Rhoda Fleming. Complete

“A little,” Dahlia replied, breathless.

“You have been ill?”

“A little,” she said.

“You’ve written to the farm? O’ course you have!”

“Oh! uncle, wait,” moaned Dahlia.

“But, ha’ you been sick, and not written home?”

“Wait; please, wait,” she entreated him.

“I’ll wait,” said Anthony; “but that’s no improvement to queerness; and ‘queer’’s your motto. Now we cross London Bridge. There’s the Tower that lived in times when no man was safe of keeping his own money, ‘cause of grasping kings—all claws and crown. I’m Republican as far as ‘none o’ them’—goes. There’s the ships. The sun rises behind ‘em, and sets afore ‘em, and you may fancy, if you like, there’s always gold in their rigging. Gals o’ your sort think I say, come! tell me, if you are a lady?”

“No, uncle, no!” Dahlia cried, and then drawing in her breath, added: “not to you.”

“Last time I crossed this bridge with a young woman hanging on my arm, it was your sister; they say she called on you, and you wouldn’t see her; and a gal so good and a gal so true ain’t to be got for a sister every day in the year! What are you pulling me for?”

Dahlia said nothing, but clung to him with a drooping head, and so they hurried along, until Anthony stopped in front of a shop displaying cups and muffins at the window, and leprous-looking strips of bacon, and sausages that had angled for appetites till they had become pallid sodden things, like washed-out bait.

Into this shop he led her, and they took possession of a compartment, and ordered tea and muffins.

The shop was empty.

“It’s one of the expenses of relationship,” Anthony sighed, after probing Dahlia unsatisfactorily to see whether she intended to pay for both, or at least for herself; and finding that she had no pride at all. “My sister marries your father, and, in consequence—well! a muffin now and then ain’t so very much. We’ll forget it, though it is a breach, mind, in counting up afterwards, and two-pences every day’s equal to a good big cannonball in the castle-wall at the end of the year. Have you written home?”

Dahlia’s face showed the bright anguish of unshed tears.

“Uncle-oh! speak low. I have been near death. I have been ill for so long a time. I have come to you to hear about them—my father and Rhoda. Tell me what they are doing, and do they sleep and eat well, and are not in trouble? I could not write. I was helpless. I could not hold a pen. Be kind, dear uncle, and do not reproach me. Please, tell me that they have not been sorrowful.”

A keenness shot from Anthony’s eyes. “Then, where’s your husband?” he asked.

She made a sad attempt at smiling. “He is abroad.”

“How about his relations? Ain’t there one among ‘em to write for you when you’re ill?”

“He… Yes, he has relatives. I could not ask them. Oh! I am not strong, uncle; if you will only leave following me so with questions; but tell me, tell me what I want to know.”

“Well, then, you tell me where your husband banks,” returned Anthony.

“Indeed, I cannot say.”

“Do you,” Anthony stretched out alternative fingers, “do you get money from him to make payments in gold, or, do you get it in paper?”

She stared as in terror of a pit-fall. “Paper,” she said at a venture.

“Well, then, name your Bank.”

There was no cunning in her eye as she answered: “I don’t know any bank, except the Bank of England.”

“Why the deuce didn’t you say so at once—eh?” cried Anthony. “He gives you bank-notes. Nothing better in the world. And he a’n’t been givin’ you many lately—is that it? What’s his profession, or business?”

“He is…he is no profession.”

“Then, what is he? Is he a gentleman?”

“Yes,” she breathed plaintively.

“Your husband’s a gentleman. Eh?—and lost his money?”

“Yes.”

“How did he lose it?”

The poor victim of this pertinacious interrogatory now beat about within herself for succour. “I must not say,” she replied.

“You’re going to try to keep a secret, are ye?” said Anthony; and she, in her relief at the pause to her torment, said: “I am,” with a little infantile, withering half-smile.

“Well, you’ve been and kept yourself pretty secret,” the old man pursued. “I suppose your husband’s proud? He’s proud, ain’t he? He’s of a family, I’ll be bound. Is he of a family? How did he like your dressing up like a mill’ner gal to come down in the City and see me?”

Dahlia’s guile was not ready. “He didn’t mind,” she said.

“He didn’t mind, didn’t he? He don’t mind your cutting of your hair so?—didn’t mind that?”

She shook her head. “No.”

Anthony was down upon her like a hawk.

“Why, he’s abroad!”

“Yes; I mean, he did not see me.”

With which, in a minute, she was out of his grasp; but her heart beat thick, her lips were dry, and her thoughts were in disorder.

“Then, he don’t know you’ve been and got shaved, and a poll like a turnip-head of a thief? That’s something for him to learn, is it?”

The picture of her beauty gone, seared her eyes like heated brass. She caught Anthony’s arm with one firm hand to hold him silent, and with the other hand covered her sight and let the fit of weeping pass.

When the tears had spent themselves, she relinquished her hold of the astonished old man, who leaned over the table to her, and dominated by the spirit of her touch, whispered, like one who had accepted a bond of secresy: “Th’ old farmer’s well. So’s Rhoda—my darkie lass. They’ve taken on a bit. And then they took to religion for comfort. Th’ old farmer attends Methody meetin’s, and quotes Scriptur’ as if he was fixed like a pump to the Book, and couldn’t fetch a breath without quotin’. Rhoda’s oftenest along with your rector’s wife down there, and does works o’ charity, sicknussin’, readin’—old farmer does the preachin’. Old mother Sumfit’s fat as ever, and says her money’s for you. Old Gammon goes on eatin’ of the dumplins. Hey! what a queer old ancient he is. He seems to me to belong to a time afore ever money was. That Mr. Robert’s off…never been down there since he left, ‘cause my darkie lass thought herself too good for him. So she is!—too good for anybody. They’re going to leave the farm; sell, and come to London.”

“Oh, no!” exclaimed Dahlia; “not going to leave the dear old farm, and our lane, and the old oaks, leading up to the heath. Are they? Father will miss it. Rhoda will mourn so. No place will ever be like that to them. I love it better than any place on earth.”

“That’s queer,” said Anthony. “Why do you refuse to go, or won’t let your husband take you down there; if you like the place that raving-like? But ‘queer’’s your motto. The truth is this—you just listen. Hear me—hush! I won’t speak in a bawl. You’re a reasonable being, and you don’t—that’s to say, you do understand, the old farmer feels it uncomfortable—”

“But I never helped him when I was there,” said Dahlia, suddenly shrinking in a perceptible tremble of acute divination. “I was no use. I never helped him—not at all. I was no—no use!”

Anthony blinked his eyes, not knowing how it was that he had thus been thrown out of his direct road. He began again, in his circumlocutory delicacy: “Never mind; help or no help, what th’ old farmer feels is—and quite nat’ral. There’s sensations as a father, and sensations as a man; and what th’ old farmer feels is—”