Nature's Teachings

The mechanical process which is here employed is nothing more than that of the inclined plane, or rather, the wedge, the oar-blade forming the wedge, and the force being directed against the stern of the boat, and so driving it through the water.

The Rudder affords another example of a similar force, although it is used more for directing than propelling a vessel. Still, just as the scull is used not only for propelling, but for steering the boat, the rudder, when moved steadily backwards and forwards, can be used for propulsion as well as steerage. In the absence of oars, this property is most useful, as I can practically testify.

So different in appearance are the screw and the inclined plane, that very few people would realise the fact that the screw is nothing but an inclined plane wound round a cylinder, or rather, is a circular inclined plane. The ordinary corkscrew is a good example of this principle, the cylinder being but an imaginary one.

Now, if the screw be turned round, it is evident that force is applied just on the principle of the wedge, and this principle is well shown in the various screw-presses, of which the common linen-press is a familiar example, as was the original printing-press, which still survives as a toy for children.

We all know the enormous force exerted by screws when working in wood, and how, when the screw-driver is turned in the reverse direction, the instrument is forced backwards, though the operator is leaning against it with all his weight. In fact, a comparatively small screw, if working in hard wood or metal, so that the threads could not break, could lift a heavy man.

Substitute water for wood or metal, and the result would be the same in principle, though the resistance would be less. As the loss of power by friction would prevent a large vessel from being propelled by a stern oar moved like a scull, the idea was invented of applying the same kind of power by a large screw, which should project into the water from the stern of the vessel. This modification, moreover, would have the advantage of forcing the vessel forward when the screw was turned from left to right, and drawing it back when turned in the opposite direction, whereas the sculling oar would only drive it forward.

The principle was right enough, but there was at first a great difficulty in carrying it out. Firstly, several turns of a large screw were used, and were found to need power inadequate to the effect. Then the screw was reduced to four separate blades, and now only two are used, as shown in the illustration, these saving friction, being equally powerful for propulsion, and running less risk of fouling by rigging blown overboard or other floating substances.

So much for Art. Now for the same principle as shown in Nature, of which I can take but a very few instances.

The first and most obvious example is that of the Fish-tail, which any one may observe by watching ordinary gold fish in a bowl. Their progression is entirely accomplished by the movement of the tail from side to side, exactly like that of the sculling oar, and moreover, like the oar, the tail acts as rudder as well as propeller.

The force with which this instrument can be used may be estimated by any one who is an angler, and knows the lightning-like rush of a hooked trout, or who has seen the wonderful spring with which a salmon shoots clear out of the water, and leaps up a fall several feet in height. This is not done, as many writers state, by bending the body into a bow-like form, and then suddenly straightening it, but by the projectile force which is gained by moving the tail backwards and forwards as a sculler moves his oar.

Perhaps some of my readers have seen the wonderful speed, ease, and grace with which an Otter propels itself through the water. As the otter feeds on fish, and can capture even the salmon itself, its powers of locomotion must be very great indeed. And these are obtained entirely by means of the tail, which is long, thick, and muscular, and can be swept from side to side with enormous force, considering the size of the animal. The legs have little or nothing to do with the act of swimming. The fore-legs are pressed closely against the body, and the hind-legs against each other. The latter act occasionally as assistants in steering, but that is all.

Then there are the various Seals, whose hind-legs, flattened and pressed together, act exactly like the tail of the fish, that of the otter, the oar of the sculler, or the screw of the steamer. Also, the eel, when swimming, uses exactly the same means, its lithe body forming a succession of inclined planes; so does the snake, and so does the pretty little lampern, which is so common in several of our rivers, and so totally absent from others.

I can only now give a short description of the woodcut which illustrates these points.

On the right hand Art is shown by the screw-blades of the modern steamer. In the middle is the ordinary mode of sculling a boat by an oar in the stern, and below it is the rudder, which, like the sculling oar, may be used either for propulsion or direction.

On the left hand we have three examples of the same mechanical powers as shown in Nature. The uppermost figure represents a fish as in the act of swimming, the dotted lines showing the movement of its tail, and the principle of the wedge. In the middle is an otter, just preparing to enter the water, and below is a seal, both of them showing the identity of mechanism between themselves and the art of man. I need not say that the mechanism of art is only a feeble copy of that of nature, but nothing more could be expected.

While we are on this subject I may as well mention two more applications of the screw principle. The first is the windmill, the sails of which are constructed on exactly the same principle as the blades of the nautical screw. Only, as they are pressed by the wind, and the mill cannot move, they are forced to revolve by the pressure of the wind, just as the screw of a steamer revolves when the vessel is being towed, and the screw left at liberty.

Moreover, just as the modern screws have only two blades, so, many modern windmills have only two sails, the expense and friction being lessened, and the power not injured.

Again: some years ago there was a very fashionable toy called the aërial top. It was practically nothing but a windmill in miniature, rapidly turned by a string, after the manner of a humming-top. The edges of the sails being turned downwards, the instrument naturally screwed itself into the air to a height equivalent to the velocity of the motion.

A similar idea has been mooted with regard to the guidance of balloons, or even to aërial voyaging without the assistance of gas, but at present the weight of the needful machinery has proved to be in excess of the required lifting power.

In fine, the application of the inclined plane, wedge, or screw as a motive power, is so wide a subject that I must, with much reluctance, close it with these few and obvious examples.

It is worth while, by the way, to remark how curiously similar are such parallels. I have already mentioned the very evident resemblance between the water-boatman, the water-beetles, and the human rower, the body of the insect being shaped very much like the form of the modern boat. I must now draw the attention of the reader to the similitude between the very primitive boat known by the name of Coracle, and the common Whirlwig-beetle (Gyrinus natator), which may be found in nearly every puddle. The shape of the insect is almost identical with that of the boat, and the paddle of the coracle is an almost exact imitation of the swimming legs of the whirlwig. And, as if to make the resemblance closer, many coraclers, instead of using a single paddle with two broad ends, employ two short paddles, shaped very much like battledores.

CHAPTER III.

SUBSIDIARY APPLIANCES.—Part I

General Sketch of the Subject.—The Mast of Wood and Iron.—Analogy between the Iron Mast and the Porcupine Quill.—The Iron Yard and its Shape prefigured by the same Quill.—Beams of the Steam-engine.—Principle of the Hollow Tube in place of the Solid Bar.—Quills and Bones of Birds.—Wheat Straws and Bamboos.—Structure of the Boat.—The Coracle, the Esquimaux Boat, and the Bark Canoe.—Framework of the Ship and Skeleton of the Fish.—Compartments of Iron Ship and Skull of Elephant.—The Rush, the Cane, and the Sugar-cane.—“Stellate” Tissue and its Varieties.

HAVING now treated of the raft, the boat, the ship, and their various modes of propulsion and guidance, we come to the subsidiary appliances to navigation, if they may be so called in lack of a better name.

First in importance is necessarily the mast; and the yards, which support the sails, are naturally the next in order. Then there come the various improvements in the building of vessels; namely, the substitution of planks fastened on a skeleton of beams for a mere hollowed log, and the subsequent invention of iron vessels with their numerous compartments, giving enormous strength and size, with very great comparative lightness.

Then we come to the various developments of the ropes or cables, by which a vessel is kept in its place when within reach of ground, whether on shore or at the water-bed. Next come the different forms of anchors which fasten a vessel to the bed of the ocean, of grapnels by which she can be made fast to the shore, or of “drags,” which at a pinch can perform either office, and can besides be utilised in searching for and hauling up objects that are lying at the bottom of the sea.

Next we come to the boat-hook, which is so useful either as a temporary anchor, or as a pole by which a boat can be propelled by pushing it against the shore or the bed of the water; and then to the “punt-pole,” which is only used for the latter purpose.

Lastly, we come to the life-belt and life-raft, which are now occupying, and rightly, so much of the public attention. These subjects will be treated in their order in the present chapter, and I hope to be able to show the reader that in all these points nature has anticipated art.

I presume that most, if not all, of my readers are aware of the rapidly extending use of iron in ship-building, not only in the standing rigging, but in the material of the vessel. First there came iron “knees,” i.e. the angular pieces of wood which strengthen the junctions of the timbers. Formerly these were made of oak-branches, and, as it was not easy to find a bough which was naturally bent at such an angle as was required for a “knee,” such branches were exceedingly valuable. Iron, however, was then employed, and with the best results. It was lighter than the wooden knee, was stronger, could be bent at any angle, and took up much less space.

By degrees iron was used more and more, until vessels were wholly made of that material. Then the masts, and even the yards, were made of iron, and, strange as it may appear, were found to be lighter as well as stronger than those made of wood. Of course, the masts and yards were hollow, and it was found by the engineers that in order to combine lightness with great strength, the best plan was to run longitudinal ridges along the inside of the tube.

A section of one of these masts is given at Fig. B, and taken from the drawings of one of our largest engineering firms. The reader will see that the mast is composed of rather slight material, and that it is strengthened by four deep though thin ribs, which run throughout its length.

When I first saw this mast I was at once struck with the remarkable resemblance between it and the quill of the Porcupine. These quills, as all anglers know, are very light, and of extraordinary strength when compared with their weight. Indeed, they are so light that they are invaluable as penholders to those who are obliged to make much use of their pen. I have used nothing else for a very long time, and the drawing of the Porcupine quill which is here given at Fig. A was made from a small piece cut from the top of the penholder which I have used for some fifteen years, and with which all my largest and most important works were written, including the large “Natural History,” “Homes without Hands,” “Man and Beast,” &c., &c. A portion of the same quill is also shown of its real size.

If the reader will cut a Porcupine quill at right angles, make a thin section of it, and place it under the microscope, or even under an ordinary pocket lens, he will see that the exterior is composed of a very thin layer of horny matter, and the interior filled with a vast number of tiny cells, which are formed much on the same plan as the pith of elder and other plants. The analogies of the pith will be treated in another page.

But were the quill merely a hollow tube filled with pith, it would be too weak to resist the strain to which it is often liable. Consequently it is strengthened by a number of internal ribs, composed of the same horny material as the outer coat, and arranged in exactly the same way as those of the mast.

There are yet other points in the structure of the Porcupine quill which might be imitated with advantage in the mast. In the first place, the internal ribs are much more numerous than those of the mast, but they are very much thinner, and taper away from the base, where the greatest strain exists, to the end, where they come to the finest imaginable edge. This modification of structure enables the outer shell of the quill to be exceedingly thin and light, and, moreover, gives to the whole quill an elasticity which is quite wonderful, considering its weight and strength.

Then, in the iron mast the exterior is quite smooth, whereas in the Porcupine quill it is regularly indented, exactly on the principle of the corrugated iron, which combines great strength with great lightness. And I cannot but think that our iron masts might be made both lighter and stronger if the shell were thinner, the internal ribs made like those of the Porcupine quill, and the shell corrugated instead of being quite smooth. The internal cells of the quill are, of course, not needed in the mast, as they are intended for nutrition, and not for strength.

Being on this subject, we may take the shape of the Porcupine quill, and compare it with that of the ship’s yard. It will be seen that the two are so exactly similar in form that the outline of one would answer perfectly well for the other. The only perceptible difference is, that in the ship’s yard both ends are alike, whereas in the Porcupine quill the end which is inserted in the skin is rounded and slightly bent, while the other end is sharply pointed.

The principal point to be noticed in the form of both quill and yard is, that they become thicker in the centre, that being the spot on which the greatest strain comes, and which, in consequence, needs to be stronger than any other part. While holding and balancing the pole which Blondin uses to preserve his balance when walking on the high rope, I was struck with the fact that the pole, which is heavily weighted at each end, had to be strengthened in the middle, exactly on the principle of the Porcupine quill and the ship’s yard. It could not, of course, be thickened, as the hands could not grasp it, but it had to be furnished with additional strengthening. And the necessity of such strengthening is evident from the fact that on one occasion the pole did break in the middle, so that any one of less nerve and presence of mind must have been killed.

Bearing in mind, then, that in a rod or pole the centre is the part which most requires to be strengthened, we can see, in cases too numerous to mention, how art has followed, though perhaps unconsciously, in the footsteps of nature. Take, for example, the beam of a steam-engine, such as is given in the sketch, and for which the great engine at Chatham acted as model. The reader will observe that in this case the beam is gradually thickened towards the centre, the ends, where the strain is slightest, being comparatively small.

Another point also must be noticed. Equal strength could have been obtained had the beam been solid, but at the expense of weight, and consequent waste of power. Lightness is therefore combined with strength by making the beam consist of a comparatively slight centre, but having four bold ridges, as shown in the section given in the accompanying illustration. This plan, as the reader will see, is exactly the same as that which is adopted in the iron mast and porcupine quill, except that the ridges are external instead of internal. The same mode of construction is employed in ordinary cranes, the principal beam of which is almost identical in form with that of the engine, both being thickest in the centre, and both strengthened with external ridges.

There are also other analogies between the hollow mast and natural objects. Keeping still to the animal world, we find the quill feathers of the flying birds to supply examples of the combination of great strength with great lightness and very little expenditure of material. Their wing bones, too, are hollow, communicating with the lungs, and are consequently light as well as strong.

Passing to the vegetable world, we find a familiar example of this structure in the common Wheat Straw. The ripe ear is so heavy, when compared with the amount of material which can be spared to carry it, that if the stalk were solid it would give way under the mere weight of the ear. Moreover, the full-grown corn has to endure much additional weight when wetted with rain, and to resist much additional force when bowed by the wind, so that a slight and solid stalk would be quite inadequate to the task of supporting the ear.

The material of the stalk is therefore utilised in a different manner, being formed into a hollow cylinder, the exterior of which is coated with a very thin shell of flint, or “silex” as it is scientifically termed. The result of this structure is that the stem possesses strength, lightness, and elasticity, so as to be equal to the burden which is laid upon it.

Then there is the common Bamboo, which is little more than a magnified straw, being constructed in much the same manner, and possessing almost the same constituents of vegetable matter and silex.

Perhaps the most extraordinary of the tubal system is to be found in the remarkable plant of Guiana called by the natives Ourah, and scientifically known by the name of Arundinaria Schomburgkii. Like the bamboo, it grows in clusters, and has a feathery top, which waves about in the breeze. But, instead of decreasing gradually in size from the base upwards, the Ourah, although it runs to some fifty feet in height, is nowhere more than half an inch in diameter. The first joint is about sixteen feet in length, and uniform in diameter throughout.

It is scarcely thicker than ordinary pasteboard, and yet so strong and elastic is it, that it can sustain with ease the weight and strain of its feathery top as it blows about in the breeze. The natives of certain parts of Guiana use this reed as a blow-gun, and I have a specimen, presented to me by the late Mr. Waterton, which is eleven feet in length.

So the reader will see that when engineers found that hollow iron beams were not only lighter, but stronger than solid beams, they were simply copying the hollow beams formed by Nature thousands of years ago.

Another great improvement in ship-building now comes before us.

We have already seen that the earliest boats were merely hollowed logs, just as Robinson Crusoe is represented to have made. But these had many disadvantages. They were always too heavy. They were liable to split, on account of flaws in the wood, and if a large vessel were needed, it was difficult to find a tree sufficiently large, or to get it down to the water when finished.