Anna Karenina

"Well, she’s the second angel, then," said the prince, smiling. "she calls Mademoiselle Varenka angel number one."

"Oh! Mademoiselle Varenka, she’s a real angel, allez," Madame Berthe assented.

In the arcade they met Varenka herself. She was walking rapidly towards them carrying an elegant red bag.

"Here is papa come," Kitty said to her.

Varenka made – simply and naturally as she did everything – a movement between a bow and a curtsey, and immediately began talking to the prince, without shyness, naturally, as she talked to everyone.

"Of course I know you; I know you very well," the prince said to her with a smile, in which Kitty detected with joy that her father liked her friend. "Where are you off to in such haste?"

"Maman’s here," she said, turning to Kitty. "She has not slept all night, and the doctor advised her to go out. I’m taking her her work."

"So that’s angel number one?" said the prince when Varenka had gone on.

Kitty saw that her father had meant to make fun of Varenka, but that he could not do it because he liked her.

"Come, so we shall see all your friends," he went on, "even Madame Stahl, if she deigns to recognize me."

"Why, did you know her, papa?" Kitty asked apprehensively, catching the gleam of irony that kindled in the prince’s eyes at the mention of Madame Stahl.

"I used to know her husband, and her too a little, before she’d joined the Pietists."

"What is a Pietist, papa?" asked Kitty, dismayed to find that what she prized so highly in Madame Stahl had a name.

"I don’t quite know myself. I only know that she thanks God for everything, for every misfortune, and thanks God too that her husband died. And that’s rather droll, as they didn’t get on together."

"Who’s that? What a piteous face!" he asked, noticing a sick man of medium height sitting on a bench, wearing a brown overcoat and white trousers that fell in strange folds about his long, fleshless legs. This man lifted his straw hat, showed his scanty curly hair and high forehead, painfully reddened by the pressure of the hat.

"That’s Petrov, an artist," answered Kitty, blushing. "And that’s his wife," she added, indicating Anna Pavlovna, who, as though on purpose, at the very instant they approached walked away after a child that had run off along a path.

"Poor fellow! and what a nice face he has!" said the prince. "Why don’t you go up to him? He wanted to speak to you."

"Well, let us go, then," said Kitty, turning round resolutely. "How are you feeling today?" she asked Petrov.

Petrov got up, leaning on his stick, and looked shyly at the prince.

"This is my daughter," said the prince. "Let me introduce myself."

The painter bowed and smiled, showing his strangely dazzling white teeth.

"We expected you yesterday, princess," he said to Kitty. He staggered as he said this, and then repeated the motion, trying to make it seem as if it had been intentional.

"I meant to come, but Varenka said that Anna Pavlovna sent word you were not going."

"Not going!" said Petrov, blushing, and immediately beginning to cough, and his eyes sought his wife. "Anita! Anita!" he said loudly, and the swollen veins stood out like cords on his thin white neck.

Anna Pavlovna came up.

"So you sent word to the princess that we weren’t going!" he whispered to her angrily, losing his voice.

"Good morning, princess," said Anna Pavlovna, with an assumed smile utterly unlike her former manner. "Very glad to make your acquaintance," she said to the prince. "You’ve long been expected, prince."

"What did you send word to the princess that we weren’t going for?" the artist whispered hoarsely once more, still more angrily, obviously exasperated that his voice failed him so that he could not give his words the expression he would have liked to.

"Oh, mercy on us! I thought we weren’t going," his wife answered crossly.

"What, when…" He coughed and waved his hand. The prince took off his hat and moved away with his daughter.

"Ah! ah!" he sighed deeply. "Oh, poor things!"

"Yes, papa," answered Kitty. "And you must know they’ve three children, no servant, and scarcely any means. He gets something from the Academy," she went on briskly, trying to drown the distress that the queer change in Anna Pavlovna’s manner to her had aroused in her.

"Oh, here’s Madame Stahl," said Kitty, indicating an invalid carriage, where, propped on pillows, something in gray and blue was lying under a sunshade. This was Madame Stahl. Behind her stood the gloomy, healthy-looking German workman who pushed the carriage. Close by was standing a flaxen-headed Swedish count, whom Kitty knew by name. Several invalids were lingering near the low carriage, staring at the lady as though she were some curiosity.

The prince went up to her, and Kitty detected that disconcerting gleam of irony in his eyes. He went up to Madame Stahl, and addressed her with extreme courtesy and affability in that excellent French that so few speak nowadays.

"I don’t know if you remember me, but I must recall myself to thank you for your kindness to my daughter," he said, taking off his hat and not putting it on again.

"Prince Alexander Shtcherbatsky," said Madame Stahl, lifting upon him her heavenly eyes, in which Kitty discerned a look of annoyance. "Delighted! I have taken a great fancy to your daughter."

"You are still in weak health?"

"Yes; I’m used to it," said Madame Stahl, and she introduced the prince to the Swedish count.

"You are scarcely changed at all," the prince said to her. "It’s ten or eleven years since I had the honor of seeing you."

"Yes; God sends the cross and sends the strength to bear it. Often one wonders what is the goal of this life?.. The other side!" she said angrily to Varenka, who had rearranged the rug over her feet not to her satisfaction.

"To do good, probably," said the prince with a twinkle in his eye.

"That is not for us to judge," said Madame Stahl, perceiving the shade of expression on the prince’s face. "So you will send me that book, dear count? I’m very grateful to you," she said to the young Swede.

"Ah!" cried the prince, catching sight of the Moscow colonel standing near, and with a bow to Madame Stahl he walked away with his daughter and the Moscow colonel, who joined them.

"That’s our aristocracy, prince!" the Moscow colonel said with ironical intention. He cherished a grudge against Madame Stahl for not making his acquaintance.

"She’s just the same," replied the prince.

"Did you know her before her illness, prince – that’s to say before she took to her bed?"

"Yes. She took to her bed before my eyes," said the prince.

"They say it’s ten years since she has stood on her feet."

"She doesn’t stand up because her legs are too short. She’s a very bad figure."

"Papa, it’s not possible!" cried Kitty.