wonders, and famous actors, and artists like you, Mr. Leslie, come; and we had flowers, and pictures, and song, and gayety."
"It is pleasant, well come by. You might have it all, as Mr. Moray's wife, if at first you waited patiently."
Earle took new value in this ambitious girl's eyes.
Meanwhile, warned by the experience with Leslie, which might have turned out so differently, had Leslie played lover, and offered London-life to Doris, Earle resolved to press his suit, and urge early marriage. He must have some way of holding fast the fair coquette. To him the marriage tie was invulnerable. Once his wife, he fancied she would be ever true. Yes, once betrothed, he believed that she would be true as steel. So one fine September morning, when Leslie's picture was nearly finished, Earle came up to the farm, resolved to be silent no longer. He met Mattie first. He took her hand.
"Mattie, dear sister-friend, to-day I mean to ask Doris to be my wife. Wish me success."
Mattie's heart died within her, but the true eyes did not quail, as she said:
"I hope she will consent, for I know you love her. Heaven send you all good gifts."
"If she does not take me, my life will be spoiled!" cried Earle, passionately.
"Hush," said Mattie. "No man has a right to say such a word. No one should ever throw away all good that Heaven has given him, because of one good withheld."
"Does she love me? Tell me!"