“Does Pole think—” Mrs. Chump murmured, with reference to her voyaging on the yacht. The kiss had bewildered her sequent sensations.
“He does think, and will think, and must think,” Adela prattled some persuasive infantine nonsense: her soul all the while in revolt against her sisters, who left her the work to do, and took the position of spectators and critics, condemning an effort they had not courage to attempt.
“By the way, I have to congratulate a friend of mine,” said Tracy, selecting Adela for an ironical bow.
“Then it is Captain Gambier,” cried Mrs. Chump, as if a whole revelation had burst on her. Adela blushed. “Oh! and what was that I heard?” continued the aggravating woman.
Adela flashed her eyes round on her sisters. Even then they left her without aid, their feeling being that she had debased the house by her familiarity with this woman before Tracy.
“Stay! didn’t ye both—” Mrs. Chump was saying.
“Yes?”—Adela passed by her—“only in your ears alone, you know!” At which hint Mrs. Chump gleefully turned and followed her. A rumour was prevalent of some misadventure to Adela and the captain on board the yacht. Arabella saw her depart, thinking, “How singular is her propensity to imitate me!” for the affirmative uttered in the tone of interrogation was quite Arabella’s own; as also occasionally the negative,—the negative, however, suiting the musical indifference of the sound, and its implied calm breast.
“As for Pericles,” said Tracy, “you need not wonder that the fellow prays in other pews than yours. By heaven! he may pray and pray: I’d send him to Hades with an epigram in his heart!”
From Tracy the ladies learnt that Wilfrid had inflicted public chastisement upon Mr. Pericles for saying a false thing of Emilia. He danced the prettiest pas seal that was ever footed by debutant on the hot iron plates of Purgatory. They dared not ask what it was that Mr. Pericles had said, but Tracy was so vehement on the subject of his having met his deserts, that they partly guessed it to bear some relation to their sex’s defencelessness, and they approved their brother’s work.
Sir Twickenham and Captain Gambier dined at Brookfield that day. However astonishing it might be to one who knew his character and triumphs, the captain was a butterfly netted, and was on the highroad to an exhibition of himself pinned, with his wings outspread. During the service of the table Tracy relieved Adela from Mrs. Chump’s inadvertencies and little bits of feminine malice, but he could not help the captain, who blundered like a schoolboy in her rough hands. It was noted that Sir Twickenham reserved the tolerating smile he once had for her. Mr. Pole’s nervous fretfulness had increased. He complained in occasional underbreaths, correcting himself immediately with a “No, no!” and blinking briskly.
But after dinner came the time when the painfullest scene was daily enacted. Mrs. Chump drank Port freely. To drink it fondly, it was necessary that she should have another rosy wineglass to nod to, and Mr. Pole, whose taste for wine had been weakened, took this post as his duty. The watchful, pinched features of the poor pale little man bloomed unnaturally, and his unintelligible eyes sparkled as he emptied his glass. His daughters knew that he drank, not for his pleasure, but for their benefit; that he might sustain Martha Chump in the delusion that he was a fitting bridegroom, and with her money save them from ruin. Each evening, with remorse that blotted all perception of the tragic comicality of the show, they saw him, in his false strength and his anxiety concerning his pulse’s play, act this part. The recurring words, “Now, Martha, here’s the Port,” sent a cold wave through their blood. They knew what the doctor remarked on the effect of that Port. “Ill!” Mrs. Chump would cry, when she saw him wink after sipping; “you, Pole! what do they say of ye, ye deer!” and she returned the wink, the ladies looking on. Not to drink a proper quantum of Port, when Port was on the table, was, in Mrs. Chump’s eyes, mean for a man. Even Chump, she would say, was master of his bottle, and thought nothing of it. “Who does?” cried her present suitor, and the Port ebbed, and his cheeks grew crimson.
This frightful rivalry with the ghost of Alderman Chump continued night after night. The rapturous Martha was incapable of observing that if she drank with a ghost in memory, in reality she drank with nothing better than an animated puppet. The nights ended with Mr. Pole either sleeping in his arm-chair (upon which occasions one daughter watched him and told dreadful tales of his waking), or staggering to bed, debating on the stairs between tea and brandy, complaining of a loss of sensation at his knee-cap, or elbow, or else rubbing his head and laughing hysterically. His bride was not at such moments observant. No wonder Wilfrid kept out of the way, if he had not better occupation elsewhere. The ladies, in their utter anguish, after inveighing against the baneful Port, had begged their father to delay no more to marry the woman. “Why?” said Mr. Pole, sharply; “what do you want me to marry her for?” They were obliged to keep up the delusion, and said, “Because she seems suited to you as a companion.” That satisfied him. “Oh! we won’t be in a hurry,” he said, and named a day within a month; and not liking their unready faces, laughed, and dismissed the idea aloud, as if he had not earnestly been entertaining it.
The ladies of Brookfield held no more their happy, energetic midnight consultations. They had begun to crave for sleep and a snatch of forgetfulness, the scourge being daily on their flesh: and they had now no plans to discuss; they had no distant horizon of low vague lights that used ever to be beyond their morrow. They kissed at the bedroom door of one, and separated. Silence was their only protection to the Nice Feelings, now that Fine Shades had become impossible. Adela had almost made herself distinct from her sisters since the yachting expedition. She had grown severely careful of the keys of her writing-desk, and would sometimes slip the bolt of her bedroom door, and answer “Eh?” dubiously in tone, when her sisters had knocked twice, and had said “Open” once. The house of Brookfield showed those divisional rents which an admonitory quaking of the earth will create. Neither sister was satisfied with the other. Cornelia’s treatment of Sir Twickenham was almost openly condemned, but at the same time it seemed to Arabella that the baronet was receiving more than the necessary amount of consolation from the bride of Captain Gambier, and that yacht habits and moralities had been recently imported to Brookfield. Adela, for her part, looked sadly on Arabella, and longed to tell her, as she told Cornelia, that if she continued to play Freshfield Sumner purposely against Edward Buxley, she might lose both. Cornelia quietly measured accusations and judged impartially; her mind being too full to bring any personal observations to bear. She said, perhaps, less than she would have said, had she not known that hourly her own Nice Feelings had to put up a petition for Fine Shades: had she not known, indeed, that her conduct would soon demand from her sisters an absolutely merciful interpretation. For she was now simply attracting Sir Twickenham to Brookfield as a necessary medicine to her Papa. Since Mrs. Chump’s return, however, Mr. Pole had spoken cheerfully of himself, and, by innuendo emphasized, had imparted that his mercantile prospects were brighter. In fact, Cornelia half thought that he must have been pretending bankruptcy to gain his end in getting the consent of his daughters to receive the woman. She, and Adela likewise, began to suspect that the parental transparency was a little mysterious, and that there is, after all, more than we see in something that we see through. They were now in danger of supposing that because the old man had possibly deceived them to some extent, he had deceived them altogether. But was not the after-dinner scene too horribly true? Were not his hands moist and cold while the forehead was crimson? And could a human creature feel at his own pulse, and look into vacancy with that intense apprehensive look, and be but an actor? They could not think so. But his conditions being dependent upon them, the ladies felt in their hearts a spring of absolute rebellion when the call for fresh sacrifices came. Though they did not grasp the image, they had a feeling that he was nourished bit by bit by everything they held dear; and though they loved him, and were generous, they had begun to ask, “What next?”
The ladies were at a dead-lock, and that the heart is the father of our histories, I am led to think when I look abroad on families stagnant because of so weak a motion of the heart. There are those who have none at all; the mass of us are moved from the propulsion of the toes of the Fates. But the ladies of Brookfield had hearts lively enough to get them into scrapes. The getting out of them, or getting on at all, was left to Providence. They were at a dead-lock, for Arabella, flattered as she was by Freshfield Sumner’s wooing, could not openly throw Edward over, whom indeed she thought that she liked the better of the two, though his letters had not so wide an intellectual range. Her father was irritably anxious that she should close with Edward. Adela could not move: at least, not openly. Cornelia might have taken an initiative; but tenderness for her father’s health had hitherto restrained her, and she temporized with Sir Twickenham on the noblest of principles. She was, by the devotion of her conduct, enabled to excuse herself so far that she could even fish up an excuse in the shape of the effort she had made to find him entertaining: as if the said effort should really be re-payment enough to him for his assiduous and most futile suit. One deep grief sat on Cornelia’s mind. She had heard from Lady Gosstre that there was something like madness in the Barrett family. She had consented to meet Sir Purcell clandestinely (after debate on his claim to such a sacrifice on her part), and if, on those occasions, her lover’s tone was raised, it gave her a tremour. And he had of late appeared to lose his noble calm; he had spoken (it might almost be interpreted) as if he doubted her. Once, when she had mentioned her care for her father, he had cried out upon the name of father with violence, looking unlike himself.
His condemnation of the world, too, was not so Christian as it had been; it betrayed what the vulgar would call spite, and was not all compassed in his peculiar smooth shrug—expressive of a sort of border-land between contempt and charity: which had made him wear in her sight all the superiority which the former implies, with a considerable share of the benign complacency of the latter. This had gone. He had been sarcastic even to her; saying once, and harshly: “Have you a will?” Personally she liked the poor organist better than the poor baronet, though he had less merit. It was unpleasant in her present mood to be told “that we have come into this life to fashion for ourselves souls;” and that “whosoever cannot decide is a soulless wretch fit but to pass into vapour.” He appeared to have ceased to make his generous allowances for difficult situations. A senseless notion struck Cornelia, that with the baronetcy he had perhaps inherited some of the madness of his father.
The two were in a dramatic tangle of the Nice Feelings worth a glance as we pass on. She wished to say to him, “You are unjust to my perplexities;” and he to her, “You fail in your dilemma through cowardice.” Instead of uttering which, they chid themselves severally for entertaining such coarse ideas of their idol. Doubtless they were silent from consideration for one another: but I must add, out of extreme tenderness for themselves likewise. There are people who can keep the facts that front them absent from their contemplation by not framing them in speech; and much benevolence of the passive order may be traced to a disinclination to inflict pain upon oneself. “My duty to my father,” being cited by Cornelia, Sir Purcell had to contend with it.
“True love excludes no natural duty,” she said.
And he: “Love discerns unerringly what is and what is not duty.”
“In the case of a father, can there be any doubt?” she asked, the answer shining in her confident aspect.
“There are many things that fathers may demand of us!” he interjected bitterly.
She had a fatal glimpse here of the false light in which his resentment coloured the relations between fathers and children; and, deeming him incapable of conducting this argument, she felt quite safe in her opposition, up to a point where feeling stopped her.
“Devotedness to a father I must conceive to be a child’s first duty,” she said.
Sir Purcell nodded: “Yes; a child’s!”
“Does not history give the higher praise to children who sacrifice themselves for their parents?” asked Cornelia.
And he replied: “So, you seek to be fortified in such matters by history!”
Courteous sneers silenced her. Feeling told her she was in the wrong; but the beauty of her sentiment was not to be contested, and therefore she thought that she might distrust feeling: and she went against it somewhat; at first very tentatively, for it caused pain. She marked a line where the light of duty should not encroach on the light of our human desires. “But love for a parent is not merely duty,” thought Cornelia. “It is also love;—and is it not the least selfish love?”
Step by step Sir Purcell watched the clouding of her mind with false conceits, and knew it to be owing to the heart’s want of vigour. Again and again he was tempted to lay an irreverent hand on the veil his lady walked in, and make her bare to herself. Partly in simple bitterness, he refrained: but the chief reason was that he had no comfort in giving a shock to his own state of deception. He would have had to open a dark closet; to disentangle and bring to light what lay in an undistinguishable heap; to disfigure her to herself, and share in her changed eyesight; possibly to be, or seem, coarse: so he kept the door of it locked, admitting sadly in his meditation that there was such a place, and saying all the while: “If I were not poor!” He saw her running into the shelter of egregious sophisms, till it became an effort to him to preserve his reverence for her and the sex she represented. Finally he imagined that he perceived an idea coming to growth in her, no other than this: “That in duty to her father she might sacrifice herself, though still loving him to whom she had given her heart; thus ennobling her love for father and for lover.” With a wicked ingenuity he tracked her forming notions, encouraged them on, and provoked her enthusiasm by putting an ironical question: “Whether the character of the soul was subdued and shaped by the endurance and the destiny of the perishable?”
“Oh! no, no!” she exclaimed. “It cannot be, or what comfort should we have?”
Few men knew better that when lovers’ sentiments stray away from feeling, they are to be suspected of a disloyalty. Yet he admired the tone she took. He had got an ‘ideal’ of her which it was pleasanter to magnify than to distort. An ‘ideal’ is so arbitrary, that if you only doubt of its being perfection, it will vanish and never come again. Sir Purcell refused to doubt. He blamed himself for having thought it possible to doubt, and this, when all the time he knew.
Through endless labyrinths of delusion these two unhappy creatures might be traced, were it profitable. Down what a vale of little intricate follies should we be going, lighted by one ghastly conclusion! At times, struggling from the midst of her sophisms, Cornelia prayed her lover would claim her openly, and so nerve her to a pitch of energy that would clinch the ruinous debate. Forgetting that she was an ‘ideal’—the accredited mistress of pure wisdom and of the power of deciding rightly—she prayed to be dealt with as a thoughtless person, and one of the herd of women. She felt that Sir Purcell threw too much on her. He expected her to go calmly to her father, and to Sir Twickenham, and tell them individually that her heart was engaged; then with a stately figure to turn, quit the house, and lay her hand in his. He made no allowance for the weakness of her sex, for the difficulties surrounding her, for the consideration due to Sir Twickenham’s pride, and to her father’s ill-health. She half-protested to herself that he expected from her the mechanical correctness of a machine, and overlooked the fact that she was human. It was a grave comment on her ambition to be an ‘ideal.’
So let us leave them, till we come upon the ashy fruit of which this blooming sentimentalism is the seed.
It was past midnight when Mrs. Chump rushed to Arabella’s room, and her knock was heard vociferous at the door. The ladies, who were at work upon diaries and letters, allowed her to thump and wonder whether she had come to the wrong door, for a certain period; after which, Arabella placidly unbolted her chamber, and Adela presented herself in the passage to know the meaning of the noise.
“Oh! ye poor darlin’s, I’ve heard ut all, I have.”
This commencement took the colour from their cheeks. Arabella invited her inside, and sent Adela for Cornelia.
“Oh, and ye poor deers!” cried Mrs. Chump to Arabella, who remarked: “Pray wait till my sisters come;” causing the woman to stare and observe: “If ye’re not as cold as the bottom of a pot that naver felt fire.” She repeated this to Cornelia and Adela as an accusation, and then burst on “My heart’s just breakin’ for ye, and ye shall naver want bread, eh! and roast beef, and my last bottle of Port ye’ll share, though ye’ve no ideea what a lot o’ thoughts o’ poor Chump’s under that cork, and it’ll be a waste on you. Oh! and that monster of a Mr. Paricles that’s got ye in his power and’s goin’ to be the rroon of ye—shame to ‘m! Your father’s told me; and, oh! my darlin’ garls, don’t think ut my fault. For, Pole—Pole—”
Mrs. Chump was choked by her grief. The ladies, unbending to some curiosity, eliminated from her gasps and sobs that Mr. Pole had, in the solitude of his library below, accused her of causing the defection of Mr. Pericles, and traced his possible ruin to it, confessing, that in the way of business, he was at Mr. Pericles’ mercy.
“And in such a passion with me!” Mrs. Chump wrung her hands. “What could I do to Mr. Paricles? He isn’t one o’ the men that I can kiss; and Pole shouldn’t wish me. And Pole settin’ down his rroon to me! What’ll I do? My dears! I do feel for ye, for I feel I’d feel myself such a beast, without money, d’ye see? It’s the most horrible thing in the world. It’s like no candle in the darrk. And I, ye know, I know I’d naver forgive annybody that took my money; and what’ll Pole think of me? For oh! ye may call riches temptation, but poverty’s punishment; and I heard a young curate say that from the pulpit, and he was lean enough to know, poor fella!”
Both Cornelia and Arabella breathed more freely when they had heard Mrs. Chump’s tale to an end. They knew perfectly well that she was blameless for the defection of Mr. Pericles, and understood from her exclamatory narrative that their father had reason to feel some grave alarm at the Greek’s absence from their house, and had possibly reasons of his own for accusing Mrs. Chump, as he had done. The ladies administered consolation to her, telling her that for their part they would never blame her; even consenting to be kissed by her, hugged by her, playfully patted, complimented, and again wept over. They little knew what a fervour of secret devotion they created in Mrs. Chump’s bosom by this astounding magnanimity displayed to her, who laboured under the charge of being the source of their ruin; nor could they guess that the little hypocrisy they were practising would lead to any singular and pregnant resolution in the mind of the woman, fraught with explosion to their house, and that quick movement which they awaited.
Mrs. Chump, during the patient strain of a tender hug of Arabella, had mutely resolved in a great heat of gratitude that she would go to Mr. Pericles, and, since he was necessary to the well-being of Brookfield, bring him back, if she had to bring him back in her arms.
CHAPTER XLIII
[Georgiana Ford to Wilfrid:]
“I have omitted replying to your first letter, not because of the nature of its contents: nor do I write now in answer to your second because of the permission you give me to lay it before my brother. I cannot think that concealment is good, save for very base persons; and since you take the initiative in writing very openly, I will do so likewise.
“It is true that Emilia is with me. Her voice is lost, and she has fallen as low in spirit as one can fall and still give us hope of her recovery. But that hope I have, and I am confident that you will not destroy it. In the summer she goes with us to Italy. We have consulted one doctor, who did not prescribe medicine for her. In the morning she reads with my brother. She seems to forget whatever she reads: the occupation is everything necessary just now. Our sharp Monmouth air provokes her to walk briskly when she is out, and the exercise has once or twice given colour to her cheeks. Yesterday being a day of clear frost, we drove to a point from which we could mount the Buckstone, and here, my brother says, the view appeared to give her something of her lost animation. It was a look that I had never seen, and it soon went: but in the evening she asked me whether I prayed before sleeping, and when she retired to her bedroom, I remained there with her for a time.
“You will pardon me for refusing to let her know that you have written to your relative in the Austrian service to obtain a commission for you. But, on the other hand, I have thought it right to tell her incidentally that you will be married in the Summer of this year. I can only say that she listened quite calmly.
“I beg that you will not blame yourself so vehemently. By what you do, her friends may learn to know that you regret the strange effect produced by certain careless words, or conduct: but I cannot find that self-accusation is ever good at all. In answer to your question, I may add that she has repeated nothing of what she said when we were together in Devon.
“Our chief desire (for, as we love her, we may be directed by our instinct), in the attempt to restore her, is to make her understand that she is anything but worthless. She has recently followed my brother’s lead, and spoken of herself, but with a touch of scorn. This morning, while the clear frosty sky continues, we were to have started for an old castle lying toward Wales; and I think the idea of a castle must have struck her imagination, and forced some internal contrast on her mind. I am repeating my brother’s suggestion—she seemed more than usually impressed with an idea that she was of no value to anybody. She asked why she should go anywhere, and dropped into a chair, begging to be allowed to stay in a darkened room. My brother has some strange intuition of her state of mind. She has lost any power she may have had of grasping abstract ideas. In what I conceived to be play, he told her that many would buy her even now. She appeared to be speculating on this, and then wished to know how much those persons would consider her to be worth, and who they were. Nor did it raise a smile on her face to hear my brother mention Jews, and name an absolute sum of money; but, on the contrary, after evidently thinking over it, she rose up, and said that she was ready to go. I write fully to you, telling you these things, that you may see she is at any rate eager not to despair, and is learning, much as a child might learn it, that it need not be.
“Believe me, that I will in every way help to dispossess your mind of the remorse now weighing upon you, as far as it shall be within my power to do so.
“Mr. Runningbrook has been invited by my brother to come and be her companion. They have a strong affection for one another. He is a true poet, full of reverence for a true woman.”
[Wilfrid to Georgiana Ford:]
“I cannot thank you enough. When I think of her I am unmanned; and if I let my thoughts fall back upon myself, I am such as you saw me that night in Devon—helpless, and no very presentable figure. But you do not picture her to me. I cannot imagine whether her face has changed; and, pardon me, were I writing to you alone, I could have faith that the delicate insight and angelic nature of a woman would not condemn my desire to realize before my eyes the state she has fallen to. I see her now under a black shroud. Have her features changed? I cannot remember one—only at an interval her eyes. Does she look into the faces of people as she used? Or does she stare carelessly away? Softly between the eyes, is what I meant. I mean—but my reason for this particularity is very simple. I would state it to you, and to no other. I cannot have peace till she is restored; and my prayer is, that I may not haunt her to defeat your labour. Does her face appear to show that I am quite absent from her thoughts? Oh! you will understand me. You have seen me stand and betray no suffering when a shot at my forehead would have been mercy. To you I will dare to open my heart. I wish to be certain that I have not injured her—that is all. Perhaps I am more guilty than you think: more even than I can call to mind. If I may fudge by the punishment, my guilt is immeasurable. Tell me—if you will but tell me that the sacrifice of my life to her will restore her, it is hers. Write, and say this, and I will come: Do not delay or spare me. Her dumb voice is like a ghost in my ears. It cries to me that I have killed it. Be actuated by no charitable considerations in refraining to write. Could a miniature of her be sent? You will think the request strange; but I want to be sure she is not haggard—not the hospital face I fancy now, which accuses me of murder. Does she preserve the glorious freshness she used to wear? She had a look—or did you see her before the change? I only want to know that she is well.”