Thorley Weir

Craddock stroked the right side of his face. It was smooth and plump.

"My dear fellow," he said, "I should be charmed to hear it, but as a matter of fact I have not very much time this afternoon. Perhaps if you left the scenario with me – "

"It's not written out," said Frank.

Craddock glanced at the clock.

"Ah, I see I have half an hour," he said.

"That ought to be sufficient. If not, perhaps you can postpone your next engagement. However, you will see, if you think it worth while. I propose to call my play 'The Middleman.'"

Craddock's hand, that was still up to his face, paused a moment. Then it began stroking again.

"Quite a good title," he said, with an absolutely impassive tone.

"I thought you would approve. Of course he is the hero – shall we say? – of the play. He's large and stout, I want you to picture him to yourself – and wealthy and cultivated, a great judge of pictures and the arts generally. He purchases options on the work of young and unknown men, that's how he gets his money, and makes devilish good bargains."

Craddock raised his eyebrows slightly, and turned to Charles.

"And what is your part in this conspiracy?" he said quietly. "It is a conspiracy, I suppose."

Charles crossed one leg over the other, and put his finger-tips together.

"Oh, yes, you may call it a conspiracy," he said. "We thought you would. You see, I'm going to paint a portrait of Frank's middleman. I know just what he looks like. I could draw him for you on a half-sheet, if you think it necessary. Then I shall send it to some gallery or other, – it will be very like – just about the time that Frank's play comes out. You might like to exercise your option over it. So I shall paint another one."

"Not in your present studio," said Craddock suddenly.

"Certainly not in my present studio. I shall never paint anything more in my present studio."

Craddock grasped the whole situation: indeed it did not require any very great acuteness to enable him to see exactly how he stood, and on the whole he felt up to dealing with it. For a moment there was dead silence, and Charles whistled a futile tuneless phrase.

"There are such things as libel actions," he said to Frank.

"For those who feel up to bringing them," said he.

Once again Craddock paused. He got up from his sofa, went to the window and came back again. He rather expected to surprise a consultation of eyes going on between the two young men. But there was nothing of the kind. Frank was regarding his own boots, Charles was staring vacantly and stupidly, smiling a little, straight in front of him. Craddock was by no means a coward, and he felt not the smallest fright or nervousness.

"If you think I should hesitate to bring a libel action against you," he said to Frank, "if you ever put on anything that could be construed as defamatory to my character, you are stupendously mistaken. I know quite well that you have always disliked me, me, who took you out of the gutter, and gave you a chance of making your talents known. But that is always the way. To befriend a certain type of man means to make an enemy. By all means proceed to write your play, and make it as scandalous and defamatory as you please. I shall make not the smallest protest against it, you can produce it as soon as you like. But mind you it will run for one night only, and you will then find yourself involved in a libel action that will beggar you. Incidentally, though I imagine that this will seem to you a comparatively light matter, you will find you have caused to be recorded against you the verdict not of a jury only but of every decent-minded man and woman in England."

Frank looked at him, and suppressed an obviously artificial yawn.

"Hear, hear!" he said.

"And about my portrait?" said Charles from the depth of his chair.

Craddock turned to him.

"All I have said to your friend regarding my line of conduct applies to you also," he said. "You may do any caricature of me you please, and the more you hold me up to ridicule, the sounder will my grounds for action be. But what applies to you only is this. I consider that your conduct is infinitely more treacherous than his. He at least has from the first almost been avowedly hostile to me. You have pretended that you were conscious of the gratitude you certainly owe me. You have made me think that I was befriending a young man who was fond of me, and appreciated my kindness to him. Armstrong at any rate has made no such nauseous pretence. How deeply I am hurt and wounded I do not care to tell you. But if it is, as I suppose it must be, a source of gratification to you to know that you have wounded me, you may rest thoroughly well satisfied with what you have done. I congratulate you on the result. I warned you months ago, about your choice of friends. The only possible excuse for you is that you have fallen under the influence of the man I cautioned you against."

Frank looked up from his boots to Charles.

"Did he caution you against me?" he asked. "You never told me that."

"No, Frank. I didn't want then to give you another cause for grievance. But he did warn me against you."

"You would have been wise to take my advice," said Craddock. "As it is, perhaps you will see the propriety of your vacating my studio as soon as is convenient to you. I should think that by to-morrow evening I might hope to find it at my disposal."

"Certainly," said Charles. "I daresay you will soon find some other promising student."

Craddock turned his back on Frank for a moment.

"I never should have thought this of you, Charles," he said. There was real sincerity in his reproach. Bitter as was the injury he had inflicted on the boy, he was very fond of him, and valued the return of his affection. It might be objected that a man does not wilfully and cruelly injure one whom he is fond of. Such an objection is mistaken and ignorant. For herein lie three quarters of the tragic dealings of the world, namely, that day by day and all day long men strike and betray their friends. They do not wrong those who are indifferent to them: for where should be the motive of that?

"I should never have thought it of myself," said Charles, and his voice faltered on the words.

Craddock turned to Frank again.

"You have told me about your proposed play," he said, "which I imagine was the object of your coming here, and Charles has come about his portrait. I do not know that anything further detains either of you."

Frank could have applauded the quiet dramatic development of the scene. If he had come across it in a play, he would have watched it with the tensest diligence. And here it was all unplanned: the situation seemed to develop itself without any exterior assistance. Craddock, for instance, was taking exactly the line that the drama demanded, and it was quite certain that he had not rehearsed his part. He felt certain also that Charles would prove equally discerning.

"There is just one more thing," he said. "I require you to destroy, in my presence, the contract I signed giving you an option to purchase three more plays of mine. You have a similar one with regard to pictures by Charles. That must be destroyed also."

Craddock stared at him in amazement.

"And is there anything else you would like me to do for you?" he asked.

"No, that is all."

Craddock gave his usual sign of merriment, the laugh that chuckled in his throat, but did not reach outwards as far as his lips, which remained without a smile. It was something of a relief to find that this was the object of their outrageous threats, for he again felt himself quite competent to deal with it. It was not that he had actually feared anything else, but in spite of that he was glad to have the object of their threats avowed.

"You are most original conspirators," he said. "You threaten me first, and when you see that your threats do not disturb me in the slightest degree, you produce, somewhat as an anti-climax surely, the object which you hope to gain by your futile menaces. Go away and practise: that is what I recommend you to do. Get some small handbook about conspiracy and black-mail. You are ignorant of the very rudiments of it. As you have seen I snap my fingers at your threats, indeed, I am not sure whether it would not amuse me if you put them into execution. But to make your demands upon the top of so pathetic a failure is surely what you, Armstrong, would call a 'weak curtain.'"

"Certainly that would be a very weak curtain," said Frank, looking at his boots again.

There was no need for him to look at Charles: it was as certain as if they had gone over the scene till they knew it by heart that Charles would pick up his cue. But when Charles spoke Frank looked up at Craddock again. He wanted to see how he would take it.

Charles neither shifted his position nor cleared his throat.

"How much did Ward give you for Philip Wroughton's Reynolds?" he asked.

Frank watching Craddock's face saw only the very slightest change pass over it. But for the moment his eyes looked inwards, squinting a little.

"That I suppose is your business?" he observed.

"Yes, in a moment I will tell you how it is," said Charles. "But first I may say what I am going to tell you."

Still Craddock's face did not change.