The Tragic Comedians: A Study in a Well-known Story. Complete

‘You died bravely?’

Clotilde entered into the extravagance with a happy simulation of zest.

‘Simply, we will say. My time had come, and I took no sturdy pose, but let the life-stream run its course for a less confined embankment. Sapphire sea, sapphire sky: one believes in life there, thrills with it, when life is ebbing: ay, as warmly as when life is at the flow in our sick and shrivelled North—the climate for dried fish! Verily the second death of hearing that a gold-haired Lucretia had been on the island seven days earlier, was harder to bear. Tell me frankly—the music in Italy?’

‘Amorous and martial, brainless and monotonous.’

‘Excellent!’ his eyes flashed delightedly. ‘O comrade of comrades! that year lost to me will count heavily as I learn to value those I have gained. Yes, brainless! There, in music, we beat them, as politically France beats us. No life without brain! The brainless in Art and in Statecraft are nothing but a little more obstructive than the dead. It is less easy to cut a way through them. But it must be done, or the Philistine will be as the locust in his increase, and devour the green blades of the earth. You have been trained to shudder at the demagogue?’

‘I do not shudder,’ said Clotilde.

‘A diamond from the lapidary!—Your sentences have many facets. Well, you are conversing with a demagogue, an avowed one: a demagogue and a Jew. You take it as a matter of course: you should exhibit some sparkling incredulity. The Christian is like the politician in supposing the original obverse of him everlastingly the same, after the pattern of the monster he was originally taught to hate. But the Jew has been a little christianized, and we have a little bejewed the Christian. So with demagogues: as we see the conservative crumbling, we grow conservatived. Try to think individually upon what you have to learn collectively—that is your task. You are of the few who will be equal to it. We are not men of blood, believe me. I am not. For example, I detest and I decline the duel. I have done it, and proved myself a man of metal notwithstanding. To say nothing of the inhumanity, the senselessness of duelling revolts me. ‘Tis a folly, so your nobles practise it, and your royal wiseacre sanctions. No blood for me: and yet I tell you that whatever opposes me, I will sweep away. How? With the brain. If we descend to poor brute strength or brutal craft, it is from failing in the brain: we quit the leadership of our forces, and the descent is the beast’s confession. Do I say how? Perhaps by your aid.—You do not start and cry: “Mine!” That is well. I have not much esteem for non-professional actresses. They are numerous and not entertaining.—You leave it to me to talk.’

‘Could I do better?’

‘You listen sweetly.’

‘It is because I like to hear.’

‘You have the pearly little ear of a shell on the sand.’

‘With the great sea sounding near it!’

Alvan drew closer to her.

‘I look into your eyes and perceive that one may listen to you and speak to you. Heart to heart, then! Yes, a sea to lull you, a sea to win you—temperately, let us hope; by storm, if need be. My prize is found! The good friend who did the part of Iris for us came bounding to me: “I have discovered the wife for you, Alvan.” I had previously heard of her from another as having touched the islet of Capri. “But,” said Kollin, “she is a gold-crested serpent—slippery!” Is she? That only tells me of a little more to be mastered. I feel my future now. Hitherto it has been a land without sunlight. Do you know how the look of sunlight on a land calms one? It signifies to the eye possession and repose, the end gained—not the end to labour, just heaven! but peace to the heart’s craving, which is the renewal of strength for work, the fresh dip in the waters of life. Conjure up your vision of Italy. Remember the meaning of Italian light and colour: the clearness, the luminous fulness, the thoughtful shadows. Mountain and wooded headland are solid, deep to the eye, spirit-speaking to the mind. They throb. You carve shapes of Gods out of that sky, the sea, those peaks. They live with you. How they satiate the vacant soul by influx, and draw forth the troubled from its prickly nest!—Well, and you are my sunlighted land. And you will have to be fought for. And I see not the less repose in the prospect! Part of you may be shifty-sand. The sands are famous for their golden shining—as you shine. Well, then, we must make the quicksands concrete. I have a perfect faith in you, and in the winning of you. Clearly you will have to be fought for. I should imagine it a tough battle to come. But as I doubt neither you nor myself, I see beyond it.—We use phrases in common, and aphorisms, it appears. Why? but that our minds act in unison. What if I were to make a comparison of you with Paris?—the city of Paris, Lutetia.’

‘Could you make it good?’ said Clotilde.

He laughed and postponed it for a series of skimming discussions, like swallow-flights from the nest beneath the eaves to the surface of the stream, perpetually reverting to her, and provoking spirited replies, leading her to fly with him in expectation of a crowning compliment that must be singular and was evidently gathering confirmation in his mind from the touchings and probings of her character on these flights.

She was like a lady danced off her sense of fixity, to whom the appearance of her whirling figure in the mirror is both wonderful and reassuring; and she liked to be discussed, to be compared to anything, for the sake of being the subject, so as to be sure it was she that listened to a man who was a stranger, claiming her for his own; sure it was she that by not breaking from him implied consent, she that went speeding in this magical rapid round which slung her more and more out of her actual into her imagined self, compelled her to proceed, denied her the right to faint and call upon the world for aid, and catch at it, though it was close by and at a signal would stop the terrible circling. The world was close by and had begun to stare. She half apprehended that fact, but she was in the presence of the irresistible. In the presence of the irresistible the conventional is a crazy structure swept away with very little creaking of its timbers on the flood. When we feel its power we are immediately primitive creatures, flying anywhere in space, indifferent to nakedness. And after trimming ourselves for it, the sage asks your permission to add, it will be the thing we are most certain some day to feel. Had not she trimmed herself?—so much that she had won fame for an originality mistaken by her for the independent mind, and perilously, for courage. She had trimmed herself and Alvan too—herself to meet it, and Alvan to be it. Her famous originality was a trumpet blown abroad proclaiming her the prize of the man who sounded as loudly his esteem for the quality—in a fair young woman of good breeding. Each had evoked the other. Their common anticipations differed in this, that he had expected comeliness, she the reverse—an Esau of the cities; and seeing superb manly beauty in the place of the thick-featured sodden satyr of her miscreating fancy, the irresistible was revealed to her on its divinest whirlwind.

They both desired beauty; they had each stipulated for beauty before captivity could be acknowledged; and he beholding her very attractive comeliness, walked into the net, deeming the same a light thing to wear, and rather a finishing grace to his armoury; but she, a trained disciple of the conventional in social behaviour (as to the serious points and the extremer trifles), fluttered exceedingly; she knew not what she was doing, where her hand was, how she looked at him, how she drank in his looks on her. Her woman’s eyes had no guard they had scarcely speculation. She saw nothing in its passing, but everything backward, under haphazard flashes. The sight of her hand disengaged told her it had been detained; a glance at the company reminded her that those were men and women who had been other than phantoms; recollections of the words she listened to, assented to, replied to, displayed the gulfs she had crossed. And nevertheless her brain was as quick as his to press forward to pluck the themes which would demonstrate her mental vividness and at least indicate her force of character. The splendour of the man quite extinguished, or over-brightened, her sense of personal charm; she set fire to her brain to shine intellectually, treating the tale of her fair face as a childish tale that might have a grain of truth in it, some truth, a very little, and that little nearly worthless, merely womanly, a poor charm of her sex. The intellectual endowment was rarer: still rarer the moral audacity. O, to match this man’s embracing discursiveness! his ardour, his complacent energy, the full strong sound he brought out of all subjects! He struck, and they rang. There was a bell in everything for him; Nature gave out her cry, and significance was on all sides of the universe; no dead stuff, no longer any afflicting lumpishness. His brain was vivifying light. And how humane he was! how supremely tolerant! Where she had really thought instead of flippantly tapping at the doors of thought, or crying vagrantly for an echo, his firm footing in the region thrilled her; and where she had felt deeper than fancifully, his wise tenderness overwhelmed. Strange to consider: with all his precious gifts, which must make the gift of life thrice dear to him, he was fearless. Less by what he said than by divination she discerned that he knew not fear. If for only that, she would have hung to him like his shadow. She could have detected a brazen pretender. A meaner mortal vaunting his great stores she would have written down coxcomb. Her social training and natural perception raised her to a height to measure the bombastical and distinguish it from the eloquently lofty. He spoke of himself, as the towering Alp speaks out at a first view, bidding that which he was be known. Fearless, confident, able, he could not but be, as he believed himself, indomitable. She who was this man’s mate would consequently wed his possessions, including courage. Clotilde at once reached the conclusion of her having it in an equal degree. Was she not displaying it? The worthy people of the company stared, as she now perceived, and she was indifferent; her relatives were present without disturbing her exaltation. She wheeled above their heads in the fiery chariot beside her sun-god. It could not but be courage, active courage, superior to her previous tentative steps—the verbal temerities she had supposed so dauntless. For now she was in action, now she was being tried to match the preacher and incarnation of the virtues of action!

Alvan shaped a comparison of her with Paris, his beloved of cities—the symbolized goddess of the lightning brain that is quick to conceive, eager to realize ideas, impassioned for her hero, but ever putting him to proof, graceful beyond all rhyme, colloquial as never the Muse; light in light hands, yet valiant unto death for a principle; and therefore not light, anything but light in strong hands, very stedfast rather: and oh! constantly entertaining.

The comparison had to be strained to fit the living lady’s shape. Did he think it, or a dash of something like it?

His mood was luxurious. He had found the fair and youthful original woman of refinement and station desired by him. He had good reason to wish to find her. Having won a name, standing on firm ground, with promise of a great career, chief of what was then taken for a growing party and is not yet a collapsed, nor will be, though the foot on it is iron, his youth had flown under the tutelage of an extraordinary Mentor, whom to call Athene robs the goddess of her personal repute for wisdom in conduct, but whose head was wise, wise as it was now grey. Verily she was original; and a grey original should seem remarkable above a blooming blonde. If originality in woman were our prime request, the grey should bear the palm. She has gone through the battle, retaining the standard she carried into it, which is a victory. Alas, that grey, so spirit-touching in Art, should be so wintry in reality!

The discovery of a feminine original breathing Spring, softer, warmer than the ancient one, gold instead of snowcrested, and fully as intrepid as devoted, was an immense joy to Alvan. He took it luxuriously because he believed in his fortune, a kind of natal star, the common heritage of the adventurous, that brought him his good things in time, in return for energetic strivings in a higher direction apart from his natural longings.

Fortune had delayed, he had wintered long. All the sweeter was the breath of the young Spring. That exquisite new sweetness robed Clotilde in the attributes of the person dreamed of for his mate; and deductively assuming her to possess them, he could not doubt his power of winning her. Barriers are for those who cannot fly. The barriers were palpable about a girl of noble Christian birth: so was the courage in her which would give her wings, he thought, coming to that judgement through the mixture of his knowledge of himself and his perusal of her exterior. He saw that she could take an impression deeply enough to express it sincerely, and he counted on it, sympathetically endowing her with his courage to support the originality she was famed for.

They were interrupted between-whiles by weariful men running to Alvan for counsel on various matters—how to play their game, or the exact phrasing of some pregnant sentence current in politics or literature. He satisfied them severally and shouldered them away, begging for peace that night. Clotilde corroborated his accurate recital of the lines of a contested verse of the incomparable Heinrich, and they fell to capping verses of the poet-lucid metheglin, with here and there no dubious flavour of acid, and a lively sting in the tail of the honey. Sentiment, cynicism, and satin impropriety and scabrous, are among those verses, where pure poetry has a recognized voice; but the lower elements constitute the popularity in a cultivated society inclining to wantonness out of bravado as well as by taste. Alvan, looking indolently royal and royally roguish, quoted a verse that speaks of the superfluousness of a faithless lady’s vowing bite:

‘The kisses were in the course of things,
The bite was a needless addition.’

Clotilde could not repress her reddening—Count Kollin had repeated too much! She dropped her eyes, with a face of sculpture, then resumed their chatter. He spared her the allusion to Pompeius. She convinced him of her capacity for reserve besides intrepidity, and flattered him too with her blush. She could dare to say to Kollin what her scarlet sensibility forbade her touching on with him: not that she would not have had an airy latitude with him to touch on what she pleased: he liked her for her boldness and the cold peeping of the senses displayed in it: he liked also the distinction she made.

The cry to supper conduced to a further insight of her adaptation to his requirements in a wife. They marched to the table together, and sat together, and drank a noble Rhine wine together—true Rauenthal. His robustness of body and soul inspired the wish that his well-born wife might be, in her dainty fashion, yet honestly and without mincing, his possible boonfellow: he and she, glass in hand, thanking the bountiful heavens, blessing mankind in chorus. It belonged to his hearty dream of the wife he would choose, were she to be had. The position of interpreter of heaven’s benevolence to mankind through his own enjoyment of the gifts, was one that he sagaciously demanded for himself, sharing it with the Philistine unknowingly; and to have a wife no less wise than he on this throne of existence was a rosy exaltation. Clotilde kindled to the hint of his festival mood of Solomon at the banquet. She was not devoid of a discernment of flavours; she had heard grave judges at her father’s board profoundly deliver their verdicts upon this and that vineyard and vintage; and it is a note of patriotism in her country to be enthusiastic for wine of the Rhine: she was, moreover, thirsty from much talking and excitement. She drank her glass relishingly, declaring the wine princely. Alvan smacked his hands in a rapture: ‘You are not for the extract of raisin our people have taken to copy from French Sauternes, to suit a female predilection for sugar?’

‘No, no, the grape for me!’ said she: ‘the Rhine grape with the elf in it, and the silver harp and the stained legend!’

‘Glorious!’

He toasted the grape. ‘Wine of the grape is the young bride—the young sun-bride! divine, and never too sweet, never cloying like the withered sun-dried, with its one drop of concentrated sugar, that becomes ten of gout. No raisin-juice for us! None of their too-long-on-the-stem clusters! We are for the blood of the grape in her youth, her heaven-kissing ardour. I have a cellar charged with the bravest of the Rhine. We—will we not assail it, bleed it in the gallant days to come? we two!’ The picture of his bride and him drinking the sun down after a day of savage toil was in the shout—a burst unnoticed in the incessantly verbalizing buzz of a continental supper-table. Clotilde acquiesced: she chimed to it like a fair boonfellow of the rollicking faun. She was realizing fairyland.

They retired to the divan-corner where it was you-and-I between them as with rivulets meeting and branching, running parallel, uniting and branching again, divided by the theme, but unending in the flow of the harmony. So ran their chirping arguments and diversions. The carrying on of a prolonged and determined you-and-I in company intimates to those undetermined floating atoms about us that a certain sacred something is in process of formation, or has formed; and people looked; and looked hard at the pair, and at one another afterward: none approached them. The Signor conjuror who has a thousand arts for conjuring with nature was generally considered to have done that night his most ancient and reputedly fabulous trick—the dream of poets, rarely witnessed anywhere, and almost too wonderful for credence in a haunt of our later civilization. Yet there it was: the sudden revelation of the intense divinity to a couple fused in oneness by his apparition, could be perceived of all having man and woman in them; love at first sight, was visible. ‘Who ever loved that loved not at first sight?’ And if nature, character, circumstance, and a maid clever at dressing her mistress’s golden hair, did prepare them for Love’s lightning-match, not the less were they proclaimingly alight and in full blaze. Likewise, Time, imperious old gentleman though we know him to be, with his fussy reiterations concerning the hour for bed and sleep, bowed to the magical fact of their condition, and forbore to warn them of his passing from night to day. He had to go, he must, he has to be always going, but as long as he could he left them on their bank by the margin of the stream, where a shadow-cycle of the eternal wound a circle for them and allowed them to imagine they had thrust that old driver of the dusty high-road quietly out of the way. They were ungrateful, of course, when the performance of his duties necessitated his pulling them up beside him pretty smartly, but he uttered no prophecy of ever intending to rob them of the celestial moments they had cut from him and meant to keep between them ‘for ever,’ and fresh.

The hour was close on the dawn of a March morning. Alvan assisted at the cloaking and hooding of Clotilde. Her relatives were at hand; they hung by while he led her to the stairs and down into a spacious moonlight that laid the traceries of the bare tree-twigs clear-black on grass and stone.

‘A night to head the Spring!’ said Alvan. ‘Come.’

He lifted her off the steps and set her on the ground, as one who had an established right to the privilege and she did not contest it, nor did her people, so kingly was he, arrayed in the thunder of the bolt which had struck the pair. These things, and many things that islands know not of, are done upon continents, where perhaps traditions of the awfulness of Love remain more potent in society; or it may be, that an island atmosphere dispossesses the bolt of its promptitude to strike, or the breastplates of the islanders are strengthened to resist the bolt, or no tropical heat is there to create and launch it, or nothing is to be seen of it for the haziness, or else giants do not walk there. But even where he walked, amid a society intellectually fostering sentiment, in a land bowing to see the simplicity of the mystery paraded, Alvan’s behaviour was passing heteroclite. He needed to be the kingly fellow he was, crowned by another kingly fellow—the lord of hearts—to impose it uninterruptedly. ‘She is mine; I have won her this night!’ his bearing said; and Clotilde’s acquiesced; and the worthy couple following them had to exhibit a copy of the same, much wondering. Partly by habit, and of his natural astuteness, Alvan peremptorily usurped a lead that once taken could not easily be challenged, and would roll him on a good tideway strong in his own passion and his lady’s up against the last defences—her parents. A difficulty with them was foreseen. What is a difficulty!—a gate in the hunting-field: an opponent on a platform: a knot beneath a sword: the dam to waters that draw from the heavens. Not desiring it in this case—it would have been to love the difficulty better than the woman—he still enjoyed the bracing prospect of a resistance, if only because it was a portion of the dowry she brought him. Good soldiers (who have won their grades) are often of a peaceful temper and would not raise an invocation to war, but a view of the enemy sets their pugnacious forces in motion, the bugle fills their veins with electrical fire, till they are as racers on the race-course.—His inmost hearty devil was glad of a combat that pertained to his possession of her, for battle gives the savour of the passion to win, and victory dignifies a prize: he was, however, resolved to have it, if possible, according to the regular arrangement of such encounters, formal, without snatchings, without rash violence; a victory won by personal ascendancy, reasoning eloquence.

He laughed to hear her say, in answer to a question as to her present feelings: ‘I feel that I am carried away by a centaur!’ The comparison had been used or implied to him before.

‘No!’ said he, responding to a host of memories, to shake them off, ‘no more of the quadruped man! You tempt him—may I tell you that? Why, now, this moment, at the snap of my fingers, what is to hinder our taking the short cut to happiness, centaur and nymph? One leap and a gallop, and we should be into the morning, leaving night to grope for us, parents and friends to run about for the wits they lose in running. But no! No more scandals. That silver moon invites us by its very spell of bright serenity, to be mad: just as, when you drink of a reverie, the more prolonged it is the greater the readiness for wild delirium at the end of the draught. But no!’ his voice deepened—‘the handsome face of the orb that lights us would be well enough were it only a gallop between us two. Dearest, the orb that lights us two for a lifetime must be taken all round, and I have been on the wrong side of the moon.

I have seen the other face of it—a visage scored with regrets, dead dreams, burnt passions, bald illusions, and the like, the like!—sunless, waterless, without a flower! It is the old volcano land: it grows one bitter herb: if ever you see my mouth distorted you will know I am revolving a taste of it; and as I need the antidote you give, I will not be the centaur to win you, for that is the land where he stables himself; yes, there he ends his course, and that is the herb he finishes by pasturing on. You have no dislike of metaphors and parables? We Jews are a parable people.’

‘I am sure I do understand…’ said Clotilde, catching her breath to be conscientious, lest he should ask her for an elucidation.

‘Provided always that the metaphor be not like the metaphysician’s treatise on Nature: a torch to see the sunrise!—You were going to add?’

‘I was going to say, I think I understand, but you run away with me still.’

‘May the sensation never quit you!’

‘It will not.’

‘What a night!’ Alvan raised his head: ‘A night cast for our first meeting and betrothing! You are near home?’

‘The third house yonder in the moonlight.’

‘The moonlight lays a white hand on it!’

‘That is my window sparkling.’

‘That is the vestal’s cresset. Shall I blow it out?’

‘You are too far. And it is a celestial flame, sir!’

‘Celestial in truth! My hope of heaven! Dian’s crescent will be ever on that house for me, Clotilde. I would it were leagues distant, or the door not forbidden!’