Phantastes: A Faerie Romance for Men and Women

Phantastes: A Faerie Romance for Men and Women
George MacDonald

George MacDonald

Phantastes: A Faerie Romance for Men and Women

PREFACE

For offering this new edition of my father’s Phantastes, my reasons are three. The first is to rescue the work from an edition illustrated without the author’s sanction, and so unsuitably that all lovers of the book must have experienced some real grief in turning its pages. With the copyright I secured also the whole of that edition and turned it into pulp.

My second reason is to pay a small tribute to my father by way of personal gratitude for this, his first prose work, which was published nearly fifty years ago. Though unknown to many lovers of his greater writings, none of these has exceeded it in imaginative insight and power of expression. To me it rings with the dominant chord of his life’s purpose and work.

My third reason is that wider knowledge and love of the book should be made possible. To this end I have been most happy in the help of my father’s old friend, who has illustrated the book. I know of no other living artist who is capable of portraying the spirit of Phantastes; and every reader of this edition will, I believe, feel that the illustrations are a part of the romance, and will gain through them some perception of the brotherhood between George MacDonald and Arthur Hughes.

    GREVILLE MACDONALD.
    September 1905.

PHANTASTES A FAERIE ROMANCE

“Phantastes from ‘their fount’ all shapes deriving,
In new habiliments can quickly dight.”

     FLETCHER’S Purple Island

Es lassen sich Erzählungen ohne Zusammenhang, jedoch mit Association, wie Träume, denken; Gedichte, die bloss wohlklingend und voll schöner Worte sind, aber auch ohne allen Sinn und Zusammenhang, höchstens einzelne Strophen verständlich, wie Bruchstücke aus den verschiedenartigsten Dingen. Diese wahre Poesie kann höchstens einen allegorischen Sinn in Grossen, und eine indirecte Wirkung, wie Musik, haben. Darum ist die Natur so rein poetisch, wie die Stube eines Zauberers, eines Physikers, eine Kinderstube, eine Polter- und Vorrathskammer. Ein Märchen ist wie ein Traumbild ohne Zusammenhang. Ein Ensemble wunderbarer Dinge und Begebenheiten, z. B. eine musikalische Phantasie, die harmonischen Folgen einer Aeolsharfe, die Natur selbst… In einem echten Märchen muss alles wunderbar, geheimnissvoll und zusammenhängend sein; alles belebt, jeder auf eine andere Art. Die ganze Natur muss wunderlich mit der ganzen Geisterwelt gemischt sein; hier tritt die Zeit der Anarchie, der Gesetzlosigkeit, Freiheit, der Naturstand der Natur, die Zeit von der Welt ein . . . Die Welt des Märchens ist die, der Welt der Wahrheit durchaus entgegengesetzte, und eben darum ihr so durchaus ähnlich, wie das Chaos der vollendeten Schöpfung ähnlich ist.

    --NOVALIS.

CHAPTER I

“A spirit . . .
. . . . . .
The undulating and silent well,
And rippling rivulet, and evening gloom,
Now deepening the dark shades, for speech assuming,
Held commune with him; as if he and it
Were all that was.”

    SHELLEY’S Alastor.

I awoke one morning with the usual perplexity of mind which accompanies the return of consciousness. As I lay and looked through the eastern window of my room, a faint streak of peach-colour, dividing a cloud that just rose above the low swell of the horizon, announced the approach of the sun. As my thoughts, which a deep and apparently dreamless sleep had dissolved, began again to assume crystalline forms, the strange events of the foregoing night presented themselves anew to my wondering consciousness. The day before had been my one-and-twentieth birthday. Among other ceremonies investing me with my legal rights, the keys of an old secretary, in which my father had kept his private papers, had been delivered up to me. As soon as I was left alone, I ordered lights in the chamber where the secretary stood, the first lights that had been there for many a year; for, since my father’s death, the room had been left undisturbed. But, as if the darkness had been too long an inmate to be easily expelled, and had dyed with blackness the walls to which, bat-like, it had clung, these tapers served but ill to light up the gloomy hangings, and seemed to throw yet darker shadows into the hollows of the deep-wrought cornice. All the further portions of the room lay shrouded in a mystery whose deepest folds were gathered around the dark oak cabinet which I now approached with a strange mingling of reverence and curiosity. Perhaps, like a geologist, I was about to turn up to the light some of the buried strata of the human world, with its fossil remains charred by passion and petrified by tears. Perhaps I was to learn how my father, whose personal history was unknown to me, had woven his web of story; how he had found the world, and how the world had left him. Perhaps I was to find only the records of lands and moneys, how gotten and how secured; coming down from strange men, and through troublous times, to me, who knew little or nothing of them all. To solve my speculations, and to dispel the awe which was fast gathering around me as if the dead were drawing near, I approached the secretary; and having found the key that fitted the upper portion, I opened it with some difficulty, drew near it a heavy high-backed chair, and sat down before a multitude of little drawers and slides and pigeon-holes. But the door of a little cupboard in the centre especially attracted my interest, as if there lay the secret of this long-hidden world. Its key I found.

One of the rusty hinges cracked and broke as I opened the door: it revealed a number of small pigeon-holes. These, however, being but shallow compared with the depth of those around the little cupboard, the outer ones reaching to the back of the desk, I concluded that there must be some accessible space behind; and found, indeed, that they were formed in a separate framework, which admitted of the whole being pulled out in one piece. Behind, I found a sort of flexible portcullis of small bars of wood laid close together horizontally. After long search, and trying many ways to move it, I discovered at last a scarcely projecting point of steel on one side. I pressed this repeatedly and hard with the point of an old tool that was lying near, till at length it yielded inwards; and the little slide, flying up suddenly, disclosed a chamber—empty, except that in one corner lay a little heap of withered rose-leaves, whose long-lived scent had long since departed; and, in another, a small packet of papers, tied with a bit of ribbon, whose colour had gone with the rose-scent. Almost fearing to touch them, they witnessed so mutely to the law of oblivion, I leaned back in my chair, and regarded them for a moment; when suddenly there stood on the threshold of the little chamber, as though she had just emerged from its depth, a tiny woman-form, as perfect in shape as if she had been a small Greek statuette roused to life and motion. Her dress was of a kind that could never grow old-fashioned, because it was simply natural: a robe plaited in a band around the neck, and confined by a belt about the waist, descended to her feet. It was only afterwards, however, that I took notice of her dress, although my surprise was by no means of so overpowering a degree as such an apparition might naturally be expected to excite. Seeing, however, as I suppose, some astonishment in my countenance, she came forward within a yard of me, and said, in a voice that strangely recalled a sensation of twilight, and reedy river banks, and a low wind, even in this deathly room:—

“Anodos, you never saw such a little creature before, did you?”

“No,” said I; “and indeed I hardly believe I do now.”

“Ah! that is always the way with you men; you believe nothing the first time; and it is foolish enough to let mere repetition convince you of what you consider in itself unbelievable. I am not going to argue with you, however, but to grant you a wish.”

Here I could not help interrupting her with the foolish speech, of which, however, I had no cause to repent—

“How can such a very little creature as you grant or refuse anything?”

“Is that all the philosophy you have gained in one-and-twenty years?” said she. “Form is much, but size is nothing. It is a mere matter of relation. I suppose your six-foot lordship does not feel altogether insignificant, though to others you do look small beside your old Uncle Ralph, who rises above you a great half-foot at least. But size is of so little consequence with old me, that I may as well accommodate myself to your foolish prejudices.”

So saying, she leapt from the desk upon the floor, where she stood a tall, gracious lady, with pale face and large blue eyes. Her dark hair flowed behind, wavy but uncurled, down to her waist, and against it her form stood clear in its robe of white.

“Now,” said she, “you will believe me.”

Overcome with the presence of a beauty which I could now perceive, and drawn towards her by an attraction irresistible as incomprehensible, I suppose I stretched out my arms towards her, for she drew back a step or two, and said—

“Foolish boy, if you could touch me, I should hurt you. Besides, I was two hundred and thirty-seven years old, last Midsummer eve; and a man must not fall in love with his grandmother, you know.”

“But you are not my grandmother,” said I.

“How do you know that?” she retorted. “I dare say you know something of your great-grandfathers a good deal further back than that; but you know very little about your great-grandmothers on either side. Now, to the point. Your little sister was reading a fairy-tale to you last night.”

“She was.”

“When she had finished, she said, as she closed the book, ‘Is there a fairy-country, brother?’ You replied with a sigh, ‘I suppose there is, if one could find the way into it.’”

“I did; but I meant something quite different from what you seem to think.”

“Never mind what I seem to think. You shall find the way into Fairy Land to-morrow. Now look in my eyes.”

Eagerly I did so. They filled me with an unknown longing. I remembered somehow that my mother died when I was a baby. I looked deeper and deeper, till they spread around me like seas, and I sank in their waters. I forgot all the rest, till I found myself at the window, whose gloomy curtains were withdrawn, and where I stood gazing on a whole heaven of stars, small and sparkling in the moonlight. Below lay a sea, still as death and hoary in the moon, sweeping into bays and around capes and islands, away, away, I knew not whither. Alas! it was no sea, but a low bog burnished by the moon. “Surely there is such a sea somewhere!” said I to myself. A low sweet voice beside me replied—

“In Fairy Land, Anodos.”

I turned, but saw no one. I closed the secretary, and went to my own room, and to bed.

All this I recalled as I lay with half-closed eyes. I was soon to find the truth of the lady’s promise, that this day I should discover the road into Fairy Land.

CHAPTER II

“‘Where is the stream?’ cried he, with tears. ‘Seest thou its not in blue waves above us?’ He looked up, and lo! the blue stream was flowing gently over their heads.”

    —NOVALIS, Heinrich von Ofterdingen.

While these strange events were passing through my mind, I suddenly, as one awakes to the consciousness that the sea has been moaning by him for hours, or that the storm has been howling about his window all night, became aware of the sound of running water near me; and, looking out of bed, I saw that a large green marble basin, in which I was wont to wash, and which stood on a low pedestal of the same material in a corner of my room, was overflowing like a spring; and that a stream of clear water was running over the carpet, all the length of the room, finding its outlet I knew not where. And, stranger still, where this carpet, which I had myself designed to imitate a field of grass and daisies, bordered the course of the little stream, the grass-blades and daisies seemed to wave in a tiny breeze that followed the water’s flow; while under the rivulet they bent and swayed with every motion of the changeful current, as if they were about to dissolve with it, and, forsaking their fixed form, become fluent as the waters.

My dressing-table was an old-fashioned piece of furniture of black oak, with drawers all down the front. These were elaborately carved in foliage, of which ivy formed the chief part. The nearer end of this table remained just as it had been, but on the further end a singular change had commenced. I happened to fix my eye on a little cluster of ivy-leaves. The first of these was evidently the work of the carver; the next looked curious; the third was unmistakable ivy; and just beyond it a tendril of clematis had twined itself about the gilt handle of one of the drawers. Hearing next a slight motion above me, I looked up, and saw that the branches and leaves designed upon the curtains of my bed were slightly in motion. Not knowing what change might follow next, I thought it high time to get up; and, springing from the bed, my bare feet alighted upon a cool green sward; and although I dressed in all haste, I found myself completing my toilet under the boughs of a great tree, whose top waved in the golden stream of the sunrise with many interchanging lights, and with shadows of leaf and branch gliding over leaf and branch, as the cool morning wind swung it to and fro, like a sinking sea-wave.

After washing as well as I could in the clear stream, I rose and looked around me. The tree under which I seemed to have lain all night was one of the advanced guard of a dense forest, towards which the rivulet ran. Faint traces of a footpath, much overgrown with grass and moss, and with here and there a pimpernel even, were discernible along the right bank. “This,” thought I, “must surely be the path into Fairy Land, which the lady of last night promised I should so soon find.” I crossed the rivulet, and accompanied it, keeping the footpath on its right bank, until it led me, as I expected, into the wood. Here I left it, without any good reason: and with a vague feeling that I ought to have followed its course, I took a more southerly direction.

CHAPTER III

“Man doth usurp all space,