Zicci — Volume 02

The sleep of Glyndon that night was unusually profound, and the sun streamed full upon his eyes as he opened them to the day. He rose refreshed, and with a strange sentiment of calmness, that seemed more the result of resolution than exhaustion. The incidents and emotions of the past night had settled into distinct and clear impressions. He thought of them but slightly,—he thought rather of the future. He was as one of the Initiated in the old Egyptian Mysteries, who have crossed the Gate only to look more ardently for the Penetralia.

He dressed himself, and was relieved to find that Merton had joined a party of his countrymen on an excursion to Ischia. He spent the heat of noon in thoughtful solitude, and gradually the image of Isabel returned to his heart. It was a holy—for it was a human—image; he had resigned her, and he repented. The light of day served, if not to dissipate, at least to sober, the turbulence and fervor of the preceding night. But was it indeed too late to retract his resolve? "Too late!" terrible words! Of what do we not repent, when the Ghost of the Deed returns to us to say, "Thou hast no recall?"

He started impatiently from his seat, seized his hat and sword, and strode with rapid steps to the humble abode of the actress.

The distance was considerable, and the air oppressive. Glyndon arrived at the door breathless and heated. he knocked, no answer came; he lifted the latch and entered. No sound, no sight of life, met his ear and eye. In the front chamber, on a table, lay the guitar of the actress and some manuscript parts in plays. He paused, and summoning courage, tapped at the door which seemed to lead into the inner apartment. The door was ajar; and hearing no sound within, he pushed it open. It was the sleeping chamber of the young actress,—that holiest ground to a lover. And well did the place become the presiding deity: none of the tawdry finery of the Profession was visible on the one hand, none of the slovenly disorder common to the humbler classes of the South on the other. All was pure and simple; even the ornaments were those of an innocent refinement,—a few books placed carefully on shelves, a few half-faded flowers in an earthen vase which was modelled and painted in the Etruscan fashion. The sunlight streamed over the snowy draperies of the bed, and a few articles of clothing, neatly folded, on the chair beside it. Isabel was not there; and Glyndon, as he gazed around, observed that the casement which opened to the ground was wrenched and broken, and several fragments of the shattered glass lay below. The light flashed at once upon Glyndon's mind,—the ravisher had borne away his prize. The ominous words of Zicci were fulfilled: it was too late! Wretch that he was, perhaps he might have saved her! But the nurse,— was she gone also? He made the house resound with the name of Gionetta, but there was not even an echo to reply. He resolved to repair at once to the abode of Zicci. On arriving at the palace of the Corsican, he was informed that the signor was gone to the banquet of the Prince di —, and would not return until late. He turned in dismay from the door, and perceived the heavy carriage of the Count Cetoxa rolling along the narrow street. Cetoxa recognized him and stopped the carriage.

"Ah my dear Signor Glyndon," said he, leaning out of the window, "and how goes your health? You heard the news?"

"What news?" asked Glyndon, mechanically.

"Why, the beautiful actress,—the wonder of Naples! I always thought she would have good luck."

"Well, well, what of her?"

"The Prince di— has taken a prodigious fancy to her, and has carried her to his own palace. The Court is a little scandalized."

"The villain! by force?"

"Force! Ha! ha! my dear signor, what need of force to persuade an actress to accept the splendid protection of one of the wealthiest noblemen in Italy? Oh, no! you may be sure she went willingly enough. I only just heard the news: the prince himself proclaimed his triumph this morning, and the accommodating Mascari has been permitted to circulate it. I hope the connection will not last long, or we shall lose our best singer. Addio!"

Glyndon stood mute and motionless. He knew not what to think, to believe, or how to act. Even Merton was not at hand to advise him. His conscience smote him bitterly; and half in despair, half in the courageous wrath of jealousy, he resolved to repair to the palace of the prince himself, and demand his captive in the face of his assembled guests.

CHAPTER XIII

We must go back to the preceding night. The actress and her nurse had returned from the theatre; and Isabel, fatigued and exhausted, had thrown herself on a sofa, while Gionetta busied herself with the long tresses which, released from the fillet that bound them, half concealed the form of the actress, like a veil of threads of gold; and while she smoothed the luxuriant locks, the old nurse ran gossiping on about the little events of the night,—the scandal and politics of the scenes and the tire-room.

The clock sounded the hour of midnight, and still Isabel detained the nurse; for a vague and foreboding fear, she could not account for, made her seek to protract the time of solitude and rest.

At length Gionetta's voice was swallowed up in successive yawns. She took her lamp and departed to her own room, which was placed in the upper story of the house. Isabel was alone. The half-hour after midnight sounded dull and distant, all was still, and she was about to enter her sleeping-room, when she heard the hoofs of a horse at full speed. The sound ceased; there was a knock at the door. Her heart beat violently; but fear gave way to another sentiment when she heard a voice, too well known, calling on her name. She went to the door.

"Open, Isabel,—it is Zicci," said the voice again.

And why did the actress feel fear no more, and why did that virgin hand unbar the door to admit, without a scruple or, a doubt, at that late hour, the visit of the fairest cavalier of Naples? I know not; but Zicci had become her destiny, and she obeyed the voice of her preserver as if it were the command of Fate.

Zicci entered with a light and hasty step. His horseman's cloak fitted tightly to his noble form, and the raven plumes of his broad hat threw a gloomy shade over his commanding features.

The girl followed him into the room, trembling and blushing deeply, and stood before him with the lamp she held shining upward on her cheek, and the long hair that fell like a shower of light over the bare shoulders and heaving bust.

"Isabel," said Zicci, in a voice that spoke deep emotion, "I am by thy side once more to save thee. Not a moment is to be lost. Thou must fly with me, or remain the victim of the Prince di —. I would have made the charge I now undertake another's,—thou knowest I would, thou knowest it; but he is not worthy of thee, the cold Englishman! I throw myself at thy feet; have trust in me, and fly."

He grasped her hand passionately as he dropped on his knee, and looked up into her face with his bright, beseeching eyes.

"Fly with thee!" said Isabel, tenderly.

"Thou knowest the penalty,—name, fame, honor, all will be sacrificed if thou dost not."

"Then, then," said the wild girl, falteringly, and turning aside her face, "then I am not indifferent to thee. Thou wouldest not give me to another; thou lovest me?"

Zicci was silent; but his breast heaved, his cheeks flushed, his eyes darted dark but impassioned fire.

"Speak!" exclaimed Isabel, in jealous suspicion of his silence. "Speak, if thou lovest me."

"I dare not tell thee so; I will not yet say I love thee."

"Then what matter my fate?" said Isabel, turning pale and shrinking from his side. "Leave me; I fear no danger. My life, and therefore my honor, is in mine own hands."

"Be not so mad!" said Zicci. "Hark! do you hear the neigh of my steed? It is an alarm that warns us of the approaching peril. Haste, or you are lost."

"Why do you care for me?" said the girl, bitterly. "Thou hast read my heart; thou knowest that I would fly with thee to the end of the world, if I were but sure of thy love; that all sacrifice of womanhood's repute were sweet to me, if regarded as the proof and seal of affection. But to be bound beneath the weight of a cold obligation; to be the beggar on the eyes of Indifference; to throw myself on one who loves me not,—that were indeed the vilest sin of my sex. Ah! Zicci, rather let me die."

She had thrown back her clustering hair from her face as she spoke; and as she now stood, with her arms drooping mournfully, and her hands clasped together with the proud bitterness of her wayward spirit, giving new zest and charm to her singular beauty, it was impossible to conceive a sight more irresistible to the senses and the heart.

"Tempt me not to thine own danger, perhaps destruction," exclaimed Zicci, in faltering accents; "thou canst not dream of what thou wouldest demand. Come," and, advancing, he wound his arm round her waist, "come, Isabel! Believe at least in my friendship, my protection—"

"And not thy love," said the Italian, turning on him her hurried and reproachful eyes. Those eyes met his, and he could not withdraw from the charm of their gaze. He felt her heart throbbing beneath his own; her breath came warm upon his cheek. He trembled,—he, the lofty, the mysterious Zicci,—who seemed to stand aloof from his race. With a deep and burning sigh he murmured, "Isabel, I love thee!" That beautiful face, bathed in blushes, drooped upon his bosom; and. as he bent down, his lips sought the rosy mouth,—a long and burning kiss. Danger, life, the world were forgotten! Suddenly Zicci tore himself from her.

"Oh! what have I said? It is gone,—my power to preserve thee, to guard thee, to foresee the storm in thy skies, is gone forever. No matter! Haste, haste; and may love supply the loss of prophecy and power!"

Isabel hesitated no more. She threw her mantle over her shoulders and gathered up her dishevelled hair; a moment, and she was prepared,—when a sudden crash was heard in the inner room.

"Too late!—fool that I was—too late!" cried Zicci, in a sharp tone of agony as he hurried to the outer door. He opened it, only to be borne back by the press of armed men.

Behind, before, escape was cut off. The room literally swarmed with the followers of the ravisher, masked, mailed, armed to the teeth.

Isabel was already in the grasp of two of the myrmidons; her shriek smote the ear of Zicci. He sprang forward, and Isabel heard his wild cry in a foreign tongue,—the gleam, the clash of swords. She lost her senses; and when she recovered, she found herself gagged, and in a carriage that was driven rapidly, by the side of a masked and motionless figure. The carriage stopped at the portals of a gloomy mansion. The gates opened noiselessly, a broad flight of steps, brilliantly illumined, was before her,—she was in the palace of the Prince di —.

CHAPTER XIV

The young actress was led to and left alone in a chamber adorned with all the luxurious and half-Eastern taste that at one time characterized the palaces of the great seigneurs of Italy. Her first thought was for Zicci,—was he yet living? Had he escaped unscathed the blades of the foe,—her new treasure, the new light of her life, her lord, at last her lover?

She had short time for reflection. She heard steps approaching the chamber; she drew back. She placed her hand on the dagger that at all hours she wore concealed in her bosom. Living or dead, she would be faithful still to Zicci There was a new motive to the preservation of honor. The door opened, and the Prince entered, in a dress that sparkled with jewels.

"Fair and cruel one," said he, advancing, with a half-sneer upon his lip, "thou wilt not too harshly blame the violence of love." He attempted to take her hand as he spoke.

"Nay," said he, as she recoiled, "reflect that thou art now in the power of one that never faltered in the pursuit of an object less dear to him than thou art. Thy lover, presumptuous though he be, is not by to save thee. Mine thou art; but instead of thy master, suffer me to be thy slave."

"My lord," said Isabel, with a stern gravity which perhaps the Stage had conspired with Nature, to bestow upon her, "your boast is in vain. Your power,—I am not in your power! Life and death are in my own hands. I will not defy, but I do not fear you. I feel—and in some feelings," added Isabel, with a, solemnity almost thrilling, "there is all the strength and all the divinity of knowledge—I feel that I am safe even here; but you, you, Prince di —, have brought danger to your home and hearth!"

The Neapolitan seemed startled by an earnestness and a boldness he was but little prepared for. He was not, however, a man easily intimidated or deterred from any purpose he had formed; and approaching Isabel, he was about to reply with much warmth, real or affected, when a, knock was heard at the door of the chamber. The sound was repeated, and the Prince, chafed at the interruption, opened the door and demanded impatiently who had ventured to disobey his orders and invade his leisure. Mascari presented himself, pale and agitated. "My lord," said he, in a whisper, "pardon me, but a stranger is below who insists on seeing you; and from some words he let fall, I judged it advisable even to infringe your commands."

"A stranger, and at this hour! What business can he pretend? Why was he even admitted?"

"He asserts that your life is in imminent danger. The source whence it proceeds he will relate to your Excellency alone."

The Prince frowned, but his color changed. He mused a moment, and then, re-entering the chamber and advancing towards Isabel, he said,—

"Believe me, fair creature, I have no wish to take advantage of my power. I would fain trust alone to the gentler authorities of affection. Hold yourself queen within these walls more absolutely than you have ever enacted that part on the stage. To-night, farewell! May your sleep becalm, and your dreams propitious to my hopes!"