We Should All Be Feminists
Чимаманда Нгози Адичи
A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of ‘Americanah’ and ‘Half of a Yellow Sun’, based on her 2013 TEDx Talk of the same name.An eBook short.What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay – adapted from her much-viewed Tedx talk of the same name – by Chimamanda Ngozi Adichie, the award-winning author of ‘Americanah’ and ‘Half of a Yellow Sun’. With humour and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century – one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviours that marginalise women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences – in the U.S., in her native Nigeria – offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a best-selling novelist, here is one remarkable author’s exploration of what it means to be a woman today – and an of-the-moment rallying cry for why we should all be feminists.
Chimamanda Ngozi Adichie
We Should All Be Feminists
Copyright
Fourth Estate
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This eBook first published in Great Britain by Fourth Estate 2014
First published as a Vintage Original eBook in the United States in 2014 by Vintage Books, a division of Random House, LLC, New York, a Penguin Random House company
Copyright © Chimamanda Ngozi Adichie 2014
We Should All Be Feminists was first presented as a TED talk given in the United Kingdom at TEDxEuston, in 2012
Chimamanda Ngozi Adichie asserts the moral right to be identified as the author of this work
A catalogue record of this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008115272
Ebook Edition © October 2014 ISBN: 9780008115289
Version: 2014-08-22
Introduction
This is a modified version of a talk I delivered in December 2012 at TEDxEuston, a yearly conference focused on Africa. Speakers from diverse fields deliver concise talks aimed at challenging and inspiring Africans and friends of Africa. I had spoken at a different TED conference a few years before, giving a talk titled ‘The Danger of the Single Story’ about how stereotypes limit and shape our thinking, especially about Africa. It seems to me that the word feminist, and the idea of feminism itself, is also limited by stereotypes. When my brother Chuks and best friend Ike, both co-organizers of the TEDxEuston conference, insisted that I speak, I could not say no. I decided to speak about feminism because it is something I feel strongly about. I suspected that it might not be a very popular subject, but I hoped to start a necessary conversation. And so that evening as I stood onstage, I felt as though I was in the presence of family – a kind and attentive audience, but one that might resist the subject of my talk. At the end, their standing ovation gave me hope.
We Should All Be Feminists
Okoloma was one of my greatest childhood friends. He lived on my street and looked after me like a big brother: if I liked a boy, I would ask Okoloma’s opinion. Okoloma was funny and intelligent and wore cowboy boots that were pointy at the tips. In December 2005, in a plane crash in southern Nigeria, Okoloma died. It is still hard for me to put into words how I felt. Okoloma was a person I could argue with, laugh with and truly talk to. He was also the first person to call me a feminist.
I was about fourteen. We were in his house, arguing, both of us bristling with half-baked knowledge from the books we had read. I don’t remember what this particular argument was about. But I remember that as I argued and argued, Okoloma looked at me and said, ‘You know, you’re a feminist.’
It was not a compliment. I could tell from his tone – the same tone with which a person would say, ‘You’re a supporter of terrorism.’
I did not know exactly what this word feminist meant. And I did not want Okoloma to know that I didn’t know. So I brushed it aside and continued to argue. The first thing I planned to do when I got home was look up the word in the dictionary.
Now fast-forward to some years later.
In 2003, I wrote a novel called Purple Hibiscus, about a man who, among other things, beats his wife, and whose story doesn’t end too well. While I was promoting the novel in Nigeria, a journalist, a nice, well-meaning man, told me he wanted to advise me. (Nigerians, as you might know, are very quick to give unsolicited advice.)
He told me that people were saying my novel was feminist, and his advice to me – he was shaking his head sadly as he spoke – was that I should never call myself a feminist, since feminists are women who are unhappy because they cannot find husbands.
So I decided to call myself a Happy Feminist.
Then an academic, a Nigerian woman, told me that feminism was not our culture, that feminism was un-African, and I was only calling myself a feminist because I had been influenced by Western books. (Which amused me, because much of my early reading was decidedly unfeminist: I must have read every single Mills & Boon romance published before I was sixteen. And each time I try to read those books called ‘classic feminist texts’, I get bored, and I struggle to finish them.)
Anyway, since feminism was un-African, I decided I would now call myself a Happy African Feminist. Then a dear friend told me that calling myself a feminist meant that I hated men. So I decided I would now be a Happy African Feminist Who Does Not Hate Men. At some point I was a Happy African Feminist Who Does Not Hate Men And Who Likes To Wear Lip Gloss And High Heels For Herself And Not For Men.
Of course much of this was tongue-in-cheek, but what it shows is how that word feminist is so heavy with baggage, negative baggage: you hate men, you hate bras, you hate African culture, you think women should always be in charge, you don’t wear make-up, you don’t shave, you’re always angry, you don’t have a sense of humour, you don’t use deodorant.
Now here’s a story from my childhood.
When I was in primary school in Nsukka, a university town in south-eastern Nigeria, my teacher said at the beginning of term that she would give the class a test and whoever got the highest score would be the class monitor. Class monitor was a big deal. If you were class monitor, you would write down the names of noise-makers each day, which was heady enough power on its own, but my teacher would also give you a cane to hold in your hand while you walked around and patrolled the class for noise-makers. Of course, you were not allowed to actually use the cane. But it was an exciting prospect for the nine-year-old me. I very much wanted to be class monitor. And I got the highest score on the test.
Then, to my surprise, my teacher said the monitor had to be a boy. She had forgotten to make that clear earlier; she assumed it was obvious. A boy had the second-highest score on the test. And he would be monitor.
What was even more interesting is that this boy was a sweet, gentle soul who had no interest in patrolling the class with a stick. While I was full of ambition to do so.
But I was female and he was male and he became class monitor.
I have never forgotten that incident.
If we do something over and over again, it becomes normal. If we see the same thing over and over again, it becomes normal. If only boys are made class monitor, then at some point we will all think, even if unconsciously, that the class monitor has to be a boy. If we keep seeing only men as heads of corporations, it starts to seem ‘natural’ that only men should be heads of corporations.
I often make the mistake of thinking that something that is obvious to me is just as obvious to everyone else. Take my dear friend Louis, who is a brilliant, progressive man. We would have conversations and he would tell me, ‘I don’t see what you mean by things being different and harder for women. Maybe it was so in the past, but not now. Everything is fine now for women.’ I didn’t understand how Louis could not see what seemed so evident.
I love being back home in Nigeria, and spend much of my time there in Lagos, the largest city and commercial hub of the country. Sometimes, in the evenings when the heat goes down and the city has a slower pace, I go out with friends and family to restaurants or cafés. On one of those evenings, Louis and I were out with friends.
There is a wonderful fixture in Lagos: a sprinkling of energetic young men who hang around outside certain establishments and very dramatically ‘help’ you park your car. Lagos is a metropolis of almost twenty million people, with more energy than London, more entrepreneurial spirit than New York, and so people come up with all sorts of ways to make a living. As in most big cities, finding parking in the evenings can be difficult, so these young men make a business out of finding spots and – even when there are spots available – of guiding you into yours with much gesticulating, and promising to ‘look after’ your car until you get back. I was impressed with the particular theatrics of the man who found us a parking spot that evening. And so as we were leaving, I decided to give him a tip. I opened my bag, put my hand inside my bag to get my money, and I gave it to the man. And he, this man who was happy and grateful, took the money from me, and then looked across at Louis and said, ‘Thank you, sah!’
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