Sweet Mace: A Sussex Legend of the Iron Times

Sweet Mace: A Sussex Legend of the Iron Times
George Fenn

Fenn George Manville

Sweet Mace: A Sussex Legend of the Iron Times

How Gil Carr Heard a Concert in Spring

“Too soon for sweet mace – a bunch for sweet Mace,” said Gil Carr as he bent down amongst the sedges to pick the bright blue scorpion grass, its delicate flowers relieved with yellow, “so she must have forget-me-not. I wonder whether she’ll keep some when I’m far away.”

He stopped and smiled and listened, for the morning concert was beginning two hundred and fifty years ago, at four o’clock in the morning and down in a Sussex valley near the sea.

A long while since? Nay, a mere instant of time in this world’s life; and spite of all some writers say, and though we now have steam and electric current to our hand, two hundred and fifty years ago men thought and spoke the same – perhaps a little more roughly than they do now.

There was the pleasant gurgle of water at Gil Carr’s feet, and as he drew back from where the stream rippled and swirled, and a trout darted into sight, saw him, and flashed away beneath the shelter of a jutting stone, he paused beneath the spreading branches of the trees, half-closed his eyes, thought of sweet Mace, and revelled, as young men of eight-and-twenty can who love to place one object in the chiefest spot of all they see.

Here is the site of Gil Carr’s musings, for untouched Nature shows little change. Overhead there is a fabric of tenderest green leaves, laced with pearly cobweb and flashing threads of sunshine, which run in and out like sheaves of glorified asbestos, and weave the whole into a wondrous shelter beneath whose delicious dream-shadow one wanders in a haze of green. For Nature’s own colour is lavishly used to decorate this glorious amphitheatre for the first concert in spring, and there it is in every shade, from the sweet pale ash-green of the opening willow to the rich hue of the dogs’ mercury and hemlock. Green everywhere, for the delicate curtains of the trees are green, the carpet is verdant, and the banks that rise tier upon tier are of the richest velvet moss. There is no uniformity here, there are no rows of seats, but a grand confusion, upon which the eye lingers restfully and which it refuses to quit.

Lest there should be too much green, Nature has been lavish with other colours. There rise up the fascines of osiers from the lowest part of the gurgling stream, light leafy smooth stems of a golden yellow; there are the oak boles creamy and grey with wondrous lichens; grey, silvery, and golden tassels hang from sallow, alder, and willow, and the carpet is dotted with delicious patches of tint. Yonder, harmoniously blended with the green, is the purple of the wild hyacinth, amidst which, and dotting the carpet everywhere with its delicate sulphur stars, is the primrose, with the burnished bullion yellow of the celandine close by, amidst which, bending gracefully over, half modest, half vain, are the silver stars of the wood anemone, displaying their outer tints of delicate violet mauve.

Talk of violets too, there they are, not the scented sweets of earliest spring, but the larger, bluer, more plentiful Viola canina, growing in patches with the purple orchids. Colour? There is ample to relieve the greenest green, untiring though it be, and were brighter tints wanted they are here, such as put to shame the brightest gems of our greatest jewellers’ shops. There they are, whenever the silvery arrows of the sun flash through the delicate leafage like a wondrous rain – there they are, bright, dazzling, flashing, and sparkling, the vivid transparent grouped rays of Iris herself on every pearly drop of dew, lying waiting for the sun to gather it to his bosom, and feel the daily fire of his life-giving ray. Nature has surpassed herself, and all is bright, while, bright though the decorations be, the most aesthetic critic could not find one that offends. There could be no want of finish where Nature has worked, and here, where all harmonises to the eye, she has prepared, for the grand burst of harmony for the ear, that wondrous concert that surely begins on one particular undated morning in spring, when, as if moved by a single impulse, all bird-dom breaks forth into song – a song of praise so sweet and glorious that the heart seems to leap, ay, and does leap, back over the gulf of years, to feel as in childhood’s days, before rust, canker, and the world’s own wear had hardened it to what it is.

There are no bills issued. If there were, they would say, “Come early.” If you do not, the loss is yours. There are no programmes, for the oratorio is Nature’s song of praise. As to tickets, they are minus too, for the cost of entrance is the effort to drag yourself from the drowsy pillow. And seats? No, you must stand. Lean here against this mossy old bole, and listen. Nature, the great conductress of the orchestra, has arrived, and in a few moments she will raise her baton, and the concert will begin. Rehearsal has been going on for weeks, and various artists have been tuning up. Night after night, till quite dark, the thrush has piped; the robin has worked hard in a low subdued voice to recollect the plaintive little song he sang so well while the apples were gathered and the leaves turned to crimson and gold on the medlar tree; while every here and there, where the buds began to swell, the chaffinch – Coelebs, the bachelor – in his pretty tinted suit of grey and green and neutral hues, seemed busy day by day carrying up little buckets of silver sound, and pouring them tinkling down amidst the leafless sprays. But this morning, rehearsal is over, and the concert is to begin – the full burst from every chorister, solo singer, and instrumentalist, many of whom have been practising since the first faint grey of dawn, when the blackbird first scattered the spray from the leaves, and darted, like a streak of black velvet following a point of fire, down amidst the hazel stubbs, crying “chink, chink,” to the waking birds.

Hark! the company is all expectation for the concert to begin; there is the deep low humming buzz and murmur as of thousands speaking in a vasty hall. Tell me it is the bees and other insects honey and pollen gathering amidst the willow blossoms if you will, but I prefer to dream of being in a grand amphitheatre with an oratorio about to commence, and the whim fits me as I stand and listen here, fancy stricken, weak, if you will, but with swelling heart, dew-moistened eyes, and so wondrous a feeling of rapture pervading every sense, that, forgetful of the bitter, biting past – the cruel winter and its aches and ails, the soul seems to rise in gratitude from its very being for the wondrous sense of joy it feels, and here in the sacred stillness of the early morn to cry, “Thank God!” and compare the country with the town.

Tuning up still. There is the strange harsh, reedy, repeated, hautboy-like minor note of the wryneck – the cuckoo’s mate not long arrived; the willow-wren jerks forth two notes from its piccolo; and the black bird, dropping its alarm note, begins to flute so softly and sweetly that it needs no programme to tell that the theme is love. Up rises the lark, then, after a short chorus to sing his solo, a song of silver broken into seed, a song that the sweet bird seems to carry higher and higher, scattering as it goes, for the notes to fall here, there, and everywhere, to be wafted away by winds for the silver grains to fall into human beings’ ears, where they take root and stay, never to be forgotten; for, though the possessor roam the wide world round, the song of the lark once heard is never lost.

Another soloist, the foreign musician from over the sea, with its mellow cuckoo note; and then comes an introduction from the orchestra, where the starlings wheeze and drum, and play castanets. There are strange effects, too, introduced by the great composer, harsh trumpet brays by the blue-barred jays, answered by gentle cooings from the doves, as if tyranny and love sang duets, and then a grand chorale rises as the thrush leaves off its stirring recitative.

Again a solo, morning though it be, and you say “the thrush.” But no, those notes were somewhat like those of the great contralto merulus; but listen, they are sweeter far, and they are soprano, for it is Philomel herself. Hark! After those long-complaining notes there is a familiar “Weep, weep, weep, chug-chug-chug-chug-chug!” The very orchestra seems hardly to breathe and not a chorister to move as this wondrous strain of richest melody goes rising, falling, thrilling the breast, till one breathes the sweet fresh balmy air in sobs, and drinks in the sweet draught of music – a drink for the gods till it is ended, and there are no dregs. Here come the harsh notes, though, from the orchestra – a short sharp jerky recitative from the magpie, followed by the angry declamation of the jay, leading up to those little fiddlers the chaffinches, with their seconds, the finches of green, and the linnets on the outer edge. There is a short running chorus here, followed by a short chorale that is even slow and solemn, and then there is a pause – twelve bars rest – Nature’s baton is suspended, and one seems to see the grand dame with her attendant train of nymphs, with Flora and Iris looking on. Then come once more the soft long thrilling notes of the nightingale, reciting the song with which at night the grove will ring. It is recitative of inexpressible sweetness, and it leads up to the grand chorus, the great song of praise from thousands of birds’ throats, beneath which seems to sigh like the murmur of the deepest pedal-pipes of an organ the low buzz of insect life, blending, supporting, and adding grandeur to that which is already great.

It is the great spring chorus of the year, when every bird seems to sing his best, and vie with his fellow in the effort to produce the sweetest sounds. Once heard never forgotten, it is a something that the greatest traveller will tell you cannot be surpassed, while there are millions year by year, who from neglect or compulsion fail to hear, though the concert is free to every one who will trouble himself to get a place and fill his heart with joy that is without a care.

When is this concert? Perhaps in April, perhaps in May. It is when the east wind ceases to dry, and the balmy south breathes sweetness over the awakened earth. It is indeed a “sensation” matchless in itself and particular to our land, though some such harmony must have greeted the senses of the first man when he opened his eyes to the flowers of the new-made earth, and drank in its sweets and joys.

“My hands are hot,” said Gil Carr, the Adam of the little Eden of a wilderness, as he thought upon his Eve; and returning to the stream once more, he dipped the bunch of forget-me-nots beneath the gurgling current, afterwards wrapping the stems round with the broad leaf of a dock, and walked away trying to imitate the piping of the nightingale, and wondering how long it would be before the glow-worms would begin to light their lamps in the soft warm evenings; while he smiled as he thought of the signals they had made upon the sloping bank that stretched up to the hedge of hawthorn fronting Mace’s casement, where the pale white roses grew.

How the King’s Messenger Sought Roehurst Pool in July, and what he saw

“Sir Thomas, and if I did not feel bound to carry out my royal master’s commands, I’d go no further, but sit down here on this shady bank, and bask in the sunshine of your daughter’s eyes. Once more I say, is there any ending to this winding lane?”

“Patience, Sir Mark; pray have patience,” said portly Sir Thomas Beckley, baronet and justice of the peace, as he took off his sugar-loaf hat with its plume of cock’s feathers, and wiped the great beads of perspiration from his pink brow. “Patience; and pray do not stuff my daughter’s head with courtly phrases, or you will make her vain.”

“Patience? Why, Sir Thomas, it is for her sake I am speaking. This lane has gone up and down, and in and out, and backwards and forwards, till my heart aches more than my legs to see her pretty little feet getting wedged between stones, and her face flushed with toil.”

“Well, yes,” said Sir Thomas, “the roads are rather bad down here in Sussex.”

“Bad, man? Why, they are abominable. They are as if cursed by witches. In winter they must be sloughs and pits for unwary feet.”

“This is but a by-road, Sir Mark,” said the baronet, pompously.

“By-road, indeed! Mistress Anne, why did you not have the carriage?”

“This lane was never meant for carriages, Sir Mark,” cried Sir Thomas, hastily. “The last time I had it brought down here, my two stout horses dragged the fore wheels from the body.”

“The ruts are ready to drag my legs from my body, Sir Thomas; and, fiends and torture, what blocks! Why, what rock is that?”

“Refuse or cinder from the iron forges, Sir Mark,” replied the baronet, with the air of a guide. “In this district, sir, the finest iron is found in abundance just below the surface.”

“And you own a goodly portion of the land, Sir Thomas?” said Sir Mark, with an involuntary glance at the lady.

“Well, yes,” replied the baronet with a round look of satisfaction; “I have a fair number of acres and some wide-spread forest land for timber and charcoal-burning should I care to smelt.”

“Happy man,” said Sir Mark. “’Tis a pleasant life down here in these woods. But Mistress Anne, is it not dull in winter?”

“Oh, yes, Sir Mark, so dull; and we are shut in at times for weeks.”

“No wonder with such roads as these. Sir Thomas, have you no pity for your daughter’s state?”

“The weather has come in hot,” said Sir Thomas, carefully taking off his plumed hat. “But we are just there now; shall we rest awhile?”

“Ay, that we will. Mistress Anne, here is a fallen tree with waving bracken and the shining leaves of the beech to shelter you from the sun. There, am I right – is that oak – are those bracken fronds?”

“Quite right,” said the lady addressed, as, either from the action of her heart or the warmth of the sun, she blushed deeply, the red glow spreading up to the deep auburn, fuzzy hair that gathered over her freckled forehead. Then carefully spreading her skirts she seated herself upon the fallen trunk of a huge oak that had been felled the previous winter, judging by the state of the chips that still lay around, the branches having been lopped, cut into short lengths, and piled into a long low stack.

“Ah, that is restful,” said Sir Mark, smiling down at the lady, while the baronet glanced from one to the other, dabbed his face, and then pressed down the feather-stuffed breeches that puffed out his hips; also his best, put on in honour of his visitor from town, but evidently unpleasant wear in the hot and airless lane.

“May I sit by thee, sweet – or at your feet?” whispered Sir Mark, with a glance at the angular oak-chips blackened by the action of the iron-impregnated water that sometimes rushed down the lane.

For answer Mistress Anne uttered a shriek, rose quickly, and half threw herself in the young man’s arms.

“A snake – a viper – an adder,” she cried, as, raising its head and uttering a low hiss, a reptile some two feet or so long glided from beneath the tree and disappeared amidst the rustling ferns.

Sir Mark Leslie, a rather handsome, imperious-looking young man, with somewhat effeminate features, showily dressed in russet velvet, with a short stiff frill around his neck, started back a step, and clapping his hand on his sword half drew it from its sheath; but, as a hearty, hoarse roar of laughter fell upon his ear, he flushed angrily, and thrust it back to turn upon the man who had dared to laugh at him, while the reptile made its way into a shallow rabbit-burrow in the steep overhanging bank. For the rugged little path, ill-made with dark-hued, furnace-cinder, ran here deep down between two water-worn banks that looked as if the earth had cracked asunder, leaving twin sides mottled with rugged stone and yellow sandbeds, upon whose shelving slopes ferns and brambles luxuriated, and trees flourished with roots half-aerial, half-buried in the soil. The sea-breeze might be sweeping the hills above, but down here there would be hardly a breath of air, while Nature’s train held revel far and near. Freshly-turned sandy earth showed where the rabbits burrowed, high up in the soft bank the sandmartins had a colony, while night and morn the woodland was musical with the notes of blackbird and thrush, though the concert Gil Carr had listened to a month before was more subdued, and the nightingale kept his sweet lays till another year.

Just beyond where the little party had halted, the high bank displayed another rift, through which a faint track ran at right angles to the one they had pursued, apparently deep through the overhanging wood, for the way was darkened by the trees to a dim green-hued twilight, dashed and splashed and streaked with silver sunshine, which played like dazzling cobwebs amidst the sprays and twigs of hazel, dogwood, and hornbeam, or lay in glittering patches upon the clover-leaved woodsorrel, which carpeted the soil with velvet-green.

It was from the corner of the bank which formed this side-track that the hoarse laughter came, and, turning sharply, Sir Mark gazed fiercely upon a rugged-looking mahogany-faced man, who seemed to have faced storm and sunshine where these slaves of Nature work their worst. His scanty hair was grizzled, his beard rusty, half-grey, and unkempt; his hands were knotted and gnarled, and, saving his eyes, everything about him betokened wear and tear. They alone flashed, and brightly, from beneath his shaggy brows, as, leaning against the corner, he stood with crossed legs, one hand holding a little thick-stemmed, very small-bowled clay pipe, which he leisurely smoked, resting his elbow the while in his right hand.

“Who are you? how dare you look at me like that, you dog?” cried the young man imperiously.

“Who am I, my jack-a-dandy?” said the other, taking his pipe from his lips and emitting a thin fine thread of smoke. “That’s no concern of thine. Hey, halloa there! Abel Churr, ahoy!”

A responsive shout came from out of the wood, and a thin, bent, cunning-looking man, with closely set, uneasy eyes, came quickly from amidst the hazels, which he parted with his hands, as he advanced.

“Here’s what you are seeking, lad. You are just in time. A brave girt fellow for you.”

“Where, where, Mas’ Wat?”