Godolphin, Complete

“I never play at that,” said Saville, solemnly. “It is the devil’s game; it defies skill. Forsake hazard, and let me teach you ecarte; it is coming into fashion.”

Saville took great pains with Godolphin; and Godolphin, who was by nature of a contemplative, not hasty mood, was no superficial disciple. As his biographer, I grieve to confess, that he became, though a punctiliously honest, a wise and fortunate gamester; and thus he eked out betimes the slender profits of a subaltern’s pay.

This was the first great deterioration in Percy’s mind—a mind which ought to have made him a very different being from what he became, but which no vice, no evil example, could ever entirely pervert.

CHAPTER VII

SAVILLE EXCUSED FOR HAVING HUMAN AFFECTIONS.—GODOLPHIN SEES ONE WHOM HE NEVER SEES AGAIN.—THE NEW ACTRESS

Saville was deemed the consummate man of the world—wise and heartless. How came he to take such gratuitous pains with the boy Godolphin? In the first place, Saville had no legitimate children; Godolphin was his relation; in the second place it may be observed that hackneyed and sated men of the world are fond of the young, in whom they recognise something—a better something belonging to themselves. In Godolphin’s gentleness and courage, Saville thought he saw the mirror of his own crusted urbanity and scheming perseverance; in Godolphin’s fine imagination and subtle intellect he beheld his own cunning and hypocrisy. The boy’s popularity flattered him; the boy’s conversation amused. No man is so heartless but that he is capable of strong likings, when they do not put him much out of his way; it was this sort of liking that Saville had for Godolphin. Besides, there was yet another reason for attachment, which might at first seem too delicate to actuate the refined voluptuary; but examined closely, the delicacy vanished. Saville had loved, at least had offered his hand to—Godolphin’s mother (she was supposed an heiress!) He thought he had just missed being Godolphin’s father: his vanity made him like to show the boy what a much better father he would have been than the one that Providence had given him. His resentment, too, against the accepted suitor, made him love to exercise a little spiteful revenge against Godolphin’s father; he was glad to show that the son preferred where the mother rejected. All these motives combined made Saville take, as it were, to the young Percy; and being rich, and habitually profuse, though prudent, and a shrewd speculator withal, the pecuniary part of his kindness cost him no pain. But Godolphin, who was not ostentatious, did not trust himself largely to the capricious fount of the worldling’s generosity. Fortune smiled on her boyish votary; and during the short time he was obliged to cultivate her favours, showered on him at least a sufficiency for support, or even for display.

Crowded with fine people, and blazing with light, were the rooms of the Countess of B–, as, flushed from a late dinner at Saville’s, young Godolphin made his appearance in the scene. He was not of those numerous gentlemen, the stock-flowers of the parterre, who stick themselves up against walls in the panoply of neckclothed silence. He came not to balls from the vulgar motive of being seen there in the most conspicuous situation—a motive so apparent among the stiff exquisites of England. He came to amuse himself; and if he found no one capable of amusing him, he saw no necessity in staying. He was always seen, therefore, conversing or dancing, or listening to music—or he was not seen at all.

In exchanging a few words with a Colonel D–, a noted roue and gamester, he observed, gazing on him very intently—and as Percy thought, very rudely—an old gentleman in a dress of the last century. Turn where he would, Godolphin could not rid himself of the gaze; so at length he met it with a look of equal scrutiny and courage. The old gentleman slowly approached. “Percy Godolphin, I think?” said he.

“That is my name, sir,” replied Percy. “Yours–”

“No matter! Yet stay! you shall know it. I am Henry Johnstone—old Harry Johnstone. You have heard of him?—your father’s first cousin. Well, I grieve, young sir, to find that you associate with that rascal Saville—Nay, never interrupt me sir!—I grieve to find that you, thus young, thus unguarded, are left to be ruined in heart and corrupted in nature by any one who will take the trouble! Yet I like your countenance!—I like your countenance!—it is open, yet thoughtful; frank, and yet it has something of melancholy. You have not Charles’s coloured hair; but you are much younger—much. I am glad I have seen you; I came here on purpose; good-night!”—and without waiting for an answer, the old man disappeared.

Godolphin, recovering from his surprise, recollected that he had often heard his father speak of a rich and eccentric relation named Johnstone. This singular interview made a strong but momentary impression on him. He intended to seek out the old man’s residence; but one thing or another drove away the fulfilment of the intention, and in this world the relations never met again.

Percy, now musingly gliding through the crowd, sank into a seat beside a lady of forty-five, who sometimes amused herself in making love to him—because there could be no harm in such a mere boy!—and presently afterwards, a Lord George Somebody, sauntering up, asked the lady if he had not seen her at the play on the previous night.

“O, yes! we went to see the new actress. How pretty she is!—so unaffected too;—how well she sings!”

“Pretty well—er!” replied Lord George, passing his hand through his hair. “Very nice girl—er!—good ankles. Devilish hot—er, is it not—er—er? What a bore this is: eh! Ah! Godolphin! don’t forget Wattier’s—er!” and his lordship er’d himself off.

“What actress is this?”

“Oh, a very good one indeed!—came out in The Belle’s Stratagem. We are going to see her to-morrow; will you dine with us early, and be our cavalier?”

“Nothing will please me more! Your ladyship has dropped your handkerchief.”

“Thank you!” said the lady, bending till her hair touched Godolphin’s cheek, and gently pressing the hand that was extended to her. It was a wonder that Godolphin never became a coxcomb.

He dined at Wattier’s the next day according to appointment: he went to the play; and at the moment his eye first turned to the stage, a universal burst of applause indicated the entrance of the new actress—Fanny Millinger!

CHAPTER VIII

GODOLPHIN’S PASSION FOR THE STAGE.—THE DIFFERENCE IT ENGENDERED IN HIS HABITS OF LIFE

Now this event produced a great influence over Godolphin’s habits—and I suppose, therefore, I may add, over his character. He renewed his acquaintance with the lively actress.

“What a change!” cried both.

“The strolling player risen into celebrity!”

“And the runaway boy polished into fashion!”

“You are handsomer than ever, Fanny.”

“I return the compliment,” replied Fanny; with a curtsey.

And now Godolphin became a constant attendant at the theatre. This led him into a mode of life quite different from that which he had lately cultivated.

There are in London two sets of idle men: one set, the butterflies of balls; the loungers of the regular walks of society; diners out; the “old familiar faces,” seen everywhere, known to every one: the other set, a more wild, irregular, careless race; who go little into parties, and vote balls a nuisance; who live in clubs; frequent theatres; drive about late o’ nights in mysterious-looking vehicles and enjoy a vast acquaintance among the Aspasias of pleasure. These are the men who are the critics of theatricals: black-neckclothed and well-booted, they sit in their boxes and decide on the ankles of a dancer or the voice of a singer. They have a smattering of literature, and use a great deal of French in their conversation: they have something of romance in their composition, and have been known to marry for love. In short, there is in their whole nature, a more roving, liberal, Continental character of dissipation, than belongs to the cold, tame, dull, prim, hedge-clipped indolence of more national exquisitism. Into this set, out of the other set, fell young Godolphin; and oh! the merry mornings at actresses’ houses; the jovial suppers after the play; the buoyancy, the brilliancy, the esprit, with which the hours, from midnight to cockcrow, were often pelted with rose-leaves and drowned in Rhenish.

By degrees, however, as Godolphin warmed into his attendance at the playhouses, the fine intellectual something that lay yet undestroyed at his heart stirred up emotions which he felt his more vulgar associates were unfitted to share.

There is that in theatrical representation which perpetually awakens whatever romance belongs to our character. The magic lights; the pomp of scene; the palace, the camp; the forest; the midnight wold; the moonlight reflected on the water; the melody of the tragic rhythm; the grace of the comic wit; the strange art that give such meaning to the poet’s lightest word;—the fair, false, exciting life that is detailed before us—crowding into some three little hours all that our most busy ambition could desire—love, enterprise, war, glory! the kindling exaggeration of the sentiments which belong to the stage—like our own in our boldest moments: all these appeals to our finer senses are not made in vain. Our taste for castle-building and visions deepens upon us; and we chew a mental opium which stagnates all the other faculties, but wakens that of the ideal.

Godolphin was peculiarly fascinated by the stage; he loved to steal away from his companions, and, alone, and unheeded, to feast his mind on the unreal stream of existence that mirrored images so beautiful. And oh! while yet we are young—while yet the dew lingers on the green leaf of spring—while all the brighter, the more enterprising part of the future is to come—while we know not whether the true life may not be visionary and excited as the false—how deep and rich a transport is it to see, to feel, to hear Shakspeare’s conceptions made actual, though all imperfectly, and only for an hour! Sweet Arden! are we in thy forest?—thy “shadowy groves and unfrequented glens”? Rosalind, Jaques, Orlando, have you indeed a being upon earth! Ah! this is true enchantment! and when we turn back to life, we turn from the colours which the Claude glass breathes over a winter’s landscape to the nakedness of the landscape itself!

CHAPTER IX

THE LEGACY.—A NEW DEFORMITY IN SAVILLE.—THE NATURE OF WORLDLY LIAISONS.—GODOLPHIN LEAVES ENGLAND

But then, it is not always a sustainer of the stage delusion to be enamoured of an actress: it takes us too much behind the scenes. Godolphin felt this so strongly that he liked those plays least in which Fanny performed. Off the stage her character had so little romance, that he could not deceive himself into the romance of her character before the lamps. Luckily, however, Fanny did not attempt Shakspeare. She was inimitable in vaudeville, in farce, and in the lighter comedy; but she had prudently abandoned tragedy in deserting the barn. She was a girl of much talent and quickness, and discovered exactly the paths in which her vanity could walk without being wounded. And there was a simplicity, a frankness, about her manner, that made her a most agreeable companion.

The attachment between her and Godolphin was not very violent; it was a silken tie, which opportunity could knit and snap a hundred times over without doing much wrong to the hearts it so lightly united. Over Godolphin the attachment itself had no influence, while the effects of the attachment had an influence so great.

One night, after an absence from town of two or three days Godolphin returned home from the theatre, and found among the letters waiting his arrival one from his father. It was edged with black; the seal, too, was black. Godolphin’s heart misgave him: tremblingly he opened it, and read as follows:

“DEAR PERCY,

“I have news for you, which I do not know whether I should call good or bad. On the one hand, your cousin, that old oddity, Harry Johnstone, is dead, and has left you, out of his immense fortune, the poor sum of twenty thousand pounds. But mark! on condition that you leave the Guards, and either reside with me, or at least leave London, till your majority is attained. If you refuse these conditions you lose the legacy. It is rather strange that this curious character should take such pains with your morals, and yet not leave me a single shilling. But justice is out of fashion nowadays; your showy virtues only are the rage. I beg, if you choose to come down here, that you will get me twelve yards of house-flannel; I inclose a pattern of the quality. Snugg, in Oxford Street, near Tottenham Court Road, is my man. It is certainly a handsome thing in old Johnstone: but so odd to omit me. How did you get acquainted with him? The twenty thousand pounds will, however, do much for the poor property. Pray take care of it, Percy,—pray do.

“I have had a touch of the gout, for the first time. I have been too luxurious: by proper abstinence, I trust to bring it down. Compliments to that smooth rogue, Saville.

    “Your affectionate, A. G.

“P. S.—Discharged Old Sally for flirting with the butcher’s boy: flirtations of that sort make meat weigh much heavier. Bess is my only she-helpmate now, besides the old creature who shows the ruins: so much the better. What an eccentric creature that Johnstone was! I hate eccentric people.”

The letter fell from Percy’s hands. And this, then, was the issue of his single interview with the poor old man! It was events like these, wayward and strange (events which chequered his whole life), that, secretly to himself, tinged Godolphin’s character with superstition. He afterwards dealt con amore with fatalities and influences.

You may be sure that he did not sleep much that night. Early the next morning he sought Saville, and imparted to him the intelligence he had received.

“Droll enough!” said Saville, languidly, and more than a little displeased at this generosity to Godolphin from another; for, like all small-hearted persons, he was jealous; “droll enough! Hem! and you never knew him but once, and then he abused me! I wonder at that; I was very obliging to his vulgar son.”

“What! he had a son, then?”

“Some two-legged creature of that sort, raw and bony, dropped into London, like a ptarmigan, wild, and scared out of his wits. Old Johnstone was in the country, taking care of his wife, who had lost the use of her limbs ever since she had been married;—caught a violent—husband—the first day of wedlock! The boy, sole son and heir, came up to town at the age of discretion; got introduced to me; I patronised him; brought him into a decent degree of fashion; played a few games at cards with him; won some money; would not win any more; advised him to leave off; too young to play; neglected my advice; went on, and, d—n the fellow! if he did not cut his throat one morning; and the father, to my astonishment, laid the blame upon me!”

Godolphin stood appalled in speechless disgust. He never loved Saville from that hour.

“In fact,” resumed Saville, carelessly, “he had lost very considerably. His father was a stern, hard man, and the poor boy was frightened at the thought of his displeasure. I suppose Monsieur Papa imagined me a sort of moral ogre, eating up all the little youths that fall in my way! since he leaves you twenty thousand pounds on condition that you take care of yourself and shun the castle I live in. Well, well! ‘tis all very flattering! And where will you go? To Spain?”

This story affected Percy sensibly. He regretted deeply that he had not sought out the bereaved father, and been of some comfort to his later hours. He appreciated all that warmth of sympathy, that delicacy of heart, which had made the old man compassionate his young relation’s unfriended lot, and couple his gift with a condition, likely perhaps, to limit Percy’s desires to the independence thus bestowed, and certain to remove his more tender years from a scene of constant contagion. Thus melancholy and thoughtful, Godolphin repaired to the house of the now famous, the now admired Miss Millinger.