In Sunny Spain with Pilarica and Rafael

Half ashamed of his condescension, the boy did not spare her, but tore at his full speed along the dusty road, between giant hedges of aloes, with their blue, sworded leaves, and lances tipped with yellow blossoms, so that it was a very hot, panting little girl who arrived, hardly a minute behind him, at the fountain on whose steps was enthroned the Gypsy King.

This was a very splendid personage indeed, with his high, peaked hat sparkling all over with pendants of colored glass that flashed back the sun like crown jewels. His slashed jacket was wondrously embroidered and spangled and his broad sash was of scarlet silk. Even his trousers and stockings looked as if he had been wading in a sunset. Smiling on Pilarica, he drew a bright cup from his wallet and, leaning toward the fountain, filled it with water that could not have looked more deliciously fresh and cold if the cup had been made of purest silver instead of gypsy tin. But thirsty as she was, the little Andalusian maiden handed the cup back to the giver.

“After you, please,” she said as sweetly as if her throat were not almost choked with the white dust.

The Gypsy King bowed with much majesty and touched the cup to his lips, but then she insisted on passing it to Rafael, who made short work of draining its contents to the last drop. He did not fail, however, to fill it again for his sister, so that, at last, Pilarica found herself seated on the lowest step, at the feet of the fortune teller, quite cool and comfortable.

But the picturesque old gypsy, although he could not help being kind to Pilarica, was in a gloomy mood. He had sold only one of his photographs all day long, and that to a rude young foreigner – we hope it was not an American – who had laughed at his kingship to his face and spun him the silver coin so carelessly that it had rolled into a crevice of the stone work and joined the lost treasures of the Alhambra. And well the poor old gypsy knew that, however much he might pose as a king in his flaunting hat and gaudy jacket by day, with twilight he must make his way back to the rows of human dens that burrow into the hillside across the river Darro. And there, as soon as he should draw back the dirty flap of cloth from the entrance of his own cave, his swarthy young wife, Xarifa, would demand the amount of his day’s earnings and, when he confessed to an empty wallet, would fly into such a passion that the heavy silver earrings would pound against her raven hair and every flounce on her bright orange petticoat would seem to bristle with rage. He could tell his own fortune, for that evening, only too well, – a shame-faced old fellow perched on a stool in the corner, trying with trembling hands to mend a cooking tin or a piece of harness, while Xarifa’s furious voice went on and on, until at last he should be suffered to fall asleep on the heap of ragged sheepskins that served him for a royal couch.

So although on yesterday, when he had sold three photographs and had three pesetas jingling in his purse, the Gypsy King had promised to tell Rafael’s fortune as an act of friendship, to-day he was stubbornly silent, holding out his palm to be crossed with silver. Rafael’s flush met the red edges of his fez. The only silver he had was a little watch and chain that his father had given him when, three years ago, that gallant naval engineer left his children, whose mother had just died, in the care of Grandfather and Tia Marta and sailed away, under the red and yellow flag of Spain, to do his part for king and country. No one guessed how deeply Rafael loved that absent father, the hero of all his dreams, but the boy had even more than the usual share of Spanish pride and, with a sudden gulp that was not far from a sob, he dropped the watch and chain into that greedy palm.

And he could make nothing of the fortune, after all. The Gypsy King, muttering strange words that only gypsies know, bent forward and with his staff traced rude figures in the sand, – a train of mules, a cockle-shell, a battle-ship; but suddenly he lifted his staff and touched it lightly to Rafael’s magic cap.

“That is your fortune,” he declared. “It will turn toads into nightingales and stones into bread. Don’t give that away, my little gentleman, even to the gypsies.”

III

FORTUNES AND MISFORTUNES

THE eyes of the Gypsy King began to glitter like jet beads. He had caught sight of an omnibus toiling up the Alhambra hill, and after the first a second, and after the second a third. Tourists! A party of foreign tourists! A host of golden, gullible tourists! Ah, Xarifa would be pleased with him, after all. She would toss him off a panful of crisp fritters for supper and then sit with him in the mouth of their cave, enjoying all the gypsy jest and music. With surprising nimbleness he climbed to the top step of the fountain, and there he stood, brandishing his hat high above his head and bowing and beckoning and twisting and bowing again until Pilarica turned quite giddy just from watching him.

“Come away!” ordered Rafael, tugging at her hand, and she followed her brother to the ivied wall beneath that bell-tower on whose top the first cross was lifted after the Christians had taken the Alhambra from the Moors. Here Rafael busied himself in gathering together a few smooth stones, as much in the shape of Spanish rolls as he could find, and arranging them in a row.

“Count out!” he commanded Pilarica, and the little girl, dancing up and down the line as she sang, proceeded to touch with an airy foot one stone and then another and another in turn.

“The garden of our house it is
The funniest garden yet,
For when it rains and rains and rains,
The garden it is wet.
And now we bow,
Skip back and then advance,
For who know how
To make a bow
Know how to dance.
AB – C – AB – C
DE – FG – HI – J.
If your worship does not love me,
Then a better body may.
AB – C – AB – C,
KL – MN – OP – Q.
If you think you do not love me,
I am sure I don’t love you.”

Before the song was ended, Rafael had clapped his magic cap over the stone designated by Q and stood, with red lips firmly pressed together, abiding results.

“Sing something else, Pilarica,” he entreated, “or else I cannot, cannot wait.”

And Pilarica, with a quick instinct for what would hold his attention, piped up the song by which Spanish children keep in memory the name of a true patriot. By the middle of the second line, Rafael’s fresh treble was chiming in with hers, though his gaze never wavered from the wonder-working fez.

“As he came from the Senate,
Men whispered to Prim:
‘Be wary, be wary,
For life and for limb.’
Then answered the General:
‘Come blessing, come bane,
I live or I die
In the service of Spain.’

“In the Street of the Turk,
Where the starlight was dim,
Nine cowardly bullets
Gave greeting to Prim.
The best of the Spaniards
Lay smitten and slain,
And the new King he died for
Came weeping to Spain.”

“Now! now!” cried Rafael, and whisked the red cap off the stone, which looked – precisely as it had looked before. Not one flake of puffy crust, not one white, tempting crumb betrayed whatever change might have come to pass under that magic covering. The children fell flat on their stomachs on either side of this doubtful substance and first Rafael, then Pilarica, thrust out a red tongue and licked it cautiously. The taste was gritty. Rafael tried to take a bite, but his white young teeth slipped helplessly off the flinty surface. The boy squatted back on his heels, his small fists clenched, and glared darkly out before him.

“Perhaps one of the others – ” faltered Pilarica.

“They are all alike,” interrupted Rafael, in a voice harsh with mounting anger. “They are stones, just stones, and they always will be stones. I knew it all the time.”

“Our rolls are very, very hard once in a while,” ventured the little girl again, but this remark was met with scornful silence.

“Or I might hunt for a toad,” she persisted, dismayed by Rafael’s sombre stare. “Toads are much softer than stones, and perhaps – ”

But the boy had bounded to his feet and was stamping furiously upon the magic cap.

“The gypsy is a humbug, and the cap is a humbug,” he exclaimed chokingly, “and I have been cheated out of my watch and chain, – my silver watch and chain that my father gave me. I will not bear it. I am going down the hill to meet Rodrigo, and he will make that lying old thief give them back to me.”

And without another glance toward the little sister whom he had so loftily taken under his protection, Rafael, bare-headed, dashed away and disappeared down the steep avenue by which Rodrigo usually came home from the Institute.

The tears trembled for a moment on Pilarica’s long eyelashes, as she found herself thus forsaken, but she was a practical little person on occasion, as the sisters of impulsive brothers needs must be, and so she picked up the red fez, brushed away the dust, folded it neatly and hid it in her bodice. Then she scattered the stones far and wide, so that Rafael might not come upon that unlucky row again and be stung by the reminder of his loss.

And what next? For a moment the child looked longingly down, from her green nook, on the outspread city of Granada, with its clusters of gray towers and spires that seemed to be talking together in the purple air about the times that were. Rafael was allowed to go half-way down the Alhambra hill to meet Rodrigo, and sometimes Rodrigo, on a holiday, would take his little brother into the city with him for a whole afternoon, but Rodrigo, who was a student and knew everything, said it was best for girls to bide at home. Only yesterday Rafael had gone into Granada with Rodrigo, to see a wonder-working troupe of jugglers, and returned rejoicing in the red fez. An Arab peddler, who was, as well, snake-charmer and sword-eater, pleased by the boy’s wide-eyed admiration of his exploits, had tossed it to him with the laughing words: “Red is the color of magic.” And Tia Marta went down to Granada sometimes with the donkey Shags for the frugal family supplies, but she could not be bothered with Pilarica, while Grandfather, who never found Pilarica a bother, was too feeble now for the confusion of the city streets and for the long climb back up the hill.

So the child lifted her wistful eyes from the proud old city to the far sweep of the plain beyond, a plain rich in gardens and vineyards, orchards and olive-groves, and then she looked out further yet to the ranks of snow-clad mountains that shut in the view. Those glistening summits made her lonely, and when a scamper of small feet came her way and a cry of eager voices called her name, Pilarica leapt down from her perch on the wall and let herself be swept along with the roguish little rabble of the Alhambra hill.

Tia Marta always scolded when Pilarica was found playing with the Alhambra children, for there were usually a few gypsies, rude and lawless, in the group, and some even of the Spaniards were so ill-bred as to make sport of strangers. But they were children, for all that, with the blithe laughter of children, and all the more determined to play with Pilarica because they knew that Pilarica was forbidden to play with them.

“To the Alhambra!” cried Arnaldo. “There are many people there, ugly people, with blue eyes, and hair the color of lemons, and faces flat like pesetas. There are so many that Don Francisco is as flustered as a fish in hot water and he has forgotten to lock the door after them. He will not notice us at all if we are careful to keep a court or two behind. But you must not run on and beg of the people, Zinga, and you, Leandro, must not be slipping your sly fingers into the ladies’ bags, or we shall all be driven out together.”

“I will do as I choose,” retorted the wild-haired gypsy girl, while the hawk-eyed gypsy lad, barely in his teens but already a skillful pickpocket, gripped the gay-handled knife in his belt and scowled defiance at Arnaldo.

Pilarica, frightened by the fierce looks, fell back with the little ones, Isabelita and Carmencita, chubby Pepito, and the gypsy two-year-olds, Rosita and Benito, letting the bigger and rougher children lead the way. So in two companies they tagged after the tourists up into the Court of Myrtles, with its great pool enclosed by myrtle hedges, and on to the Hall of the Ambassadors, whose walls are like lace of rare design and whose domed ceiling, all white and gold and blue, studded with starry figures, seems a bit of sky. When they had come to the Court of the Lions, whose multitude of white marble columns look, in their varied grouping, like guests frozen by some playful enchantment just as they were chatting together or musing apart in this exquisite throne-room of the Sultans, the smaller children began to lag. Plump Pepito sat down firmly on the floor. Carmencita, startled by the twelve marble lions that uphold the fountain-basin in the center, puckered up her face for a cry, and Pilarica, to divert her, started one of the circle-games in which Spanish children delight. Hand in hand, the little dancers tripped about like a ring of fairies, until Pilarica’s clear voice led them in the song of San Serení, the well-beloved Saint of Gentleness. All but the wee gypsies knew every stanza, singing lustily, and even Benito and Rosita acted out the gymnastic movements with the rest, kneeling, sitting, lying back and jumping up again, as the several verses directed.

“San Serení of the Mountain,
Our Saint of Courtesy,