The Three Cities Trilogy: Rome, Volume 4

But he at once regretted that he had expressed his thoughts aloud, for beside him he heard a low plaint, an involuntary growl which reminded him of the Count's presence. However, Prada promptly stifled this cry of returning anguish, and found strength enough to affect a brutish gaiety: "The devil!" said he, "they have plenty of impudence. I hope we shall see them married and bedded at once!" Then regretting this coarse jest which had been prompted by the revolt of passion, he sought to appear indifferent: "She looks very nice this evening," he said; "she has the finest shoulders in the world, you know, and its a real success for her to hide them and yet appear more beautiful than ever."

He went on speaking, contriving to assume an easy tone, and giving various little particulars about the Countess as he still obstinately called the young woman. However, he had drawn rather further into the recess, for fear, no doubt, that people might remark his pallor, and the painful twitch which contracted his mouth. He was in no state to fight, to show himself gay and insolent in presence of the joy which the lovers so openly and naively expressed. And he was glad of the respite which the arrival of the King and Queen at this moment offered him. "Ah! here are their Majesties!" he exclaimed, turning towards the window. "Look at the scramble in the street!"

Although the windows were closed, a tumult could be heard rising from the footways. And Pierre on looking down saw, by the light of the electric lamps, a sea of human heads pour over the road and encompass the carriages. He had several times already seen the King during the latter's daily drives to the grounds of the Villa Borghese, whither he came like any private gentleman – unguarded, unescorted, with merely an aide-de-camp accompanying him in his victoria. At other times he drove a light phaeton with only a footman in black livery to attend him. And on one occasion Pierre had seen him with the Queen, the pair of them seated side by side like worthy middle-class folks driving abroad for pleasure. And, as the royal couple went by, the busy people in the streets and the promenaders in the public gardens contented themselves with wafting them an affectionate wave of the hand, the most expansive simply approaching to smile at them, and no one importuning them with acclamations. Pierre, who harboured the traditional idea of kings closely guarded and passing processionally with all the accompaniment of military pomp, was therefore greatly surprised and touched by the amiable /bonhomie/ of this royal pair, who went wherever they listed in full security amidst the smiling affection of their people. Everybody, moreover, had told him of the King's kindliness and simplicity, his desire for peace, and his passion for sport, solitude, and the open air, which, amidst the worries of power, must often have made him dream of a life of freedom far from the imperious duties of royalty for which he seemed unfitted.[10 - King Humbert inherited these tastes from his father Victor Emanuel, who was likewise a great sportsman and had a perfect horror of court life, pageantry, and the exigencies of politics. – Trans.] But the Queen was yet more tenderly loved. So naturally and serenely virtuous that she alone remained ignorant of the scandals of Rome, she was also a woman of great culture and great refinement, conversant with every field of literature, and very happy in being so intelligent, so superior to those around her – a pre-eminence which she realised and which she was fond of showing, but in the most natural and most graceful of ways.

Like Pierre, Prada had remained with his face to the window, and suddenly pointing to the crowd he said: "Now that they have seen the Queen they will go to bed well pleased. And there isn't a single police agent there, I'm sure. Ah! to be loved, to be loved!" Plainly enough his distress of spirit was coming back, and so, turning towards the gallery again, he tried to play the jester. "Attention, my dear Abbe, we mustn't miss their Majesties' entry. That will be the finest part of the /fete/!"

A few minutes went by, and then, in the very midst of a polka, the orchestra suddenly ceased playing. But a moment afterwards, with all the blare of its brass instruments, it struck up the Royal March. The dancers fled in confusion, the centre of the gallery was cleared, and the King and Queen entered, escorted by the Prince and Princess Buongiovanni, who had received them at the foot of the staircase. The King was in ordinary evening dress, while the Queen wore a robe of straw-coloured satin, covered with superb white lace; and under the diadem of brilliants which encircled her beautiful fair hair, she looked still young, with a fresh and rounded face, whose expression was all amiability, gentleness, and wit. The music was still sounding with the enthusiastic violence of welcome. Behind her father and mother, Celia appeared amidst the press of people who were following to see the sight; and then came Attilio, the Saccos, and various relatives and official personages. And, pending the termination of the Royal March, only salutations, glances, and smiles were exchanged amidst the sonorous music and dazzling light; whilst all the guests crowded around on tip-toe, with outstretched necks and glittering eyes – a rising tide of heads and shoulders, flashing with the fires of precious stones.

At last the march ended and the presentations began. Their Majesties were already acquainted with Celia, and congratulated her with quite affectionate kindliness. However, Sacco, both as minister and father, was particularly desirous of presenting his son Attilio. He bent his supple spine, and summoned to his lips the fine words which were appropriate, in such wise that he contrived to make the young man bow to the King in the capacity of a lieutenant in his Majesty's army, whilst his homage as a handsome young man, so passionately loved by his betrothed was reserved for Queen Margherita. Again did their Majesties show themselves very gracious, even towards the Signora Sacco who, ever modest and prudent, had remained in the background. And then occurred an incident that was destined to give rise to endless gossip. Catching sight of Benedetta, whom Count Prada had presented to her after his marriage, the Queen, who greatly admired her beauty and charm of manner, addressed her a smile in such wise that the young woman was compelled to approach. A conversation of some minutes' duration ensued, and the Contessina was favoured with some extremely amiable expressions which were perfectly audible to all around. Most certainly the Queen was ignorant of the event of the day, the dissolution of Benedetta's marriage with Prada, and her coming union with Dario so publicly announced at this /gala/, which now seemed to have been given to celebrate a double betrothal. Nevertheless that conversation caused a deep impression; the guests talked of nothing but the compliments which Benedetta had received from the most virtuous and intelligent of queens, and her triumph was increased by it all, she became yet more beautiful and more victorious amidst the happiness she felt at being at last able to bestow herself on the spouse of her choice, that happiness which made her look so radiant.

But, on the other hand, the torture which Prada experienced now became intense. Whilst the sovereigns continued conversing, the Queen with the ladies who came to pay her their respects, the King with the officers, diplomatists, and other important personages who approached him, Prada saw none but Benedetta – Benedetta congratulated, caressed, exalted by affection and glory. Dario was near her, flushing with pleasure, radiant like herself. It was for them that this ball had been given, for them that the lamps shone out, for them that the music played, for them that the most beautiful women of Rome had bared their bosoms and adorned them with precious stones. It was for them that their Majesties had entered to the strains of the Royal March, for them that the /fete/ was becoming like an apotheosis, for them that a fondly loved queen was smiling, appearing at that betrothal /gala/ like the good fairy of the nursery tales, whose coming betokens life-long happiness. And for Prada, this wondrously brilliant hour when good fortune and joyfulness attained their apogee, was one of defeat. It was fraught with the victory of that woman who had refused to be his wife in aught but name, and of that man who now was about to take her from him: such a public, ostentatious, insulting victory that it struck him like a buffet in the face. And not merely did his pride and passion bleed for that: he felt that the triumph of the Saccos dealt a blow to his fortune. Was it true, then, that the rough conquerors of the North were bound to deteriorate in the delightful climate of Rome, was that the reason why he already experienced such a sensation of weariness and exhaustion? That very morning at Frascati in connection with that disastrous building enterprise he had realised that his millions were menaced, albeit he refused to admit that things were going badly with him, as some people rumoured. And now, that evening, amidst that /fete/ he beheld the South victorious, Sacco winning the day like one who feeds at his ease on the warm prey so gluttonously pounced upon under the flaming sun.

And the thought of Sacco being a minister, an intimate of the King, allying himself by marriage to one of the noblest families of the Roman aristocracy, and already laying hands on the people and the national funds with the prospect of some day becoming the master of Rome and Italy – that thought again was a blow for the vanity of this man of prey, for the ever voracious appetite of this enjoyer, who felt as if he were being pushed away from table before the feast was over! All crumbled and escaped him, Sacco stole his millions, and Benedetta tortured his flesh, stirring up that awful wound of unsatisfied passion which never would be healed.

Again did Pierre hear that dull plaint, that involuntary despairing growl, which had upset him once before. And he looked at the Count, and asked him: "Are you suffering?" But on seeing how livid was the face of Prada, who only retained his calmness by a superhuman effort, he regretted his indiscreet question, which, moreover, remained unanswered. And then to put the other more at ease, the young priest went on speaking, venting the thoughts which the sight before him inspired: "Your father was right," said he, "we Frenchmen whose education is so full of the Catholic spirit, even in these days of universal doubt, we never think of Rome otherwise than as the old Rome of the popes. We scarcely know, we can scarcely understand the great changes which, year by year, have brought about the Italian Rome of the present day. Why, when I arrived here, the King and his government and the young nation working to make a great capital for itself, seemed to me of no account whatever! Yes, I dismissed all that, thought nothing of it, in my dream of resuscitating a Christian and evangelical Rome, which should assure the happiness of the world."

He laughed as he spoke, pitying his own artlessness, and then pointed towards the gallery where Prince Buongiovanni was bowing to the King whilst the Princess listened to the gallant remarks of Sacco: a scene full of symbolism, the old papal aristocracy struck down, the /parvenus/ accepted, the black and white worlds so mixed together that one and all were little else than subjects, on the eve of forming but one united nation. That conciliation between the Quirinal and the Vatican which in principle was regarded as impossible, was it not in practice fatal, in face of the evolution which went on day by day? People must go on living, loving, and creating life throughout the ages. And the marriage of Attilio and Celia would be the symbol of the needful union: youth and love triumphing over ancient hatred, all quarrels forgotten as a handsome lad goes by, wins a lovely girl, and carries her off in his arms in order that the world may last.

"Look at them!" resumed Pierre, "how handsome and young and gay both the /fiances/ are, all confidence in the future. Ah! I well understand that your King should have come here to please his minister and win one of the old Roman families over to his throne; it is good, brave, and fatherly policy. But I like to think that he has also realised the touching significance of that marriage – old Rome, in the person of that candid, loving child giving herself to young Italy, that upright, enthusiastic young man who wears his uniform so jauntily. And may their nuptials be definitive and fruitful; from them and from all the others may there arise the great nation which, now that I begin to know you, I trust you will soon become!"

Amidst the tottering of his former dream of an evangelical and universal Rome, Pierre expressed these good wishes for the Eternal City's future fortune with such keen and deep emotion that Prada could not help replying: "I thank you; that wish of yours is in the heart of every good Italian."

But his voice quavered, for even whilst he was looking at Celia and Attilio, who stood smiling and talking together, he saw Benedetta and Dario approach them, wearing the same joyful expression of perfect happiness. And when the two couples were united, so radiant and so triumphant, so full of superb and happy life, he no longer had strength to stay there, see them, and suffer.

"I am frightfully thirsty," he hoarsely exclaimed. "Let's go to the buffet to drink something." And, thereupon, in order to avoid notice, he so manoeuvred as to glide behind the throng, skirting the windows in the direction of the entrance to the Hall of the Antiques, which was beyond the gallery.

Whilst Pierre was following him they were parted by an eddy of the crowd, and the young priest found himself carried towards the two loving couples who still stood chatting together. And Celia, on recognising him, beckoned to him in a friendly way. With her passionate cult for beauty, she was enraptured with the appearance of Benedetta, before whom she joined her little lily hands as before the image of the Madonna. "Oh! Monsieur l'Abbe," said she, "to please me now, do tell her how beautiful she is, more beautiful than anything on earth, more beautiful than even the sun, and the moon and stars. If you only knew, my dear, it makes me quiver to see you so beautiful as that, as beautiful as happiness, as beautiful as love itself!"

Benedetta began to laugh, while the two young men made merry. "But you are as beautiful as I am, darling," said the Contessina. "And if we are beautiful it is because we are happy."

"Yes, yes, happy," Celia gently responded. "Do you remember the evening when you told me that one didn't succeed in marrying the Pope and the King? But Attilio and I are marrying them, and yet we are very happy."

"But we don't marry them, Dario and I! On the contrary!" said Benedetta gaily. "No matter; as you answered me that same evening, it is sufficient that we should love one another, love saves the world."

When Pierre at last succeeded in reaching the door of the Hall of the Antiques, where the buffet was installed, he found Prada there, motionless, gazing despite himself on the galling spectacle which he desired to flee. A power stronger than his will had kept him there, forcing him to turn round and look, and look again. And thus, with a bleeding heart, he still lingered and witnessed the resumption of the dancing, the first figure of a quadrille which the orchestra began to play with a lively flourish of its brass instruments. Benedetta and Dario, Celia and Attilio were /vis-ŕ-vis/. And so charming and delightful was the sight which the two couples presented dancing in the white blaze, all youth and joy, that the King and Queen drew near to them and became interested. And soon bravos of admiration rang out, while from every heart spread a feeling of infinite tenderness.

"I'm dying of thirst, let's go!" repeated Prada, at last managing to wrench himself away from the torturing sight.

He called for some iced lemonade and drank the glassful at one draught, gulping it down with the greedy eagerness of a man stricken with fever, who will never more be able to quench the burning fire within him.

The Hall of the Antiques was a spacious room with mosaic pavement, and decorations of stucco; and a famous collection of vases, bas-reliefs, and statues, was disposed along its walls. The marbles predominated, but there were a few bronzes, and among them a dying gladiator of extreme beauty. The marvel however was the famous statue of Venus, a companion to that of the Capitol, but with a more elegant and supple figure and with the left arm falling loosely in a gesture of voluptuous surrender. That evening a powerful electric reflector threw a dazzling light upon the statue, which, in its divine and pure nudity, seemed to be endowed with superhuman, immortal life. Against the end-wall was the buffet, a long table covered with an embroidered cloth and laden with fruit, pastry, and cold meats. Sheaves of flowers rose up amidst bottles of champagne, hot punch, and iced /sorbetto/, and here and there were marshalled armies of glasses, tea-cups, and broth-bowls, a perfect wealth of sparkling crystal, porcelain, and silver. And a happy innovation had been to fill half of the hall with rows of little tables, at which the guests, in lieu of being obliged to refresh themselves standing, were able to sit down and order what they desired as in a cafe.

At one of these little tables, Pierre perceived Narcisse seated near a young woman, whom Prada, on approaching, recognised to be Lisbeth. "You find me, you see, in delightful company," gallantly exclaimed the /attache/. "As we lost one another, I could think of nothing better than of offering madame my arm to bring her here."

"It was, in fact, a good idea," said Lisbeth with her pretty laugh, "for I was feeling very thirsty."

They had ordered some iced coffee, which they were slowly sipping out of little silver-gilt spoons.

"I have a terrible thirst, too," declared the Count, "and I can't quench it. You will allow us to join you, will you not, my dear sir? Some of that coffee will perhaps calm me." And then to Lisbeth he added, "Ah! my dear, allow me to introduce to you Monsieur l'Abbe Froment, a young French priest of great distinction."

Then for a long time they all four remained seated at that table, chatting and making merry over certain of the guests who went by. Prada, however, in spite of his usual gallantry towards Lisbeth, frequently became absent-minded; at times he quite forgot her, being again mastered by his anguish, and, in spite of all his efforts, his eyes ever turned towards the neighbouring gallery whence the sound of music and dancing reached him.

"Why, what are you thinking of, /caro mio/?" Lisbeth asked in her pretty way, on seeing him at one moment so pale and lost. "Are you indisposed?"

He did not reply, however, but suddenly exclaimed, "Ah! look there, that's the real pair, there's real love and happiness for you!"

With a jerk of the hand he designated Dario's mother, the Marchioness Montefiori and her second husband, Jules Laporte – that ex-sergeant of the papal Swiss Guard, her junior by fifteen years, whom she had one day hooked at the Corso with her eyes of fire, which yet had remained superb, and whom she had afterwards triumphantly transformed into a Marquis Montefiori in order to have him entirely to herself. Such was her passion that she never relaxed her hold on him whether at ball or reception, but, despite all usages, kept him beside her, and even made him escort her to the buffet, so much did she delight in being able to exhibit him and say that this handsome man was her own exclusive property. And standing there side by side, the pair of them began to drink champagne and eat sandwiches, she yet a marvel of massive beauty although she was over fifty, and he with long wavy moustaches, and proud bearing, like a fortunate adventurer whose jovial impudence pleased the ladies.

"You know that she had to extricate him from a nasty affair," resumed the Count in a lower tone. "Yes, he travelled in relics; he picked up a living by supplying relics on commission to convents in France and Switzerland; and he had launched quite a business in false relics with the help of some Jews here who concocted little ancient reliquaries out of mutton bones, with everything sealed and signed by the most genuine authorities. The affair was hushed up, as three prelates were also compromised in it! Ah! the happy man! Do you see how she devours him with her eyes? And he, doesn't he look quite a /grand seigneur/ by the mere way in which he holds that plate for her whilst she eats the breast of a fowl out of it!"

Then, in a rough way and with biting irony, he went on to speak of the /amours/ of Rome. The Roman women, said he, were ignorant, obstinate, and jealous. When a woman had managed to win a man, she kept him for ever, he became her property, and she disposed of him as she pleased. By way of proof, he cited many interminable /liaisons/, such as that of Donna Serafina and Morano which, in time became virtual marriages; and he sneered at such a lack of fancy, such an excess of fidelity whose only ending, when it did end, was some very disagreeable unpleasantness.

At this, Lisbeth interrupted him. "But what is the matter with you this evening, my dear?" she asked with a laugh. "What you speak of is on the contrary very nice and pretty! When a man and a woman love one another they ought to do so for ever!"

She looked delightful as she spoke, with her fine wavy blonde hair and delicate fair complexion; and Narcisse with a languorous expression in his half-closed eyes compared her to a Botticelli which he had seen at Florence. However, the night was now far advanced, and Pierre had once more sunk into gloomy thoughtfulness when he heard a passing lady remark that they had already begun to dance the Cotillon in the gallery; and thereupon he suddenly remembered that Monsignor Nani had given him an appointment in the little Saloon of the Mirrors.

"Are you leaving?" hastily inquired Prada on seeing him rise and bow to Lisbeth.

"No, no, not yet," Pierre answered.

"Oh! all right. Don't go away without me. I want to walk a little, and I'll see you home. It's agreed, eh? You will find me here."

The young priest had to cross two rooms, one hung with yellow and the other with blue, before he at last reached the mirrored /salon/. This was really an exquisite example of the /rococo/ style, a rotunda as it were of pale mirrors framed with superb gilded carvings. Even the ceiling was covered with mirrors disposed slantwise so that on every side things multiplied, mingled, and appeared under all possible aspects. Discreetly enough no electric lights had been placed in the room, the only illumination being that of some pink tapers burning in a pair of candelabra. The hangings and upholstery were of soft blue silk, and the impression on entering was very sweet and charming, as if one had found oneself in the abode of some fairy queen of the rills, a palace of limpid water, illumined to its farthest depths by clusters of stars.

Pierre at once perceived Monsignor Nani, who was sitting on a low couch, and, as the prelate had hoped, he was quite alone, for the Cotillon had attracted almost everybody to the picture gallery. And the silence in the little /salon/ was nearly perfect, for at that distance the blare of the orchestra subsided into a faint, flute-like murmur. The young priest at once apologised to the prelate for having kept him waiting.

"No, no, my dear son," said Nani, with his inexhaustible amiability. "I was very comfortable in this retreat – when the press of the crowd became over-threatening I took refuge here." He did not speak of the King and Queen, but he allowed it to be understood that he had politely avoided their company. If he had come to the /fete/ it was on account of his sincere affection for Celia and also with a very delicate diplomatic object, for the Church wished to avoid any appearance of having entirely broken with the Buongiovanni family, that ancient house which was so famous in the annals of the papacy. Doubtless the Vatican was unable to subscribe to this marriage which seemed to unite old Rome with the young Kingdom of Italy, but on the other hand it did not desire people to think that it abandoned old and faithful supporters and took no interest in what befell them.

"But come, my dear son," the prelate resumed, "it is you who are now in question. I told you that although the Congregation of the Index had pronounced itself for the condemnation of your book, the sentence would only be submitted to the Holy Father and signed by him on the day after to-morrow. So you still have a whole day before you."

At this Pierre could not refrain from a dolorous and vivacious interruption.

"Alas! Monseigneur, what can I do?" said he; "I have thought it all over, and I see no means, no opportunity of defending myself. How could I even see his Holiness now that he is so ill?"

"Oh! ill, ill!" muttered Nani with his shrewd expression. "His Holiness is ever so much better, for this very day, like every other Wednesday, I had the honour to be received by him. When his Holiness is a little tired and people say that he is very ill, he often lets them do so, for it gives him a rest and enables him to judge certain ambitions and manifestations of impatience around him."

Pierre, however, was too upset to listen attentively. "No, it's all over," he continued, "I'm in despair. You spoke to me of the possibility of a miracle, but I am no great believer in miracles. Since I am defeated here at Rome, I shall go away, I shall return to Paris, and continue the struggle there. Oh! I cannot resign myself, my hope in salvation by the practice of love cannot die, and I shall answer my denouncers in a new book, in which I shall tell in what new soil the new religion will grow up!"

Silence fell. Nani looked at him with his clear eyes in which intelligence shone distinct and sharp like steel. And amidst the deep calm, the warm heavy atmosphere of the little /salon/, whose mirrors were starred with countless reflections of candles, a more sonorous burst of music was suddenly wafted from the gallery, a rhythmical waltz melody, which slowly expanded, then died away.

"My dear son," said Nani, "anger is always harmful. You remember that on your arrival here I promised that if your own efforts to obtain an interview with the Holy Father should prove unavailing, I would myself endeavour to secure an audience for you." Then, seeing how agitated the young priest was getting, he went on: "Listen to me and don't excite yourself. His Holiness, unfortunately, is not always prudently advised. Around him are persons whose devotion, however great, is at times deficient in intelligence. I told you that, and warned you against inconsiderate applications. And this is why, already three weeks ago, I myself handed your book to his Holiness in the hope that he would deign to glance at it. I rightly suspected that it had not been allowed to reach him. And this is what I am instructed to tell you: his Holiness, who has had the great kindness to read your book, expressly desires to see you."

A cry of joy and gratitude died away in Pierre's throat: "Ah!

Monseigneur. Ah! Monseigneur!"

But Nani quickly silenced him and glanced around with an expression of keen anxiety as if he feared that some one might hear them. "Hush! Hush!" said he, "it is a secret. His Holiness wishes to see you privately, without taking anybody else into his confidence. Listen attentively. It is now two o'clock in the morning. Well, this very day, at nine in the evening precisely, you must present yourself at the Vatican and at every door ask for Signor Squadra. You will invariably be allowed to pass. Signor Squadra will be waiting for you upstairs, and will introduce you. And not a word, mind; not a soul must have the faintest suspicion of these things."