The Disowned — Complete

“Are they primed and loaded?” said Linden, not relaxing his gripe.

“Yes, yes!” said the stock-jobber, “loose my throat, or you will choke me!” and at that instant, Clarence felt himself clasped by the invading hands of Mrs. Copperas.

“Call off your wife,” said he, “or I will choke you!” and he tightened his hold, “and tell her to give me the pistols.”

The next moment Mrs. Copperas extended the debated weapons towards Clarence. He seized them, flung the poor stock-jobber against the bedpost, hurried down stairs, opened the back door, which led into the garden, flew across the intervening space, arrived at the door, and entering Talbot’s garden, paused to consider what was the next step to be taken.

A person equally brave as Clarence, but more cautious, would not have left the house without alarming Mr. de Warens, even in spite of the failure with his master; but Linden only thought of the pressure of time and the necessity of expedition, and he would have been a very unworthy hero of romance had he felt fear for two antagonists, with a brace of pistols at his command and a high and good action in view.

After a brief but decisive halt, he proceeded rapidly round the house, in order to ascertain at which part the ruffians had admitted themselves, should they (as indeed there was little doubt) have already effected their entrance.

He found the shutters of one of the principal rooms on the ground-floor had been opened, and through the aperture he caught the glimpse of a moving light, which was suddenly obscured. As he was about to enter, the light again flashed out: he drew back just in time, carefully screened himself behind the shutter, and, through one of the chinks, observed what passed within. Opposite to the window was a door which conducted to the hall and principal staircase; this door was open, and in the hall at the foot of the stairs Clarence saw two men; one carried a dark lantern, from which the light proceeded, and some tools, of the nature of which Clarence was naturally ignorant: this was a middle-sized muscular man, dressed in the rudest garb of an ordinary labourer; the other was much taller and younger, and his dress was of a rather less ignoble fashion.

“Hist! hist!” said the taller one, in a low tone, “did you not hear a noise, Ben?”

“Not a pin fall; but stow your whids, man!”

This was all that Clarence heard in a connected form; but as the wretches paused, in evident doubt how to proceed, he caught two or three detached words, which his ingenuity readily formed into sentences. “No, no! sleeps to the left—old man above—plate chest; we must have the blunt too. Come, track up the dancers, and douse the glim.” And at the last words the light was extinguished, and Clarence’s quick and thirsting ear just caught their first steps on the stairs; they died away, and all was hushed.

It had several times occurred to Clarence to rush from his hiding-place, and fire at the ruffians, and perhaps that measure would have been the wisest he could have taken; but Clarence had never discharged a pistol in his life, and he felt, therefore, that his aim must be uncertain enough to render a favourable position and a short distance essential requisites. Both these were, at present, denied to him; and although he saw no weapons about the persons of the villains, yet he imagined they would not have ventured on so dangerous an expedition without firearms; and if he failed, as would have been most probable, in his two shots, he concluded that, though the alarm would be given, his own fate would be inevitable.

If this was reasoning upon false premises, for housebreakers seldom or never carry loaded firearms, and never stay for revenge, when their safety demands escape, Clarence may be forgiven for not knowing the customs of housebreakers, and for not making the very best of an extremely novel and dangerous situation.

No sooner did he find himself in total darkness than he bitterly reproached himself for his late backwardness, and, inwardly resolving not again to miss any opportunity which presented itself, he entered the window, groped along the room into the hall, and found his way very slowly and after much circumlocution to the staircase.

He had just gained the summit, when a loud cry broke upon the stillness: it came from a distance, and was instantly hushed; but he caught at brief intervals, the sound of angry and threatening voices. Clarence bent down anxiously, in the hope that some solitary ray would escape through the crevice of the door within which the robbers were engaged. But though the sounds came from the same floor as that on which he now trod, they seemed far and remote, and not a gleam of light broke the darkness.

He continued, however, to feel his way in the direction from which the sounds proceeded, and soon found himself in a narrow gallery; the voices seemed more loud and near, as he advanced; at last he distinctly heard the words—

“Will you not confess where it is placed?”

“Indeed, indeed,” replied an eager and earnest voice, which Clarence recognized as Talbot’s, “this is all the money I have in the house,—the plate is above,—my servant has the key,—take it,—take all,—but save his life and mine.”

“None of your gammon,” said another and rougher voice than that of the first speaker: “we know you have more blunt than this,—a paltry sum of fifty pounds, indeed!”

“Hold!” cried the other ruffian, “here is a picture set with diamonds, that will do, Ben. Let go the old man.”

Clarence was now just at hand, and probably from a sudden change in the position of the dark lantern within, a light abruptly broke from beneath the door and streamed along the passage.

“No, no, no!” cried the old man, in a loud yet tremulous voice,—“no, not that, anything else, but I will defend that with my life.”

“Ben, my lad,” said the ruffian, “twist the old fool’s neck we have no more time to lose.”

At that very moment the door was flung violently open, and Clarence Linden stood within three paces of the reprobates and their prey. The taller villain had a miniature in his hand, and the old man clung to his legs with a convulsive but impotent clasp; the other fellow had already his gripe upon Talbot’s neck, and his right hand grasped a long case-knife.

With a fierce and flashing eye, and a cheek deadly pale with internal and resolute excitement, Clarence confronted the robbers.

“Thank Heaven,” cried he, “I am not too late!” And advancing yet another step towards the shorter ruffian, who struck mute with the suddenness of the apparition, still retained his grasp of the old man, he fired his pistol, with a steady and close aim; the ball penetrated the wretch’s brain, and without sound or sigh, he fell down dead, at the very feet of his just destroyer. The remaining robber had already meditated, and a second more sufficed to accomplish, his escape. He sprang towards the door: the ball whizzed beside him, but touched him not. With a safe and swift step, long inured to darkness, he fled along the passage; and Linden, satisfied with the vengeance he had taken upon his comrade, did not harass him with an unavailing pursuit.

Clarence turned to assist Talbot. The old man was stretched upon the floor insensible, but his hand grasped the miniature which the plunderer had dropped in his flight and terror, and his white and ashen lip was pressed convulsively upon the recovered treasure.

Linden raised and placed him on his bed, and while employed in attempting to revive him, the ancient domestic, alarmed by the report of the pistol, came, poker in hand, to his assistance. By little and little they recovered the object of their attention. His eyes rolled wildly round the room, and he muttered,—“Off, off! ye shall not rob me of my only relic of her,—where is it?—have you got it?—the picture, the picture!”

“It is here, sir, it is here,” said the old servant; “it is in your own hand.”

Talbot’s eye fell upon it; he gazed at it for some moments, pressed it to his lips, and then, sitting erect and looking wildly round, he seemed to awaken to the sense of his late danger and his present deliverance.

CHAPTER XIX

Ah, fleeter far than fleetest storm or steed,
Or the death they bear,
The heart which tender thought clothes like a dove
With the wings of care!
In the battle, in the darkness, in the need,
Shall mine cling to thee!
Nor claim one smile for all the comfort, love,
It may bring to thee!

    —SHELLEY.

LETTER FROM ALGERNON MORDAUNT TO ISABEL ST. LEGER

You told me not to write to you. You know how long, but not how uselessly I have obeyed you. Did you think, Isabel, that my love was of that worldly and common order which requires a perpetual aliment to support it? Did you think that, if you forbade the stream to flow visibly, its sources would be exhausted, and its channel dried up? This may be the passion of others; it is not mine. Months have passed since we parted, and since then you have not seen me; this letter is the first token you have received from a remembrance which cannot die. But do you think that I have not watched and tended upon you, and gladdened my eyes with gazing on your beauty when you have not dreamed that I was by? Ah, Isabel, your heart should have told you of it; mine would, had you been so near me!

You receive no letters from me, it is true: think you that my hand and heart are therefore idle? No. I write to you a thousand burning lines: I pour out my soul to you; I tell you of all I suffer; my thoughts, my actions, my very dreams, are all traced upon the paper. I send them not to you, but I read them over and over, and when I come to your name, I pause and shut my eyes, and then “Fancy has her power,” and lo! “you are by my side!”

Isabel, our love has not been a holiday and joyous sentiment; but I feel a solemn and unalterable conviction that our union is ordained.

Others have many objects to distract and occupy the thoughts which are once forbidden a single direction, but we have none. At least, to me you are everything. Pleasure, splendour, ambition, all are merged into one great and eternal thought, and that is you!

Others have told me, and I believed them, that I was hard and cold and stern: so perhaps I was before I knew you, but now I am weaker and softer than a child. There is a stone which is of all the hardest and the chillest, but when once set on fire it is unquenchable. You smile at my image, perhaps, and I should smile if I saw it in the writing of another; for all that I have ridiculed in romance as exaggerated seems now to me too cool and too commonplace for reality.

But this is not what I meant to write to you; you are ill, dearest and noblest Isabel, you are ill! I am the cause, and you conceal it from me; and you would rather pine away and die than suffer me to lose one of those worldly advantages which are in my eyes but as dust in the balance,—it is in vain to deny it. I heard from others of your impaired health; I have witnessed it myself. Do you remember last night, when you were in the room with your relations, and they made you sing,—a song too which you used to sing to me, and when you came to the second stanza your voice failed you, and you burst into tears, and they, instead of soothing, reproached and chid you, and you answered not, but wept on? Isabel, do you remember that a sound was heard at the window and a groan? Even they were startled, but they thought it was the wind, for the night was dark and stormy, and they saw not that it was I: yes, my devoted, my generous love, it was I who gazed upon you, and from whose heart that voice of anguish was wrung; and I saw your cheek was pale and thin, and that the canker at the core had preyed upon the blossom.

Think you, after this, that I could keep silence or obey your request? No, dearest, no! Is not my happiness your object? I have the vanity to believe so; and am I not the best judge how that happiness is to be secured? I tell you, I say it calmly, coldly, dispassionately,—not from the imagination, not even from the heart, but solely from the reason,—that I can bear everything rather than the loss of you; and that if the evil of my love scathe and destroy you, I shall consider and curse myself as your murderer! Save me from this extreme of misery, my—yes, my Isabel! I shall be at the copse where we have so often met before, to-morrow, at noon. You will meet me; and if I cannot convince you, I will not ask you to be persuaded. A. M.

And Isabel read this letter, and placed it at her heart, and felt less miserable than she had done for months; for, though she wept, there was sweetness in the tears which the assurance of his love and the tenderness of his remonstrance had called forth. She met him: how could she refuse? and the struggle was past. Though not “convinced” she was “persuaded;” for her heart, which refused his reasonings, melted at his reproaches and his grief. But she would not consent to unite her fate with him at once, for the evils of that step to his interests were immediate and near; she was only persuaded to permit their correspondence and occasional meetings, in which, however imprudent they might be for herself, the disadvantages to her lover were distant and remote. It was of him only that she thought; for him she trembled; for him she was the coward and the woman; for herself she had no fears, and no forethought.

And Algernon was worthy of this devoted love, and returned it as it was given. Man’s love, in general, is a selfish and exacting sentiment: it demands every sacrifice and refuses all. But the nature of Mordaunt was essentially high and disinterested, and his honour, like his love, was not that of the world: it was the ethereal and spotless honour of a lofty and generous mind, the honour which custom can neither give nor take away; and, however impatiently he bore the deferring of a union, in which he deemed that he was the only sufferer, he would not have uttered a sigh or urged a prayer for that union, could it, in the minutest or remotest degree, have injured or degraded her.

These are the hearts and natures which make life beautiful; these are the shrines which sanctify love; these are the diviner spirits for whom there is kindred and commune with everything exalted and holy in heaven and earth. For them Nature unfolds her hoarded poetry and her hidden spells; for their steps are the lonely mountains, and the still woods have a murmur for their ears; for them there is strange music in the wave, and in the whispers of the light leaves, and rapture in the voices of the birds: their souls drink, and are saturated with the mysteries of the Universal Spirit, which the philosophy of old times believed to be God Himself. They look upon the sky with a gifted vision, and its dove-like quiet descends and overshadows their hearts; the Moon and the Night are to them wells of Castalian inspiration and golden dreams; and it was one of them who, gazing upon the Evening Star, felt in the inmost sanctuary of his soul its mysterious harmonies with his most worshipped hope, his most passionate desire, and dedicated it to—LOVE.

CHAPTER XX

Maria. Here’s the brave old man’s love,
Bianca. That loves  the young man.

          The Woman’s Prize; or, The Tamer  Tamed.