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Mistress of Mistresses

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2019
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Mistress of Mistresses
E. R. Eddison

Douglas Winter E.

The first volume in the classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction.According to legend, the Gates of Zimiamvia lead to a land ‘that no mortal foot may tread, but that souls of the dead that were great upon earth do inhabit.’ Here they forever live, love, do battle, and even die again.Edward Lessingham – artist, poet, king of men and lover of women – is dead. But from Aphrodite herself, the Mistress of Mistresses, he has earned the promise to live again with the gods in Zimiamvia in return for her own perilous future favours.This sequel to The Worm Ouroboros recounts the story of Lessingham’s first day in this strange Valhalla, where a lifetime is a day and where – among enemies, enchantments, guile and triumph – his destiny can be rewritten.

Copyright (#ulink_b88a4b54-86ae-5c3a-9539-74ac526aa527)

Published by HarperCollinsPublishers Ltd

77-85 Fulham Palace Road

Hammersmith, London W6 8JB

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

Copyright © E. R. Eddison 1935

Jacket illustration by John Howe © HarperCollinsPublishers Ltd. 2014

E.R. Eddison asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007578139

Ebook Edition © October 2014 ISBN: 9780007578146

Version: 2014-09-09

Dedication (#ulink_26046e34-5a37-51a8-bc25-29b00e9560fe)

WINIFRED GRACE EDDISON

To you, madonna mia,

and to my friend

EDWARD ABBE NILES

I dedicate this

Vision of Zimiamvia

Proper Names the reader will no doubt pronounce as he chooses. But perhaps, to please me, he will keep the i’s short in Zimiamvia and accent the third syllable: accent the second syllable in Zayana, give it a broad a (as in ‘Guiana’), and pronouce the ay in the first syllable – and the ai in Laimak – as in ‘aisle’: keep the g soft in Fingiswold: let Memison echo ‘denizen’ except for the m: accent the first syllable in Rerek and make it rhyme with ‘year’: remember that Fiorinda is an Italian name, Amaury, Amalie, and Beroald French, and Antiope, Zenianthe, and a good many others, Greek: last, regard the sz in Meszria as ornamental, and not be deterred from pronouncing it as plain ‘Mezria’.

Mère des souvenirs, maîtresse des maîtresses,

O toi, tous mes plaisrs! ô toi, tous mes devoirs!

Tu te rappelleras la beauté des caresses,

La douceur du foyer et le charme des soirs,

Mère des souvenirs, maîtresse des maîtresses!

Les soirs illuminés par l’ardeur du charbon,

Et les soirs au balcon, voilés de vapeurs roses.

Que ton sein m’était doux! que ton cœur m’était bon!

Nous avons dit souvent d’impérissables choses

Les soirs illuminés par l’ardeur du charbon.

Que les soleils sont beaux dans les chaudes soirées!

Que l’espace est profond! que le cœur est puissant!

En me penchant vers toi, reine des adorées,

Je croyais respirer le parfum de ton sang.

Que les soleils sont beaux dans les chaudes soirées!

La nuit s’épaississait ainsi qu’une cloison,

Et mes yeux dans le noir devinaient tes prunelles,

Et je buvais ton souffle, ô douceur, ô poison!

Et tes pieds s’endormaient dans mes mains fraternelles.

La nuit s’épaississait ainsi qu’une cloison.

Je sais l’art d’évoquer les minutes heureuses,

Et revis mon passé blotti dans tes genoux.

Car à quoi bon chercher tes beautés langoureuses

Ailleurs qu’en ton cher corps et qu’en ton cœur si doux?

Je sais l’art d’évoquer les minutes heureuses!
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