What Will He Do with It? — Complete

“May,” concluded Mr. Williams, “carry off whatever may seem to the higher order of minds a too familiar attraction in the—dog!”

“I do not fear the result,” said Waife, “provided the audience be sufficiently numerous; for that (which is an indispensable condition to a fair experiment) I issue hand-bills, only where distributed by the Mayor.”

“Don’t be too sanguine. I distributed bills on behalf of Professor Long, and the audience was not numerous. How ever, I will do my best. Is there nothing more in which I can be of use to you, Mr. Chapman?”

“Yes, later.” Williams took alarm, and approached the Mayor’s breast-pocket protectingly. The Comedian withdrew him aside and whispered, “I intend to give the Mayor a little outline of the exhibition, and bring him into it, in order that his fellow-townsmen may signify their regard for him by a cheer; it will please his good heart, and be touching, you’ll see—mum!” Williams shook the Comedian by the hand, relieved, affected, and confiding.

The visitors departed; and the Comedian lighted his hand-candlestick, whistled to Sir Isaac, and went to bed without one compunctious thought upon the growth of his bill and the deficit in his pockets. And yet it was true, as Sophy implied, that the Comedian had an honest horror of incurring debt. He generally thought twice before he risked owing even the most trifling bill; and when the bill came in, if it left him penniless, it was paid. And, now, what reckless extravagance! The best apartments! dinner, tea, in the first hotel of the town! half-a-crown to a porter! That lavish mode of life renewed with the dawning sun! not a care for the morrow; and I dare not conjecture how few the shillings in that purse. What aggravation, too, of guilt! Bills incurred without means under a borrowed name! I don’t pretend to be a lawyer; but it looks to me very much like swindling. Yet the wretch sleeps. But are we sure that we are not shallow moralists? Do we carry into account the right of genius to draw bills upon the Future? Does not the most prudent general sometimes burn his ships? Does not the most upright merchant sometimes take credit on the chance of his ventures? May not that peaceful slumberer be morally sure that he has that argosy afloat in his own head, which amply justifies his use of the “Saracen’s”? If his plan should fail? He will tell you that is impossible! But if it should fail, you say. Listen; there runs a story-I don’t vouch for its truth: I tell it as it was told to me—there runs a storv that in the late Russian war a certain naval veteran, renowned for professional daring and scientific invention, was examined before some great officials as to the chances of taking Cronstadt. “If you send me,” said the admiral, “with so many ships of the line, and so many gunboats, Cronstadt of course will be taken.” “But,” said a prudent lord, “suppose it should not be taken?” “That is impossible: it must be taken!” “Yes,” persisted my lord, “you think so, no doubt; but still, if it should not be taken,—what then?” “What then?—why, there’s an end of the British fleet!” The great men took alarm, and that admiral was not sent. But they misconstrued the meaning of his answer. He meant not to imply any considerable danger to the British fleet. He meant to prove that one hypothesis was impossible by the suggestion of a counter-impossibility more self-evident. “It is impossible but what I shall take Cronstadt!” “But if you don’t take it!” “It is impossible but what I shall take it; for if I don’t take it, there’s an end of the British fleet; and as it is impossible that there should be an end of the British fleet, it is impossible that I should not take Cronstadt!”—Q.E.D.

CHAPTER XII

In which everything depends on Sir Isaac’s success in discovering the law of attraction.

On the appointed evening, at eight o’clock, the great room of the Gatesboro’ Athenaeum was unusually well filled. Not only had the Mayor exerted himself to the utmost for that object, but the hand-bill itself promised a rare relief from the prosiness of abstract enlightenment and elevated knowledge. Moreover, the stranger himself had begun to excite speculation and curiosity. He was an amateur, not a cut-and-dry professor. The Mayor and Mr. Williams had both spread the report that there was more in him than appeared on the surface; prodigiously learned, but extremely agreeable, fine manners, too!—Who could he be? Was Chapman his real name? etc.

The Comedian had obtained permission to arrange the room beforehand. He had the raised portion of it for his stage, and he had been fortunate enough to find a green curtain to be drawn across it. From behind this screen he now emerged and bowed. The bow redoubled the first conventional applause. He then began a very short address,—extremely well delivered, as you may suppose, but rather in the conversational than the oratorical style. He said it was his object to exhibit the intelligence of that Universal Friend of Man, the Dog, in some manner appropriate, not only to its sagacious instincts, but to its affectionate nature, and to convey thereby the moral that talents, however great, learning, however deep, were of no avail, unless rendered serviceable to Man. (Applause.) He must be pardoned then, if, in order to effect this object, he was compelled to borrow some harmless effects from the stage. In a word, his dog could represent to them the plot of a little drama. And he, though he could not say that he was altogether unaccustomed to public speaking (here a smile, modest, but august as that of some famous parliamentary orator who makes his first appearance at a vestry), still wholly new to its practice in the special part he had undertaken, would rely on their indulgence to efforts aspiring to no other merit than that of aiding the Hero of the Piece in a familiar illustration of those qualities in which dogs might give a lesson to humanity. Again he bowed, and retired behind the curtain. A pause of three minutes! the curtain drew up. Could that be the same Mr. Chapman whom the spectators beheld before them? Could three minutes suffice to change the sleek, respectable, prosperous-looking gentleman who had just addressed them into that image of threadbare poverty and hunger-pinched dejection? Little aid from theatrical costume: the clothes seemed the same, only to have grown wondrous aged and rusty. The face, the figure, the man,—these had undergone a transmutation beyond the art of the mere stage wardrobe, be it ever so amply stored, to effect. But for the patch over the eye, you could not have recognized Mr. Chapman. There was, indeed, about him, still, an air of dignity; but it was the dignity of woe,—a dignity, too, not of an affable civilian, but of some veteran soldier. You could not mistake. Though not in uniform, the melancholy man must have been a warrior! The way the coat was buttoned across the chest, the black stock tightened round the throat, the shoulders thrown back in the disciplined habit of a life, though the head bent forward in the despondency of an eventful crisis,—all spoke the decayed but not ignoble hero of a hundred fields.

There was something foreign, too, about the veteran’s air. Mr. Chapman had looked so thoroughly English: that tragical and meagre personage looked so unequivocally French.

Not a word had the Comedian yet said; and yet all this had the first sight of him conveyed to the audience. There was an amazed murmur, then breathless stillness; the story rapidly unfolded itself, partly by words, much more by look and action. There sat a soldier who had fought under Napoleon at Marengo and Austerlitz, gone through the snows of Muscovy, escaped the fires of Waterloo,—the soldier of the Empire! Wondrous ideal of a wondrous time! and nowhere winning more respect and awe than in that land of the old English foe, in which with slight knowledge of the Beautiful in Art, there is so reverent a sympathy for all that is grand in Man! There sat the soldier, penniless and friendless, there, scarcely seen, reclined his grandchild, weak and slowly dying for the want of food; and all that the soldier possesses wherewith to buy bread for the day, is his cross of the Legion of Honour. It was given to him by the hand of the Emperor: must he pawn or sell it? Out on the pomp of decoration which we have substituted for the voice of passionate nature on our fallen stage! Scenes so faithful to the shaft of a column,—dresses by which an antiquary can define a date to a year! Is delusion there? Is it thus we are snatched from Thebes to Athens? No; place a really fine actor on a deal board, and for Thebes and Athens you may hang up a blanket! Why, that very cross which the old soldier holds—away from his sight—in that tremulous hand, is but patched up from the foil and cardboard bought at the stationer’s shop. You might see it was nothing more, if you tried to see. Did a soul present think of such minute investigation? Not one. In the actor’s hand that trumpery became at once the glorious thing by which Napoleon had planted the sentiment of knightly heroism in the men whom Danton would have launched upon earth ruthless and bestial, as galley-slaves that had burst their chain.

The badge, wrought from foil and cardboard, took life and soul: it begot an interest, inspired a pathos, as much as if it had been made—oh! not of gold and gems, but of flesh and blood. And the simple broken words that the veteran addressed to it! The scenes, the fields, the hopes, the glories it conjured up! And now to be wrenched away,—sold to supply Man’s humblest, meanest wants,—sold—the last symbol of such a past! It was indeed “propter vitam vivendi perdere causas.” He would have starved rather,—but the child? And then the child rose up and came into play. She would not suffer such a sacrifice,—she was not hungry,—she was not weak; and when her voice failed her, she looked up into that iron face and smiled,—nothing but a smile. Outcame the pocket-handkerchiefs! The soldier seizes the cross, and turns away. It shall be sold! As he opens the door, a dog enters gravely,—licks his hand, approaches the table, raises itself on its hind legs, surveys the table dolefully, shakes its head, whines, comes to its master, pulls him by the skirt, looks into his face inquisitively.

What does all this mean? It soon comes out, and very naturally. The dog belonged to an old fellow-soldier, who had gone to the Isle of France to claim his share in the inheritance of a brother who had settled and died there, and who, meanwhile, had confided it to the care of our veteran, who was then in comparatively easy circumstances, since ruined by the failure and fraud of a banker to whom he had intrusted his all; and his small pension, including the yearly sum to which his cross entitled him, had been forestalled and mortgaged to pay the petty debts which, relying on his dividend from the banker, he had innocently incurred. The dog’s owner had been gone for months; his return might be daily expected. Meanwhile the dog was at the hearth, but the wolf at the door. Now, this sagacious animal had been taught to perform the duties of messenger and major-domo. At stated intervals he applied to his master for sous, and brought back the supplies which the sous purchased. He now, as usual, came to the table for the accustomed coin—the last sou was gone,—the dog’s occupation was at an end. But could not the dog be sold? Impossible: it was the property of another,—a sacred deposit; one would be as bad as the fraudulent banker if one could apply to one’s own necessities the property one holds in trust. These little biographical particulars came out in that sort of bitter and pathetic humour which a study of Shakspeare, or the experience of actual life, had taught the Comedian to be a natural relief to an intense sorrow. The dog meanwhile aided the narrative by his by-play. Still intent upon the sous, he thrust his nose into his master’s pockets; he appealed touchingly to the child, and finally put back his head and vented his emotion in a lugubrious and elegiacal howl. Suddenly there is heard without the sound of a showman’s tin trumpet! Whether the actor had got some obliging person to perform on that instrument, or whether, as more likely, it was but a trick of ventriloquism, we leave to conjecture. At that note, an idea seemed to seize the dog. He ran first to his master, who was on the threshold about to depart; pulled him back into the centre of the room: next he ran to the child, dragging her towards the same spot, though with great tenderness, and then, uttering a joyous bark, he raised himself on his hind legs and, with incomparable solemnity, performed a minuet step! The child catches the idea from the dog. Was he not more worth seeing than the puppet-show in the streets? might not people give money to see him, and the old soldier still keep his cross? To-day there is a public fete in the gardens yonder: that showman must be going thither; why not go too? What! he the old soldier,—he stoop to show off a dog! he! he! The dog looked at him deprecatingly and stretched himself on the floor—lifeless.

Yes, that is the alternative—shall his child die too, and he be too proud to save her? Ah! and if the cross can be saved also! But pshaw! what did the dog know that people would care to see? Oh, much, much. When the child was alone and sad, it would come and play with her. See those old dominos! She ranged them on the floor, and the dog leaped up and came to prove his skill. Artfully, then, the Comedian had planned that the dog should make some sad mistakes, alternated by some marvellous surprises. No, he would not do: yes, he would do. The audience took it seriously, and became intensely interested in the dog’s success; so sorry for his blunders, so triumphant in his lucky hits. And then the child calmed the hasty irritable old man so sweetly, and corrected the dog so gently, and talked to the animal; told it how much they relied on it, and produced her infant alphabet, and spelt out “Save us.” The dog looked at the letters meditatively, and henceforth it was evident that he took more pains. Better and better; he will do, he will do! The child shall not starve, the cross shall not be sold. Down drops the curtain. End of Act I.

Act II. opens with a dialogue spoken off the stage. Invisible dramatis persona, that subsist, with airy tongues, upon the mimetic art of the Comedian. You understand that there is a vehement dispute going on. The dog must not be admitted into a part of the gardens where a more refined and exclusive section of the company have hired seats, in order to contemplate, without sharing, the rude dances or jostling promenade of the promiscuous merry-makers. Much hubbub, much humour; some persons for the dog, some against him; privilege and decorum here, equality and fraternity there. A Bonapartist colonel sees the cross on the soldier’s breast, and, mille tonnerres! he settles the point. He pays for three reserved seats,—one for the soldier, one for the child, and a third for the dog. The veteran enters,—the child, not strong enough to have pushed through the crowd, raised on his shoulder, Rolla-like; the dog led by a string. He enters erect and warrior-like; his spirit has been roused by contest; his struggles have been crowned by victory. But (and here the art of the drama and the actor culminated towards the highest point)—but he now at once includes in the list of his dramatis persona the whole of his Gatesboro’ audience. They are that select company into which he has thus forced his way. As he sees them seated before him, so calm, orderly, and dignified, mauvaise honte steals over the breast more accustomed to front the cannon than the battery of ladies’ eyes. He places the child in a chair abashed and humbled; he drops into a seat beside her shrinkingly; and the dog, with more self-possession and sense of his own consequence, brushes with his paw some imaginary dust from a third chair, as in the superciliousness of the well dressed, and then seats himself, and looks round with serene audacity.

The chairs were skilfully placed on one side of the stage, as close as possible to the front row of the audience. The soldier ventures a furtive glance along the lines, and then speaks to his grandchild in whispered, bated breath: “Now they are there, what are they come for? To beg? He can never have the boldness to exhibit an animal for sous,—impossible; no, no, let them slink back again and sell the cross.” And the child whispers courage; bids him look again along the rows; those faces seem very kind. He again lifts his eyes, glances round, and with an extemporaneous tact that completed the illusion to which the audience were already gently lending themselves, made sundry complimentary comments on the different faces actually before him, selected most felicitously. The audience, taken by surprise, as some fair female, or kindly burgess, familiar to their associations, was thus pointed out to their applause, became heartily genial in their cheers and laughter. And the Comedian’s face, unmoved by such demonstrations,—so shy and sad, insinuated its pathos underneath cheer and laugh. You now learned through the child that a dance, on which the company had been supposed to be gazing, was concluded, and that they would not be displeased by an interval of some other diversion. Now was the tune! The dog, as if to convey a sense of the prevalent ennui, yawned audibly, patted the child on the shoulder, and looked up in her face. “A game of dominos,” whispered the little girl. The dog gleefully grinned assent. Timidly she stole forth the old dominos, and ranged them on the ground; on which she slipped from her chair, the dog slipped from his; they began to play. The experiment was launched; the soldier saw that the curiosity of the company was excited, that the show would commence, the sons follow; and as if he at least would not openly shame his service and his Emperor, he turned aside, slid his hand to his breast, tore away his cross, and hid it. Scarce a murmured word accompanied the action, the acting said all; and a noble thrill ran through the audience. Oh, sublime art of the mime!

The Mayor sat very near where the child and dog were at play. The Comedian had (as he before implied he would do) discreetly prepared that gentleman for direct and personal appeal. The little girl turned her blue eyes innocently towards Mr. Hartopp, and said, “The dog beats me, sir; will you try what you can do?”

A roar, and universal clapping of hands, amidst which the worthy magistrate stepped on the stage. At the command of its young mistress the dog made the magistrate a polite bow, and straight to the game went magistrate and dog. From that time the interest became, as it were, personal to all present. “Will you come, sir,” said the child to a young gentleman, who was straining his neck to see how the dominos were played, “and observe that it is all fair? You, too, sir?” to Mr. Williams. The Comedian stood beside the dog, whose movements he directed with undetected skill, while appearing only to fix his eyes on the ground in conscious abasement. Those on the rows from behind now pressed forward; those in advance either came on the stage, or stood up intently contemplating. The Mayor was defeated, the crowd became too thick, and the caresses bestowed on the dog seemed to fatigue him. He rose and retreated to a corner haughtily. “Manners, sir,” said the soldier; “it is not for the like of us to be proud; excuse him, ladies and gentlemen. He only wishes to please all,” said the child, deprecatingly. “Say how many would you have round us at a time, so that the rest may not be prevented seeing you.” She spread the multiplication figures before the dog; the dog put his paw on 10. “Astonishing!” said the Mayor.

“Will you choose them yourself, sir?”

The dog nodded, walked leisurely round, keeping one eye towards the one eye of his master and selected ten persons, amongst whom were the Mayor, Mr. Williams, and three pretty young ladies who had been induced to ascend the stage. The others were chosen no less judiciously.

The dog was then artfully led on from one accomplishment to another, much within the ordinary range which bounds the instruction of learned animals. He was asked to say how many ladies were on the stage: he spelt three. What were their names? “The Graces.” Then he was asked who was the first magistrate in the town. The dog made a bow to the Mayor. “What had made that gentleman first magistrate?” The dog looked to the alphabet and spelt “Worth.” “Were there any persons present more powerful than the Mayor?” The dog bowed to the three young ladies. “What made them more powerful?” The dog spelt “Beauty.” When ended the applause these answers received, the dog went through the musket exercise with the soldier’s staff; and as soon as he had performed that, he came to the business part of the exhibition, seized the hat which his master had dropped on the ground, and carried it round to each person on the stage. They looked at one another. “He is a poor soldier’s dog,” said the child, hiding her face. “No, no; a soldier cannot beg,” cried the Comedian. The Mayor dropped a coin in the hat; others did the same or affected to do it. The dog took the hat to his master, who waved him aside. There was a pause. The dog laid the hat softly at the soldier’s feet, and looked up at the child beseechingly. “What,” asked she, raising her head proudly—“what secures WORTH and defends BEAUTY?” The dog took up the staff and shouldered it. “And to what can the soldier look for aid when he starves and will not beg?” The dog seemed puzzled,—the suspense was awful. “Good heavens,” thought the Comedian, “if the brute should break down after all!—and when I took such care that the words should lie undisturbed-right before his nose!” With a deep sigh the veteran started from his despondent attitude, and crept along the floor as if for escape—so broken-down, so crestfallen. Every eye was on that heartbroken face and receding figure; and the eye of that heartbroken face was on the dog, and the foot of that receding figure seemed to tremble, recoil, start, as it passed by the alphabetical letters which still lay on the ground as last arranged. “Ah! to what should he look for aid?” repeated the grandchild, clasping her little hands. The dog had now caught the cue, and put his paw first upon “WORTH,” and then upon “BEAUTY.”

“Worth!” cried the ladies—“Beauty!” exclaimed the Mayor. “Wonderful, wonderful!”

“Take up the hat,” said the child, and turning to the Mayor—“Ah! tell him, sir, that what Worth and Beauty give to Valour in distress is not alms but tribute.”

The words were little better than a hack claptrap; but the sweet voice glided through the assembly, and found its way into every heart.

“Is it so?” asked the old soldier, as his hand hoveringly passed above the coins. “Upon my honour it is, sir!” said the Mayor, with serious emphasis. The audience thought it the best speech he had ever made in his life, and cheered him till the roof rang again. “Oh! bread, bread, for you, darling!” cried the veteran, bowing his head over the child, and taking out his cross and kissing it with passion; “and the badge of honour still for me!”

While the audience was in the full depth of its emotion, and generous tears in many an eye, Waife seized his moment, dropped the actor, and stepped forth to the front as the man—simple, quiet, earnest man—artless man!

“This is no mimic scene, ladies and gentlemen. It is a tale in real life that stands out before you. I am here to appeal to those hearts that are not vainly open to human sorrows. I plead for what I have represented. True, that the man who needs your aid is not one of that soldiery which devastated Europe. But he has fought in battles as severe, and been left by fortune to as stern a desolation. True, he is not a Frenchman; he is one of a land you will not love less than France,—it is your own. He, too, has a child whom he would save from famine. He, too, has nothing left to sell or to pawn for bread,—except—oh, not this gilded badge, see, this is only foil and cardboard,—except, I say, the thing itself, of which you respect even so poor a symbol,—nothing left to sell or to pawn but Honour! For these I have pleaded this night as a showman; for these, less haughty than the Frenchman, I stretch my hands towards you without shame; for these I am a beggar.”

He was silent. The dog quietly took up the hat and approached the Mayor again. The Mayor extracted the half-crown he had previously deposited, and dropped into the hat two golden sovereigns. Who does not guess the rest? All crowded forward,—youth and age, man and woman. And most ardent of all were those whose life stands most close to vicissitude, most exposed to beggary, most sorely tried in the alternative between bread and honour. Not an operative there but spared his mite.

CHAPTER XIII

Omne ignotum pro magnifico.—Rumour, knowing nothing of his antecedents, exalts Gentleman Waife into Don Magnifico.

The Comedian and his two coadjutors were followed to the Saracen’s Head inn by a large crowd, but at respectful distance. Though I know few things less pleasing than to have been decoyed and entrapped into an unexpected demand upon one’s purse,—when one only counted, too, upon an agreeable evening,—and hold, therefore, in just abhorrence the circulating plate which sometimes follows a public oration, homily, or other eloquent appeal to British liberality; yet, I will venture to say, there was not a creature whom the Comedian had surprised into impulsive beneficence who regretted his action, grudged its cost, or thought he had paid too dear for his entertainment. All had gone through a series of such pleasurable emotions that all had, as it were, wished a vent for their gratitude; and when the vent was found, it became an additional pleasure. But, strange to say, no one could satisfactorily explain to himself these two questions,—for what, and to whom had he given his money? It was not a general conjecture that the exhibitor wanted the money for his own uses. No; despite the evidence in favour of that idea, a person so respectable, so dignified, addressing them, too, with that noble assurance to which a man who begs for himself is not morally entitled,—a person thus characterized must be some high-hearted philanthropist who condescended to display his powers at an Institute purely intellectual, perhaps on behalf of an eminent but decayed author, whose name, from the respect due to letters, was delicately concealed. Mr. Williams, considered the hardest head and most practical man in the town, originated and maintained that hypothesis. Probably the stranger was an author himself, a great and affluent author. Had not great and affluent authors—men who are the boast of our time and land—acted, yea, on a common stage, and acted inimitably too, on behalf of some lettered brother or literary object? Therefore in these guileless minds, with all the pecuniary advantages of extreme penury and forlorn position, the Comedian obtained the respect due to prosperous circumstances and high renown. But there was one universal wish expressed by all who had been present, as they took their way homeward; and that wish was to renew the pleasure they had experienced, even if they paid the same price for it. Could not the long-closed theatre be re-opened, and the great man be induced by philanthropic motives, and an assured sum raised by voluntary subscriptions, to gratify the whole town, as he had gratified its selected intellect? Mr. Williams, in a state of charitable thaw, now softest of the soft, like most hard men when once softened, suggested this idea to the Mayor. The Mayor said evasively that he would think of it, and that he intended to pay his respects to Mr. Chapman before he returned home, that very night: it was proper. Mr. Williams and many others wished to accompany his worship. But the kind magistrate suggested that Mr. Chapman would be greatly fatigued: that the presence of many might seem more an intrusion than a compliment; that he, the Mayor, had better go alone, and at a somewhat later hour, when Mr. Chapman, though not retired to bed, might have had time for rest and refreshment. This delicate consideration had its weight; and the streets were thin when the Mayor’s gig stopped, on its way villa-wards, at the Saracen’s Head.

CHAPTER XIV

It is the interval between our first repinings and our final resignation, in which, both with individuals and communities, is to be found all that makes a history worth telling. Ere yet we yearn for what is out of our reach, we are still in the cradle. When wearied out with our yearnings, desire again falls asleep; we are on the deathbed.

Sophy (leaning on her grandfather’s arm as they ascend the stair of the Saracen’s Head).—“But I am so tired, Grandy: I’d rather go to bed at once, please!”

GENTLEMAN WAIFE.—“Surely you could take something to eat first—something nice,—Miss Chapman?”—(Whispering close), “We can live in clover now,—a phrase which means” (aloud to the landlady, who crossed the landing-place above) “grilled chicken and mushrooms for supper, ma’am! Why don’t you smile, Sopby? Oh, darling, you are ill!”

“No, no, Grandy, dear; only tired: let me go to bed. I shall be better to-morrow; I shall indeed!”

Waife looked fondly into her face, but his spirits were too much exhilarated to allow him to notice the unusual flush upon her cheek, except with admiration of the increased beauty which the heightened colour gave to her soft features.

“Well,” said he, “you are a pretty child!—a very pretty child, and you act wonderfully. You would make a fortune on the stage; but—”

SOPHY (eagerly).—“But—no, no, never!—not the stage!”

WAIFE.—“I don’t wish you to go on the stage, as you know. A private exhibition—like the one to-night, for instance—has” (thrusting his hand into his pocket) “much to recommend it.”

SOPHY (with a sigh).—“Thank Heaven! that is over now; and you’ll not be in want of money for a long, long time! Dear Sir Isaac!”

She began caressing Sir Isaac, who received her attentions with solemn pleasure. They were now in Sophy’s room; and Waife, after again pressing the child in vain to take some refreshment, bestowed on her his kiss and blessing, and whistled “Malbrook s’en va-t-en guerre” to Sir Isaac, who, considering that melody an invitation to supper, licked his lips, and stalked forth, rejoicing, but decorous.

Left alone, the child breathed long and hard, pressing her hands to her bosom, and sank wearily on the foot of the bed. There were no shutters to the window, and the moonlight came in gently, stealing across that part of the wall and floor which the ray of the candle left in shade. The girl raised her eyes slowly towards the window,—towards the glimpse of the blue sky, and the slanting lustre of the moon. There is a certain epoch in our childhood, when what is called the romance of sentiment first makes itself vaguely felt. And ever with the dawn of that sentiment the moon and the stars take a strange and haunting fascination. Few persons in middle life-even though they be genuine poets—feel the peculiar spell in the severe stillness and mournful splendour of starry skies which impresses most of us, even though no poets at all, in that mystic age when Childhood nearly touches upon Youth, and turns an unquiet heart to those marvellous riddles within us and without, which we cease to conjecture when experience has taught us that they have no solution upon this side the grave. Lured by the light, the child rose softly, approached the window, and, resting her upturned face upon both hands, gazed long into the heavens, communing evidently with herself, for her lips moved and murmured indistinctly. Slowly she retired from the casement, and again seated herself at the foot of the bed, disconsolate. And then her thoughts ran somewhat thus, though she might not have shaped them exactly in the same words: “No, I cannot understand it. Why was I contented and happy before I knew him? Why did I see no harm, no shame in this way of life—not even on that stage with those people—until he said, ‘It was what he wished I had never stooped to’? And Grandfather says our paths are so different they cannot cross each other again. There is a path of life, then, which I can never enter; there is a path on which I must always, always walk, always, always, always that path,—no escape! Never to come into that other one where there is no disguise, no hiding, no false names,—never, never!” she started impatiently, and with a wild look,—“It is killing me!”

Then, terrified by her own impetuosity, she threw herself on the bed, weeping low. Her heart had now gone back to her grandfather; it was smiting her for ingratitude to him. Could there be shame or wrong in what he asked,—what he did? And was she to murmur if she aided him to exist? What was the opinion of a stranger boy compared to the approving sheltering love of her sole guardian and tried fostering friend? And could people choose their own callings and modes of life? If one road went this way, another that, and they on the one road were borne farther and farther away from those on the other—as that idea came, consolation stopped, and in her noiseless weeping there was a bitterness as of despair. But the tears ended by relieving the grief that caused them. Wearied out of conjecture and complaint, her mind relapsed into the old native, childish submission. With a fervour in which there was self-reproach she repeated her meek, nightly prayer, that God would bless her dear grandfather, and suffer her to be his comfort and support. Then mechanically she undressed, extinguished the candle, and crept into bed. The moonlight became bolder and bolder; it advanced tip the floors, along the walls; now it floods her very pillow, and seems to her eyes to take a holy loving kindness, holier and more loving as the lids droop beneath it. A vague remembrance of some tale of “guardian spirits,” with which Waife had once charmed her wonder, stirred through her lulling thoughts, linking itself with the presence of that encircling moonlight. There! see the eyelids are closed, no tear upon their fringe. See the dimples steal out as the sweet lips are parted. She sleeps, she dreams already! Where and what is the rude world of waking now? Are there not guardian spirits? Deride the question if thou wilt, stern man, the reasoning and self-reliant; but thou, O fair mother, who hast marked the strange happiness on the face of a child that has wept itself to sleep, what sayest thou to the soft tradition, which surely had its origin in the heart of the earliest mother?

CHAPTER XV

There is no man so friendless but what he can find a friend sincere enough to tell him disagreeable truths.

Meanwhile the Comedian had made himself and Sir Isaac extremely comfortable. No unabstemious man by habit was Gentleman Waife. He could dine on a crust, and season it with mirth; and as for exciting drinks, there was a childlike innocence in his humour never known to a brain that has been washed in alcohol. But on this special occasion, Waife’s heart was made so bounteous by the novel sense of prosperity that it compelled him to treat himself. He did honour to the grilled chicken to which he had vainly tempted Sophy. He ordered half a pint of port to be mulled into negus. He helped himself with a bow, as if himself were a guest, and nodded each time he took off his glass, as much as to say, “Your health, Mr. Waife!” He even offered a glass of the exhilarating draught to Sir Isaac, who, exceedingly offended, retreated under the sofa, whence he peered forth through his deciduous ringlets, with brows knit in grave rebuke. Nor was it without deliberate caution—a whisker first, and then a paw—that he emerged from his retreat, when a plate heaped with the remains of the feast was placed upon the hearth-rug.

The supper over, and the attendant gone, the negus still left, Waife lighted his pipe, and, gazing on Sir Isaac, thus addressed that canine philosopher: “Illustrious member of the Quadrupedal Society of Friends to Man, and, as possessing those abilities for practical life which but few friends to man ever display in his service, promoted to high rank—Commissary-General of the Victualling Department, and Chancellor of the Exchequer—I have the honour to inform you that a vote of thanks in your favour has been proposed in this house, and carried unanimously.” Sir Isaac, looking shy, gave another lick to the plate, and wagged his tail. “It is true that thou wert once (shall I say it?) in fault at ‘Beauty and Worth,’—thy memory deserted thee; thy peroration was on the verge of a breakdown; but ‘Nemo mortalium omnibus horis sapit, I as the Latin grammar philosophically expresseth it. Mortals the wisest, not only on two legs but even upon four, occasionally stumble. The greatest general, statesman, sage, is not he who commits no blunder, but he who best repairs a blunder and converts it to success. This was thy merit and distinction! It hath never been mine! I recognize thy superior genius. I place in thee unqualified confidence; and consigning thee to the arms of Morpheus, since I see that panegyric acts on thy nervous system as a salubrious soporific, I now move that this House do resolve itself into a Committee of Ways and Means for the Consideration of the Budget!”

Therewith, while Sir Isaac fell into a profound sleep the Comedian deliberately emptied his pockets on the table; and arranging gold and silver before him, thrice carefully counted the total, and then divided it into sundry small heaps.

“That’s for the bill,” quoth he,—“Civil List!—a large item. That’s for Sophy, the darling! She shall have a teacher, and learn Music,—Education Grant; Current Expenses for the next fortnight; Miscellaneous Estimates; tobacco,—we’ll call that Secret-service Money. Ah, scamp, vagrant, is not Heaven kind to thee at last? A few more such nights, and who knows but thine old age may have other roof than the workhouse? And Sophy?—Ah, what of her? Merciful Providence, spare my life till she has outgrown its uses!” A tear came to his eye; he brushed it away quickly, and, recounting his money, hummed a joyous tune.