"I seek my life! I am pursued! I am at your mercy! I am innocent! Can you save me?"
As he spoke, the door of the outer room beyond was heard to open, and steps and voices were at hand.
"Ah!" he exclaimed, recoiling as he recognised her face. "And is it to you that I have fled?"
Eugenie also recognised the stranger; and there was something in their relative positions—the suppliant, the protectress—that excited both her imagination and her pity. A slight colour mantled to her cheeks—her look was gentle and compassionate.
"Poor boy! so young!" she said. "Hush!"
She withdrew her hand from his, retired a few steps, lifted a curtain drawn across a recess—and pointing to an alcove that contained one of those sofa-beds common in French houses, added in a whisper,—
"Enter—you are saved."
Morton obeyed, and Eugenie replaced the curtain.
CHAPTER XIII
GUIOMAR.
"Speak! What are you?"
RUTILIO.
"Gracious woman, hear me. I am a stranger:
And in that I answer all your demands."
Custom of the Country.
Eugenie replaced the curtain. And scarcely had she done so ere the steps in the outer room entered the chamber where she stood. Her servant was accompanied by two officers of the police.
"Pardon, madame," said one of the latter; "but we are in pursuit of a criminal. We think he must have entered this house through a window above while your servant was in the street. Permit us to search?"
"Without doubt," answered Eugenie, seating herself. "If he has entered, look in the other apartments. I have not quitted this room."
"You are right. Accept our apologies."
And the officers turned back to examine every corner where the fugitive was not. For in that, the scouts of Justice resembled their mistress: when does man's justice look to the right place?
The servant lingered to repeat the tale he had heard—the sight he had seen. When, at that instant, he saw the curtain of the alcove slightly stirred. He uttered an exclamation-sprung to the bed—his hand touched the curtain—Eugenie seized his arm. She did not speak; but as he turned his eyes to her, astonished, he saw that she trembled, and that her cheek was as white as marble.
"Madame," he said, hesitating, "there is some one hid in the recess."
"There is! Be silent!"
A suspicion flashed across the servant's mind. The pure, the proud, the immaculate Eugenie!
"There is!—and in madame's chamber!" he faltered unconsciously.
Eugenie's quick apprehensions seized the foul thought. Her eyes flashed —her cheek crimsoned. But her lofty and generous nature conquered even the indignant and scornful burst that rushed to her lips. The truth!– could she trust the man? A doubt—and the charge of the human life rendered to her might be betrayed. Her colour fell—tears gushed to her eyes.
"I have been kind to you, Francois. Not a word." "Madame confides in me—it is enough," said the Frenchman, bowing, with a slight smile on his lips; and he drew back respectfully.
One of the police officers re-entered.
"We have done, madame; he is not here. Aha! that curtain!"
"It is madame's bed," said Francois. "But I have looked behind."
"I am most sorry to have disarranged you," said the policeman, satisfied with the answer; "but we shall have him yet." And he retired.
The last footsteps died away, the last door of the apartments closed behind the officers, and Eugenie and her servant stood alone gazing on each other.
"You may retire," said she at last; and taking her purse from the table, she placed it in his hands.
The man took it, with a significant look. "Madame may depend on my discretion."
Eugenie was alone again. Those words rang in her ear,—Eugenie de Merville dependent on the discretion of her lackey! She sunk into her chair, and, her excitement succeeded by exhaustion, leaned her face on her hands, and burst into tears. She was aroused by a low voice; she looked up, and the young man was kneeling at her feet.
"Go—go!" she said: "I have done for you all I can."
"You heard—you heard—my own hireling, too! At the hazard of my own good name you are saved. Go!"
"Of your good name!"—for Eugenie forgot that it was looks, not words, that had so wrung her pride—"Your good name," he repeated: and glancing round the room—the toilette, the curtain, the recess he had quitted—all that bespoke that chastest sanctuary of a chaste woman, which for a stranger to enter is, as it were, to profane—her meaning broke on him. "Your good name—your hireling! No, madame,—no!" And as he spoke, he rose to his feet. "Not for me, that sacrifice! Your humanity shall not cost you so dear. Ho, there! I am the man you seek." And he strode to the door.
Eugenie was penetrated with the answer. She sprung to him—she grasped his garments.
"Hush! hush!—for mercy's sake! What would you do? Think you I could ever be happy again, if the confidence you placed in me were betrayed? Be calm—be still. I knew not what I said. It will be easy to undeceive the man—later—when you are saved. And you are innocent,—are you not?"
"Oh, madame," said Morton, "from my soul I say it, I am innocent—not of poverty—wretchedness—error—shame; I am innocent of crime. May Heaven bless you!"
And as he reverently kissed the hand laid on his arm, there was something in his voice so touching, in his manner something so above his fortunes, that Eugenie was lost in her feelings of compassion, surprise, and something, it might be, of admiration in her wonder.
"And, oh!" he said, passionately, gazing on her with his dark, brilliant eyes, liquid with emotion, "you have made my life sweet in saving it. You—you—of whom, ever since the first time, almost the sole time, I beheld you—I have so often mused and dreamed. Henceforth, whatever befall me, there will be some recollections that will—that—"
He stopped short, for his heart was too full for words; and the silence said more to Eugenie than if all the eloquence of Rousseau had glowed upon his tongue.
"And who, and what are you?" she asked, after a pause.
"An exile—an orphan—an outcast! I have no name! Farewell!"
"No—stay yet—the danger is not past. Wait till my servant is gone to rest; I hear him yet. Sit down—sit down. And whither would you go?"
"I know not."
"Have you no friends?"
"Gone."