Belonging to the Gasteropods, the Water-snail can crawl over the stones or aquatic vegetation, just as the common garden snail or slug does on land. But it has another mode of progression, which it very often employs in warm weather. It ascends to the surface of the water, reverses its position so that the shell is downward, spreads out the foot as widely as possible, and then contracts it in the centre, so as to form it into a shallow boat.
The carrying capacity of this boat is necessarily small, but as the shell and nearly the whole of the animal are submerged, and therefore mostly sustained by the water, a very small amount of flotative power is sufficient for the purpose. Sometimes, on a fine day, whole fleets of these natural boats may be seen floating down the stream, thus obtaining a change of locality without any personal exertion.
In perfectly still water, where no current can waft the Limnæa on its easy voyage, it still is able to convey itself from one place to another. By means of extending and contracting the foot, it actually contrives to crawl along the surface of the water almost as readily as if it were upon the under side of some solid body, and, although its progress is slow, it is very steady. Another very common British water-snail, the Pouch-shell (Physa fontinalis), has almost exactly the same habits. Reference will be made to the Pouch-shell on another page.
The capacity for converting the body into a boat is not confined to the molluscs, but is shared by many other animals. Take, for example, the well-known marine animals, called popularly Sea-anemones. As they appear when planted on the rocks, they look as incapable of motion as the flowers whose names they bear. Yet, by means of the flattened base, which they use just as a snail uses its feet, they can manage to glide along the rocks in any direction, though very slowly.
The base is capable of extension and contraction, and by elongating one side of it, fixing the elongated portion, and then raising the remainder of the base towards it, the animal makes practically a series of very slow steps. This mode of progression may often be seen in operation on the glass front of an aquarium.
The same property of expansion and contraction enables the Sea-anemones to convert their bodies into boats, and float on the surface of the water. When one of these animals wishes to swim, it ascends the object to which it is clinging—say the glass of the aquarium—until it has reached the air. It then very slowly, and bit by bit, detaches the upper part of the base from the glass, allowing itself to hang with its tentacles downward. These, by the way, are almost wholly withdrawn when the animal is engaged in this business. By degrees the whole of the base is detached from the glass except a very tiny portion of the edge. The base is next contracted in the middle into the form of a shallow cup, and, when this is done, the last hold of the glass is released, and the animal floats away, supported by its hollowed base.
Entomologists are familiar with the following facts, and were this work addressed to them alone, a simple mention of the insect would be sufficient. But as this work is intended for the general public, it will be necessary to give a description, though a brief one, of the wonderful manner in which an insect, which we are apt to think is only too common, plays the part of a boat at its entrance to life and just before its departure from this world, not to mention its intermediate state, to which reference will be made under another heading.
The insect in question is the common Gnat (Culex pipiens), which makes such ravages upon those who are afflicted, like myself, with delicate skins, and can have a limb rendered useless for days by a single gnat-bite.
In this insect, the beginning and the end of life are so closely interwoven, that it is not easy to determine which has the prior claim to description, but we will begin with the egg.
With very few exceptions, such as the Earwig, which watches over its eggs and young like a hen over her nest and chickens, the insects merely deposit their eggs upon or close to the food of the future young, and leave them to their fate. The eggs of the Gnat, however, require different treatment. The young larvæ, when hatched, immediately pass into the water in which they have to live, and yet the eggs are so constituted that they need the warmth of the sun in order to hatch them. The machinery by which both these objects are attained is singularly beautiful.
The shape of the egg very much resembles that of a common ninepin, and the structure is such that it must be kept upright, so that the top shall be exposed to the air and sun, and the bottom be immersed in the water. It would be almost impossible that these conditions should be attained if the eggs were either dropped separately into the water or fixed to aquatic plants, as is the case with many creatures whose eggs are hatched solely in or on the water.
As is the case with many insects, each egg when laid is enveloped with a slight coating of a glutinous character, so that they adhere together. And, in the case of the Gnat, this material is insoluble in water, and hardens almost immediately after the egg is deposited. Taking advantage of these peculiarities, the female Gnat places herself on the edge of a floating leaf or similar object, so that her long and slender hind-legs rest on the water. In some mysterious way, the eggs, as they are successively produced, are passed along the hind-legs, and are arranged side by side in such a manner that they are formed into the figure of a boat, being fixed to each other by the glutinous substance which has already been mentioned.
It is a very remarkable fact, which assists in strengthening the theory on which this book is written, that the lines of the best modern life-boats are almost identical with those of the Gnat-boat, and that both possess the power of righting themselves if capsized. In all trials of a new life-boat, one of the most important is that which tests her capability of self-righting; and any one who has witnessed such experiments, and has tried to upset a Gnat-boat, cannot but be struck with the singular similitude between the boat made by the hand of man and that constructed by the legs of an insect, without even the aid of eyes.
Push the Gnat-boat under water, and it shoots to the surface like a cork, righting itself as it rises. Pour water on it, and exactly the same result occurs, so that nothing can prevent it from floating. Then, when the warm air has done its work in hatching the enclosed young, a little trap-door opens at the bottom of the egg, lets the young larvæ into the water, and away they swim.
Now we come to another phase of existence in which the Gnat forms a boat. Every one knows the little active Gnat larvæ, with their large heads and slender bodies, much like tadpoles in miniature. When they have reached their full growth, and assume the pupal form, their shape is much changed. The fore part of the body is still more enlarged, as it has to contain the wings and legs, which have so great a proportion to the body of the perfect Gnat. And, instead of floating with its head downwards, and breathing through its tail as it did when a larva, it now floats with the head uppermost, and breathes through two little tubes.
Even in its former state the creature had something almost grotesque in its aspect, the head, when magnified, looking almost as like a human face as does that of a skate. But in its pupal state it looks as if it had put on a large comical mask much too large for it, very much like those paper masks which are enclosed in crackers, and have to be worn by those who draw them.
In process of time the pupa changes to a perfect Gnat within this shelly case, able to move, but unable to eat. The body shrinks in size, and the wings and legs are formed, both being pressed closely to the body. When the Gnat is fully developed, the pupal skin splits along the back, and opens out into a curiously boat-like shape, the front, which contains the heavier part of the insect, being much the largest, and consequently being able to bear the greatest weight.
By degrees, the Gnat draws itself out of the split pupal skin, resting its legs on it as fast as they are released. It then shakes out its wings to dry, and finally takes to the air.
It is a really wonderful fact that the insect which, for three stages in life—namely, an egg, larva, and pupa—lived in the water, should in the fourth not only be incapable of aquatic life, but should employ its old skin to protect it from that very element in which it was living only a minute or two before.
Should the reader wish to examine for himself either the egg or skin boat of the Gnat, he can easily procure them by searching any quiet pond, or even an uncovered water-butt. They are, of course, very small, averaging about the tenth of an inch in length, and are nearly always to be found close to the side either of pond or tub, being drawn there by the power of attraction.
I may here mention that there are other dipterous insects belonging to the genus Stratiomys, which undergo their metamorphosis in a very similar fashion. In these insects, the larva breathes through the tail, and when it attains its pupal condition, the actual insect is very much smaller than the pupal skin, only occupying the anterior and enlarged part. Indeed, the difference of size is so great, that several entomologists believed the future Stratiomys to be but a parasite on the original larva. The beautiful Chameleon-fly (Stratiomys chamæleon) is a familiar example of these insects.
CHAPTER II.
THE OAR, THE PADDLE, AND THE SCREW
Propulsion by the Oar.—Parallels in the Insect World.—The “Water-boatman.”—Its Boat-like Shape.—The Oar-like Legs.—Exact mechanical Analogy between the Legs of the Insect and the Oars of the human Rower.—“Feathering” Oars in Nature and Art.—The Water-boatman and the Water-beetles.—The Feet of the Swan, Goose, and other aquatic Birds.—The Cydippe, or Beroë.—The Self-feathering Paddle-wheel.—Indirect Force.—The Wedge, Screw, and Inclined Plane.—“Sculling” a Boat.—The “Tanka” Girls of China.—Mechanical Principle of the Screw, and its Adaptation to Vessels.—Gradual Development of the Nautical Screw.—Mechanical Principle of the Tail of the Fish, the Otter, and the sinuous Body of the Eel and Lampern.—The Coracle and the Whirlwig-beetle.
THE Boat naturally reminds us of the Boatman. In the two gnat-boats which have been described there is no propelling power used or needed, the little vessel floating about at random, and its only object being to keep afloat. But there are many cases where the propelling power is absolutely essential, and where its absence would mean death, as much as it would to a ship which was becalmed in mid ocean without any means of progress or escape. There are, for example, hundreds of creatures, belonging to every order of animals, which are absolutely dependent for their very existence on their power of propulsion, and I believe that there is not a single mode of aquatic progression employed by man which has not been previously carried out in the animal world. There are so many examples of this fact that I am obliged to select a very few typical instances in proof of the assertion.
Taking the Oar as the natural type of progression in the water, we have in the insect world numerous examples of the very same principle on which our modern boats are propelled. And it is worthy of notice, that the greater the improvement in rowing, the nearer do we approach the original insect model.
The first which we shall notice is the insect which, from its singular resemblance to a boat propelled by a pair of oars, has received the popular name of Water-boatman. Its scientific name is Notonecta glauca, the meaning of which we shall presently see. It belongs to the order of Heteroptera, and is one of a numerous group, all bearing some resemblance to each other in form, and being almost identical in habits. Though they can fly well, and walk tolerably, they pass the greater part of their existence in the water, in which element they find their food.
Predacious to a high degree, and armed with powerful weapons of offence, it is one of the pirates of the fresh water, and may be found in almost every pond and stream, plying its deadly vocation.
Its large and powerful wings seem only to be employed in carrying it from one piece of water to another, while its first and second pairs of legs are hardly ever used at all for progression. The last pair of legs are of very great length, and furnished at their tips with a curiously constructed fringe of stiff hairs. The body is shaped in a manner that greatly resembles a boat turned upside down, the edge of the elytra forming a sort of ridge very much like the keel of the boat.
When the creature is engaged in swimming, it turns itself on its back, so as to bring the keel downwards, and to be able to cut the water with the sharp edge. From this habit it has derived the name of Notonecta, which signifies an animal which swims on its back. The first and second pairs of legs are clasped to the body, and the last pair are stretched out as shown in the illustration, not only looking like oars, but being actually used as oars.
Now, I wish especially to call the reader’s attention to the curiously exact parallel between the water-boatman and the human oarsman. As the reader may probably know, the oar is a lever of the second order, i.e. the power comes first, then the weight, and then the fulcrum. The arm of the rower furnishes the power, the boat is the weight to be moved, and the water is the fulcrum against which the lever acts.
I have more than once heard objections to this definition, the objectors saying that the water was a yielding substance, and therefore could not be the fulcrum. This objection, however, was easily refuted by taking a boat up a narrow creek, and rowing with the oar-blades resting on the shore, and not in the water.
Now, the swimming legs of the water-boatman are exact analogues of the oars of a human rower. The internal muscles at the juncture of the leg with the body supply the place of the rower’s arms, the leg itself takes the office of the oar, and the body of the insect is the weight to be moved, and the water supplies the fulcrum. Even the broad blade at the end of the oar is anticipated by the fringe of bristles at the end of the leg, and its sharpened edge by the shape of the insect’s limb.
Besides these resemblances, there is another which is worthy of notice. All rowers know that one of their first lessons is to “feather” their oars, i.e. to turn the blade edgewise as soon as it leaves the water. Nothing looks more awkward than for a boatman to row without feathering. (We all must remember the eulogy on the “Jolly Young Waterman,” who “feathered his oars with skill and dexterity.”) In the first place, he must lift his oar very high out of the water, and, in the second, he will be impeded by any wind that happens to come against the blades.
The Water-boatman, however, does not lift its legs out of the water after every stroke, as a human boatman does, and therefore it has no need to feather in the same way. But there is even greater need for a feathering of some kind in the insect’s leg, on account of the greater resistance offered by water than by air, and this feathering is effected by the arrangement of the blade-bristles, which spread themselves against the water as the stroke is made, and collapse afterwards, so as to give as little resistance as possible when the stroke is completed.
In Art we have invented many similar contrivances, but I believe that there is not one in which we have not been anticipated by Nature. Putting aside the insect which has just been described, we have the whole tribe of water-beetles, in which the same principle is carried out in an almost identical manner. In the accompanying illustration, the oar, the rower, and the boat are placed above one another, and next to them are seen one of the oar-legs of the water-boatman and the insect as it appears when swimming on its back.
Then, there is the foot of the duck, goose, swan, and various other aquatic birds, in which the foot presents a broad blade as it strikes against the water, and a narrow edge as it recovers from the stroke. Some years ago, a steam yacht was built and propelled by feet made on the model of those of the swan. She was a very pretty vessel, but art could not equal nature, and at present the swan-foot propeller, however perfect in theory, has not succeeded in action. Perhaps, if some nautical engineer were to take it in hand, he would procure the desired result.
Almost exactly similar is the mode of propulsion employed by the lobster, the prawns and shrimps, their tails expanding widely into a fan-like shape as they strike against the water, and then collapsing when the stroke is withdrawn, so as to allow them to pass through the water with the least possible resistance.
The same principle is to be seen in the lively little Acaleph, for which there is unfortunately no popular name, and which we must therefore call by its scientific title of Cydippe, or Beroë, these names being almost indifferently used. When full grown, it is about as large as an acorn, and very much of the same shape. It is as transparent as if made of glass, and, when in the water, is only visible to practised eyes.
En passant, I may remark that the familiar term of “water,” when applied to diamonds, is owing to their appearance when placed in distilled water. Those which can be at once seen are called stones of the second water. Those which cannot be seen, because their refractive powers are equal to those of the water, are called “diamonds of the first water,” and are very much more valuable than the others.
As the Cydippe is, in fact, little more than sea-water, entangled in the slightest imaginable and most transparent tissue of animal fibre, it is evident that the water and the Cydippe must be of almost equal refracting power, and that therefore the acaleph must be as invisible as diamonds of the “first water.” Indeed, I have often had specimens in a glass jar which were absolutely invisible to persons to whom I wished to show them.
But an experienced eye detects the creature at once. Along its body, at equal distances, are eight narrow bands, over which the colours of the rainbow are, though very faint, perpetually rippling. This appearance is caused by the machinery which impels the body, and which seems never to cease. Each of these bands is composed of a vast number of tiny flaps, which move up and down in regular succession, so as to cause the light to play on their surfaces. And, as they move as if set on hinges, they of course offer no resistance to the water after their stroke is made.
Now let us compare these works of nature with those of art. We have already seen the parallels of the oar, and we now come to those of the paddle-wheel. When paddle-steamers were first invented, the blades were fixed and projected from the wheel, as if they had been continuations of its spokes. It was found, however, that a great waste of power, together with much inconvenience, was caused by this arrangement. Not only was a considerable weight of water raised by each blade after it passed the middle of its stroke, but the steam power was given nearly as much to lifting and shaking the vessel as to propulsion.
A new kind of paddle-wheel was then invented, in which the blades were ingeniously jointed to the wheel, so that they presented their flat surfaces to the water while propelling, and their edges when the stroke was over. This, which is known by the name of the “Self-feathering Paddle-wheel,” was thought to be a very clever invention, and so it was; but not even the inventors were likely to have known that if they had only looked into the book of Nature, they might have found plenty of self-feathering paddle-wheels, beside the few which my limited space enables me to give.
If the reader will look at the illustration, he will see that on one side is represented the self-feathering paddle-wheel of Art, with its ingenious arrangement of rods and hinges. On the other side there comes, first, the common Prawn, shown with its tail expanded in the middle of its stroke.
Just below it is a Cydippe of its ordinary size, showing the paddle-bands, one of which is drawn at the side much magnified, so as to show the arrangement of the little paddles. As to the tentacles which trail from the body, we shall treat of them when we come to our next division of the subject of the work.
Lastly, there is a representation of the self-feathering feet of the Duck, the left foot expanded in striking the water, and the right closed so as to offer no resistance when drawn forward for another stroke. The swan’s foot shows this action even more beautifully than does that of the duck.
We now come to another mode of propulsion, namely, that which is not due to direct pressure of a more or less flat body against the water, but to the indirect principle of the screw, wedge, or inclined plane.
Space being valuable, I will only take two instances, namely, the well-known mode of propelling a boat by a single oar working in a groove or rowlock in the middle of the stern, and the ordinary screw of modern steamers.
Most of my readers must have seen a sailor in the act of “sculling” a boat. A tolerably deep notch is sunk in the centre of the stern, and the oar is laid in it, as shown in the central illustration, on the right-hand side. The sailor then takes the handle of the oar, and works it regularly backwards and forwards, without taking the blade out of the water. The boat at once begins to move forward, and, when the oar is urged by a strong and experienced man, can be propelled with wonderful speed. The well-known “Tanka” boat-girls of China never think of using two oars, a single oar in the stern being all-sufficient for the rapid and intricate evolutions required in their business.