Paul Kelver

“Have you ever been in love?”

I hesitated for a moment. Then the delight of talking about it overcame my fear of being chaffed. Besides, when she felt it, nobody could be more delightfully sympathetic. I determined to adventure it.

“Yes,” I answered, “ever since I was a boy. If you are going to be foolish,” I added, for I saw the laugh before it came, “I shan’t talk to you about it.”

“I’m not – I won’t, really,” she pleaded, making her face serious again. “What is she like?”

I took from my breast pocket Barbara’s photograph, and handed it to her in silence.

“Is she really as beautiful as that?” she asked, gazing at it evidently fascinated.

“More so,” I assured her. “Her expression is the most beautiful part of her. Those are only her features.”

She sighed. “I wish I was beautiful.”

“You are at an awkward age,” I told her. “It is impossible to say what you are going to be like.”

“Mamma was a lovely woman, everybody says so; and Tom I call awfully handsome. Perhaps I’ll be better when I’m filled out a bit more.” A small Venetian mirror hung between the two windows; she glanced up into it. “It’s my nose that irritates me,” she said. She rubbed it viciously, as if she would rub it out.

“Some people admire snub noses,” I explained to her.

“No, really?”

“Tennyson speaks of them as ‘tip-tilted like the petals of a rose.’”

“How nice of him! Do you think he meant my sort?” She rubbed it again, but in a kinder fashion; then looked again at Barbara’s photograph. “Who is she?”

“She was Miss Hasluck,” I answered; “she is the Countess Huescar now. She was married last summer.”

“Oh, yes, I remember; you told us about her. You were children together. But what’s the good of your being in love with her if she’s married?”

“It makes my whole life beautiful.”

“Wanting somebody you can’t have?”

“I don’t want her.”

“You said you were in love with her.”

“So I am.”

She handed me back the photograph, and I replaced it in my pocket.

“I don’t understand that sort of love,” she said. “If I loved anybody I should want to have them with me always.

“She is with me always,” I answered, “in my thoughts.” She looked at me with her clear grey eyes. I found myself blinking. Something seemed to be slipping from me, something I did not want to lose. I remember a similar sensation once at the moment of waking from a strange, delicious dream to find the sunlight pouring in upon me through an open window.

“That isn’t being in love,” she said. “That’s being in love with the idea of being in love. That’s the way I used to go to balls” – she laughed – “in front of the glass. You caught me once, do you remember?”

“And was it not sweeter,” I argued, “the imagination? You were the belle of the evening; you danced divinely every dance, were taken in to supper by the Lion. In reality you trod upon your partner’s toes, bumped and were bumped, were left a wallflower more than half the time, had a headache the next day. Were not the dream balls the more delightful?”

“No, they weren’t,” she answered without the slightest hesitation. “One real dance, when at last it came, was worth the whole of them. Oh, I know, I’ve heard you talking, all of you – of the faces that you see in dreams and that are ever so much more beautiful than the faces that you see when you’re awake; of the wonderful songs that nobody ever sings, the wonderful pictures that nobody ever paints, and all the rest of it. I don’t believe a word of it. It’s tommyrot!”

“I wish you wouldn’t use slang.”

“Well, you know what I mean. What is the proper word? Give it me.”

“I suppose you mean cant,” I suggested.

“No, I don’t. Cant is something that you don’t believe in yourself. It’s tommyrot: there isn’t any other word. When I’m in love it will be with something that is real.”

I was feeling angry with her. “I know just what he will be like. He will be a good-natured, commonplace – ”

“Whatever he is,” she interrupted, “he’ll be alive, and he’ll want me and I shall want him. Dreams are silly. I prefer being up.” She clapped her hands. “That’s it.” Then, silent, she looked at me with an expression of new interest. “I’ve been wondering and wondering what it was: you are not really awake yet. You’ve never got up.”

I laughed at her whimsical way of putting it; but at the back of my brain was a troubled idea that perhaps she was revealing to me the truth. And if so, what would “waking up,” as she termed it, be like? A flash of memory recalled to me that summer evening upon Barking Bridge, when, as it had seemed to me, the little childish Paul had slipped away from me, leaving me lonely and bewildered to find another Self. Was my boyhood in like manner now falling from me? I found myself clinging to it with vague terror. Its thoughts, its feelings – dreams: they had grown sweet to me; must I lose them? This cold, unknown, new Self, waiting to receive me: I shrank away from it with fear.

“Do you know, I think you will be rather nice when you wake up.”

Her words recalled me to myself. “Perhaps I never shall wake up,” I said. “I don’t want to wake up.”

“Oh, but one can’t go on dreaming all one’s life,” she laughed. “You’ll wake up, and fall in love with somebody real.” She came across to me, and taking the lapels of my coat in both her hands, gave me a vigorous shake. “I hope she’ll be somebody nice. I am rather afraid.”

“You seem to think me a fool!” I was still angry with her, without quite knowing why.

She shook me again. “You know I don’t. But it isn’t the nice people that take best care of themselves. Tom can’t. I have to take care of him.”

I laughed.

“I do, really. You should hear me scold him. I like taking care of people. Good-bye.”

She held out her hand. It was white now and shapely, but one could not have called it small. Strong it felt and firm as it gripped mine.

CHAPTER VIII.

AND HOW CAME BACK AGAIN

I left London, the drums beating in my heart, the flags waving in my brain. Somewhat more than a year later, one foggy wet December evening, I sneaked back to it defeated – ah, that is a small thing, capable of redress – disgraced. I returned to it as to a hiding-place where, lost in the crowd, I might waste my days unnoticed until such time as I could summon up sufficient resolution to put an end to my dead life. I had been ambitious – dwelling again amid the bitterness of the months that followed my return, I write in the past tense. I had been eager to make a name, a position for myself. But were I to claim no higher aim, I should be doing injustice to my blood – to the great-souled gentleman whose whole life had been an ode to honour, to her of simple faith who had known no other prayer to teach me than the childish cry, “God help me to be good!” I had wished to be a great man, but it was to have been a great good man. The world was to have admired me, but to have respected me also. I was to have been the knight without fear, but, rarer yet, without reproach – Galahad, not Launcelot. I had learnt myself to be a feeble, backboneless fighter, conquered by the first serious assault of evil, a creature of mean fears, slave to every crack of the devil’s whip, a feeder with swine.

Urban Vane I had discovered to be a common swindler. His play he had stolen from the desk of a well-known dramatist whose acquaintance he had made in Deleglise’s kitchen. The man had fallen ill, and Vane had been constant in his visits. Partly recovering, the man had gone abroad to Italy. Had he died there, as at the time was expected, the robbery might never have come to light. News reached us in a small northern town that he had taken a fresh lease of life and was on his way back to England. Then it was that Vane with calm indifference, smoking his cigar over a bottle of wine to which he had invited me, told me the bald truth, adorning it with some touches of wit. Had the recital come upon me sooner, I might have acted differently; but six months’ companionship with Urban Vane, if it had not, by grace of the Lord, destroyed the roots of whatever flower of manhood might have been implanted in me, had most certainly withered its leaves.

The man was clever. That he was not clever enough to perceive from the beginning what he has learnt since: that honesty is the best policy – at least, for men with brains – remains somewhat of a mystery to me. Where once he made his hundreds among shady ways, he now, I suppose, makes his thousands in the broad daylight of legitimate enterprise. Chicanery in the blood, one might imagine, has to be worked out. Urban Vanes are to be found in all callings. They commence as scamps; years later, to one’s astonishment, one finds them ornaments to their profession. Wild oats are of various quality, according to the soil from which they are preserved. We sow them in our various ways.

At first I stormed. Vane sat with an amused smile upon his lips and listened.

“Your language, my dear Kelver,” he replied, my vocabulary exhausted, “might wound me were I able to accept you as an authority upon this vexed question of morals. With the rest of the world you preach one thing and practise another. I have noticed it so often. It is perhaps sad, but the preaching has ceased to interest me. You profess to be very indignant with me for making use of another man’s ideas. It is done every day. You yourself were quite ready to take credit not due to you. For months we have been travelling with this play: ‘Drama, in five acts, by Mr. Horace Moncrieff.’ Not more than two hundred lines of it are your own – excellent lines, I admit, but they do not constitute the play.”

This aspect of the affair had not occurred to me. “But you asked me to put my name to it,” I stammered. “You said you did not want your own to appear – for private reasons. You made a point of it.”