The Devil’s Punchbowl

She looks back at the place where Libby vanished, but all that remains is a crowd of laughing revelers.

‘She’s really sad,’ Annie says, looking back at me with damp eyes. ‘I am too. I knew something was different.’

‘I’m sad too, baby.’

‘I think she’s scared about Soren. Do you think so?’

‘I think Soren has some problems. Lots of teenagers do. But that’s for Soren and Libby to work out.’

Annie wipes a tear from her eye.

‘Come on,’ I say, leading her down the long row of brightly lit carnival booths, a sanitized version of the sleazy carnies that used to camp on the edge of town when I was a boy. The barkers shout their come-ons, but their hoarse voices scarcely penetrate the confusion surrounding my little girl. And yet, as sad as she is, I know that the grief Annie feels over the loss of Libby as a potential mother figure is tempered by hope that Caitlin has reappeared for a very different reason than covering a news story. If it weren’t for my fear for Tim Jessup, I might be unable to think about anything else myself.

When the first rocket detonates over Louisiana, filling the sky over the river with sizzling arcs of blue and white light, it takes a couple of seconds for the report of the explosion to reach us. When it does, every muscle in my abdomen clenches, as though steeling against a bullet. This, I realize, is sympathetic fear. My daughter’s hand is in mine, love is near, life is good. But somewhere not far away, Tim Jessup is risking all he has to right what he believes is an unendurable wrong. Please be careful, I intone in a private prayer. Don’t try to be a hero. My father never spoke much about his service in Korea, but one thing he did share has been borne out by my own experience: Heroism is sacrifice.

Most of the heroes I’ve known are dead.

9 (#ulink_b83cddfa-0ba9-5932-ae1d-fee4bb926511)

It took all my willpower not to call or text Tim once my mother got Annie to bed. That was at ten thirty. The following hour passed like a car stuck in low gear, and I fought the urge to swallow a couple of shots of vodka to help me endure the wait. When it finally came time to leave, my mother saw me off without any question about my destination. She probably assumed I was seeing a woman, and I did not disabuse her of the notion. The only difficulty I had getting out was sneaking a pistol past her. In the end I opted to slip my short-barreled .357 Magnum into my briefcase and carry it right by her to the car.

Now I’m cruising down Washington Street with a half hour to kill before my meeting with Tim. I’m only a couple of miles from the cemetery–as the crow flies–so I have some time to ponder why he thinks I need a weapon when we meet.

Or so I think until my cell phone rings. The caller isn’t Tim, as I expected, but Libby Jensen. She’s so upset that at first I can’t make out what she’s saying. For a moment I labor under the mistaken impression that she’s upset about our relationship, but then it registers–as it should have in the beginning–that she’s calling about Soren.

‘They arrested him!’ she sobs. ‘They say he has to spend the night in jail. They think he was driving the car.’

‘Whoa, whoa, slow down. What happened?’

‘There was a wreck,’ Libby says, her voice still riding the rapids of hysteria. ‘I’m not sure what happened. Soren was in a car that hit another car. The police say he was driving, but Soren says he wasn’t.’ Libby’s voice drops to a frantic whisper. ‘Penn, he’s so drunk I don’t know whether to believe him or not. At least I hope he’s drunk. They might have found some drugs. They won’t tell me. I’m so scared. You know what Mackey said the last time he got in trouble.’

On the occasion to which Libby is referring, Soren was busted with Lorcet Plus and Adderall. On my advice Libby hired Austin Mackey, a onetime classmate and the former district attorney, to represent him. At Mackey’s suggestion–and against all my better judgment–I used my influence with the present district attorney, Shadrach Johnson, to try to ensure that Soren’s case never went to trial. Mackey turned out to be right. After I promised my old political nemesis enough favors, the drug arrest was removed from Soren’s record altogether. If Libby wasn’t in love with me by that point in our relationship, the final transformation was completed that day. I can date my ultimate decision that things would not work out between us to that day as well.

‘Have you left yet?’ Libby asks, the pitch of her voice rising. ‘Where are you? Are you on your way?’

‘Have they booked him?’ I ask, glancing at my watch. Twenty-two minutes till midnight. ‘Have they charged him?’

‘I don’t know! I can’t even think. What will they do to him?’

What they probably should have done last time, I reply silently. Mackey’s final advice to Libby and Soren was that the boy never get within a hundred yards of an illegal drug while he was in Adams County, because the next time he was caught, Shad Johnson would throw the book at him. That day has come, and I feel Libby grasping at me like a drowning woman. But even if I could somehow blunt Shad’s vindictiveness, I can’t go on enabling Soren to ruin his life, and his mother’s with it.

‘Libby, you’ve got to calm down,’ I say in a steady voice. ‘You can’t help Soren if you can’t hold it together.’

‘Tell me you’re on your way,’ she says with single-minded urgency. ‘They’re going to take him to the cell in a minute!’

Damn. I close my eyes briefly as my car drifts across Franklin Street and heads into the Victorian part of town. ‘Libby, I want you to listen to me. I will come down there and try to help, but you can’t—’

She gives a plaintive moan that sounds like the preface to an emotional plea, but then without warning the sound shatters into a shrill scream of terror.

‘What is it?’ I yell. ‘What happened?’

There’s a rattle that sounds like Libby’s cell phone skating across a tile floor. I hear confused shouts, several slaps, then a shriek followed by a bellow of rage and anguish. The phone rattles again, and then I hear sobbing. Libby has the phone. After twenty seconds of gulping air, she begs me in a torrent of words to come to the station. I wait until she runs out of air, then ask again what happened.

‘They’re beating him up! They maced him.’

I try to picture this scene, but I can’t see the Natchez police beating a nineteen-year-old kid without some physical provocation. ‘Did Soren do something first?’

‘He hit one of the cops,’ she whispers. ‘They were dragging him back to the cell, really being rough, and he lashed out at somebody. It was just a reflex! Penn, help me. Please! I’m so scared they’re going to do something terrible to him, or put him back there with somebody horrible. If you ever cared for me at all, please, come now.’

A minute ago, I would have said nothing could keep me from meeting Tim at the stroke of midnight, but guilt is a powerful motivator. With a silent Goddamn it, I wrench the wheel right on Madison Street and speed northward to the police station.

It’s thirteen minutes after twelve when I finally squeal out of the police station parking lot, my hands shaking with anger and fear. Libby is shouting after me, but not as loudly as her son is screaming mindless profanity in the drunk tank. The police found half a pound of grass in the trunk of the car Soren was driving, but I’m almost positive he was high on crystal meth. Soren is essentially a gentle kid, not prone to violence, but when he drinks or ingests any drug but marijuana, his anger at his father surfaces, and he gets unpredictable.

A passenger in the car that he T-boned had to be evacuated by helicopter from St Catherine’s Hospital to University Medical Center in Jackson. Worse than that–for Soren, at least–was the poke he took at the cop who was trying to drag him from the booking area to the cellblock. That blow placed Soren Jensen on the wrong side of a stark line for the Natchez Police Department. The cop required three stitches for the blow to his cheek, and Soren went to the cell with a faceful of pepper spray; but this is merely prologue for what will happen when Shad Johnson gets hold of the case.

All this minutiae drains quickly away as I race westward toward the cemetery. Even if a patrol car doesn’t stop me for speeding, I’ll be nearly half an hour late for my rendezvous with Tim.

Flying up Cemetery Road, past the prepossessing silhouette of Weymouth Hall, I realize why Tim chose Jewish Hill for our meetings. The cemetery’s front lower level, which houses the Turning Angel, is bathed in a yellow-orange glow from the sodium streetlights on Cemetery Road. But because of its height, the tabletop of Jewish Hill remains shrouded in darkness.

Is Tim still here? I see no car parked along the cemetery wall, but then I saw none last night either. I still don’t know how Tim approached me from the back of the cemetery, since the only entrances I know about face Cemetery Road. But an old dopehead like Jessup probably knows a lot of things I don’t about the deserted areas of the city.

An hour ago I planned to park more secretively than I did last night, but there’s no time for that now. I stop at the foot of Jewish Hill, take my pistol from my briefcase, shove it into my waistband, and leave the car. A quick push takes me through the hedge behind the wall, and then I’m climbing the steep face of the hill, toward the wire bench and the flagpole.

As feared, I find no one waiting at the top. No one was waiting for me last night either, but tonight feels different somehow. There’s a different silence among the stones. The air doesn’t seem quite still, as though it’s recently been stirred, and the insects are silent. That could be the result of someone approaching, but my instinct says no. I feel a dreadful certainty that Tim has already been here and gone. Turning my back to the river and the moon, I walk deeper into the marble necropolis, scanning the darkness for signs of movement.

Out of the pulse beat of my blood comes a deep, subsurface rumble, almost too low for my ears to detect. It seems to vibrate up from the very ground. Thirty seconds later, I realize I’m hearing the engine of a push boat driving a great string of barges upriver, its massive cylinders propelling an unimaginable weight against the current. Turning, I see the red and green lights on the bow of the foremost barge, a third of a mile forward of the push boat’s stern. The pitch of the engine changes as the boat moves northward, then out of its steady drone a higher hum rises. A blue halogen wash fills the near sky, dimming the bow light on the barge, and I realize a vehicle is passing below me on Cemetery Road. It’s coming from out in the county, from the direction of the Devil’s Punchbowl, heading toward town.

I’m too deep inside the cemetery to see the vehicle. On impulse, I run back along the top of Jewish Hill, but too late. All I see are vertical taillights winking through the leaves of the ancient oaks in the low-lying part of the cemetery where Sarah is buried. The taillights look as if they belong to a truck or an SUV, not Tim’s Sentra.

My watch reads 12:37. The pistol feels awkward in my waistband but not completely unfamiliar. As a prosecutor of major felony cases in Houston, I was sometimes forced to carry a weapon for extended periods. Even after retiring from that position and taking up writing, certain circumstances have required me to carry a gun for protection, and on several occasions I’ve been forced to use it, sometimes with fatal results.

I feel an almost unbearable compulsion to call Tim’s cell phone, but I resist it. Tim might simply be later than I am. Certainly, more things could have delayed him, or so I’d guess. After jogging in place for half a minute to relieve my anxiety, I sit on a low grave wall that commands a good view of Cemetery Road. With my mother watching Annie, I can afford to give Tim an hour of my time. I only wish I had a cup of coffee to keep me warm and alert. I’d like to lay my cell phone on the wall beside me, but I’m afraid its light will betray my position if anyone is watching.

My body has just begun to gear down when the Razr in my pocket vibrates, bringing me to my feet. I dig the phone from my pocket and cup it to my chest like a man trying to light a cigarette in a strong wind. I didn’t expect to recognize the number, and I don’t, but it has a Mississippi area code and a Natchez prefix.

‘Hello?’ I say in a stilted tone.

‘Is this Penn Cage?’ asks a voice both familiar and unfamiliar.

My heart rises into my throat, and for some reason I glance at my watch. Nine minutes have passed since I saw the taillights on Cemetery Road. ‘Who is this?’

‘Don Logan, chief of police. Is this the mayor?’

A dozen reasons the chief might be calling me after midnight come to mind, none of them good. The most likely is something to do with Soren Jensen–the last thing I want to talk about right now.

‘Yeah, Don, this is Penn. Don’t tell me the kid’s done something else.’

There’s a brief silence, then Logan speaks with the gravity I heard too often from homicide cops in Houston. ‘No, it’s not that. I’m down by Silver Street on the bluff–well, underneath it really–forty feet underneath it. I’m in that drainage ditch that runs along the foot of the retaining wall.’