Eugene Aram — Complete

“What time was that?”

“About seven o’clock. Well—You put me out! where was I? Well, I went into Mr. Aram’s, an’ I seed they had been burning a fire, an’ that all the ashes were taken out o’ the grate; so I went an’ looked at the rubbish behind the house, and there sure enough I seed the ashes, and among ‘em several bits o’ cloth and linen which seemed to belong to wearing apparel; and there, too, was a handkerchief which I had obsarved Houseman wear (for it was a very curious handkerchief, all spotted) many’s the time, and there was blood on it, ‘bout the size of a shilling. An’ afterwards I seed Houseman, an’ I showed him the handkerchief; and I said to him, ‘What has come of Clarke?’ An’ he frowned, and, looking at me, said, ‘Hark ye, I know not what you mean; but as sure as the devil keeps watch for souls, I will shoot you through the head if you ever let that d—-d tongue of yours let slip a single word about Clarke or me or Mr. Aram,—so look to yourself!

“An’ I was all scared, and trimbled from limb to limb; an’ for two whole yearn afterwards (long arter Aram and Houseman were both gone) I never could so much as open my lips on the matter; and afore he went, Mr. Aram would sometimes look at me, not sternly-like, as the villain Houseman, but as if he would read to the bottom of my heart. Oh! I was as if you had taken a mountain off o’ me when he an’ Houseman left the town; for sure as the sun shines I believes, from what I have now said, that they two murdered Clarke on that same February night. An’ now, Mr. Summers, I feels more easy than I has felt for many a long day; an’ if I have not told it afore, it is because I thought of Houseman’s frown and his horrid words; but summut of it would ooze out of my tongue now an’ then, for it’s a hard thing, sir, to know a secret o’ that sort and be quiet and still about it; and, indeed, I was not the same cretur when I knew it as I was afore, for it made me take to anything rather than thinking; and that’s the reason, sir, I lost the good crackter I used to have.”

Such, somewhat abridged from its “says he” and “says I,” its involutions and its tautologies, was the story which Walter held his breath to hear. But events thicken, and the maze is nearly thridden.

“Not a moment now should be lost,” said the curate, as they left the house. “Let us at once proceed to a very able magistrate, to whom I can introduce you, and who lives a little way out of the town.”

“As you will,” said Walter, in an altered and hollow voice. “I am as a man standing on an eminence, who views the whole scene he is to travel over, stretched before him, but is dizzy and bewildered by the height which he has reached. I know, I feel, that I am on the brink of fearful and dread discoveries; pray God that—But heed me not, sir, heed me not; let us on, on!”

It was now approaching towards the evening; and as they walked on, having left the town, the sun poured his last beams on a group of persons that appeared hastily collecting and gathering round a spot, well known in the neighborhood of Knaresborough, called Thistle Hill.

“Let us avoid the crowd,” said the curate. “Yet what, I wonder, can be its cause?” While he spoke, two peasants hurried by towards the throng.

“What is the meaning of the crowd yonder?” asked the curate.

“I don’t know exactly, your honor, but I hears as how Jem Ninnings, digging for stone for the limekiln, have dug out a big wooden chest.”

A shout from the group broke in on the peasant’s explanation,—a sudden simultaneous shout, but not of joy; something of dismay and horror seemed to breathe in the sound.

Walter looked at the curate. An impulse, a sudden instinct, seemed to attract them involuntarily to the spot whence that sound arose; they quickened their pace, they made their way through the throng. A deep chest, that had been violently forced, stood before them; its contents had been dragged to day, and now lay on the sward—a bleached and mouldering skeleton! Several of the bones were loose, and detached from the body. A general hubbub of voices from the spectators,—inquiry, guess, fear, wonder,—rang confusedly around.

“Yes!” said one old man, with gray hair, leaning on a pickaxe, “it is now about fourteen years since the Jew pedlar disappeared. These are probably his bones,—he was supposed to have been murdered!”

“Nay!” screeched a woman, drawing back a child who, all unalarmed, was about to touch the ghastly relics, “nay, the pedlar was heard of afterwards. I’ll tell ye, ye may be sure these are the bones of Clarke,—Daniel Clarke,—whom the country was so stirred about when we were young!”

“Right, dame, right! It is Clarke’s skeleton,” was the simultaneous cry. And Walter, pressing forward, stood over the bones, and waved his hand as to guard them from further insult. His sudden appearance, his tall stature, his wild gesture, the horror, the paleness, the grief of his countenance, struck and appalled all present. He remained speechless, and a sudden silence succeeded the late clamor.

“And what do you here, fools?” said a voice, abruptly. The spectators turned: a new comer had been added to the throng,—it was Richard Houseman. His dress loose and disarranged, his flushed cheeks and rolling eyes, betrayed the source of consolation to which he had flown from his domestic affliction. “What do ye here?” said he, reeling forward. “Ha! human bones? And whose may they be, think ye?”

“They are Clarke’s!” said the woman, who had first given rise to that supposition.

“Yes, we think they are Daniel Clarke’s,—he who disappeared some years ago!” cried two or three voices in concert. “Clarke’s?” repeated Houseman, stooping down and picking up a thigh-bone, which lay at a little distance from the rest; “Clarke’s? Ha! ha! they are no more Clarke’s than mine!”

“Behold!” shouted Walter, in a voice that rang from cliff to plain; and springing forward, he seized Houseman with a giant’s grasp,—“behold the murderer!”

As if the avenging voice of Heaven had spoken, a thrilling, an electric conviction darted through the crowd. Each of the elder spectators remembered at once the person of Houseman, and the suspicion that had attached to his name.

“Seize him! seize him!” burst forth from twenty voices. “Houseman is the murderer!”

“Murderer!” faltered Houseman, trembling in the iron hands of Walter,—“murderer of whom? I tell ye these are not Clarke’s bones!”

“Where then do they lie?” cried his arrester.

Pale, confused, conscience-stricken, the bewilderment of intoxication mingling with that of fear, Houseman turned a ghastly look around him, and, shrinking from the eyes of all, reading in the eyes of all his condemnation, he gasped out, “Search St. Robert’s Cave, in the turn at the entrance!”

“Away!” rang the deep voice of Walter, on the instant; “away! To the cave, to the cave!”

On the banks of the River Nid, whose waters keep an everlasting murmur to the crags and trees that overhang them, is a wild and dreary cavern, hollowed from a rock which, according to tradition, was formerly the hermitage of one of those early enthusiasts who made their solitude in the sternest recesses of earth, and from the austerest thoughts and the bitterest penance wrought their joyless offerings to the great Spirit of the lovely world. To this desolate spot, called, from the name of its once celebrated eremite, St. Robert’s Cave, the crowd now swept, increasing its numbers as it advanced.

The old man who had discovered the unknown remains, which were gathered up and made a part of the procession, led the way; Houseman, placed between two strong and active men, went next; and Walter followed behind, fixing his eyes mutely upon the ruffian. The curate had had the precaution to send on before for torches, for the wintry evening now darkened round them, and the light from the torch-bearers, who met them at the cavern, cast forth its red and lurid flare at the mouth of the chasm. One of these torches Walter himself seized, and his was the first step that entered the gloomy passage. At this place and time, Houseman, who till then, throughout their short journey, had seemed to have recovered a sort of dogged self-possession, recoiled, and the big drops of fear or agony fell fast from his brow. He was dragged forward forcibly into the cavern; and now as the space filled, and the torches flickered against the grim walls, glaring on faces which caught, from the deep and thrilling contagion of a common sentiment, one common expression, it was not well possible for the wildest imagination to conceive a scene better fitted for the unhallowed burial-place of the murdered dead.

The eyes of all now turned upon Houseman; and he, after twice vainly endeavoring to speak, for the words died inarticulate and choked within him, advancing a few steps, pointed towards a spot on which, the next moment, fell the concentrated light of every torch. An indescribable and universal murmur, and then a breathless silence, ensued. On the spot which Houseman had indicated, with the head placed to the right, lay what once had been a human body!

“Can you swear,” said the priest, solemnly, as he turned to Houseman, “that these are the bones of Clarke?”

“Before God, I can swear it!” replied Houseman, at length finding his voice.

“MY FATHER!” broke from Walter’s lips as he sank upon his knees; and that exclamation completed the awe and horror which prevailed in the breasts of all present. Stung by a sense of the danger he had drawn upon himself, and despair and excitement restoring, in some measure, not only his natural hardihood, but his natural astuteness, Houseman, here mastering his emotions, and making that effort which he was afterwards enabled to follow up with an advantage to himself of which he could not then have dreamed,—Houseman, I say, cried aloud,

“But I did not do the deed; I am not the murderer.”

“Speak out! Whom do you accuse?” said the curate. Drawing his breath hard, and setting his teeth as with some steeled determination, Houseman replied,—

“The murderer is Eugene Aram!”

“Aram!” shouted Walter, starting to his feet: “O God, thy hand hath directed me hither!” And suddenly and at once sense left him, and he fell, as if a shot had pierced through his heart, beside the remains of that father whom he had thus mysteriously discovered.

BOOK V

Surely the man that plotteth ill against his neighbor perpetrateth ill against himself, and the evil design is most evil to him that deviseth it.

    —Hesiod

CHAPTER I.

GRASSDALE.—THE MORNING OF THE MARRIAGE.—THE CRONES GOSSIP.—THE BRIDE

AT HER TOILET.—THE ARRIVAL

JAM veniet virgo, jam dicetur Hymenaeus,
Hymen, O Hymenae! Hymen ades, O Hymenae!
CATULLUS: Carmen Nuptiale.

It was now the morning in which Eugene Aram was to be married to Madeline Lester. The student’s house had been set in order for the arrival of the bride; and though it was yet early morn, two old women, whom his domestic (now not the only one, for a buxom lass of eighteen had been transplanted from Lester’s household to meet the additional cares that the change of circumstances brought to Aram’s) had invited to assist her in arranging what was already arranged, were bustling about the lower apartments and making matters, as they call it, “tidy.”

“Them flowers look but poor things, after all,” muttered an old crone, whom our readers will recognize as Dame Darkmans, placing a bowl of exotics on the table. “They does not look nigh so cheerful as them as grows in the open air.”

“Tush! Goody Darkmans,” said the second gossip. “They be much prettier and finer, to my mind; and so said Miss Nelly when she plucked them last night and sent me down with them. They says there is not a blade o’ grass that the master does not know. He must be a good man to love the things of the field so.”

“Ho!” said Dame Darkmans, “ho! When Joe Wrench was hanged for shooting the lord’s keeper, and he mounted the scaffold wid a nosegay in his hand, he said, in a peevish voice, says he: ‘Why does not they give me a tarnation? I always loved them sort o’ flowers,—I wore them when I went a courting Bess Lucas,—an’ I would like to die with one in my hand!’ So a man may like flowers, and be but a hempen dog after all!”

“Now don’t you, Goody; be still, can’t you? What a tale for a marriage day!”

“Tally vally!” returned the grim hag, “many a blessing carries a curse in its arms, as the new moon carries the old. This won’t be one of your happy weddings, I tell ye.”

“And why d’ ye say that?”