The House of the White Shadows

The House of the White Shadows
Benjamin Farjeon

Farjeon B. L. Benjamin Leopold

The House of the White Shadows

BENJAMIN LEOPOLD FARJEON

We regret to learn that since this book was sent to press in this country, its gifted author has passed away in London at the ripe age of 70 years. It seems appropriate and indeed necessary to preface "The House of the White Shadows," on its appearance in America, with a brief account of Mr. Farjeon's life and literary career. Considering his popularity it is astonishing how very little is generally known regarding this author's personality. The ordinary reference books, if not altogether silent respecting him, have but a line or two, giving the date of his birth with perhaps a list of two or three of his principal novels. It is sincerely to be hoped that a competent biography will ultimately appear, affording to his very many admirers some satisfactory account of a man who has given the world more than twenty-five remarkable works of fiction.

Mr. Farjeon was an Englishman, having been born in London in 1833. At an early age he went to Australia and from thence to New Zealand. It would be exceedingly interesting to learn how he employed himself in those colonies. We know that he engaged in a journalistic venture in Dunedin, but how long it continued or how he fed his intellectual life during the years which intervened, until he published his first novel in London, we know little or nothing. At all events he returned home and launched his first literary venture in London in 1870. It was called "Grif, a Story of Australian Life." This story proved to be eminently successful, and probably determined its author's future career. He produced "Joshua Marvel" in 1871; "London's Heart" in 1873; "Jessie Trim" in 1874, and a long list of powerful novels ending with "Samuel Boyd of Catchpole Square," published only two or three years ago. Some of these works, like "Blade o' Grass," "Bread and Cheese and Kisses," "Great Porter Square," etc., have been very popular both in England and the United States, passing through many editions.

Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism.

Mr. Farjeon visited the United States several times during his long life. Americans have always regarded him with kindly feelings. Perhaps this kindliness was somewhat increased when it became generally known that he had married a daughter of America's genial actor, Joseph Jefferson.

"The House of the White Shadows" is published in this country by arrangement with Messrs. Hutchinson & Co., of London, who have been Mr. Farjeon's publishers in Great Britain for many years.

    THE PUBLISHERS.

BOOK I. – THE TRIAL OF GAUTRAN

CHAPTER I

ONLY A FLOWER-GIRL

The feverish state of excitement into which Geneva was thrown was not caused by a proclamation of war, a royal visit, a social revolution, a religious wave, or an avalanche. It was simply that a man was on his trial for murder.

There is generally in Geneva a rational if not a philosophic foundation for a social upheaving; unlike the people of most other countries, the population do not care to play a blind game of follow my leader. They prefer to think for themselves, and their leaders must be men of mark. Intellect is passionately welcomed; pretenders find their proper level.

What, then, in a simple trial for murder, had caused the excitement? Had the accused moved in a high station, was he a poet, a renowned soldier, a philanthropist, a philosopher, or a priest loved for his charities, and the purity of his life? None of these; he was Gautran, a woodman, and a vagabond of the lowest type. It would be natural, therefore, to seek for an explanation in the social standing of his victim. A princess, probably, or at least a lady of quality? On the contrary. A common flower-girl, who had not two pair of shoes to her feet.

Seldom had a trial taken place in which the interest manifested had been so absorbing. While it was proceeding, the questions which men and women asked freely of each other were:

"What news from the court-house?"

"How many days longer is it likely to last?"

"Has the monster confessed?"

"What will the verdict be?"

"Do you think it possible he can escape?"

"Why did the famous Advocate undertake the defence?"

In fashionable assemblies, and in cafés where the people drank their lager and red wine; in clubs and workshops; on steamboats and diligences; in the fields and vineyards; on high-roads and bye-roads-the trial of Gautran formed the principal topic of conversation and debate, to the almost utter exclusion of trade, and science, and politics, and of a new fashion in hats which was setting the women of adjacent countries crazy. So animated were the discussions that the girl lying in her grave might have been supposed to be closely related to half the inhabitants of Geneva, instead of having been, as she was, a comparative stranger in the town, with no claim upon any living Genevese on the score of kinship. The evidence against the prisoner was overwhelming, and it appeared as though a spirit of personal hatred had guided its preparation. With deadly patience and skill the prosecution had blocked every loophole of escape. Gautran was fast in the meshes, and it was observed that his counsel, the Advocate, in the line he adopted, elicited precisely the kind of evidence which-in the judgment of those who listened to him now for the first time-strengthened the case against the man he was defending.

"Ah," said those observers, "this great Advocate shares the horror of the murderer and his crime, and has undertaken the defence for the purpose of ensuring a conviction."

A conclusion which could only occur to uninformed minds.

There were others-among them the prosecuting counsel, the judge, and the members of the legal profession who thronged the court who, with a better knowledge of the Advocate's marvellous resources, and the subtle quality of his intellect, were inspired with the gravest doubts as to the result of the trial. This remarkable man, who gazed before him with calm, thoughtful eyes, whose face was a mask upon which no trace of inward emotion could be detected, was to them at once a source of perplexity and admiration. Instances were cited of trials in which he had been engaged, in the course of which he had seemed to play so directly into the hands of his antagonists that defeat was not dreamt of until they were startled by the discovery that he had led them into an ambush where, at the supreme moment, victory was snatched from their grasp. And, when it was too late to repair their error, they were galled by the reflection that the Advocate had so blinded their judgment, and so cloaked his designs, that he had compelled them to contribute largely to their own discomfiture.

It was in the acknowledgment of these extraordinary powers that the doubt arose whether Gautran would not slip through the hands of justice. Every feature of the case and the proceedings, whether picturesque or horrible, that afforded scope for illustration by pen and pencil was pressed into the service of the public-whose appetite for such fare is regarded as immoderate and not over-nice-by special correspondents and artists. Descriptions and sketches of the river and its banks, of the poor home of the unfortunate flower-girl, of the room in which she had slept, of her habits and demeanour, of her dress, of her appearance alive and dead; and, as a contrast, of Gautran and his vile surroundings-not a detail was allowed to escape. It was impossible, without favour or influence, to obtain admission to the court in which the trial was held, and, could seats have been purchased, a higher price would willingly have been paid for them than the most celebrated actress or prima donna could have commanded. Murders are common enough, but this crime had feverishly stirred the heart of the community, and its strangest feature was that the excitement was caused, not so much by the murder itself, as by an accidental connection which imparted to it its unparalleled interest.

The victim was a young girl seventeen years of age, who, until a few months before her cruel and untimely death, had been a stranger in the neighbourhood. Nothing was known of the story of her life. When she first appeared in the suburbs of Geneva she was accompanied by a woman much older than herself, and two facts made themselves immediately apparent. That a strong attachment existed between the new-comers, and that they were very poor. The last circumstance was regarded as a sufficient indication that they belonged to the lower classes. The name of the younger of the women was Madeline, the name of the elder Pauline.

That they became known simply by these names, Madeline and Pauline, was not considered singular by those with whom they consorted; as they presented themselves, so they were accepted. Some said they came from the mountains, some from the plains, but this was guess-work. Their dress did not proclaim their canton, and they brought nothing with them to betray them.

To the question asked of them, "What are you?" Pauline replied, "Cannot you see? We are common working people."

They hired a room in a small cottage for three francs a month, and paid the first month's rent in advance, and their landlady was correct in her surmise that these three francs constituted nearly the whole of their wealth. She was curious to know how they were going to live, for although they called themselves working people, the younger of the two did not seem to be fitted for hard work, or to be accustomed to it.

For a few days they did nothing, and then their choice of avocation was made. They sold flowers in the streets and cafés of Geneva, and gained no more than a scanty living thereby.

The woman in whose cottage they lived said she was surprised that they did not make a deal of money, as much because of Madeline's beauty as of their exquisite skill in arranging their posies.

Had Pauline traded alone it is likely that failure would have attended her, for notwithstanding that she was both comely and straight-made, there was always in her eyes the watchful look of one who mistrusts honeyed words from strangers, and sees a snare in complimentary phrases.

It was otherwise with Madeline, in whose young life Nature's fairest season was opening, and it would have been strange indeed if her smiling face and winning manners had not attracted custom. This smiling face and these winning manners were not an intentional part of the trade she followed; they were natural gifts.

Admiration pursued her, not only from those in her own station in life, but from some who occupied a higher, and many an insidious proposal was whispered in her ear whose poisonous flattery would have beguiled her to her ruin. If she had not had in Pauline a staunch and devoted protector, it is hard to say whether she could have resisted temptation, for her nature was singularly gentle and confiding; but her faithful companion was ever on the alert, and no false wooer could hope to win his way to Madeline's heart while Pauline was near.

One gave gold for flowers, and was about to depart with a smile at the success of his first move, when Pauline, with her hand on his sleeve, stopped his way.

"You have made a mistake," she said, tendering the gold; "the flowers you have taken are worth but half-a-franc."

"There is no mistake," he said airily; "the gold is yours for beauty's sake."

"I prefer silver," she said, gazing steadily at him, "for fair dealing's sake."

He took back his gold and gave her silver, with a taunting remark that she was a poor hand at her trade. She made no reply to this, but there was a world of meaning in her eyes as she turned to Madeline with a look of mingled anxiety and tenderness. And yet she desired money, yearningly desired it, for the sake of her young charge; but she would only earn it honestly, or receive it from those of whom she had a right to ask.

She guarded Madeline as a mother guards her young, and their affection for each other grew into a proverb. Certainly no harm could befall the young flower-girl while Pauline was by her side. Unhappily a day arrived when the elder of the women was called away for a while. They parted with tears and kisses, never to meet again!

CHAPTER II

THE ARRIVAL OF THE ADVOCATE

Among those whom Madeline's beauty had attracted was a man in a common way of life, Gautran, a woodman, who followed her with dogged persistence. That his company was distasteful to this bright young creature could not be doubted, but he was not to be shaken off, and his ferocity of character deterred others from approaching the girl when he was present. Many times had he been heard to say, "Madeline belongs to me; let me see who is bold enough to dispute it." And again and again that it would go hard with the man who stepped between him and the girl he loved. Even Pauline was loth to anger him, and seemed to stand in fear of him. This was singular enough, for when he and Madeline were seen together, people would say, "There go the wolf and the lamb."

This wretch it was who stood accused of the murder of the pretty flower-girl.

Her body had been found in the River Rhone, with marks of violence upon it, and a handkerchief tightly twisted round its neck. The proofs of a cruel murder were incontestable, and suspicion fell immediately upon Gautran, who was the last person known to be in Madeline's company. Evidence of his guilt was soon forthcoming. He was madly, brutally in love with her, and madly, brutally jealous of her. On the night of the murder they had been seen walking together on the bank of the river; Gautran had been heard to speak in a high tone, and his exclamation, "I will kill you! I will kill you!" was sworn to by witnesses; and the handkerchief round her neck belonged to him. A thousand damning details were swiftly accumulated, all pointing to the wretch's guilt, and it was well for him that he did not fall into the hands of the populace. So incensed were they against him that they would have torn him to pieces.

Not in all Geneva could there be found a man or a woman who, by the holding up of a finger, would have besought mercy for him. Regret was openly expressed that the death punishment for murder was not lawful, some satisfaction, however, being derived from the reflection that in times gone by certain heinous crimes had brought upon the criminals a punishment more terrible than death.

"They should chain the monster by the waist," said a man, "so that he cannot lie down, and can only move one step from the stake. Gautran deserves worse than that."