What Will He Do with It? — Volume 03

"Yes, it be," answered the pot-boy, with a sleepy air, caught in that sleepy atmosphere; and chiming his pewter against an area rail with a dull clang, he chanted forth "Pots oho!" with a note as dirge-like as that which in the City of the Plague chanted "Out with the dead!"

Meanwhile the two wayfarers exchanged bows and parted; the sprucer wayfarer whether from the indulgence of a reflective mood, or from an habitual indifference to things and persons not concerning him, ceased to notice his fellow-solitary, and rather busied himself in sundry little coquetries appertaining to his own person. He passed his hand through his hair, re-arranged the cock of his hat, looked complacently at his boots, which still retained the gloss of the morning's varnish, drew down his wristbands, and, in a word, gave sign of a man who desires to make an effect, and feels that he ought to do it. So occupied was he in this self-commune that when he stopped at length at one of the small doors in the small street and lifted his hand to the knocker, he started to see that Wayfarer the Second was by his side. The two men now examined each other briefly but deliberately. Wayfarer the First was still young,— certainly handsome, but with an indescribable look about the eye and lip, from which the other recoiled with an instinctive awe,—a hard look, a cynical look,—a sidelong, quiet, defying, remorseless look. His clothes were so new of gloss that they seemed put on for the first time, were shaped to the prevailing fashion, and of a taste for colours less subdued than is usual with Englishmen, yet still such as a person of good mien could wear without incurring the charge of vulgarity, though liable to that of self-conceit. If you doubted that the man were a gentleman, you would have been puzzled to guess what else he could be. Were it not for the look we have mentioned, and which was perhaps not habitual, his appearance might have been called prepossessing. In his figure there was the grace, in his step the elasticity which come from just proportions and muscular strength. In his hand he carried a supple switch-stick, slight and innocuous to appearance, but weighted at the handle after the fashion of a life-preserver. The tone of his voice was not displeasing to the ear, though there might be something artificial in the swell of it,—the sort of tone men assume when they desire to seem more frank and off-hand than belongs to their nature,—a sort of rollicking tone which is to the voice what swagger is to, the gait. Still that look! it produced on you the effect which might be created by some strange animal, not without beauty, but deadly to man. Wayfarer the Second was big and burly, middle-aged, large-whiskered, his complexion dirty. He wore a wig,—a wig evident, unmistakable,—a wig curled and rusty,—over the wig a dingy white hat. His black stock fitted tight round his throat, and across his breast he had thrown the folds of a Scotch plaid.

WAYFARER THE FIRST.—"YOU call here, too,—on Mrs. Crane?"

WAYFARER THE SECOND.—"Mrs. Crane? you too? Strange!"

WAYFARER THE FIRST (with constrained civility).—"Sir, I call on business,—private business."

WAYFARER THE SECOND (with candid surliness).—"So do I."

WAYFARER THE FIRST.—"Oh!"

WAYFARER THE SECOND.—"Ha! the locks unbar!"

The door opened, and an old meagre woman-servant presented herself.

WAYFARER THE FIRST (gliding before the big man with a serpent's undulating celerity of movement).—"Mrs. Crane lives here?"—"Yes!" "She's at home I suppose?"—"Yes!"—"Take up my card; say I come alone, not with this gentleman."

Wayfarer the Second seems to have been rather put out by the manner of his rival. He recedes a step.

"You know the lady of this mansion well, sir?" "Extremely well."

"Ha! then I yield you the precedence; I yield it, sir, but conditionally.

You will not be long?"

"Not a moment longer than I can help; the land will be clear for you in an hour or less."

"Or less, so please you, let it be or less. Servant, sir."

"Sir, yours: come, my Hebe, track the dancers; that is, go up the stairs, and let me renew the dreams of youth in the eyes of Bella!"

The old woman meanwhile had been turning over the card in her withered palm, looking from the card to the visitor's face, and then to the card again, and mumbling to herself. At length she spoke:

"You, Mr. Losely! you!—Jasper Losely! how you be changed! what ha' ye done to yourself? where's your comeliness? where's the look that stole ladies' hearts? you, Jasper Losely! you are his goblin!"

"Hold your peace, old hussey!" said the visitor, evidently annoyed at remarks so disparaging. "I am Jasper Losely, more bronzed of cheek, more iron of hand." He raised his switch with a threatening gesture, that might be in play, for the lips wore smiles, or might be in earnest, for the brows were bent; and pushing into the passage, and shutting the door, said, "Is your mistress up stairs? show me to her room, or—"

The old crone gave him one angry glance, which sank frightened beneath the cruel gleam of his eyes, and hastening up the stairs with a quicker stride than her age seemed to warrant, cried out, "Mistress, mistress! here is Mr. Losely! Jasper Losely himself!" By the time the visitor had reached the landing-place of the first floor, a female form had emerged from a room above, a female face peered over the banisters. Losely looked up and started as he saw it. A haggard face,—the face of one over whose life there has passed a blight. When last seen by him it had possessed beauty, though of a masculine rather than womanly character. Now of that beauty not a trace! the cheeks shrunk and hollow left the nose sharp, long, beaked as a bird of prey. The hair, once glossy in its ebon hue, now grizzled, harsh, neglected, hung in tortured, tangled meshes,—a study for an artist who would paint a fury. But the eyes were bright,—brighter than ever; bright now with a glare that lighted up the whole face bending over the man. In those burning eyes was there love? was there hate? was there welcome? was there menace? Impossible to distinguish; but at least one might perceive that there was joy.

"So," said the voice from above, "so we do meet at last, Jasper Losely! you are come!"

Drawing a loose kind of dressing-robe more closely round her, the mistress of the house now descended the stairs, rapidly, flittingly, with a step noiseless as a spectre's, and, grasping Losely firmly by the hand, led him into a chill, dank, sunless drawing-room, gazing into his face fixedly all the while.

He winced and writhed. "There, there, let us sit down, my dear Mrs.

Crane."

"And once I was called Bella."

"Ages ago! Basta! All things have their end. Do take those eyes of yours off my face; they were always so bright! and—really—now they are perfect burning-glasses! How close it is! Peuh! I am dead tired. May I ask for a glass of water; a drop of wine in it—or—brandy will do as well."

"Ho! you have come to brandy and morning drams, eh, Jasper?" said Mrs. Crane, with a strange, dreary accent. "I, too, once tried if fire could burn up thought, but it did not succeed with me; that is years ago; and- there—see the bottles are full still!"

While thus speaking, she had unlocked a chiffonniere of the shape usually found in "genteel lodgings," and taken out a leathern spirit-case containing four bottles, with a couple of wine-glasses. This case she placed on the table before Mr., Losely, and contemplated him at leisure while he helped himself to the raw spirits.

As she thus stood, an acute student of Lavater might have recognized, in her harsh and wasted countenance, signs of an original nature superior to that of her visitor; on her knitted brow, a sense higher in quality than on his smooth low forehead; on her straight stern lip, less cause for distrust than in the false good-humour which curved his handsome mouth into that smile of the fickle, which, responding to mirth but not to affection, is often lighted and never warmed. It is true that in that set pressure of her lip there might be cruelty, and, still more, the secretiveness which can harbour deceit; and yet, by the nervous workings of that lip, when relieved from such pressure, you would judge the woman to be rather by natural temperament passionate and impulsive than systematically cruel or deliberately-false,—false or cruel only as some predominating passion became the soul's absolute tyrant, and adopted the tyrant's vices. Above all, in those very lines destructive to beauty that had been ploughed, not by time, over her sallow cheeks, there was written the susceptibility to grief, to shame, to the sense of fall, which was not visible in the unreflective, reckless aspect of the sleek human animal before her.

In the room, too, there were some evidences of a cultivated taste. On the walls, book-shelves, containing volumes of a decorous and severe literature, such as careful parents allow to studious daughters,—the stately masterpieces of Fenelon and Racine; selections approved by boarding-schools from Tasso, Dante, Metastasio; amongst English authors, Addison, Johnson, Blair (his lectures as well as sermons); elementary works on such sciences as admit female neophytes into their porticos, if not into their penetralia,—botany, chemistry, astronomy. Prim as soldiers on parade stood the books,—not a gap in their ranks,—evidently never now displaced for recreation; well bound, yet faded, dusty; relics of a bygone life. Some of them might perhaps have been prizes at school, or birthday gifts from proud relations. There, too, on the table, near the spirit-case, lay open a once handsome workbox,—no silks now on the skeleton reels; discoloured, but not by use, in its nest of tarnished silk slept the golden thimble. There, too, in the corner, near a music- stand piled high with musical compositions of various schools and graduated complexity from "lessons for beginners" to the most arduous gamut of a German oratorio, slunk pathetically a poor lute-harp, the strings long since broken. There, too, by the window, hung a wire bird- cage, the bird long since dead. In a word, round the woman gazing on Jasper Losely, as he complacently drank his brandy, grouped the forlorn tokens of an early state,—the lost golden age of happy girlish studies, of harmless girlish tastes.

"Basta, eno'," said Mr. Losely, pushing aside the glass which he had twice filled and twice drained, "to business. Let me see the child: I feel up to it now."

A darker shade fell over Arabella Crane's face, as she said," The child! she is not here! I have disposed of her long ago."

"Eh!—disposed of her! what do you mean?"

"Do you ask as if you feared I had put her out of the world? No! Well, then,—you come to England to see the child? You miss—you love, the child of that—of that—" She paused, checked herself, and added in an altered voice, "of that honest, high-minded gentlewoman whose memory must be so dear to me,—you love that child; very natural, Jasper."

"Love her! a child I have scarcely seen since she was born! do talk common-sense. No. But have I not told you that she ought to be money's worth to me; ay, and she shall be yet, despite that proud man's disdainful insolence."

"That proud man! what, you have ventured to address him—visit him—since your return to England?"

"Of course. That's what brought me over. I imagined the man would rejoice at what I told him, open his pursestrings, lavish blessings and bank-notes. And the brute would not even believe me; all because—"

"Because you had sold the right to be believed before. I told you, when I took the child, that you would never succeed there, that—I would never encourage you in the attempt. But you had sold the future as you sold your past,—too cheaply, it seems, Jasper."

"Too cheaply, indeed. Who could ever have supposed that I should have been fobbed off with such a pittance?"

"Who, indeed, Jasper! You were made to spend fortunes, and call them pittances when spent, Jasper! You should have been a prince, Jasper; such princely tastes! Trinkets and dress, horses and dice, and plenty of ladies to look and die! Such princely spirit too! bounding all return for loyal sacrifice to the honour you vouchsafed in accepting it!"

Uttering this embittered irony, which nevertheless seemed rather to please than to offend her guest, she kept moving about the room, and (whether from some drawer in the furniture, or from her own person, Losely's careless eye did not observe) she suddenly drew forth a miniature, and, placing it before him, exclaimed, "Ah, but you are altered from those days; see what you then were!"

Losely's gaze, thus abruptly invited, fixed itself on the effigies of a youth eminently handsome, and of that kind of beauty which, without being effeminate, approaches to the fineness and brilliancy of the female countenance,—a beauty which renders its possessor inconveniently conspicuous, and too often, by winning that ready admiration which it costs no effort to obtain, withdraws the desire of applause from successes to be achieved by labour, and hardens egotism by the excuses it lends to self-esteem. It is true that this handsome face had not the elevation bestowed by thoughtful expression but thoughtful expression is not the attribute a painter seeks to give to the abstract comeliness of early youth; and it is seldom to be acquired without that constitutional wear and tear which is injurious to mere physical beauty. And over the whole countenance was diffused a sunny light, the freshness of buxom health, of luxuriant vigour; so that even that arrogant vanity which an acute observer might have detected as the prevailing mental characteristic seemed but a glad exultation in the gifts of benignant Nature. Not there the look which, in the matured man gazing on the bright ghost of his former self, might have daunted the timid and warned the wise. "And I was like this! True! I remember well when it was taken, and no one called it flattering," said Mr. Losely, with pathetic self-condolence. "But I can't be very much changed," he added, with a half laugh. "At my age one may have a manlier look, yet—"

"Yet still be handsome, Jasper," said Mrs. Crane. "You are so. But look at me; what am I?"

"Oh, a very fine woman, my dear Crane,—always were. But you neglect yourself: you should not do that; keep it up to the last. Well, but to return to the child. You have disposed of her without my consent, without letting me know?"

"Letting you know! How many years is it since you even gave me your address! Never fear: she is in good hands."

"Whose? At all events I must see her."

"See her! What for?"

"What for! Hang it, it is natural that, now I am in England, I should at least wish to know what she is like. And I think it very strange that you should send her away, and then make all these difficulties. What's your object? I don't understand it."

"My object? What could be my object but to serve you? At your request I took, fed, reared a child, whom you could not expect me to love, at my own cost. Did I ever ask you for a shilling? Did I ever suffer you to give me one? Never! At last, hearing no more from you, and what little I heard of you making me think that, if anything happened to me (and I was very ill at the time), you could only find her a burden,—at last I say, the old man came to me,—you had given him my address,—and he offered to take her, and I consented. She is with him."