The Victorian House: Domestic Life from Childbirth to Deathbed

The Victorian House: Domestic Life from Childbirth to Deathbed
Judith Flanders

The bestselling social history of Victorian domestic life, told through the letters, diaries, journals and novels of 19th-century men and women.Some images were unavailable for this electronic edition.The Victorian age is both recent and unimaginably distant. In the most prosperous and technologically advanced nation in the world, people carried slops up and down stairs; buried meat in fresh earth to prevent mould forming; wrung sheets out in boiling water with their bare hands. This drudgery was routinely performed by the parents of people still living, but the knowledge of it has passed as if it had never been. Running water, stoves, flush lavatories – even lavatory paper – arrived slowly throughout the century, and most were luxuries available only to the prosperous.Judith Flanders, author of the widely acclaimed ‘A Circle of Sisters’, has written an incisive and irresistible portrait of Victorian domestic life. The book itself is laid out like a house, following the story of daily life from room to room: from childbirth in the master bedroom, through the scullery, kitchen and dining room – cleaning, dining, entertaining – on upwards, ending in the sickroom and death.Through a collage of diaries, letters, advice books, magazines and paintings, Flanders shows how social history is built up out of tiny domestic details. Through these we can understand the desires, motivations and thoughts of the age.Many people today live in Victorian terraces, and so the houses themselves are familiar, but the lives are not. ‘The Victorian House’ will change all that.

THE VICTORIAN HOUSE

Domestic Life from Childbirth to Deathbed

JUDITH FLANDERS

DEDICATION (#uc9a65d27-1101-5a60-9c59-979931e09e8c)

For my mother, Kappy Flanders

CONTENTS

COVER (#ua2bdb250-cf03-5de3-ba10-8382608b569f)

TITLE PAGE (#u8601864d-6fbc-55ca-8370-6fd533f974bc)

DEDICATION (#u5c2854a3-3378-5f16-a9af-f735613009c2)

INTRODUCTION: House and Home (#ue4c83bbc-0752-5271-921e-acfd5191ad0a)

1 The Bedroom (#udb308d40-dc1f-50fb-bbae-f1460dd78649)

2 The Nursery (#u5293c7ea-7b54-5905-bcdc-91a97d9f34ab)

3 The Kitchen (#u74d7f17e-6864-5bd8-b713-e0403d565f25)

4 The Scullery (#litres_trial_promo)

5 The Drawing Room (#litres_trial_promo)

6 The Parlour (#litres_trial_promo)

7 The Dining Room (#litres_trial_promo)

8 The Morning Room (#litres_trial_promo)

9 The Bathroom and Lavatory (#litres_trial_promo)

10 The Sickroom (#litres_trial_promo)

11 The Street (#litres_trial_promo)

APPENDICES (#litres_trial_promo)

1 Mourning Clothes for Women (#litres_trial_promo)

2 A Quick Guide to Books and Authors (#litres_trial_promo)

3 Currency (#litres_trial_promo)

SELECT BIBLIOGRAPHY (#litres_trial_promo)

INDEX (#litres_trial_promo)

LIST OF INTEGRATED IMAGES (#litres_trial_promo)

ACKNOWLEDGEMENTS (#litres_trial_promo)

ABOUT THE AUTHOR (#litres_trial_promo)

NOTES (#litres_trial_promo)

PRAISE (#litres_trial_promo)

ALSO BY THE AUTHOR (#litres_trial_promo)

COPYRIGHT (#litres_trial_promo)

ABOUT THE PUBLISHER (#litres_trial_promo)

INTRODUCTION (#ulink_f120773c-8f7c-55fe-97b2-a778e03f53fb)

HOUSE AND HOME (#ulink_f120773c-8f7c-55fe-97b2-a778e03f53fb)

IN 1909 H.G.WELLS WROTE, in a passage from his novel Tono-Bungay, of Edward Ponderevo, a purveyor of patent medicines and

terror of eminent historians. ‘Don’t want your drum and trumpet history – no fear … Don’t want to know who was who’s mistress, and why so-and-so devastated such a province; that’s bound to be all lies and upsy-down anyhow. Not my affair … What I want to know is, in the middle ages Did they Do Anything for Housemaid’s Knee? What did they put in their hot baths after jousting, and was the Black Prince – you know the Black Prince – was he enamelled or painted, or what? I think myself, black-leaded – very likely – like pipeclay – but did they use blacking so early?’

(#litres_trial_promo)

It is a comic view of history. Or is it? History is usually read either from the top down – kings and queens, the leaders and their followers – or from the bottom up – the common people and their lives. Political history and social history, however, both encompass the one thing we all share – that at the end of the day, after ruling empires or finishing the late shift in a factory, we all go back to our homes. Different as those homes are, how we live at home, where we live, what we do all day when we’re not doing whatever it is that history is recording – these are some of the most telling things about any age, any people. Mme Merle in Henry James’s The Portrait of a Lady (1881) notes how ‘one’s house, one’s furniture, one’s garments, the books one reads, the company one keeps – all these things are expressive’.

(#litres_trial_promo)

This is true of any age, but the Victorians brought the idea of home to the fore in a way that was new. As the Victorians saw ‘home’ as omnipresent, it has seemed to me useful to rely on the same sources that surrounded them and formed their notions of what a home should be – magazines, advertisements, manuals and fiction. In describing people’s daily lives, I look first at what theory prescribed and described in these print sources, and then try to discover the reality in reportage, diaries, letters and journals. Novels are used frequently, as fiction straddles the two camps in that it both set standards for ‘proper’, or ‘normal’, behaviour in theory and also described this behaviour in actuality. In using fiction as a source for how people actually behaved I have primarily relied on novels for information that the authors regarded as background material rather than key plot devices, and have always balanced them with other, more conventional, documentary sources for corroboration.

(#ulink_af327a45-0838-5937-821c-069da08d08c4)

By the mid nineteenth century magazine titles epitomized the centrality of the home in Victorian life, boasting the growing middle classes’ new allegiance: The Home Circle, The Home Companion, The Home Friend, Home Thoughts, The Home Magazine, Family Economist, Family Record, Family Friend, Family Treasure, Family Prize Magazine and Household Miscellany, Family Paper and Family Mirror.

(#litres_trial_promo) They were not alone in their focus. Services were provided by ‘Family Drapers’, ‘Family Butchers’, even a ‘Family Mourning Warehouse’.

(#litres_trial_promo) As the Industrial Revolution appeared to have taken over every aspect of working life, so the family, and by extension the house, expanded in tandem to act as an emotional counterweight. The Victorians found it useful to separate their world into a public sphere, of work and trade, and a private sphere, of home life and domesticity. The Victorian house became defined as a refuge, a place apart from the sordid aspects of commercial life, with different morals, different rules, different guidelines to protect the soul from being consumed by commerce. Or so it seemed.

Domesticity began to acquire a new importance in the late eighteenth century, and in half a century it had made such strides that the house as shelter from outside forces was regarded as the norm. The eighteenth century had been the age of the club and the coffee house for those who could afford them, the gin shop and street gatherings for those who could not. Male companionship in leisure time was the norm for men. Now women at home were looked at in a different light: they became, as John Ruskin was later to describe the home, the focus of existence, the source of refuge and retreat, but also of strength and renewal.