Northanger Abbey / Нортенгерское аббатство. Книга для чтения на английском языке

“I should no more lay it down as a general rule that women write better letters than men, than that they sing better duets, or draw better landscapes. In every power, of which taste is the foundation, excellence is pretty fairly divided between the sexes.”

They were interrupted by Mrs. Allen: “My dear Catherine,” said she, “do take this pin out of my sleeve; I am afraid it has torn a hole already; I shall be quite sorry if it has, for this is a favourite gown, though it cost but nine shillings a yard.”

“That is exactly what I should have guessed it, madam,” said Mr. Tilney, looking at the muslin.

“Do you understand muslins[27 - Do you understand muslins – (разг.) Вы так хорошо разбираетесь в муслине], sir?”

“Particularly well; I always buy my own cravats, and am allowed to be an excellent judge; and my sister has often trusted me in the choice of a gown. I bought one for her the other day, and it was pronounced to be a prodigious bargain by every lady who saw it. I gave but five shillings a yard for it, and a true Indian muslin.”

Mrs. Allen was quite struck by his genius. “Men commonly take so little notice of those things,” said she; “I can never get Mr. Allen to know one of my gowns from another. You must be a great comfort to your sister, sir.”

“I hope I am, madam.”

“And pray, sir, what do you think of Miss Morland’s gown?”

“It is very pretty, madam,” said he, gravely examining it; “but I do not think it will wash well; I am afraid it will fray.”

“How can you,” said Catherine, laughing, “be so —” She had almost said “strange.”

“I am quite of your opinion[28 - I am quite of your opinion – (уст.) Я совершенно с вами согласна], sir,” replied Mrs. Allen; “and so I told Miss Morland when she bought it.”

“But then you know, madam, muslin always turns to some account or other; Miss Morland will get enough out of it for a handkerchief, or a cap, or a cloak. Muslin can never be said to be wasted. I have heard my sister say so forty times, when she has been extravagant in buying more than she wanted, or careless in cutting it to pieces.”

“Bath is a charming place, sir; there are so many good shops here. We are sadly off in the country; not but what we have very good shops in Salisbury, but it is so far to go – eight miles is a long way; Mr. Allen says it is nine, measured nine; but I am sure it cannot be more than eight; and it is such a fag[29 - it is such a fag – (уст.) это так утомительно] – I come back tired to death. Now, here one can step out of doors and get a thing in five minutes.”

Mr. Tilney was polite enough to seem interested in what she said; and she kept him on the subject of muslins till the dancing recommenced. Catherine feared, as she listened to their discourse, that he indulged himself a little too much with the foibles of others. “What are you thinking of so earnestly?” said he, as they walked back to the ballroom; “not of your partner, I hope, for, by that shake of the head, your meditations are not satisfactory.”

Catherine coloured, and said, “I was not thinking of anything.”

“That is artful and deep, to be sure; but I had rather be told at once that you will not tell me.”

“Well then, I will not.”

“Thank you; for now we shall soon be acquainted, as I am authorized to tease you on this subject whenever we meet, and nothing in the world advances intimacy so much.”

They danced again; and, when the assembly closed, parted, on the lady’s side at least, with a strong inclination for continuing the acquaintance. Whether she thought of him so much, while she drank her warm wine and water, and prepared herself for bed, as to dream of him when there, cannot be ascertained; but I hope it was no more than in a slight slumber, or a morning doze at most; for if it be true, as a celebrated writer has maintained, that no young lady can be justified in falling in love before the gentleman’s love is declared[30 - before the gentleman’s love is declared – ссылка на письмо Ричардсона, опубликованное в эссе писателя (1689–1761) в журнале «Рэмблер»; издавался С. Джонсоном (1709–1784), английским поэтом, эссеистом, биографом, критиком, лексикографом], it must be very improper that a young lady should dream of a gentleman before the gentleman is first known to have dreamt of her. How proper Mr. Tilney might be as a dreamer or a lover had not yet perhaps entered Mr. Allen’s head, but that he was not objectionable as a common acquaintance for his young charge he was on inquiry satisfied; for he had early in the evening taken pains to know who her partner was, and had been assured of Mr. Tilney’s being a clergyman, and of a very respectable family in Gloucestershire.

Charter 4

With more than usual eagerness did Catherine hasten to the pump-room the next day, secure within herself of seeing Mr. Tilney there before the morning were over, and ready to meet him with a smile; but no smile was demanded – Mr. Tilney did not appear. Every creature in Bath, except himself, was to be seen in the room at different periods of the fashionable hours; crowds of people were every moment passing in and out, up the steps and down; people whom nobody cared about, and nobody wanted to see; and he only was absent. “What a delightful place Bath is,” said Mrs. Allen as they sat down near the great clock, after parading the room till they were tired; “and how pleasant it would be if we had any acquaintance here[31 - if we had any acquaintance here – (уст.) если бы мы встретили здесь знакомых].”

This sentiment had been uttered so often in vain that Mrs. Allen had no particular reason to hope it would be followed with more advantage now; but we are told to “despair of nothing we would attain,” as “unwearied diligence our point would gain”; and the unwearied diligence with which she had every day wished for the same thing was at length to have its just reward, for hardly had she been seated ten minutes before a lady of about her own age, who was sitting by her, and had been looking at her attentively for several minutes, addressed her with great complaisance in these words: “I think, madam, I cannot be mistaken; it is a long time since I had the pleasure of seeing you, but is not your name Allen?” This question answered, as it readily was, the stranger pronounced hers to be Thorpe; and Mrs. Allen immediately recognized the features of a former schoolfellow and intimate, whom she had seen only once since their respective marriages, and that many years ago. Their joy on this meeting was very great, as well it might, since they had been contented to know nothing of each other for the last fifteen years. Compliments on good looks now passed; and, after observing how time had slipped away since they were last together, how little they had thought of meeting in Bath, and what a pleasure it was to see an old friend, they proceeded to make inquiries and give intelligence as to their families, sisters, and cousins, talking both together, far more ready to give than to receive information, and each hearing very little of what the other said. Mrs. Thorpe, however, had one great advantage as a talker, over Mrs. Allen, in a family of children; and when she expatiated on the talents of her sons, and the beauty of her daughters, when she related their different situations and views – that John was at Oxford, Edward at Merchant Taylors’[32 - Merchant Taylors’ – одна из девяти старейших в Англии мужских средних школ; основана в 1561 г., расположена неподалеку от Лондона, в Нортвуде], and William at sea – and all of them more beloved and respected in their different station than any other three beings ever were, Mrs. Allen had no similar information to give, no similar triumphs to press on the unwilling and unbelieving ear of her friend, and was forced to sit and appear to listen to all these maternal effusions, consoling herself, however, with the discovery, which her keen eye soon made, that the lace on Mrs. Thorpe’s pelisse was not half so handsome as that on her own.

“Here come my dear girls,” cried Mrs. Thorpe, pointing at three smart-looking females who, arm in arm, were then moving towards her. “My dear Mrs. Allen, I long to introduce them; they will be so delighted to see you: the tallest is Isabella, my eldest; is not she a fine young woman? The others are very much admired too, but I believe Isabella is the handsomest.”

The Miss Thorpes were introduced; and Miss Morland, who had been for a short time forgotten, was introduced likewise. The name seemed to strike them all; and, after speaking to her with great civility, the eldest young lady observed aloud to the rest, “How excessively like her brother Miss Morland is!”

“The very picture of him indeed!” cried the mother – and “I should have known her anywhere for his sister!” was repeated by them all, two or three times over. For a moment Catherine was surprised; but Mrs. Thorpe and her daughters had scarcely begun the history of their acquaintance with Mr. James Morland, before she remembered that her eldest brother had lately formed an intimacy[33 - had lately formed an intimacy – (уст.) недавно свел знакомство (подружился)] with a young man of his own college, of the name of Thorpe; and that he had spent the last week of the Christmas vacation with his family, near London.

The whole being explained, many obliging things were said by the Miss Thorpes of their wish of being better acquainted with her; of being considered as already friends, through the friendship of their brothers, etc., which Catherine heard with pleasure, and answered with all the pretty expressions she could command; and, as the first proof of amity, she was soon invited to accept an arm of the eldest Miss Thorpe, and take a turn with her about the room. Catherine was delighted with this extension of her Bath acquaintance, and almost forgot Mr. Tilney while she talked to Miss Thorpe. Friendship is certainly the finest balm for the pangs of disappointed love.

Their conversation turned upon those subjects, of which the free discussion has generally much to do in perfecting a sudden intimacy[34 - in perfecting a sudden intimacy – (уст.) к углублению внезапной близости] between two young ladies: such as dress, balls, flirtations, and quizzes. Miss Thorpe, however, being four years older than Miss Morland, and at least four years better informed, had a very decided advantage in discussing such points; she could compare the balls of Bath with those of Tunbridge, its fashions with the fashions of London; could rectify the opinions of her new friend in many articles of tasteful attire; could discover a flirtation between any gentleman and lady who only smiled on each other; and point out a quiz through the thickness of a crowd. These powers received due admiration from Catherine, to whom they were entirely new; and the respect which they naturally inspired might have been too great for familiarity, had not the easy gaiety of Miss Thorpe’s manners, and her frequent expressions of delight on this acquaintance with her, softened down every feeling of awe, and left nothing but tender affection. Their increasing attachment was not to be satisfied with half a dozen turns in the pump-room, but required, when they all quitted it together, that Miss Thorpe should accompany Miss Morland to the very door of Mr. Allen’s house; and that they should there part with a most affectionate and lengthened shake of hands, after learning, to their mutual relief, that they should see each other across the theatre at night, and say their prayers in the same chapel the next morning. Catherine then ran directly upstairs, and watched Miss Thorpe’s progress down the street from the drawing-room window; admired the graceful spirit of her walk, the fashionable air of her figure and dress; and felt grateful, as well she might, for the chance which had procured her such a friend.

Mrs. Thorpe was a widow, and not a very rich one; she was a good-humoured, well-meaning woman, and a very indulgent mother[35 - a very indulgent mother – (разг.) весьма снисходительная мать]. Her eldest daughter had great personal beauty, and the younger ones, by pretending to be as handsome as their sister, imitating her air, and dressing in the same style, did very well.

This brief account of the family is intended to supersede the necessity of a long and minute detail from Mrs. Thorpe herself, of her past adventures and sufferings, which might otherwise be expected to occupy the three or four following chapters; in which the worthlessness of lords and attorneys might be set forth, and conversations, which had passed twenty years before, be minutely repeated[36 - be minutely repeated – (разг.) были бы пересказаны почти дословно (с большим количеством деталей)].

Charter 5

Catherine was not so much engaged at the theatre that evening, in returning the nods and smiles of Miss Thorpe, though they certainly claimed much of her leisure, as to forget to look with an inquiring eye for Mr. Tilney in every box which her eye could reach; but she looked in vain. Mr. Tilney was no fonder of the play than the pump-room. She hoped to be more fortunate the next day; and when her wishes for fine weather were answered by seeing a beautiful morning, she hardly felt a doubt of it; for a fine Sunday in Bath empties every house of its inhabitants, and all the world appears on such an occasion to walk about and tell their acquaintance what a charming day it is.

As soon as divine service was over, the Thorpes and Allens eagerly joined each other; and after staying long enough in the pump-room to discover that the crowd was insupportable, and that there was not a genteel face to be seen, which everybody discovers every Sunday throughout the season, they hastened away to the Crescent[37 - Crescent – «Полумесяц» – архитектурный ансамбль в Бате; построен по проекту Джона Вуда-младшего в 1767–1774 гг.], to breathe the fresh air of better company. Here Catherine and Isabella, arm in arm, again tasted the sweets of friendship in an unreserved conversation; they talked much, and with much enjoyment; but again was Catherine disappointed in her hope of reseeing her partner. He was nowhere to be met with; every search for him was equally unsuccessful, in morning lounges or evening assemblies; neither at the Upper nor Lower Rooms, at dressed or undressed balls[38 - at dressed or undressed balls – (уст.) на парадных и непарадных балах], was he perceivable; nor among the walkers, the horsemen, or the curricle-drivers of the morning. His name was not in the pump-room book, and curiosity could do no more. He must be gone from Bath. Yet he had not mentioned that his stay would be so short! This sort of mysteriousness, which is always so becoming in a hero, threw a fresh grace in Catherine’s imagination around his person and manners, and increased her anxiety to know more of him. From the Thorpes she could learn nothing, for they had been only two days in Bath before they met with Mrs. Allen. It was a subject, however, in which she often indulged with her fair friend, from whom she received every possible encouragement to continue to think of him; and his impression on her fancy was not suffered therefore to weaken. Isabella was very sure that he must be a charming young man, and was equally sure that he must have been delighted with her dear Catherine, and would therefore shortly return. She liked him the better for being a clergyman, “for she must confess herself very partial to the profession[39 - very partial to the profession – (уст.) весьма неравнодушна к людям этой профессии]”; and something like a sigh escaped her as she said it. Perhaps Catherine was wrong in not demanding the cause of that gentle emotion – but she was not experienced enough in the finesse of love, or the duties of friendship, to know when delicate raillery was properly called for, or when a confidence should be forced.

Mrs. Allen was now quite happy – quite satisfied with Bath. She had found some acquaintance, had been so lucky too as to find in them the family of a most worthy old friend; and, as the completion of good fortune, had found these friends by no means so expensively dressed as herself. Her daily expressions were no longer, “I wish we had some acquaintance in Bath!” They were changed into, “How glad I am we have met with Mrs. Thorpe!” and she was as eager in promoting the intercourse of the two families, as her young charge and Isabella themselves could be; never satisfied with the day unless she spent the chief of it by the side of Mrs. Thorpe, in what they called conversation, but in which there was scarcely ever any exchange of opinion, and not often any resemblance of subject, for Mrs. Thorpe talked chiefly of her children, and Mrs. Allen of her gowns.

The progress of the friendship between Catherine and Isabella was quick as its beginning had been warm, and they passed so rapidly through every gradation of increasing tenderness that there was shortly no fresh proof of it to be given to their friends or themselves. They called each other by their Christian name, were always arm in arm when they walked, pinned up each other’s train for the dance, and were not to be divided in the set; and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel-writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding – joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England[40 - History of England – «История Англии», многотомная работа ирландского поэта, писателя, физика Оливера Голдсмита (1730–1774)], or of the man who collects and publishes in a volume some dozen lines of Milton[41 - Milton – Джон Милтон (1608–1674), английский поэт, публицист, более всего известный своей поэмой «Потерянный рай»], Pope, and Prior[42 - Prior – Мэтью Прайор (1664–1721), английский поэт, дипломат], with a paper from the Spectator[43 - the Spectator – «Очевидец», британский журнал, созданный Дж. Эддисоном и Р. Стилом], and a chapter from Sterne[44 - Sterne – Лоренс Стерн (1713–1768), англо-ирландский романист, английский священник], are eulogized by a thousand pens – there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel-reader – I seldom look into novels – Do not imagine that I often read novels – It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss —?”

“Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda[45 - Cecilia, or Camilla, or Belinda – «Цецилия, или Воспоминания наследницы», «Камилла, или Воплощенная юность», романы английской писательницы Френсис Берни (1752–1849); «Белинда», роман англо-ирландской писательницы Марии Эджворт (1767– 1849)]”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.

Charter 6

The following conversation, which took place between the two friends in the pump-room one morning, after an acquaintance of eight or nine days, is given as a specimen of their very warm attachment, and of the delicacy, discretion, originality of thought, and literary taste which marked the reasonableness of that attachment.

They met by appointment; and as Isabella had arrived nearly five minutes before her friend, her first address naturally was, “My dearest creature, what can have made you so late? I have been waiting for you at least this age!”

“Have you, indeed! I am very sorry for it; but really I thought I was in very good time. It is but just one. I hope you have not been here long?”

“Oh! These ten ages at least. I am sure I have been here this half hour. But now, let us go and sit down at the other end of the room, and enjoy ourselves. I have an hundred things to say to you. In the first place, I was so afraid it would rain this morning, just as I wanted to set off; it looked very showery, and that would have thrown me into agonies! Do you know, I saw the prettiest hat you can imagine, in a shop window in Milsom Street just now – very like yours, only with coquelicot ribbons instead of green; I quite longed for it. But, my dearest Catherine, what have you been doing with yourself all this morning? Have you gone on with Udolpho[46 - Udolpho – «Удольфские тайны», готический роман английской писательницы Энн Рэдклифф (1764–1823)]?”

“Yes, I have been reading it ever since I woke; and I am got to the black veil.”

“Are you, indeed? How delightful! Oh! I would not tell you what is behind the black veil for the world[47 - for the world – (разг.) ни за что на свете]! Are not you wild to know?”

“Oh! Yes, quite; what can it be? But do not tell me – I would not be told upon any account. I know it must be a skeleton, I am sure it is Laurentina’s[48 - Laurentina – имеется в виду леди Лорентина, которая таинственным образом пропала в Удольфском замке; впоследствии героиня выясняет, что она не мертва, как предполагалось, но много лет прожила в монастыре под именем Агнессы] skeleton. Oh! I am delighted with the book! I should like to spend my whole life in reading it. I assure you, if it had not been to meet you, I would not have come away from it for all the world.”

“Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian[49 - the Italian – «Итальянец, или Тайна одной исповеди», готический роман Энн Рэдклифф] together; and I have made out a list of ten or twelve more of the same kind for you.”

“Have you, indeed! How glad I am! What are they all?”

“I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries.[50 - Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. – «Замок Вульфенбаха», готический роман Элайзы Парсонс (1748–1811), написавшей более 60 томов, чтобы обеспечить себя и своих детей после смерти мужа; «Клермонт», произведение ирландской писательницы Ред-жины Марии Рош (1764–1845), готический роман; «Таинственные предостережения», готический роман Элайзы Парсонс; «Некромант, или Повесть Черного леса», роман Карла Фридриха Калерта, написанный под псевдонимом; «Полуночный колокол», готический роман английского писателя и драматурга Френсиса Лэтома (1774–1832); «Рейнский сирота», роман английской писательницы Элинор Смит; «Жуткие тайны», роман немецкого писателя Карла Гросса] Those will last us some time.”

“Yes, pretty well; but are they all horrid, are you sure they are all horrid?”

“Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them. I wish you knew Miss Andrews, you would be delighted with her. She is netting herself the sweetest cloak you can conceive. I think her as beautiful as an angel, and I am so vexed with the men for not admiring her! I scold them all amazingly about it.”

“Scold them! Do you scold them for not admiring her?”

“Yes, that I do. There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves; it is not my nature. My attachments are always excessively strong. I told Captain Hunt at one of our assemblies this winter that if he was to tease me all night, I would not dance with him, unless he would allow Miss Andrews to be as beautiful as an angel. The men think us incapable of real friendship, you know, and I am determined to show them the difference. Now, if I were to hear anybody speak slightingly of you, I should fire up in a moment: but that is not at all likely, for you are just the kind of girl to be a great favourite with the men.”