Charles wondered whether his horrible inference was somehow quite unsound, whether to another his interpretation would seem ingenious indeed, but laughably fantastic. He felt he knew what Frank would make of it, but to Reggie the whole affair might seem of purely imaginary texture.
"Yes, I'll tell you," he said. "And I can't say how I long to find that you think I am suspicious and devilishly-minded. The facts are these. Craddock paid Mr. Wroughton five thousand pounds for his Reynolds, giving him a cheque of Ward's who purchased it. But you tell me this cheque was for Dutch pictures. The picture did not go to him till much later, I don't know when. And Craddock gave me fifty pounds for copying it. Do you see? What if – if Ward gave Craddock a cheque for ten thousand pounds for the picture with a hundred for me for the copy? Now, am I worse than Frank, more suspicious, more – more awful?"
Reggie was staring at him with wide-open eyes and shook his head.
"No," he said. "It sounds, it sounds – but surely it's impossible."
"Oh, I'm tired of saying that to myself. By the way, don't say a word to anyone. There are other things too. Oh, Reggie, can't you think of any explanation that is at all reasonable?"
Again Reggie shook his head.
"No," he said. "The first cheque was for some Dutch pictures."
"Well, let's go upstairs," said the other.
Later in the evening when Mrs. Lathom went to bed, Charles followed her up to her room, and sat down in front of her fire while she brushed her hair. It was not rarely that he did this and these minutes were to him a sort of confessional. Generally, the confession was a mere babble of happy talk, concerning his pictures, and his projects, but to-night he sat silent until the hair-brushing was nearly over. Then he spoke.
"Mother, darling," he said, "I saw Miss Joyce this evening, and – and she was jolly and friendly and natural. It lifted me up out of – what is it – out of the mire and clay. But I've gone back again, oh, much deeper. I want your advice."
She instantly got up, and came across to him. He put her in his chair, and sat down on the rug by her, leaning against her knees.
"Ah, I'm so glad, my darling," she said, "that you want to tell me what's wrong. These are my jewels."
"I can't tell you explicitly what is wrong. But I suspect someone whom I have always trusted immensely. Who has been very good to me, of – of swindling, and perhaps worse. What am I to do?"
She stroked his hair.
"Oh, my dear, if it is only suspicion dismiss it all from your mind or make a certainty of it one way or the other."
"But how?"
"I can't be sure without knowing the facts. But if your suspicion is reasonable, if, I mean, you can see no other explanation except the bad one, go as soon as you can to anyone who can give you certain information. But if there's a loophole for doubt – "
"I don't see that there is," said Charles quickly.
"Then make certain somehow and quickly," she said. "Not in a hurry, of course, for you must not act foolishly, but as soon as you can with wisdom. Oh, Charles, we can none of us risk keeping suspicion in our minds! There is nothing so poisoning to oneself. It – it shuts the wisdom of your soul: it turns everything sour; it spreads like some dreadful contagion, and infects all within us, so that there is no health left, or sense of beauty, or serenity. It is like walking in a cloud of flies. But, my dear, unless your suspicion is – is terribly well founded, don't give it another thought, if you can possibly avoid it. Be very certain that you can't explain things away otherwise."
Charles turned a shining face to her, shining for her through all his trouble.
"Thanks, mother darling," he said. "It really is a beastly position. And I'm such a coward."
"So are we all, dear," she said. "But most of us don't turn back really. Perhaps we aren't such cowards as we think. It is so easy to make the worst of oneself."
Charles got up.
"Yes, but I'm pretty bad," he said.
"I know, dear. You are a continual sorrow and trouble to me. Ah, bless you! And you saw Joyce. That's something, isn't it?"
"Well, a good deal," said he. "Good-night. I must get back home."
Charles had labelled himself coward, and indeed, as in the manner of youth, whose function so clearly in this life is to enjoy, he shrank from pain instinctively, not seeing beyond the present discomfort, but living in the moment. Yet it was not his bravery that was here attacked: it was at his trust that the blow at which he cowered was aimed, at the confidence in his fellows which was so natural to him. As he lay tossing and turning that night, he could not imagine himself taking the only step that seemed to be able to decide his suspicions, which was to go to Craddock himself with the whole history of them. There was just one other chance, namely, that Lady Crowborough's purpose in making these inexplicable enquiries about him might declare itself. That in a manner ruthlessly convincing would settle everything, if her purpose was that which he could not but surmise. And at the thought he felt his face burn with a flame of anger, at the possibility of so monstrous an explanation. Yet all this agitating thought was just the secret nurture and suckling of suspicion against which his mother had warned him. How right she was: how the poison encroached and spread!
Frank turned up early next morning for his final sitting, with an evil eye and a brisk demeanour.
"A plan at last," he announced, "a real plan, and a good plot for a play. It's all quite serious, and I'm going to do it. It's taken me five months to puzzle it out, and last night it all burst upon me. New play of mine, which I shall begin working at immediately. I'm stale over the other, and this will be a change. I daresay Craddock will like it so much that he will ask me to put the other aside a bit. You see it's about Craddock. He's an egotist, you see: he will like that."
Charles was touched on the raw.
"Oh, do leave him alone, Frank," he said with a sudden appeal, as it were, to his own vanished confidence. "We disagree about him, you know, as we settled yesterday. It isn't really very nice of you to abuse a man who's a friend of mine."
"Nor is it nice of you to stick up for an enemy of mine," remarked Frank. "You should respect my dislike just as much as I should respect your affection. As you never do, I shall proceed."
Charles packed himself on his painting-stool. He could at least try to absorb himself in his work, for the sake of stifling his own thoughts even more than for distracting them from what Frank said.
"Rumple your hair," he said, "and stop still."
"I'm going to submit the scenario to Craddock this evening if I can see him," he said, obligingly rubbing up his hair. "Golly, it's a good plot. I've really only thought out the first two acts, but that will be enough for him to judge by. It's called 'The Middleman.' There's a lot in a title."
Charles sighed.
"You needn't groan," he said. "I can tell it you. He's a great big fat chap, popular and wealthy and hearty, engaged to a delightful girl. Then it comes out that he sweats young men of genius, you and me, of course, takes them up when they are unknown, and gets options on their future works. Isn't that it?"
"'Where's the plot then?' You don't see the hang of it. One of those young men of genius, that's me, goes to him in the play with a play of which what you have just said is the sketch – Hamlet's not in it any more – and says, 'Now let me out of these options of yours, or I shall write a play like that.' And then it will faintly dawn on Craddock that the play is really happening to him and that in real life, that I shall do exactly what the young man of genius says he will do. Do you see? Simultaneously another of the young men of genius, that's you – you can be in love with 'The Middleman's' girl, says 'I'm going to paint a portrait called the Middleman, a great big fat chap, with gold dust on his coat collar. There's a play called the Middleman coming out at the same time: you may have heard of it. Now will you let me out of your options?' The Middleman in a burst of righteous indignation exclaims 'This is a conspiracy.' And they both say 'It is a conspiracy. What then?' He's in rather a hole, isn't he?"
Charles did not answer.
"You're an ungrateful dog, Charles," said Frank, "it gets you out of your options too. That shall be part of my bargain. I really am going to Craddock with that scenario. There's no third act, it is true, but he will give me credit for thinking of something spicy. Tranby would take that sort of play like a shot. Craddock has 'done' me. Why shouldn't I 'do' him? Do those whom you've been done by. A very Christian sentiment, and an application of abstract justice."
Charles put down his palette and got off his stool. There was a Frank-ish, a fiendish ingenuity about this, which, in ordinary mental weather, so to speak, with a gleam of sun on his own part to give sparkle to the east wind of it, could not have failed to make brisk talking. But to-day with his nightmare of doubt swarming bat-like round him, he found no humour but only horror in it.
"Sometimes I hardly think you're human, Frank," he said. "If you really believe Craddock is a swindler, how can you make jokes about it? If it was true, it would be too terrible to speak of. But you believe it is true, and yet you dwell on it, and gloat on it. I think you're a sort of devil, rubbing your hands when you see poor souls damning themselves."
"Hullo!" said Frank, rather startled by this.
"It's no good saying 'hullo.' It isn't news to you," said Charles, standing in front of the fire, flushed and troubled and looking younger than ever. "I've often told you I hate your attitude towards Craddock. It hurts me to hear a jolly good friend of mine abused, and you're continually doing it."
It would have required a prodigiously dull fellow not to see that there was something serious at the bottom of this. For all Frank's cynicism, for all the armoured hardness with which he met the world, there was just one person for whom he felt an affection, a protective tenderness that he was half-ashamed of, and yet cherished and valued more than any of the other tinned foods, so to speak, in his spiritual larder. It had fragrance, the freshness of dew on it… He got up, and put his hands on Charles' shoulders.
"Charles, old chap," he said. "You never told me in that voice, you know."
Charles shook his head.
"I know I didn't," he said. "I never felt it in – in that voice before. But I do now. I can't bear the thought of anybody I know cheating and swindling and lying. Suppose I found out that you had been cheating me, or blackguarding me, should I be able to laugh about it, do you think, or sketch out a damned little play to read to you, which would show you up?"
"Yes, but you always say that Craddock's been so good to you," said Frank. "Till now, you have always half laughed at me when I slanged him. And who has been blackguarding you, I should like to know? What does that mean? Or … or are you referring to what Lady Crowborough asked me? I talked some rot about the explanation being that some one had been abusing you."
Charles grasped at this rather appealingly.