The Works of Guy de Maupassant, Volume 4

"Well, she had grown as thin as a homeless cat, and I turned the skeleton out of doors, but she watches for me in the streets, hides herself, so that she may see me pass, stops me in the evening when I go out, in order to kiss my hand, and, in fact, worries me enough to drive me mad; and that is why I never keep Christmas eve now."

WORDS OF LOVE

Sunday. —

You do not write to me, I never see you, you never come, so I must suppose that you have ceased to love me. But why? What have I done? Pray tell me, my own dear love. I love you so much, so dearly! I should like always to have you near me, to kiss you all day while I called you every tender name that I could think of. I adore you, I adore you, I adore you, my beautiful cock. – Your affectionate hen,

SOPHIE.

Monday. —

My dear friend,

You will absolutely understand nothing of what I am going to say to you, but that does not matter, and if my letter happens to be read by another woman, it may be profitable to her.

Had you been deaf and dumb, I should no doubt have loved you for a very long time, and the cause of what has happened is, that you can talk; that is all.

In love, you see, dreams are always made to sing, but in order that they might do so, they must not be interrupted, and when one talks between two kisses, one always interrupts that frenzied dream which our souls indulge in, unless they utter sublime words; and sublime words do not come out of the little mouths of pretty girls.

You do not understand me at all, do you? So much the better, and I will go on. You are certainly one of the most charming and adorable women whom I have ever seen.

Are there any eyes on earth that contain more dreams than yours, more unknown promises, greater depths of love? I do not think so. And when that mouth of yours, with its two round lips, smiles, and shows the glistening white teeth, one is tempted to say that there issues from this ravishing mouth ineffable music, something inexpressibly delicate, a sweetness which extorts sighs.

It is then that you quietly call out to me, my great and renowned "lady-killer," and it then seems to me as though I had suddenly found an entrance into your thoughts, which I can see is ministering to your soul – that little soul of a pretty, little creature, yes, pretty, but – and that is what troubles me, don't you see, troubles me more than tongue can tell. I would much prefer never to see you at all.

You go on pretending not to understand anything, do you not? I calculate on that.

Do you remember the first time you came to see me at my residence? How gaily you stepped inside, an odor of violets, which clung to your skirts, heralding your entrance; how we regarded each other, for ever so long, without uttering a word, after which we embraced like two fools… Then … then from that time to this, we have never exchanged a word.

But when we separated, did not our trembling hands and our eyes say many things, things … which cannot be expressed in any language. At least, I thought so; and when you went away, you murmured:

"We shall meet again soon!"

That was all you said, and you will never guess what delightful dreams you left me, all that I, as it were, caught a glimpse of, all that I fancied I could guess in your thoughts.

You see, my poor child, for men who are not stupid, who are rather refined and somewhat superior, love is such a complicated instrument, that the merest trifle puts it out of order. You women never perceive the ridiculous side of certain things when you love, and you fail to see the grotesqueness of some expressions.

Why does a word which sounds quite right in the mouth of a small, dark woman, seem quite wrong and funny in the mouth of a fat, light-haired woman? Why are the wheedling ways of the one, altogether out of place in the other?

Why is it that certain caresses which are delightful from the one, should be wearisome from the other? Why? Because in everything, and especially in love, perfect harmony, absolute agreement in motion, voice, words, and in demonstrations of tenderness, are necessary, with the person who moves, speaks and manifests affection; it is necessary in age, in height, in the color of the hair, and in the style of beauty.

If a woman of thirty-five, who has arrived at the age of violent, tempestuous passion, were to preserve the slightest traces of the caressing archness of her love affairs at twenty, were not to understand that she ought to express herself differently, look at her lover differently, and kiss him differently were not to see that she ought to be Dido and not a Juliette, she would infallibly disgust nine lovers out of ten, even if they could not account to themselves for their estrangement. Do you understand me? No. I hoped so.

From the time that you turned on your tap of tenderness, it was all over for me, my dear friend. Sometimes we would embrace for five minutes, in one interminable kiss, one of those kisses which make lovers close their eyes, as if part of it would escape through their looks, as if to preserve it entire in that clouded soul which it is ravaging. And then, when our lips separated, you would say to me:

"That was nice, you fat old dog."

At such moments, I could have beaten you; for you gave me successively all the names of animals and vegetables which you doubtless found in some cookery book, or Gardener's Manual. But that is nothing.

The caresses of love are brutal, bestial, and if one comes to think of it, grotesque! … Oh! My poor child, what joking elf, what perverse sprite could have prompted the concluding words of your letter to me? I have made a collection of them, but out of love for you, I will not show them to you.

And you really sometimes said things which were quite inopportune, and you managed now and then to let out an exalted: I love you! on such singular occasions, that I was obliged to restrain a strong desire to laugh. There are times when the words: I love you! are so out of place, that they become indecorous; let me tell you that.

But you do not understand me, and many other women will also not understand me, and think me stupid, though that matters very little to me. Hungry men eat like gluttons, but people of refinement are disgusted at it, and they often feel an invincible dislike for a dish, on account of a mere trifle. It is the same with love, as it is with cookery.

What I cannot comprehend, for example, is, that certain women who fully understand the irresistible attraction of fine, embroidered stockings, the exquisite charm of shades, the witchery of valuable lace concealed in the depths of their underclothing, the exciting jest of hidden luxury, and all the subtle delicacies of female elegance, never understand the invincible disgust with which words that are out of place, or foolishly tender, inspire us.

At times coarse and brutal expressions work wonders, as they excite the senses, and make the heart beat, and they are allowable at the hours of combat. Is not that sentence of Cambronne's sublime? [10 - At Waterloo, General Cambronne is reported to have said, when called on to surrender: —The Guard dies, but does not surrender. But according to Victor Hugo, in Les Miserables, he used the expression Merde! which cannot be put into English fit for ears polite. – TRANSLATOR.]

Nothing shocks us that comes at the right time; but then, we must also know when to hold our tongue, and to avoid phrases à la Paul de Kock, at certain moments.

And I embrace you passionately, on the condition that you say nothing,

RENE.

A DIVORCE CASE

M. Chassel advocate, rises to speak: Mr. President and gentlemen of the jury. The cause that I am charged to defend before you, requires medicine rather than justice; and is much more a case of pathology than a case of ordinary law. At first blush the facts seem very simple.

A young man, very rich, with a noble and cultivated mind, and a generous heart, becomes enamored of a young lady, who is the perfection of beauty, more than beautiful, in fact; she is adorable, besides being as gracious, as she is charming, as good and true as she is tender and pretty, and he marries her. For some time, he comports himself towards her not only as a devoted husband, but as a man full of solicitude and tenderness. Then he neglects her, misuses her, seems to entertain for her an insurmountable aversion, an irresistible disgust. One day he even strikes her, not only without any cause, but also without the faintest pretext. I am not going, gentlemen, to draw a picture of silly allurements, which no one would comprehend. I shall not paint to you the wretched life of those two beings, and the horrible grief of this young woman. It will be sufficient to convince you, if I read some fragments from a journal written up every day by that poor young man, by that poor fool! For it is in the presence of a fool, gentlemen, that we now find ourselves, and the case is all the more curious, all the more interesting, seeing that, in many points, it recalls the insanity of the unfortunate prince who recently died, of the witless king who reigned platonically over Bavaria. I shall hence designate this case – poetic folly.

You will readily call to mind all that has been told of that most singular prince. He caused to be erected amid the most magnificent scenery his kingdom afforded, veritable fairy castles. The reality even of the beauty of the things themselves, as well as of the places, did not satisfy him. He invented, he created, in these improbable manors, factitious horizons, obtained by means of theatrical artifices, changes of view, painted forests, fabled empires, in which the leaves of the trees became precious stones. He had the Alps, and glaciers, steppes, deserts of sand made hot by a blazing sun; and at nights, under the rays of the real moon, lakes which sparkled from below by means of fantastic electric lights. Swans floated on the lakes which glistened with skiffs, while an orchestra, composed of the finest executants in the world, inebriated with poetry the soul of the royal fool. That man was chaste, that man was a virgin. He lived only to dream, his dream, his dream divine. One evening he took out with him in his boat, a lady, young and beautiful, a great artiste, and he begged her to sing. Intoxicated herself by the magnificent scenery, by the languid softness of the air, by the perfume of flowers, and by the ecstacy of that prince, both young and handsome, she sang, she sang as women sing who have been touched by love; then, overcome, trembling, she falls on the bosom of the king in order to seek out his lips. But he throws her into the lake, and seizing his oars, rows back to the shore, without concerning himself, whether anybody has saved her or not.

Gentlemen of the jury, we find ourselves in presence of a case similar in every way to that. I shall say no more now, except to read some passages from the journal which we unexpectedly came upon in the drawer of an old secretary.

How sad and weary is everything; always the same, always hateful. How I dream of a land more beautiful, more noble, more varied. What a poor conception they have of their God, if their God existed, or if he had not created other things, elsewhere. Always woods, little woods, waves which resemble waves, plains which resemble plains, everything is sameness and monotony. And Man? Man? What a horrible animal! wicked, haughty and repugnant!

It is essential to love, to love perdition, without seeing that which one loves. For, to see is to comprehend, and to comprehend is to embrace. It is necessary to love, to become intoxicated by it, just as one gets drunk with wine, even to the extent that one knows no longer what one is drinking. And to drink, to drink, to drink, without drawing breath, day and night!

I have found her, I believe. She has about her something ideal which does not belong to this world, and which furnishes wings to my dream. Ah! my dream! How it reveals to me beings different from what they really are! She is a blonde, a delicate blonde, with hair whose delicate shade is inexpressible. Her eyes are blue! Only blue eyes can penetrate my soul. All women, the woman who lives in my heart, reveal themselves to me in the eye, only in the eyes. Oh! what a mystery, what a mystery is the eye! The whole universe lives in it, inasmuch as it sees, inasmuch as it reflects. It contains the universe, both things and beings, forests and oceans, men and beasts, the settings of the sun, the stars, the arts – all, all, it sees; it collects and absorbs all; and there is still more in it; the eye of itself has a soul; it has in it the man who thinks, the man who loves, the man who laughs, the man who suffers! Oh! regard the blue eyes of women, those eyes that are as deep as the sea, as changeful as the sky, so sweet, so soft, soft as the breezes, sweet as music, luscious as kisses; and transparent, so clear that one sees behind them, discerns the soul, the blue soul which colors them, which animates them, which electrifies them. Yes, the soul has the color of the looks. The blue soul alone contains in itself that which dreams; it bears its azure to the floods and into space. The eye! Think of it, the eye! It imbibes the visible life, in order to nourish thought. It drinks in the world, color, movement, books, pictures, all that is beautiful, all that is ugly, and weaves ideas out of them. And when it regards us, it gives us the sensation of a happiness that is not of this earth. It informs us of that of which we have always been ignorant; it makes us comprehend that the realities of our dreams are but noisome ordures.

I love her too for her walk. "Even when the bird walks one feels that it has wings," as the poet has said. When she passes one feels that she is of another race from ordinary women, of a race more delicate, and more divine. I shall marry her to-morrow. But I am afraid, I am afraid of so many things!

Two beasts, two dogs, two wolves, two foxes, cut their way through the plantation and encounter one another. One of each two is male, the other female. They couple. They couple in consequence of an animal instinct, which forces them to continue the race, their race, the one from which they have sprung, the hairy coat, the form, movements and habitudes. The whole of the animal creation do the same without knowing why.

We human beings, also.

It is for this I have married; I have obeyed that insane passion which throws us in the direction of the female.

She is my wife. In accordance with my ideal desires, she comes very nearly to realize my unrealizable dream. But in separating from her, even for a second, after I have held her in my arms, she becomes no more than the being whom nature has made use of, to disappoint all my hopes.

Has she disappointed them? No. And why have I grown weary of her, become loath even to touch her; she cannot graze even the palm of my hand, or the tip of my lips, but my heart throbs with unutterable disgust, not perhaps disgust of her, but a disgust more potent, more widespread, more loathsome; the disgust, in a word, of carnal love so vile in itself that it has become for all refined beings, a shameful thing, which is necessary to conceal, which one never speaks of save in a whisper, nor without blushing.

I can no longer bear the idea of my wife coming near me, calling me by name, with a smile; I cannot look at her, nor touch even her arm, I cannot do it any more. At one time I thought to be kissed by her, would be to transport me to St. Paul's seventh heaven. One day, she was suffering from one of those transient fevers, and I smelled in her breath, a subtle, slight almost imperceptible puff of human putridity; I was completely overthrown.

Oh! the flesh, with its seductive and eager smell, a putrefaction which walks, which thinks, which speaks, which looks, which laughs, in which nourishment ferments and rots, which, nevertheless, is rose-colored, pretty, tempting, deceitful as the soul itself.

Why flowers alone, which smell so sweet, those large flowers, glittering or pale, whose tones and shades make my heart tremble and trouble my eyes. They are so beautiful, their structure is so finished, so varied and sensual, semi-opened like human organs, more tempting than mouths, and streaked with turned up lips, teeth, flesh, seed of life powders, which, in each, gives forth a distinct perfume.