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The Dragon-Charmer

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2018
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The Dragon-Charmer
Jan Siegel

English fantasy at its best, The Dragon-Charmer follows the exciting debut from Jan Siegel, Prospero’s Children.Twelve years have passed since the traumatic events that took place in Prospero’s Children, and it seems that Fern Capel has almost succeeded in putting aside the memory of that magical, terrifying summer, when she fought a witch, fell in love, and made a deal with a demon. More tellingly, she has denied the ancient heritage that will allow her mastery of the Gift.But the past is about to catch up with her. Fern is soon to marry the academic and media personality, Marcus Greig – some twenty years her senior – and he has decided that they should hold the wedding at the Capels’ summer home in Yarrowdale. When Fern returns to the house with her best friend, Gaynor, ancient forces are awoken once more, and Fern will find that she is once again forced to choose between love and destiny.The Dragon-Charmer continues the lyrical, richly atmospheric and enthralling tale begun in Prospero’s Children. Spellbinding in its depiction of places both familiar and strange, of characters both magical and sinister, it is classic English fantasy at its finest.

THE

DRAGON-

CHARMER

Jan Siegel

Copyright (#u56f3e0f1-1d47-57a8-af29-372e72a54439)

This novel is entirely a work of fiction. The names, characters and incidents in are the work of the author's imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Harper Voyager An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk/)

Published by Voyager 2000

Copyright © Jan Siegel 2000

Jan Siegel asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780002258371

Ebook Edition © MAY 2009 ISBN: 9780007321810

Version: 2016-10-24

Contents

Title Page (#u46599b81-621e-5329-9467-5f22790f77a3)Copyright (#u280a4c04-b233-5df9-8396-8e72a7c03d64)After Blake: Dragon (#u960ad4aa-a884-5a9f-a6a3-70fe8da860ff)Prologue: Fernanda (#ub94a99f7-7242-5559-9fb7-ab3e58ac2bd6)Part One: Witchcraft (#ud70d8e05-7013-5e58-9f4e-f099381436aa)Chapter I (#uc4a22786-89d6-50b3-9e84-f8f972f4eb3a)Chapter II (#u4214300f-53a1-58f5-b1ff-2a56b6b86e46)Chapter III (#u1a7c6971-9f3f-5426-b4d3-e5cae47aa362)Chapter IV (#uc4863152-5d32-5824-865c-516e39252290)Chapter V (#litres_trial_promo)Chapter VI (#litres_trial_promo)Chapter VII (#litres_trial_promo)Part Two: Dragoncraft (#litres_trial_promo)Chapter VIII (#litres_trial_promo)Chapter IX (#litres_trial_promo)Chapter X (#litres_trial_promo)Chapter XI (#litres_trial_promo)Chapter XII (#litres_trial_promo)Chapter XIII (#litres_trial_promo)Chapter XIV (#litres_trial_promo)Epilogue: Morgus (#litres_trial_promo)Glossary: Names (#litres_trial_promo)On Dragons (#litres_trial_promo)On The Gift (#litres_trial_promo)Keep Reading (#litres_trial_promo)Acknowledgements (#litres_trial_promo)About the Author (#litres_trial_promo)By Jan Siegel (#litres_trial_promo)About the Publisher (#litres_trial_promo)

After Blake: DRAGON (#u56f3e0f1-1d47-57a8-af29-372e72a54439)

We dreamed a dream of fire made flesh –

we gave it wings to soar on high –

an earthquake tread, and burning breath –

a thunderbolt that clove the sky –

its belly seethed with ancient bile;

its brain was forged in human guile and human strength with Vulcan’s art beat out the hammer of its heart.

We dreamed a dream of hide and horn –

the wonder of a thousand tales –

we built from prehistoric bones –

we armoured it in iron scales –

and all our rage, ambition, greed

re-shaped our dream into our need

with mortal hands to seize the fire –

to more-than-mortal power aspire.

And when the heav’n threw down the sun

and seared whole cities from the earth,

when silence fell of endless death

and wail of demons brought to birth –

when far above the shattered skies

the angels hid their rainbow eyes –

did we smile our work to see? Did Man, who made the gods, make Thee?

PROLOGUE (#u56f3e0f1-1d47-57a8-af29-372e72a54439)

Fernanda (#u56f3e0f1-1d47-57a8-af29-372e72a54439)

That night, she dreamed she was back in the city. It was not the first such dream: she had had many in the weeks since she left, some blurred, beyond the reach of memory, some clearer; but this was the most painfully vivid. She was standing on the mountainside wrapped in the warm southern dusk, in a blue garden musky with the ghosts of daytime flower-scents. Here were the villas and palaces of the aristocracy, set amongst their terraced lawns and well-watered shrubberies. There was a house nearby: she could see the golden arch of door or window floating somewhere behind a filigree of netted stems. Its light drew her; and then she was close by, staring inside.

There were three people in the room: a woman, a young man, and a girl. They were sitting close together, deep in talk. She knew them all – she knew them well – so well that it hurt to look at them – the youth with his averted profile, just as he had appeared the first time she saw him properly, and the woman with silver glints in her long hair, though she was not very old, and the girl with her back to the window. Herself. She wore the veil she had been given on the last day, hiding her cropped head, but the colours and patterns which had always seemed so dim and elusive poured down her back like some inscrutable liquid script, tinted in rainbows. It had the power of protection, she had been told. Her unspecified anguish crystallised into the horror of imminent doom; she saw herself marked out by the veil, designated for a future in which the others had no part. She tried to enter through the glassless window, but an invisible barrier held her back; she cried out – Take it off! Take off theveil! – but her voice made no sound. The whorls and sigils of the design detached themselves from the material and drifted towards her, swirling together into a maelstrom, and she was rushing into it, sucked down and down into deep water.

And now the blue which engulfed her was the ultramarine of an undersea world. Great weeds arose in front of her, billowing like curtains in the currents of the wide ocean. They divided, and she passed through into a coral kingdom. But beyond the branching fans of white and scarlet and the groping tentacles of hungry flowerets she saw isolated pillars, roofless walls, broken towers. She floated over gaping rooms where tiny fish played at hide-and-seek with larger predators, and the spotted eel and giant octopus laired in cellar and well-shaft. And ahead, in the shallows, the sun turned the water all to golden green, and she made out the gleaming spire of a minaret, the curve of a fractured dome. Then at last she found what she knew she had been seeking. He lay in a dim hollow beyond the reach of the sun, and stones weighted the rags of his clothing, and his dark hair moved like filmy weed in the current, and white shells covered his eyes. She lifted the stones which pinned him down, and removed the white shells, and kissed his cold, cold lips – a witch’s kiss, to break the spell – and his eyes opened, and gazed at her. The water receded like waves from a beach, and he was lying on an apricot shore under a sky of bronze, and his arms were reaching for her …

The dream faded towards awakening, and, as always, there was a moment in between, a moment of unknowing, when the past lingered and the present was void, a waking to hope and the brightness of a new day. Then realisation returned, and all that she had gained, and all that she had lost, rushed over her in a flood of suffering reborn, so she thought her spirit was too frail a thing to endure so much pain. And it was the same every day, every waking. She remembered that it was her birthday, her seventeenth. Tomorrow she would return to London, to school, to study, to the slow inexorable unrolling of her predictable life. She was a diligent student: she would take exams and go to university and succeed in a suitable career. And one day perhaps she would marry, because that was what you did, and have children, and live to be forty, fifty, ninety, until, unimaginable though it seemed, she was old and tired, and the dream came from which there was no awakening. A life sentence. Maybe eventually the acuteness of her loss would dull to an ache, and the routine of her daily existence would numb her feelings and deaden her heart; but in the morning of her youth she knew that this moment, this emptiness was relentless and forever. She had been told she had the Gift, setting her apart from other mortals – that if she willed it she might live ageless and long – but that fantasy had gone with the city, if indeed it had ever been real. And why should she wish to lengthen the time of her suffering?

When she got up she found the veil discarded on a chair – the veil that was all she had left – its patterns dimmed to shadows, its colours too subtle for the human eye. For a minute she held it, letting its airy substance slide through her fingers; then her grip tightened, and she pulled with sudden violence, trying to tear it apart, but the gossamer was too strong for her. She made a sound somewhere between a laugh and a cry, looked in vain for scissors, not knowing whether to be relieved or angry when none came to hand. Finally, she folded it up small – she was always methodical – and thrust it into the back of a drawer, willing it to be gone with her dreams, back into the otherworld from whence it came.
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