A Night In With Grace Kelly

A Night In With Grace Kelly
Lucy Holliday

The LOL conclusion to the series that started with A Night in With Audrey Hepburn. Perfect for fans of Sophie Kinsella and Lucy Diamond.Fate has got it in for Libby Lomax. She realised, far too late, that her best friend Olly, is the actual Love of Her Life. Now he’s in love with the so-nice-it-hurts, Tash, and it looks like her happy ending is completely out of reach.Things start looking up when she, quite literally, runs into the completely gorgeous Joel. Libby discovers that there is more to Joel than his six-pack, not least, the incredible fact that he honestly believes he has found his fairy tale princess in her.And if this wasn’t enough, an unwanted guest shows up on Libby’s enchanted sofa; Grace Kelly, wearing her iconic wedding dress and convinced that Libby is figment of her imagination. But one thing that Grace doesn’t believe in is fairy tales. Grace believes that if you really want something, then you’ve got to make it happen yourself; words which give Libby hope that happy endings aren’t just for fairy tale princesses…

Copyright (#ulink_ebe80ca0-fb28-54db-b9cb-b14aaa632be5)

Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published in Great Britain by Harper 2017

Copyright © Angela Woolfe writing as Lucy Holliday 2017

Cover layout design © HarperCollinsPublishers Ltd 2017

Cover design and illustration by Jane Harwood

Lucy Holliday asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007583836

Ebook Edition © January 2017 ISBN: 9780008175634

Version: 2016-12-12

Contents

Cover (#u931331d8-8fac-5361-b4e3-e88b1d240415)

Title Page (#u5cf06a5e-ec7f-5021-9e55-ebe49340dc8e)

Copyright (#u7b88e906-3447-54d5-8df0-660bbbb75d29)

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Epilogue

Acknowledgements (#litres_trial_promo)

Keep Reading … (#litres_trial_promo)

About the Author (#litres_trial_promo)

Also by Lucy Holliday (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

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Minimalism. That’s the look I’ll have to say I was going for.

Clean lines, a sense of space, the total absence of clutter.

All of which are actually perfectly sensible ways to keep your living space, especially if, like me, you’re a designer by profession. It’s just that in my particular case, the sense of space and total absence of clutter in this, my brand-new flat, are less to do with any creative sensibility and more because of the fact that my last flat was roughly the size of a broom cupboard. So I barely own any furniture. The handful of furnishings I do own, which used to make the old place feel over-stuffed and faintly claustrophobic, barely even make a dent here in the new one.