Kenelm Chillingly — Volume 02

After ten minutes' absence, the boy came back radiant. He tapped Kenelm on the shoulder, and said playfully, "I made them cut a whole loin into chops, besides the cauliflower; and such a big rice-pudding, and eggs and bacon too! Cheer up! it will be served in a minute."

"A-h!" said Kenelm.

"They are good people; they did not mean to stint you: but most of their customers, it seems, live upon vegetables and farinaceous food. There is a society here formed upon that principle; the landlady says they are philosophers!"

At the word "philosophers" Kenelm's crest rose as that of a practised hunter at the cry of "Yoiks! Tally-ho!" "Philosophers!" said he, "philosophers indeed! O ignoramuses, who do not even know the structure of the human tooth! Look you, little boy, if nothing were left on this earth of the present race of man, as we are assured upon great authority will be the case one of these days,—and a mighty good riddance it will be,—if nothing, I say, of man were left except fossils of his teeth and his thumbs, a philosopher of that superior race which will succeed to man would at once see in those relics all his characteristics and all his history; would say, comparing his thumb with the talons of an eagle, the claws of a tiger, the hoof of a horse, the owner of that thumb must have been lord over creatures with talons and claws and hoofs. You may say the monkey tribe has thumbs. True; but compare an ape's thumb with a man's: could the biggest ape's thumb have built Westminster Abbey? But even thumbs are trivial evidence of man as compared with his teeth. Look at his teeth!"—here Kenelm expanded his jaws from ear to ear and displayed semicircles of ivory, so perfect for the purposes of mastication that the most artistic dentist might have despaired of his power to imitate them,—"look, I say, at his teeth!" The boy involuntarily recoiled. "Are the teeth those of a miserable cauliflower-eater? or is it purely by farinaceous food that the proprietor of teeth like man's obtains the rank of the sovereign destroyer of creation? No, little boy, no," continued Kenelm, closing his jaws, but advancing upon the infant, who at each stride receded towards the aquarium,—"no; man is the master of the world, because of all created beings he devours the greatest variety and the greatest number of created things. His teeth evince that man can live upon every soil from the torrid to the frozen zone, because man can eat everything that other creatures cannot eat. And the formation of his teeth proves it. A tiger can eat a deer; so can man: but a tiger can't eat an eel; man can. An elephant can eat cauliflowers and rice-pudding; so can man! but an elephant can't eat a beefsteak; man can. In sum, man can live everywhere, because he can eat anything, thanks to his dental formation!" concluded Kenelm, making a prodigious stride towards the boy. "Man, when everything else fails him, eats his own species."

"Don't; you frighten me," said the boy. "Aha!" clapping his hands with a sensation of gleeful relief, "here come the mutton-chops!"

A wonderfully clean, well-washed, indeed well-washed-out, middle-aged parlour-maid now appeared, dish in hand. Putting the dish on the table and taking off the cover, the handmaiden said civilly, though frigidly, like one who lived upon salad and cold water, "Mistress is sorry to have kept you waiting, but she thought you were Vegetarians."

After helping his young friend to a mutton-chop, Kenelm helped himself, and replied gravely, "Tell your mistress that if she had only given us vegetables, I should have eaten you. Tell her that though man is partially graminivorous, he is principally carnivorous. Tell her that though a swine eats cabbages and such like, yet where a swine can get a baby, it eats the baby. Tell her," continued Kenelm (now at his third chop), "that there is no animal that in digestive organs more resembles man than a swine. Ask her if there is any baby in the house; if so, it would be safe for the baby to send up some more chops."

As the acutest observer could rarely be quite sure when Kenelm Chillingly was in jest or in earnest, the parlour-maid paused a moment and attempted a pale smile. Kenelm lifted his dark eyes, unspeakably sad and profound, and said mournfully, "I should be so sorry for the baby. Bring the chops!" The parlour-maid vanished. The boy laid down his knife and fork, and looked fixedly and inquisitively on Kenelm. Kenelm, unheeding the look, placed the last chop on the boy's plate.

"No more," cried the boy, impulsively, and returned the chop to the dish. "I have dined: I have had enough."

"Little boy, you lie," said Kenelm; "you have not had enough to keep body and soul together. Eat that chop or I shall thrash you: whatever I say I do."

Somehow or other the boy felt quelled; he ate the chop in silence, again looked at Kenelm's face, and said to himself, "I am afraid."

The parlour-maid here entered with a fresh supply of chops and a dish of bacon and eggs, soon followed by a rice-pudding baked in a tin dish, and of size sufficient to have nourished a charity school. When the repast was finished, Kenelm seemed to forget the dangerous properties of the carnivorous animal; and stretching himself indolently out, appeared to be as innocently ruminative as the most domestic of animals graminivorous.

Then said the boy, rather timidly, "May I ask you another favour?"

"Is it to knock down another uncle, or to steal another gig and cob?"

"No, it is very simple: it is merely to find out the address of a friend here; and when found to give him a note from me."

"Does the commission press? 'After dinner, rest a while,' saith the proverb; and proverbs are so wise that no one can guess the author of them. They are supposed to be fragments of the philosophy of the antediluvians: came to us packed up in the ark."

"Really, indeed," said the boy, seriously. "How interesting! No, my commission does not press for an hour or so. Do you think, sir, they had any drama before the Deluge?"

"Drama! not a doubt of it. Men who lived one or two thousand years had time to invent and improve everything; and a play could have had its natural length then. It would not have been necessary to crowd the whole history of Macbeth, from his youth to his old age, into an absurd epitome of three hours. One cannot trace a touch of real human nature in any actor's delineation of that very interesting Scotchman, because the actor always comes on the stage as if he were the same age when he murdered Duncan, and when, in his sear and yellow leaf, he was lopped off by Macduff."

"Do you think Macbeth was young when he murdered Duncan?"

"Certainly. No man ever commits a first crime of violent nature, such as murder, after thirty; if he begins before, he may go on up to any age. But youth is the season for commencing those wrong calculations which belong to irrational hope and the sense of physical power. You thus read in the newspapers that the persons who murder their sweethearts are generally from two to six and twenty; and persons who murder from other motives than love—that is, from revenge, avarice, or ambition—are generally about twenty-eight,—Iago's age. Twenty-eight is the usual close of the active season for getting rid of one's fellow-creatures; a prize-fighter falls off after that age. I take it that Macbeth was about twenty-eight when he murdered Duncan, and from about fifty-four to sixty when he began to whine about missing the comforts of old age. But can any audience understand that difference of years in seeing a three-hours' play? or does any actor ever pretend to impress it on the audience, and appear as twenty-eight in the first act and a sexagenarian in the fifth?"

"I never thought of that," said the boy, evidently interested. "But I never saw 'Macbeth.' I have seen 'Richard III.:' is not that nice? Don't you dote on the play? I do. What a glorious life an actor's must be!"

Kenelm, who had been hitherto rather talking to himself than to his youthful companion, here roused his attention, looked on the boy intently, and said,—

"I see you are stage-stricken. You have run away from home in order to turn player, and I should not wonder if this note you want me to give is for the manager of the theatre or one of his company."

The young face that encountered Kenelm's dark eye became very flushed, but set and defiant in its expression.

"And what if it were? would not you give it?"

"What! help a child of your age run away from his home, to go upon the stage against the consent of his relations? Certainly not."

"I am not a child; but that has nothing to do with it. I don't want to go on the stage, at all events without the consent of the person who has a right to dictate my actions. My note is not to the manager of the theatre, nor to one of his company; but it is to a gentleman who condescends to act here for a few nights; a thorough gentleman,—a great actor,—my friend, the only friend I have in the world. I say frankly I have run away from home so that he may have that note, and if you will not give it some one else will!"

The boy had risen while he spoke, and he stood erect beside the recumbent Kenelm, his lips quivering, his eyes suffused with suppressed tears, but his whole aspect resolute and determined. Evidently, if he did not get his own way in this world, it would not be for want of will.

"I will take your note," said Kenelm.

"There it is; give it into the hands of the person it is addressed to,—Mr. Herbert Compton."

CHAPTER IV

KENELM took his way to the theatre, and inquired of the door-keeper for Mr. Herbert Compton. That functionary replied, "Mr. Compton does not act to-night, and is not in the house."

"Where does he lodge?"

The door-keeper pointed to a grocer's shop on the other side of the way, and said tersely, "There, private door; knock and ring."

Kenelm did as he was directed. A slatternly maid-servant opened the door, and, in answer to his interrogatory, said that Mr. Compton was at home, but at supper.

"I am sorry to disturb him," said Kenelm, raising his voice, for he heard a clatter of knives and plates within a room hard by at his left, "but my business requires to see him forthwith;" and, pushing the maid aside, he entered at once the adjoining banquet-hall.

Before a savoury stew smelling strongly of onions sat a man very much at his ease, without coat or neckcloth,—a decidedly handsome man, his hair cut short and his face closely shaven, as befits an actor who has wigs and beards of all hues and forms at his command. The man was not alone; opposite to him sat a lady, who might be a few years younger, of a somewhat faded complexion, but still pretty, with good stage features and a profusion of blond ringlets.

"Mr. Compton, I presume," said Kenelm, with a solemn bow.

"My name is Compton: any message from the theatre? or what do you want with me?"

"I—nothing!" replied Kenelm; and then deepening his naturally mournful voice into tones ominous and tragic, continued, "By whom you are wanted let this explain;" therewith he placed in Mr. Compton's hand the letter with which he was charged, and stretching his arms and interlacing his fingers in the /pose/ of Talma as Julius Caesar, added, "'Qu'en dis-tu, Brute?'"

Whether it was from the sombre aspect and awe-inspiring delivery of the messenger, or the sight of the handwriting on the address of the missive, Mr. Compton's countenance suddenly fell, and his hand rested irresolute, as if not daring to open the letter.

"Never mind me, dear," said the lady with blond ringlets, in a tone of stinging affability: "read your /billet-doux/; don't keep the young man waiting, love!"

"Nonsense, Matilda, nonsense! /billet-doux/ indeed! more likely a bill from Duke the tailor. Excuse me for a moment, my dear. Follow me, sir," and rising, still with shirtsleeves uncovered, he quitted the room, closing the door after him, motioned Kenelm into a small parlour on the opposite side of the passage, and by the light of a suspended gas-lamp ran his eye hastily over the letter, which, though it seemed very short, drew from him sundry exclamations. "Good heavens, how very absurd! what's to be done?" Then, thrusting the letter into his trousers-pocket, he fixed upon Kenelm a very brilliant pair of dark eyes, which soon dropped before the steadfast look of that saturnine adventurer.

"Are you in the confidence of the writer of this letter?" asked Mr.

Compton, rather confusedly.

"I am not the confidant of the writer," answered Kenelm, "but for the time being I am the protector!"

"Protector!"

"Protector."

Mr. Compton again eyed the messenger, and this time fully realizing the gladiatorial development of that dark stranger's physical form, he grew many shades paler, and involuntarily retreated towards the bell-pull.

After a short pause, he said, "I am requested to call on the writer. If I do so, may I understand that the interview will be strictly private?"