Collected Letters Volume One: Family Letters 1905–1931

(#ulink_d353b559-d436-5919-9b4f-55277ae37095) Although, as you have seen, I don’t often read the newspapers, I was glad when Kirk pointed that out to me. Most of the people one hears rather laugh at that bread ‘wheeze’, but I rather think Lloyd George’s is the wiser view. In the way of reading, I have been taking a course of ‘Poems and Ballads’, which, with the exception of the ‘Coign of a cliff’

(#ulink_a5a88883-8ade-5fac-bcaa-55cf16bce93c) I had almost forgotten. It is rather pleasant to discover a book which is already at home for future use.

The weather here is very miserable, and I don’t think there has been an hour’s sunshine since I came back. Kirk asked me to write for Aeneid VII and VIII, published at 1/6 each by Cambridge University Press, editor Sedgwick.

(#ulink_47407117-1a38-5199-9948-994dcc362e8c) I am afraid these requests for books are rather numerous, but of course it is Kirk’s to command, mine not to question why, etc.

I have heard nothing from you now since the holydays, except the scant note of which you so rightly said ‘This is not a letter’. I sincerely hope you are not hors de combat. Do drop me a line soon and let me know.

your loving son,

Jack

TO HIS FATHER (LP IV: 304):

[Gastons

21? March 1915]

My dear Papy,

In connection with the ‘question before the house’, I have, as you may have anticipated, only one answer. Apart from the natural inclination to go home if possible, it occurs to me that there is no knowing where such a period of non-homecoming might end. If we could be sure that this policy of frightfulness would be over by midsummer, I should not hesitate to spend Easter in England. But it would be illogical to stay here now on account of the submarines and cross then in spite of them. So that there is the frightful prospect of living on opposite sides of the channel for two, five, or six years.

That of course is unthinkable; and it is on that ground chiefly that I should recommend going home.

A minor point to be considered is that it would be as well to make use of my return ticket while it is still available. The same idea would make me inclined to travel by Fleetwood–for which my ticket is available–in preference to Larne and Stranraer. The difference in the length of the crossing is, I should say, by no means commensurate with the extra expense, and in comfort Fleetwood is probably superior. If these ideas fall in at all with your own, I should suggest that I leave Bookham on Thursday week (the 1st April), which would mean arriving home on the morning of Good Friday. That just leaves a comfortable space of time in which you can write to K. about it.

Last week end was busily employed in reading through De Quincey’s ‘Confessions’

(#ulink_4e5246ff-32ae-50b6-a597-89e970449ae9) as a whole, for the first time, from which I derived great satisfaction. How much of it is true? The whole thing reads so like a novel that I am rather incredulous. Anyway it is certainly a splendid piece of English prose, especially in the rhetorical passages where he shows such a happy knack of getting pleasantly off the point. Thanks for the Aeneids: though, with the holydays near, if I had thought, I might have let it stand over.

As you say, our inability to cope with the submarine menace is a very serious thing; but not half so far reaching, so degrading, so essentially rotten as the behaviour of our working classes, who, tho’ so highly paid that they can afford to have three days off per week when nominally at work, yet because of some petty jealousies of their own are refusing to turn out the goods necessary to the military operations which the country is engaged upon. As K. points out, we are the only country which when the war broke out was ‘free’ from militarism, and yet about to engage in civil war: and we are now the only one that cannot secure peace among its working classes. But enough of all this. The weather, as usual of late, is disgusting except for one ‘pet’ day on Sunday. Hope to see you next week.

your loving son,

Jack

TO ARTHUR GREEVES (W):

[Gastons

30 March 1915]

Dear Arthur,

How I pity you people who never have known the pleasures and the pains–which are an integral part of the pleasures–of a regular interchange of home-coming and school going. Even the terrors of Malvern were almost justified by the raptures with which one hailed the periodic deliverance. Here, where the minor disadvantages of my sojourns at Bookham are just enough to act as a foil to the pleasures of home, but not so great as to make the earlier part of the term unhappy, the arrangement is ideal. The satisfaction with which a day boy looks forward to a period of rest from his work, can be but the faintest shadow of a boarder’s feeling towards his return from temporary exile.

These last few days! Every little nuiscance, every stale or tiresome bit of work, every feeling of that estrangement which I never quite get over in another country, serves as a delightful reminder of how different it will all be soon. Already one’s mind dwells upon the sights and sounds and smells of home, the distant murmuring of the ‘yards’, the broad sweep of the lough, the noble front of the cave hill, and the fragrant little glens and breazy meadows of our own hills! And the sea! I cannot bear to live too far away from it. At Belfast, whether hidden or in sight, still it dominates the general impression of nature’s face, lending its own crisp flavour to the winds and its own subtle magic to horizons, even when they conceal it. A sort of feeling of space, and clean fresh vigour hangs over all in a country by the sea: how different from the stuffiness of Bookham: here the wind–that is to say, the true, brisk, boisterous irresistable wind–never comes.

And yet, I would not for a moment disparage the beauty of Surrey: these slumbering little vallies, and quaint farmsteads have a mellow charm of their own, that Ulster has not. But just now my End-of-Term feelings will not allow me to think of that. ‘But why’, you will ask ‘am I treated to these lyrical raptures?’ Indeed, Sir, I hardly know. My father wrote a few days ago, and asked if we should risk the submarines and come home, or not. I of course said that we should,–advancing many sage arguments thereto, and suggested leaving here next Friday. I have not been answered yet, but hope to goodness it is coming off. Anyway, a wave of End-of-Terminess came over me to night, and, as I had to communicate with someone, so you, poor fellow, got let in for this!

I had a letter from ‘Her’

(#ulink_f9309249-0e70-56dc-bf08-144d74cfc4a1) the other day, which is all satisfactory, Must shut up now.

Yours

Jack

Jack arrived in Belfast for his Easter holidays on 1 April and was there till 30 April. During this time he wrote the first poems he considered worthy of preservation. One of those written during this holiday was ‘The Hills of Down, and it is found in his Collected Poems (1994). From this time until he went up to Oxford in 1917 Lewis wrote 52 poems which he copied into a notebook bearing the name ‘Metrical Meditations of a Cod’. Fourteen of the ‘metrical meditations’ are found in Spirits in Bondage.

TO ARTHUR GREEVES (W):

[Gastons

4 May 1915]

Dear Galahad,

(#ulink_012786c9-12ea-5be2-975d-269aee809b9c)

I am surprised! Have you actually come down to enjoying such stuff as ‘The Breed of the Treshams’?

(#ulink_c8b0ad07-e024-55eb-a1b3-9a19af2cc04a) I never (for which the gods be thanked) saw or read it, but the name is enough. I admit, I should like to have seen The Shrew,

(#ulink_89288605-06e7-5681-8bcb-64714a15d676) and novelties in the way of staging are always rather interesting. I much prefer on the stage–and everywhere for that matter–quiet, tasteful, plain decorations, to tawdry, splendid things.

I feel my fame as a ‘Man-about-the-Gramaphone’ greatly put out by your remarks à propos of Lohengrin Prelude Act III,

(#ulink_324f45a5-0e16-52e2-9b3d-f024fef95ba3) as, I must confess, I never heard of it on Columbia. I do hope it is a good record, as I should like to have it very much: what is the Venusbury music like?

(#ulink_1a52f8c3-a624-52ac-acda-42b2f015a04f) Is it that wild part that comes at the end of the Tannhaüser overture? Of course you know the Columbia edition of Schubert’s Rosamunde

(#ulink_85872c72-24d9-532d-9973-3458bd1abdf4) has long been at Little Lea, but when last I played it to you, I seem to remember a non favourable verdict from you. I am so glad that you have gotten (That’s correct, you know. ‘Got’ isn’t) the Fire Music,

(#ulink_9f28a88d-d97a-5a34-ae46-0a9a3a2624ff) as I have been hesitating over it for ages, and your success or failure will decide me. Oh! I had better stop writing about this, as it makes me ‘think long’: not, if you please, in a sentimental way, but with a sensible desire for my books and you and our Gramaphones etc.

(#ulink_6ce0cf07-9c67-5fda-85bb-ffe093aaaa56)

However, I have gotten (notice–again) one great addition to my comfort here, in the discovery of a ‘Soaking-machine’, which conveniences are very scarce in England, owing to the strict customs which prevent the mildest trespassing. My new palace, is at the foot of a great oak, a few yards off a lane, and hidden therefrom by a little row of shrubs and small trees. Completely private, safe from sun, wind or rain, and on the ridge of the only rising ground (you wouldn’t call it a hill) about here. There, with a note book and pencil, I can be as free to write, etc, as at home. So if your next letter comes in pencil, on a sheet torn from a pocket book, you needn’t be surprised. I must find some more of these places as summer goes on, for it is already too hot to walk far.

I bought yesterday a little shilling book about Wm. Morris, his life and his work,

(#ulink_6a224368-5a5b-5a15-8d8b-f374f70f7534) which is rather interesting. To me, at least, for I am afraid you have given up that old friend of ours.

To say that you have something ‘sentimental’ to say, and not to say it, is to be like Janie McN.

(#ulink_e68cde52-4604-598a-87e9-45382d1e8815) with the latest scandal, that everyone is told about and no one is told. I don’t quite follow your letter in places. What is the connection between all the rubbish about ‘that nuiscance Arthur’ (you know how all your friends ridicule and dislike that sort of talk) and the wish that I should become sentimental perforce? By the way, I am perhaps more sentimental than you, but I don’t blow a trumpet about it. Indeed, I am rather ashamed of it. Feelings ought to be kept for literature and art, where they are delightful and not intruded into life where they are merely a nuiscance.