The Expression of the Emotions in Man and Animals

But the muscular system is often affected in a wholly different way; for trembling is a frequent consequence of extreme rage. The paralysed lips then refuse to obey the will, "and the voice sticks in the throat;"[1007] (#linknote_1007) or it is rendered loud, harsh, and discordant. If there be much and rapid speaking, the mouth froths. The hair sometimes bristles; but I shall return to this subject in another chapter, when I treat of the mingled emotions of rage and terror. There is in most cases a strongly-marked frown on the forehead; for this follows from the sense of anything displeasing or difficult, together with concentration of mind. But sometimes the brow, instead of being much contracted and lowered, remains smooth, with the glaring eyes kept widely open. The eyes are always bright, or may, as Homer expresses it, glisten with fire. They are sometimes bloodshot, and are said to protrude from their sockets – the result, no doubt, of the head being gorged with blood, as shown by the veins being distended. According to Gratiolet, "the pupils are always contracted in rage," and I hear from Dr. Crichton Browne that this is the case in the fierce delirium of meningitis; but the movements of the iris under the influence of the different emotions is a very obscure subject.[1008] (#linknote_1008)

Shakspeare sums up the chief characteristics of rage as follows: —

"In peace there's nothing so becomes a man,
As modest stillness and humility;
But when the blast of war blows in our ears,
Then imitate the action of the tiger:
Stiffen the sinews, summon up the blood,
Then lend the eye a terrible aspect;
Now set the teeth, and stretch the nostril wide,
Hold hard the breath, and bend up every spirit
To his full height! On, on, you noblest English."

    Henry V., act iii. sc. 1.
The lips are sometimes protruded during rage in a manner, the meaning of which I do not understand, unless it depends on our descent from some ape-like animal. Instances have been observed, not only with Europeans, but with the Australians and Hindoos. The lips, however, are much more commonly retracted, the grinning or clenched teeth being thus exposed. This has been noticed by almost every one who has written on expression.[1009] (#linknote_1009) The appearance is as if the teeth were uncovered, ready for seizing or tearing an enemy, though there may be no intention of acting in this manner. Mr. Dyson Lacy has seen this grinning expression with the Australians, when quarrelling, and so has Gaika with the Kafirs of South America. Dickens,[1010] (#linknote_1010) in speaking of an atrocious murderer who had just been caught, and was surrounded by a furious mob, describes "the people as jumping up one behind another, snarling with their teeth, and making at him like wild beasts." Every one who has had much to do with young children must have seen how naturally they take to biting, when in a passion. It seems as instinctive in them as in young crocodiles, who snap their little jaws as soon as they emerge from the egg.

A grinning expression and the protrusion of the lips appear sometimes to go together. A close observer says that he has seen many instances of intense hatred (which can hardly be distinguished from rage, more or less suppressed) in Orientals, and once in an elderly English woman. In all these cases there "was a grin, not a scowl – the lips lengthening, the cheeks settling downwards, the eyes half-closed, whilst the brow remained perfectly calm."[1011] (#linknote_1011)

This retraction of the lips and uncovering of the teeth during paroxysms of rage, as if to bite the offender, is so remarkable, considering how seldom the teeth are used by men in fighting, that I inquired from Dr. J. Crichton Browne whether the habit was common in the insane whose passions are unbridled. He informs me that he has repeatedly observed it both with the insane and idiotic, and has given me the following illustrations: —

Shortly before receiving my letter, he witnessed an uncontrollable outbreak of anger and delusive jealousy in an insane lady. At first she vituperated her husband, and whilst doing so foamed at the mouth. Next she approached close to him with compressed lips, and a virulent set frown. Then she drew back her lips, especially the corners of the upper lip, and showed her teeth, at the same time aiming a vicious blow at him. A second case is that of an old soldier, who, when he is requested to conform to the rules of the establishment, gives way to discontent, terminating in fury. He commonly begins by asking Dr. Browne whether he is not ashamed to treat him in such a manner. He then swears and blasphemes, paces tip and down, tosses his arms wildly about, and menaces any one near him. At last, as his exasperation culminates, he rushes up towards Dr. Browne with a peculiar sidelong movement, shaking his doubled fist, and threatening destruction. Then his upper lip may be seen to be raised, especially at the corners, so that his huge canine teeth are exhibited. He hisses forth his curses through his set teeth, and his whole expression assumes the character of extreme ferocity. A similar description is applicable to another man, excepting that he generally foams at the mouth and spits, dancing and jumping about in a strange rapid manner, shrieking out his maledictions in a shrill falsetto voice.

Dr. Browne also informs me of the case of an epileptic idiot, incapable of independent movements, and who spends the whole day in playing with some toys; but his temper is morose and easily roused into fierceness. When any one touches his toys, he slowly raises his head from its habitual downward position, and fixes his eyes on the offender, with a tardy yet angry scowl. If the annoyance be repeated, he draws back his thick lips and reveals a prominent row of hideous fangs (large canines being especially noticeable), and then makes a quick and cruel clutch with his open hand at the offending person. The rapidity of this clutch, as Dr. Browne remarks, is marvellous in a being ordinarily so torpid that he takes about fifteen seconds, when attracted by any noise, to turn his head from one side to the other. If, when thus incensed, a handkerchief, book, or other article, be placed into his hands, he drags it to his mouth and bites it. Mr. Nicol has likewise described to me two cases of insane patients, whose lips are retracted during paroxysms of rage.

Dr. Maudsley, after detailing various strange animal-like traits in idiots, asks whether these are not due to the reappearance of primitive instincts – "a faint echo from a far-distant past, testifying to a kinship which man has almost outgrown." He adds, that as every human brain passes, in the course of its development, through the same stages as those occurring in the lower vertebrate animals, and as the brain of an idiot is in an arrested condition, we may presume that it "will manifest its most primitive functions, and no higher functions." Dr. Maudsley thinks that the same view may be extended to the brain in its degenerated condition in some insane patients; and asks, whence come "the savage snarl, the destructive disposition, the obscene language, the wild howl, the offensive habits, displayed by some of the insane? Why should a human being, deprived of his reason, ever become so brutal in character, as some do, unless he has the brute nature within him?"[1012] (#linknote_1012) This question must, as it would appear, he answered in the affirmative.

Anger, Indignation. – These states of the mind differ from rage only in degree, and there is no marked distinction in their characteristic signs. Under moderate anger the action of the heart is a little increased, the colour heightened, and the eyes become bright. The respiration is likewise a little hurried; and as all the muscles serving for this function act in association, the wings of the nostrils are somewhat raised to allow of a free indraught of air; and this is a highly characteristic sign of indignation. The mouth is commonly compressed, and there is almost always a frown on the brow. Instead of the frantic gestures of extreme rage, an indignant man unconsciously throws himself into an attitude ready for attacking or striking his enemy, whom he will perhaps scan from head to foot in defiance. He carries his head erect, with his chest well expanded, and the feet planted firmly on the ground. He holds his arms in various positions, with one or both elbows squared, or with the arms rigidly suspended by his sides. With Europeans the fists are commonly clenched.[1013] (#linknote_1013) The figures 1 and 2 in Plate VI. are fairly good representations of men simulating indignation. Any one may see in a mirror, if he will vividly imagine that he has been insulted and demands an explanation in an angry tone of voice, that he suddenly and unconsciously throws himself into some such attitude.

Rage, anger, and indignation are exhibited in nearly the same manner throughout the world; and the following descriptions may be worth giving as evidence of this, and as illustrations of some of the foregoing remarks. There is, however, an exception with respect to clenching the fists, which seems confined chiefly to the men who fight with their fists. With the Australians only one of my informants has seen the fists clenched. All agree about the body being held erect; and all, with two exceptions, state that the brows are heavily contracted. Some of them allude to the firmly-compressed mouth, the distended nostrils, and flashing eyes. According to the Rev. Mr. Taplin, rage, with the Australians, is expressed by the lips being protruded, the eyes being widely open; and in the case of the women by their dancing about and casting dust into the air. Another observer speaks of the native men, when enraged, throwing their arms wildly about.

I have received similar accounts, except as to the clenching of the fists, in regard to the Malays of the Malacca peninsula, the Abyssinians, and the natives of South Africa. So it is with the Dakota Indians of North America; and, according to Mr. Matthews, they then hold their heads erect, frown, and often stalk away with long strides. Mr. Bridges states that the Fuegians, when enraged, frequently stamp on the ground, walk distractedly about, sometimes cry and grow pale. The Rev. Mr. Stack watched a New Zealand man and woman quarrelling, and made the following entry in his note-book: "Eyes dilated, body swayed violently backwards and forwards, head inclined forwards, fists clenched, now thrown behind the body, now directed towards each other's faces." Mr. Swinhoe says that my description agrees with what he has seen of the Chinese, excepting that an angry man generally inclines his body towards his antagonist, and pointing at him, pours forth a volley of abuse.

Lastly, with respect to the natives of India, Mr. J. Scott has sent me a full description of their gestures and expression when enraged. Two low-caste Bengalees disputed about a loan. At first they were calm, but soon grew furious and poured forth the grossest abuse on each other's relations and progenitors for many generations past. Their gestures were very different from those of Europeans; for though their chests were expanded and shoulders squared, their arms remained rigidly suspended, with the elbows turned inwards and the hands alternately clenched and opened. Their shoulders were often raised high, and then again lowered. They looked fiercely at each other from under their lowered and strongly wrinkled brows, and their protruded lips were firmly closed. They approached each other, with heads and necks stretched forwards, and pushed, scratched, and grasped at each other. This protrusion of the head and body seems a common gesture with the enraged; and I have noticed it with degraded English women whilst quarrelling violently in the streets. In such cases it may be presumed that neither party expects to receive a blow from the other.

A Bengalee employed in the Botanic Gardens was accused, in the presence of Mr. Scott, by the native overseer of having stolen a valuable plant. He listened silently and scornfully to the accusation; his attitude erect, chest expanded, mouth closed, lips protruding, eyes firmly set and penetrating. He then defiantly maintained his innocence, with upraised and clenched hands, his head being now pushed forwards, with the eyes widely open and eyebrows raised. Mr. Scott also watched two Mechis, in Sikhim, quarrelling about their share of payment. They soon got into a furious passion, and then their bodies became less erect, with their heads pushed forwards; they made grimaces at each other; their shoulders were raised; their arms rigidly bent inwards at the elbows, and their hands spasmodically closed, but not properly clenched. They continually approached and retreated from each other, and often raised their arms as if to strike, but their hands were open, and no blow was given. Mr. Scott made similar observations on the Lepchas whom he often saw quarrelling, and he noticed that they kept their arms rigid and almost parallel to their bodies, with the hands pushed somewhat backwards and partially closed, but not clenched.

Sneering, Defiance: Uncovering the canine tooth on one side. – The expression which I wish here to consider differs but little from that already described, when the lips are retracted and the grinning teeth exposed. The difference consists solely in the upper lip being retracted in such a manner that the canine tooth on one side of the face alone is shown; the face itself being generally a little upturned and half averted from the person causing offence. The other signs of rage are not necessarily present. This expression may occasionally be observed in a person who sneers at or defies another, though there may be no real anger; as when any one is playfully accused of some fault, and answers, "I scorn the imputation." The expression is not a common one, but I have seen it exhibited with perfect distinctness by a lady who was being quizzed by another person. It was described by Parsons as long ago as 1746, with an engraving, showing the uncovered canine on one side.[1014] (#linknote_1014) Mr. Rejlander, without my having made any allusion to the subject, asked me whether I had ever noticed this expression, as he had been much struck by it. He has photographed for me (Plate IV. fig 1) a lady, who sometimes unintentionally displays the canine on one side, and who can do so voluntarily with unusual distinctness.

The expression of a half-playful sneer graduates into one of great ferocity when, together with a heavily frowning brow and fierce eye, the canine tooth is exposed. A Bengalee boy was accused before Mr. Scott of some misdeed. The delinquent did not dare to give vent to his wrath in words, but it was plainly shown on his countenance, sometimes by a defiant frown, and sometimes "by a thoroughly canine snarl." When this was exhibited, "the corner of the lip over the eye-tooth, which happened in this case to be large and projecting, was raised on the side of his accuser, a strong frown being still retained on the brow." Sir C. Bell states[1015] (#linknote_1015) that the actor Cooke could express the most determined hate "when with the oblique cast of his eyes he drew up the outer part of the upper lip, and discovered a sharp angular tooth."

The uncovering of the canine tooth is the result of a double movement. The angle or corner of the mouth is drawn a little backwards, and at the same time a muscle which runs parallel to and near the nose draws up the outer part of the upper lip, and exposes the canine on this side of the face. The contraction of this muscle makes a distinct furrow on the cheek, and produces strong wrinkles under the eye, especially at its inner corner. The action is the same as that of a snarling dog; and a dog when pretending to fight often draws up the lip on one side alone, namely that facing his antagonist. Our word sneer is in fact the same as snarl, which was originally snar, the l "being merely an element implying continuance of action."[1016] (#linknote_1016)

I suspect that we see a trace of this same expression in what is called a derisive or sardonic smile. The lips are then kept joined or almost joined, but one corner of the mouth is retracted on the side towards the derided person; and this drawing back of the corner is part of a true sneer. Although some persons smile more on one side of their face than on the other, it is not easy to understand why in cases of derision the smile, if a real one, should so commonly be confined to one side. I have also on these occasions noticed a slight twitching of the muscle which draws up the outer part of the upper lip; and this movement, if fully carried out, would have uncovered the canine, and would have produced a true sneer.

Mr. Bulmer, an Australian missionary in a remote part of Gipps' Land, says, in answer to my query about the uncovering of the canine on one side, "I find that the natives in snarling at each other speak with the teeth closed, the upper lip drawn to one side, and a general angry expression of face; but they look direct at the person addressed." Three other observers in Australia, one in Abyssinia, and one in China, answer my query on this head in the affirmative; but as the expression is rare, and as they enter into no details, I am afraid of implicitly trusting them. It is, however, by no means improbable that this animal-like expression may be more common with savages than with civilized races. Mr. Geach is an observer who may be fully trusted, and he has observed it on one occasion in a Malay in the interior of Malacca. The Rev. S. O. Glenie answers, "We have observed this expression with the natives of Ceylon, but not often." Lastly, in North America, Dr. Rothrock has seen it with some wild Indians, and often in a tribe adjoining the Atnahs.

Although the upper lip is certainly sometimes raised on one side alone in sneering at or defying any one, I do not know that this is always the case, for the face is commonly half averted, and the expression is often momentary. The movement being confined to one side may not be an essential part of the expression, but may depend on the proper muscles being incapable of movement excepting on one side. I asked four persons to endeavour to act voluntarily in this manner; two could expose the canine only on the left side, one only on the right side, and the fourth on neither side. Nevertheless it is by no means certain that these same persons, if defying any one in earnest, would not unconsciously have uncovered their canine tooth on the side, whichever it might be, towards the offender. For we have seen that some persons cannot voluntarily make their eyebrows oblique, yet instantly act in this manner when affected by any real, although most trifling, cause of distress. The power of voluntarily uncovering the canine on one side of the face being thus often wholly lost, indicates that it is a rarely used and almost abortive action. It is indeed a surprising fact that man should possess the power, or should exhibit any tendency to its use; for Mr. Sutton has never noticed a snarling action in our nearest allies, namely, the monkeys in the Zoological Gardens, and he is positive that the baboons, though furnished with great canines, never act thus, but uncover all their teeth when feeling savage and ready for an attack. Whether the adult anthropomorphous apes, in the males of whom the canines are much larger than in the females, uncover them when prepared to fight, is not known.

The expression here considered, whether that of a playful sneer or ferocious snarl, is one of the most curious which occurs in man. It reveals his animal descent; for no one, even if rolling on the ground in a deadly grapple with an enemy, and attempting to bite him, would try to use his canine teeth more than his other teeth. We may readily believe from our affinity to the anthropomorphous apes that our male semi-human progenitors possessed great canine teeth, and men are now occasionally born having them of unusually large size, with interspaces in the opposite jaw for their reception.[1017] (#linknote_1017) We may further suspect, notwithstanding that we have no support from analogy, that our semi-human progenitors uncovered their canine teeth when prepared for battle, as we still do when feeling ferocious, or when merely sneering at or defying some one, without any intention of making a real attack with our teeth.

CHAPTER XI. – DISDAIN – CONTEMPT – DISGUST-GUILT – PRIDE, ETC. – HELPLESSNESS – PATIENCE – AFFIRMATION AND NEGATION

Contempt, scorn and disdain, variously expressed – Derisive smile – Gestures expressive of contempt – Disgust – Guilt, deceit, pride, &c. – Helplessness or impotence – Patience – Obstinacy – Shrugging the shoulders common to most of the races of man – Signs of affirmation and negation.

SCORN and disdain can hardly be distinguished from contempt, excepting that they imply a rather more angry frame of mind. Nor can they be clearly distinguished from the feelings discussed in the last chapter under the terms of sneering and defiance. Disgust is a sensation rather more distinct in its nature and refers to something revolting, primarily in relation to the sense of taste, as actually perceived or vividly imagined; and secondarily to anything which causes a similar feeling, through the sense of smell, touch, and even of eyesight. Nevertheless, extreme contempt, or as it is often called loathing contempt, hardly differs from disgust. These several conditions of the mind are, therefore, nearly related; and each of them may be exhibited in many different ways. Some writers have insisted chiefly on one mode of expression, and others on a different mode. From this circumstance M. Lemoine has argued[1101] (#linknote_1101) that their descriptions are not trustworthy. But we shall immediately see that it is natural that the feelings which we have here to consider should be expressed in many different ways, inasmuch as various habitual actions serve equally well, through the principle of association, for their expression.

Scorn and disdain, as well as sneering and defiance, may be displayed by a slight uncovering of the canine tooth on one side of the face; and this movement appears to graduate into one closely like a smile. Or the smile or laugh may be real, although one of derision; and this implies that the offender is so insignificant that he excites only amusement; but the amusement is generally a pretence. Gaika in his answers to my queries remarks, that contempt is commonly shown by his countrymen, the Kafirs, by smiling; and the Rajah Brooke makes the same observation with respect to the Dyaks of Borneo. As laughter is primarily the expression of simple joy, very young children do not, I believe, ever laugh in derision.

The partial closure of the eyelids, as Duchenne[1102] (#linknote_1102) insists, or the turning away of the eyes or of the whole body, are likewise highly expressive of disdain. These actions seem to declare that the despised person is not worth looking at or is disagreeable to behold. The accompanying photograph (Plate V. fig. 1) by Mr. Rejlander, shows this form of disdain. It represents a young lady, who is supposed to be tearing up the photograph of a despised lover.

The most common method of expressing contempt is by movements about the nose, or round the mouth; but the latter movements, when strongly pronounced, indicate disgust. The nose may be slightly turned up, which apparently follows from the turning up of the upper lip; or the movement may be abbreviated into the mere wrinkling of the nose. The nose is often slightly contracted, so as partly to close the passage;[1103] (#linknote_1103) and this is commonly accompanied by a slight snort or expiration. All these actions are the same with those which we employ when we perceive an offensive odour, and wish to exclude or expel it. In extreme cases, as Dr. Piderit remarks,[1104] (#linknote_1104) we protrude and raise both lips, or the upper lip alone, so as to close the nostrils as by a valve, the nose being thus turned up. We seem thus to say to the despised person that he smells offensively,[1105] (#linknote_1105) in nearly the same manner as we express to him by half-closing our eyelids, or turning away our faces, that he is not worth looking at. It must not, however, be supposed that such ideas actually pass through the mind when we exhibit our contempt; but as whenever we have perceived a disagreeable odour or seen a disagreeable sight, actions of this kind have been performed, they have become habitual or fixed, and are now employed under any analogous state of mind.

Various odd little gestures likewise indicate contempt; for instance, snapping one's fingers. This, as Mr. Taylor remarks,[1106] (#linknote_1106) "is not very intelligible as we generally see it; but when we notice that the same sign made quite gently, as if rolling some tiny object away between the finger and thumb, or the sign of flipping it away with the thumb-nail and forefinger, are usual and well-understood deaf-and-dumb gestures, denoting anything tiny, insignificant, contemptible, it seems as though we had exaggerated and conventionalized a perfectly natural action, so as to lose sight of its original meaning. There is a curious mention of this gesture by Strabo." Mr. Washington Matthews informs me that, with the Dakota Indians of North America, contempt is shown not only by movements of the face, such as those above described, but "conventionally, by the hand being closed and held near the breast, then, as the forearm is suddenly extended, the hand is opened and the fingers separated from each other. If the person at whose expense the sign is made is present, the hand is moved towards him, and the head sometimes averted from him." This sudden extension and opening of the hand perhaps indicates the dropping or throwing away a valueless object.

The term 'disgust,' in its simplest sense, means something offensive to the taste. It is curious how readily this feeling is excited by anything unusual in the appearance, odour, or nature of our food. In Tierra del Fuego a native touched with his finger some cold preserved meat which I was eating at our bivouac, and plainly showed utter disgust at its softness; whilst I felt utter disgust at my food being touched by a naked savage, though his hands did not appear dirty. A smear of soup on a man's beard looks disgusting, though there is of course nothing disgusting in the soup itself. I presume that this follows from the strong association in our minds between the sight of food, however circumstanced, and the idea of eating it.

As the sensation of disgust primarily arises in connection with the act of eating or tasting, it is natural that its expression should consist chiefly in movements round the mouth. But as disgust also causes annoyance, it is generally accompanied by a frown, and often by gestures as if to push away or to guard oneself against the offensive object. In the two photographs (figs. 2 and 3, on Plate V.) Mr. Rejlander has simulated this expression with some success. With respect to the face, moderate disgust is exhibited in various ways; by the mouth being widely opened, as if to let an offensive morsel drop out; by spitting; by blowing out of the protruded lips; or by a sound as of clearing the throat. Such guttural sounds are written ach or ugh; and their utterance is sometimes accompanied by a shudder, the arms being pressed close to the sides and the shoulders raised in the same manner as when horror is experienced.[1107] (#linknote_1107) Extreme disgust is expressed by movements round the month identical with those preparatory to the act of vomiting. The mouth is opened widely, with the upper lip strongly retracted, which wrinkles the sides of the nose, and with the lower lip protruded and everted as much as possible. This latter movement requires the contraction of the muscles which draw downwards the corners of the mouth.[1108] (#linknote_1108)

It is remarkable how readily and instantly retching or actual vomiting is induced in some persons by the mere idea of having partaken of any unusual food, as of an animal which is not commonly eaten; although there is nothing in such food to cause the stomach to reject it. When vomiting results, as a reflex action, from some real cause – as from too rich food, or tainted meat, or from an emetic – it does not ensue immediately, but generally after a considerable interval of time. Therefore, to account for retching or vomiting being so quickly and easily excited by a mere idea, the suspicion arises that our progenitors must formerly have had the power (like that possessed by ruminants and some other animals) of voluntarily rejecting food which disagreed with them, or which they thought would disagree with them; and now, though this power has been lost, as far as the will is concerned, it is called into involuntary action, through the force of a formerly well-established habit, whenever the mind revolts at the idea of having partaken of any kind of food, or at anything disgusting. This suspicion receives support from the fact, of which I am assured by Mr. Sutton, that the monkeys in the Zoological Gardens often vomit whilst in perfect health, which looks as if the act were voluntary. We can see that as man is able to communicate by language to his children and others, the knowledge of the kinds of food to be avoided, he would have little occasion to use the faculty of voluntary rejection; so that this power would tend to be lost through disuse.

As the sense of smell is so intimately connected with that of taste, it is not surprising that an excessively bad odour should excite retching or vomiting in some persons, quite as readily as the thought of revolting food does; and that, as a further consequence, a moderately offensive odour should cause the various expressive movements of disgust. The tendency to retch from a fetid odour is immediately strengthened in a curious manner by some degree of habit, though soon lost by longer familiarity with the cause of offence and by voluntary restraint. For instance, I wished to clean the skeleton of a bird, which had not been sufficiently macerated, and the smell made my servant and myself (we not having had much experience in such work) retch so violently, that we were compelled to desist. During the previous days I had examined some other skeletons, which smelt slightly; yet the odour did not in the least affect me, but, subsequently for several days, whenever I handled these same skeletons, they made me retch.

From the answers received from my correspondents it appears that the various movements, which have now been described as expressing contempt and disgust, prevail throughout a large part of the world. Dr. Rothrock, for instance, answers with a decided affirmative with respect to certain wild Indian tribes of North America. Crantz says that when a Greenlander denies anything with contempt or horror he turns up his nose, and gives a slight sound through it.[1109] (#linknote_1109) Mr. Scott has sent me a graphic description of the face of a young Hindoo at the sight of castor-oil, which he was compelled occasionally to take. Mr. Scott has also seen the same expression on the faces of high-caste natives who have approached close to some defiling object. Mr. Bridges says that the Fuegians "express contempt by shooting out the lips and hissing through them, and by turning up the nose." The tendency either to snort through the nose, or to make a noise expressed by ugh or ach, is noticed by several of my correspondents.

Spitting seems an almost universal sign of contempt or disgust; and spitting obviously represents the rejection of anything offensive from the mouth. Shakspeare makes the Duke of Norfolk say, "I spit at him – call him a slanderous coward and a villain." So, again, Falstaff says, "Tell thee what, Hal, – if I tell thee a lie, spit in my face." Leichhardt remarks that the Australians "interrupted their speeches by spitting, and uttering a noise like pooh! pooh! apparently expressive of their disgust." And Captain Burton speaks of certain negroes "spitting with disgust upon the ground." Captain Speedy informs me that this is likewise the case with the Abyssinians. Mr. Geach says that with the Malays of Malacca the expression of disgust "answers to spitting from the mouth;" and with the Fuegians, according to Mr. Bridges "to spit at one is the highest mark of contempt."[1110] (#linknote_1110)

I never saw disgust more plainly expressed than on the face of one of my infants at the age of five months, when, for the first time, some cold water, and again a month afterwards, when a piece of ripe cherry was put into his mouth. This was shown by the lips and whole mouth assuming a shape which allowed the contents to run or fall quickly out; the tongue being likewise protruded. These movements were accompanied by a little shudder. It was all the more comical, as I doubt whether the child felt real disgust – the eyes and forehead expressing much surprise and consideration. The protrusion of the tongue in letting a nasty object fall out of the mouth, may explain how it is that lolling out the tongue universally serves as a sign of contempt and hatred.[1111] (#linknote_1111)

We have now seen that scorn, disdain, contempt, and disgust are expressed in many different ways, by movements of the features, and by various gestures; and that these are the same throughout the world. They all consist of actions representing the rejection or exclusion of some real object which we dislike or abhor, but which does not excite in us certain other strong emotions, such as rage or terror; and through the force of habit and association similar actions are performed, whenever any analogous sensation arises in our minds.

Jealousy, Envy, Avarice, Revenge, Suspicion, Deceit, Slyness, Guilt, Vanity, Conceit, Ambition, Pride, Humility, &c. – It is doubtful whether the greater number of the above complex states of mind are revealed by any fixed expression, sufficiently distinct to be described or delineated. When Shakspeare speaks of Envy as lean-faced, or black, or pale, and Jealousy as "the green-eyed monster;" and when Spenser describes Suspicion as "foul, ill-favoured, and grim," they must have felt this difficulty. Nevertheless, the above feelings – at least many of them – can be detected by the eye; for instance, conceit; but we are often guided in a much greater degree than we suppose by our previous knowledge of the persons or circumstances.

My correspondents almost unanimously answer in the affirmative to my query, whether the expression of guilt and deceit can be recognized amongst the various races of man; and I have confidence in their answers, as they generally deny that jealousy can thus be recognized. In the cases in which details are given, the eyes are almost always referred to. The guilty man is said to avoid looking at his accuser, or to give him stolen looks. The eyes are said "to be turned askant," or "to waver from side to side," or "the eyelids to be lowered and partly closed." This latter remark is made by Mr. Hagenauer with respect to the Australians, and by Gaika with respect to the Kafirs. The restless movements of the eyes apparently follow, as will be explained when we treat of blushing, from the guilty man not enduring to meet the gaze of his accuser. I may add, that I have observed a guilty expression, without a shade of fear, in some of my own children at a very early age. In one instance the expression was unmistakably clear in a child two years and seven months old, and led to the detection of his little crime. It was shown, as I record in my notes made at the time, by an unnatural brightness in the eyes, and by an odd, affected manner, impossible to describe.

Slyness is also, I believe, exhibited chiefly by movements about the eyes; for these are less under the control of the will, owing to the force of long-continued habit, than are the movements of the body. Mr. Herbert Spencer remarks,[1112] (#linknote_1112) "When there is a desire to see something on one side of the visual field without being supposed to see it, the tendency is to check the conspicuous movement of the head, and to make the required adjustment entirely with the eyes; which are, therefore, drawn very much to one side. Hence, when the eyes are turned to one side, while the face is not turned to the same side, we get the natural language of what is called slyness."

Of all the above-named complex emotions, Pride, perhaps, is the most plainly expressed. A proud man exhibits his sense of superiority over others by holding his head and body erect. He is haughty (haut), or high, and makes himself appear as large as possible; so that metaphorically he is said to be swollen or puffed up with pride. A peacock or a turkey-cock strutting about with puffed-up feathers, is sometimes said to be an emblem of pride.[1113] (#linknote_1113) The arrogant man looks down on others, and with lowered eyelids hardly condescends to see them; or he may show his contempt by slight movements, such as those before described, about the nostrils or lips. Hence the muscle which everts the lower lip has been called the musculus superbus. In some photographs of patients affected by a monomania of pride, sent me by Dr. Crichton Browne, the head and body were held erect, and the mouth firmly closed. This latter action, expressive of decision, follows, I presume, from the proud man feeling perfect self-confidence in himself. The whole expression of pride stands in direct antithesis to that of humility; so that nothing need here be said of the latter state of mind.

Helplessness, Impotence: Shrugging the shoulders. – When a man wishes to show that he cannot do something, or prevent something being done, he often raises with a quick movement both shoulders. At the same time, if the whole gesture is completed, he bends his elbows closely inwards, raises his open hands, turning them outwards, with the fingers separated. The head is often thrown a little on one side; the eyebrows are elevated, and this causes wrinkles across the forehead. The mouth is generally opened. I may mention, in order to show how unconsciously the features are thus acted on, that though I had often intentionally shrugged my shoulders to observe how my arms were placed, I was not at all aware that my eyebrows were raised and mouth opened, until I looked at myself in a glass; and since then I have noticed the same movements in the faces of others. In the accompanying Plate VI., figs. 3 and 4, Mr. Rejlander has successfully acted the gesture of shrugging the shoulders.

Englishmen are much less demonstrative than the men of most other European nations, and they shrug their shoulders far less frequently and energetically than Frenchmen or Italians do. The gesture varies in all degrees from the complex movement, just described, to only a momentary and scarcely perceptible raising of both shoulders; or, as I have noticed in a lady sitting in an arm-chair, to the mere turning slightly outwards of the open hands with separated fingers. I have never seen very young English children shrug their shoulders, but the following case was observed with care by a medical professor and excellent observer, and has been communicated to me by him. The father of this gentleman was a Parisian, and his mother a Scotch lady. His wife is of British extraction on both sides, and my informant does not believe that she ever shrugged her shoulders in her life. His children have been reared in England, and the nursemaid is a thorough Englishwoman, who has never been seen to shrug her shoulders. Now, his eldest daughter was observed to shrug her shoulders at the age of between sixteen and eighteen months; her mother exclaiming at the time, "Look at the little French girl shrugging her shoulders!" At first she often acted thus, sometimes throwing her head a little backwards and on one side, but she did not, as far as was observed, move her elbows and hands in the usual manner. The habit gradually wore away, and now, when she is a little over four years old, she is never seen to act thus. The father is told that he sometimes shrugs his shoulders, especially when arguing with any one; but it is extremely improbable that his daughter should have imitated him at so early an age; for, as he remarks, she could not possibly have often seen this gesture in him. Moreover, if the habit had been acquired through imitation, it is not probable that it would so soon have been spontaneously discontinued by this child, and, as we shall immediately see, by a second child, though the father still lived with his family. This little girl, it may be added, resembles her Parisian grandfather in countenance to an almost absurd degree. She also presents another and very curious resemblance to him, namely, by practising a singular trick. When she impatiently wants something, she holds out her little hand, and rapidly rubs the thumb against the index and middle finger: now this same trick was frequently performed under the same circumstances by her grandfather.

This gentleman's second daughter also shrugged her shoulders before the age of eighteen months, and afterwards discontinued the habit. It is of course possible that she may have imitated her elder sister; but she continued it after her sister had lost the habit. She at first resembled her Parisian grandfather in a less degree than did her sister at the same age, but now in a greater degree. She likewise practises to the present time the peculiar habit of rubbing together, when impatient, her thumb and two of her fore-fingers.

In this latter case we have a good instance, like those given in a former chapter, of the inheritance of a trick or gesture; for no one, I presume, will attribute to mere coincidence so peculiar a habit as this, which was common to the grandfather and his two grandchildren who had never seen him.

Considering all the circumstances with reference to these children shrugging their shoulders, it can hardly be doubted that they have inherited the habit from their French progenitors, although they have only one quarter French blood in their veins, and although their grandfather did not often shrug his shoulders. There is nothing very unusual, though the fact is interesting, in these children having gained by inheritance a habit during early youth, and then discontinuing it; for it is of frequent occurrence with many kinds of animals that certain characters are retained for a period by the young, and are then lost.

As it appeared to me at one time improbable in a high degree that so complex a gesture as shrugging the shoulders, together with the accompanying movements, should be innate, I was anxious to ascertain whether the blind and deaf Laura Bridgman, who could not have learnt the habit by imitation, practised it. And I have heard, through Dr. Innes, from a lady who has lately had charge of her, that she does shrug her shoulders, turn in her elbows, and raise her eyebrows in the same manner as other people, and under the same circumstances. I was also anxious to learn whether this gesture was practised by the various races of man, especially by those who never have had much intercourse with Europeans. We shall see that they act in this manner; but it appears that the gesture is sometimes confined to merely raising or shrugging the shoulders, without the other movements.