But Madame Bovary, senior, cried out loudly against this name of a sinner. As to Monsieur Homais, he had a preference for all those that recalled some great man, an illustrious fact, or a generous idea, and it was on this system that he baptized his four children. Thus Napoléon represented glory and Franklin liberty; Irma was perhaps a concession to romanticism, but Athalie was a homage to the greatest masterpiece of the French stage. For his philosophical convictions did not interfere with his artistic tastes; in him the thinker did not stifle the man of sentiment; he could make distinctions, make allowances for imagination and fanaticism. In this tragedy, for example, he found fault with the ideas, but admired the style; he detested the conception, but applauded all the details, and loathed the characters while he grew enthusiastic over their dialogue. When he read the fine passages he was transported, but when he thought that mummers would get something out of them for their show, he was disconsolate; and in this confusion of sentiments in which he was involved he would have liked at once to crown Racine with both his hands and argue with him for a good quarter of an hour.
At last Emma remembered that at the château of Vaubyessard she had heard the Marchioness call a young lady Berthe; from that moment this name was chosen; and as old Rouault could not come, Monsieur Homais was requested to stand godfather. His gifts were all products from his establishment, to wit: six boxes of jujubes, a whole jar of racahout, three cakes of marsh-mallow paste, and six sticks of sugar-candy, into the bargain, that he had come across in a cupboard. On the evening of the ceremony there was a grand dinner; the curé was present; there was much excitement. Monsieur Homais toward liqueur-time began singing "Le Dieu des bonnes gens." Monsieur Léon sang a barcarolle, and Madame Bovary, senior, who was godmother, a romance of the time of the Empire; finally, M. Bovary, senior, insisted on having the child brought down, and began baptizing it with a glass of champagne that he poured over its head. This mockery of the first of the sacraments made the Abbé Bournisien angry; old Bovary replied by a quotation from "La Guerre des Dieux;" the curé wished to leave; the ladies implored, Homais interfered; and they succeeded in making the priest sit down again, and he quietly went on with the half-finished coffee in his saucer.
Monsieur Bovary, senior, stayed at Yonville a month, dazzling the natives by a superb policeman's cap with silver tassels that he wore in the morning when he smoked his pipe in the square. Being also in the habit of drinking a good deal of brandy, he often sent the servant to the Lion d'Or to buy him a bottle, which was put down to his son's account, and to perfume his handkerchiefs he used up his daughter-in-law's whole supply of eau-de-cologne.
The latter did not at all dislike his company. He had knocked about the world, he talked about Berlin, Vienna, and Strasbourg, of his soldier times, of the mistresses he had had, the grand luncheons of which he had partaken; then he was amiable, and sometimes even, either on the stairs or in the garden, would seize hold of her waist, crying, "Charles, look out for yourself."
Then Madame Bovary, senior, became alarmed for her son's happiness, and fearing that her husband might in the long run have an immoral influence upon the ideas of the young woman, took care to hurry their departure. Perhaps she had more serious reasons for uneasiness. Monsieur Bovary was not the man to respect anything.
One day Emma was suddenly seized with the desire to see her little girl, who had been put to nurse with the carpenter's wife, and without looking at the almanac to see whether the six weeks of the Virgin were yet passed, she set out for the Rollets' house, situated at the extreme end of the village, between the highroad and the fields.
It was mid-day, the shutters of the houses were closed, and the slate roofs that glittered beneath the fierce light of the blue sky seemed to strike sparks from the crest of their gables. A heavy wind was blowing; Emma felt weak as she walked; the stones of the pavement hurt her; she was doubtful whether she would not go home again, or go in somewhere to rest.
At this moment Monsieur Léon came out from a neighboring door with a bundle of papers under his arm. He came to greet her, and stood in the shade in front of Lheureux's shop under the projecting gray awning.
Madame Bovary said she was going to see her baby, but that she was beginning to grow tired.
"If – " said Léon, not daring to go on.
"Have you any business to attend to?" she asked.
And on the clerk's answer, she begged him to accompany her. That same evening this was known in Yonville, and Madame Tuvache, the mayor's wife, declared in the presence of her servant that "Madame Bovary was compromising herself."
To get to the nurse's it was necessary to turn to the left on leaving the street, as if making for the cemetery, and to follow between little houses and yards a small path bordered with privet hedges. They were in bloom, and so were the speedwells, eglantines, thistles, and the sweetbriar that sprang up from the thickets. Through openings in the hedges one could see into the huts, some pig on a dung-heap, or tethered cows rubbing their horns against the trunk of trees. The two, side by side, walked slowly, she leaning upon him, and he restraining his pace, which he regulated by hers; in front of them a swarm of midges fluttered, buzzing in the warm air.
They recognized the house by an old walnut-tree which shaded it. Low, and covered with brown tiles, outside it hung, beneath the dormer-window of the garret, a string of onions. Faggots upright against a thorn fence surrounded a bed of lettuces, a few square feet of lavender, and sweet peas strung on sticks. Dirty water was running here and there on the grass, and several indefinite rags, knitted stockings, a red calico jacket, and a large sheet of coarse linen, were spread over the hedge. At the noise of the gate the nurse appeared with a baby she was suckling on one arm. With her other hand she was pulling along a poor puny little fellow, his face covered with scrofula, the son of a Rouen hosier, whom his parents, too taken up with their business, left in the country.
"Go in," she said; "your little one is there asleep."
The room on the ground floor, the only one in the dwelling, had at its farther end, against the wall, a large bed without curtains, while a kneading-trough took up the side by the window, one pane of which was mended with a piece of blue paper. In the corner behind the door, shining hobnailed shoes stood in a row under the slab of the washstand, near a bottle of oil with a feather stuck in its mouth; a Matthieu Laensberg lay on the dusty mantelpiece amid gun-flints, candle-ends, and bits of amadou. Finally, the last luxury in the apartment was a "Fame" blowing her trumpets, a picture cut out, no doubt, from some perfumer's prospectus and nailed to the wall with six wooden shoe-pegs.
Emma's child was asleep in a wicker-cradle. She took it up in the wrapping that enveloped it and began singing softly as she rocked herself to and fro.
Léon walked up and down the room; it seemed strange to him to see this beautiful woman in her nankeen dress in the midst of all this poverty. Madame Bovary reddened, he turned away, thinking perhaps there had been an impertinent look in his eyes. Then she put back the baby girl, who had just vomited over her frock. The nurse at once came to dry her, protesting that it wouldn't show.
"She gives me other doses," she said; "I am always a-washing of her. If you would have the goodness to order Camus, the grocer, to let me have a little soap; it would really be more convenient for you, as I needn't trouble you then."
"Very well! very well!" said Emma. "Good morning, Madame Rollet," and she went out, wiping her shoes at the door.
The good woman accompanied her to the end of the garden, talking all the time of the trouble she had getting up of nights.
"I'm that worn out sometimes as I drop asleep on my chair. I'm sure you might at least give me just a pound of ground coffee; that'd last me a month, and I'd take it of a morning with some milk."
After submitting to her thanks, Madame Bovary left. She had gone a little way down the path when, at the sound of wooden shoes, she turned round. It was the nurse.
"What is it?"
Then the peasant woman, taking her aside behind an elm tree, began talking to her of her husband, who with his trade and six francs a year that the captain —
"Oh, be quick!" said Emma.
"Well," the nurse went on, heaving sighs between each word, "I'm afraid he'll be put out seeing me have coffee alone; you know men – "
"But you are to have some," Emma repeated; "I will give you some. You bother me!"
"Oh, dear! my poor, dear lady! you see, in consequence of his wounds he has terrible cramps in the chest. He even says that cider weakens him."
"Do make haste, Mère Rollet!"
"Well," the latter continued, making a curtsey, "if it weren't asking too much," and she curtsied once more, "if you would" – and her eyes begged – "a jar of brandy," she said at last, "and I'd rub your little one's feet with it; they're as tender as one's tongue."
Once rid of the nurse, Emma again took Monsieur Léon's arm. She walked fast for some time, then more slowly, and looking straight in front of her, her eyes rested on the shoulder of the young man, whose frock-coat had a black-velvet collar. His brown hair fell over it, straight and carefully arranged. She noticed his nails, which were longer than one wore them at Yonville. It was one of the clerk's chief occupations to trim them, and for this purpose he kept a special knife in his writing-desk.
They returned to Yonville by the waterside. In the warm season the bank, wider than at other times, showed to its foot the garden walls, whence a few steps led to the river. It flowed noiselessly, swift, and cold to the eye; long, thin grasses huddled together in it as the current drove them, and spread themselves upon the limpid water like streaming hair; sometimes at the top of the reeds or on the leaf of a water-lily an insect with thin legs crawled or rested. The sun pierced with a ray the small blue bubbles of the waves that, breaking, followed each other; branchless old willows mirrored their gray backs in the water; beyond, all around, the meadows seemed empty. It was the dinner-hour at the farms, and the young woman and her companion heard nothing as they walked but the fall of their steps on the earth of the path, the words they spoke, and the sound of Emma's skirts rustling around her.
The walls of the gardens, with pieces of bottle on their coping, were as hot as the glass windows of a conservatory. Wallflowers had sprung up between the bricks, and with the tip of her open sunshade Madame Bovary, as she passed, made some of their faded flowers crumble into a yellow dust, or a spray of overhanging honeysuckle and clematis caught in its fringe and dangled for a moment over the silk.
They were talking of a troupe of Spanish dancers who were expected shortly at the Rouen theatre.
"Are you going?" she asked.
"If I can," he answered.
Had they nothing else to say to one another? Yet their eyes were full of more serious speech, and while they forced themselves to find trivial phrases they felt the same languor stealing over them both. It was the whisper of the soul, deep, continuous, dominating that of their voices. Surprised with wonder at this strange sweetness, they did not think of speaking of the sensation or of seeking its cause. Coming joys, like tropical shores, throw over the immensity before them their inborn softness, an odorous wind, and we are lulled by this intoxication without a thought of the horizon that we do not even know.
In one place the ground had been trodden down by the cattle; they had to step on large green stones put here and there in the mud. She often stopped a moment to look where to place her foot, and tottering on the stone that shook, her arms outspread, her form bent forward with a look of indecision, she would laugh, afraid of falling into the puddles of water.
When they arrived in front of her garden, Madame Bovary opened the little gate, ran up the steps and disappeared.
Léon returned to his office. His chief was away; he just glanced at the briefs, then cut himself a pen, and at last took up his hat and went out.
He went to La Pâture at the top of the Argueil hills at the beginning of the forest; he threw himself upon the ground under the pines and gazed at the sky through his fingers.
"How bored I am!" he said to himself, "how bored I am!"
He thought he was to be pitied for living in this village, with Homais for a friend and Monsieur Guillaumin for master. The latter, entirely absorbed by his business, wearing gold-rimmed spectacles and red whiskers over a white cravat, understood nothing of mental refinements, although he affected a stiff English manner, which in the beginning had impressed the clerk.
As to the chemist's spouse, she was the best wife in Normandy, gentle as a sheep, loving her children, her father, her mother, her cousins, weeping for others' woes, letting everything go in her household, and detesting corsets; but so slow of movement, such a bore to listen to, so common in appearance, and of such restricted conversation, that although she was thirty, he only twenty, although they slept in rooms next each other and he spoke to her daily, he never thought that she might be a woman for another, or that she possessed anything else of her sex than the gown.
And what else was there? Binet, a few shopkeepers, two or three publicans, the curé, and, finally, Monsieur Tuvache, the mayor, with his two sons, rich, crabbed, obtuse persons, who farmed their own lands and had feasts among themselves, bigoted to boot, and quite unbearable companions.
But from the general background of all these human faces Emma's stood out isolated and yet farthest off; for between her and him he seemed to see a vague abyss.
In the beginning he had called on her several times along with the druggist. Charles had not appeared particularly anxious to see him again, and Léon did not know what to do between his fear of being indiscreet and the desire for an intimacy that seemed almost impossible.
IV.
Silent Homage