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In Search Of Lost Time. Volumes 1 to 7

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2023
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“But we mustn’t sit here scribbling nonsense,” she cried, turning impetuously, with a sudden gravity of demeanour, to Andrée and Rosemonde.

“I ought to shew you the letter I got from Gisèle this morning. What an idiot I am; I’ve had it all this time in my pocket—and you can’t think how important it may be to us.” Gisèle had been moved to copy out for her friend, so that it might be passed on to the others, the essay which she had written in her certificate examination. Albertine’s fears as to the difficulty of the subjects set had been more than justified by the two from which Gisèle had had to choose. The first was: “Sophocles, from the Shades, writes to Racine to console him for the failure of Athalie“; the other: “Suppose that, after the first performance of Esther, Mme. de Sévigné is writing to Mme. de La Fayette to tell her how much she regretted her absence.” Now Gisèle, in an excess of zeal which ought to have touched the examiners’ hearts, had chosen the former, which was also the more difficult of the two subjects, and had handled it with such remarkable skill that she had been given fourteen marks, and had been congratulated by the board. She would have received her ‘mention’ if she had not ‘dried up’ in the Spanish paper. The essay, a copy of which Gisèle had now sent her, was immediately read aloud to us by Albertine, for, having presently to pass the same examination, she was anxious to have an opinion from Andrée, who was by far the cleverest of them all and might be able to give her some good ‘tips.’ “She did have a bit of luck!” was Albertine’s comment.“It’s the very subject her French mistress made her swot up while she was here.” The letter from Sophocles to Racine, as drafted by Gisèle, ran as follows: “My dear friend, You must pardon me the liberty of addressing you when I have not the honour of your personal acquaintance, but your latest tragedy, Athalie, shews, does it not, that you have made the most thorough study of my own modest works. You have not only put poetry in the mouths of the protagonists, or principal persons of the drama, but you have written other, and, let me tell you without flattery, charming verses for the choruses, a feature which was not too bad, according to all one hears, in Greek Tragedy, but is a complete novelty in France. Nay more, your talent always so fluent, so finished, so winning, so fine, so delicate, has here acquired an energy on which I congratulate you. Athalie, Joad—these are figures which your rival Corneille could have wrought no better. The characters are virile, the plot simple and strong. You have given us a tragedy in which love is not the keynote, and on this I must offer you my sincerest compliments. The most familiar proverbs are not always the truest. I will give you an example:

‘This passion treat, which makes the poet’s art
Fly, as on wings, straight to the listener’s heart.’

You have shewn us that the religious sentiment in which your choruses are steeped is no less capable of moving us. The general public may have been puzzled at first, but those who are best qualified to judge must give you your due. I have felt myself impelled to offer you all my congratulations, to which I would add, my dear brother poet, an expression of my very highest esteem.” Albertine’s eyes, while she was reading this to us, had not ceased to sparkle. “Really, you’d think she must have cribbed it somewhere!” she exclaimed, as she reached the end. “I should never have believed that Gisèle could hatch out anything like as good! And the poetry she brings in! Where on earth can she have got that from?” Albertine’s admiration, with a change, it is true, of object, but with no loss—an increase, rather—of intensity, combined with the closest attention to what was being said, continued to make her eyes ‘start from her head’ all the time that Andrée (consulted as being the biggest of the band and more knowledgeable than the others) first of all spoke of Gisèle’s essay with a certain irony, then with a levity of tone which failed to conceal her underlying seriousness proceeded to reconstruct the letter in her own way. “It is not badly done,” she told Albertine, “but if I were you and had the same subject set me, which is quite likely, as they do very often set that, I shouldn’t do it in that way. This is how I would tackle it. Well, first of all, if I had been Gisèle, I should not have let myself get tied up, I should have begun by making a rough sketch of what I was going to write on a separate piece of paper. On the top line I should state the question and give an account of the subject, then the general ideas to be worked into the development. After that, appreciation, style, conclusion. In that way, with a summary to refer to, you know where you are. But at the very start, where she begins her account of the subject, or, if you like, Titine, since it’s a letter we’re speaking of, where she comes to the matter, Gisèle has gone off the rails altogether. Writing to a person of the seventeenth century, Sophocles ought never to have said, ‘My dear friend.’” “Why, of course, she ought to have said, ‘My dear Racine,’” came impetuously from Albertine. “That would have been much better.” “No,” replied Andrée, with a trace of mockery in her tone, “she ought to have put ‘Sir.’ In the same way, to end up, she ought to have thought of something like, ‘Suffer me, Sir,’ (at the very most, ‘Dear Sir’) to inform you of the sense of high esteem with which I have the honour to be your servant.’ Then again, Gisèle says that the choruses in Athalie are a novelty. She is forgetting Esther, and two tragedies that are not much read now but happen to have been analysed this year by the Professor himself, so that you need only mention them, since he’s got them on the brain, and you’re bound to pass. I mean Les Juives, by Robert Gamier, and Montchrestien’s L’Aman.” Andrée quoted these titles without managing quite to conceal a secret sense of benevolent superiority, which found expression in a smile, quite a delightful smile, for that matter. Albertine could contain herself no—longer. “Andrée, you really are a perfect marvel,” she cried. “You must write down those names for me. Just fancy, what luck it would be if I got on to that, even in the oral, I should bring them in at once and make a colossal impression.” But in the days that followed, every time that Albertine begged Andrée just to tell her again the names of those two plays so that she might write them down, her blue-stocking friend seemed most unfortunately to have forgotten them, and left her none the wiser. “And another thing,” Andrée went on with the faintest note in her voice of scorn for companions so much younger than herself, though she relished their admiration and attached to the manner in which she herself would have composed the essay a greater importance than she wanted us to think, “Sophocles in the Shades must be kept well-informed of all that goes on. He must know, therefore, that it was not before the general public but before the King’s Majesty and a few privileged courtiers that Athalie was first played. What Gisèle says in this connexion of the esteem of qualified judges is not at all bad, but she might have gone a little further. Sophocles, now that he is immortal, might quite well have the gift of prophecy and announce that, according to Voltaire, Athalie is to be the supreme achievement not of Racine merely but of the human mind.” Albertine was drinking in every word. Her eyes blazed. And it was with the utmost indignation that she rejected Rosemonde’s suggestion that they should begin to play. “And so,” Andrée concluded, in the same easy, detached tone, blending a faint sneer with a certain warmth of conviction, “if Gisèle had noted down properly, first of all, the general ideas that she was going to develop, it might perhaps have occurred to her to do what I myself should have done, point out what a difference there is between the religious inspiration of Sophocles’s choruses and Racine’s. I should have made Sophocles remark that if Racine’s choruses are instinct with religious feeling like those of the Greek Tragedians, the gods are not the same. The God of Joad has nothing in common with the god of Sophocles. And that brings us quite naturally, when we have finished developing the subject, to our conclusion: What does it matter if their beliefs are different? Sophocles would hesitate to insist upon such a point. He would be afraid of wounding Racine’s convictions, and so, slipping in a few appropriate words on his masters at Port-Royal, he prefers to congratulate his disciple on the loftiness of his poetic genius.”

Admiration and attention had so heated Albertine that great drops were rolling down her cheeks. Andrée preserved the unruffled calm of a female dandy. “It would not be a bad thing either to quote some of the opinions of famous critics,” she added, before they began their game. “Yes,” put in Albertine, “so I’ve been told. The best ones to quote, on the whole, are Sainte-Beuve and Merlet, aren’t they?” “Well, you’re not absolutely wrong,” Andrée told her, “Merlet and Sainte-Beuve are by no means bad. But you certainly ought to mention Deltour and Gascq-Desfossés.” She refused, however, despite Albertine’s entreaties, to write down these two unfamiliar names.

Meanwhile I had been thinking of the little page torn from a scribbling block which Albertine had handed me. “I love you,” she had written. And an hour later, as I scrambled down the paths which led back, a little too vertically for my liking, to Balbec, I said to myself that it was with her that I would have my romance.

The state of being indicated by the presence of all the signs by which we are accustomed to recognise that we are in love, such as the orders which I left in the hotel not to awaken me whoever might ask to see me, unless it were one or other of the girls, the beating of my heart while I waited for her (whichever of them it might be that I was expecting) and on those mornings my fury if I had not succeeded in finding a barber to shave me, and must appear with the disfigurement of a hairy chin before Albertine, Rosemonde or Andrée, no doubt this state, recurring indifferently at the thought of one or another, was as different from what we call love as is from human life the life of the zoophytes, where an existence, an individuality, if we may term it, is divided up among several organisms. But natural history teaches us that such an organization of animal life is indeed to be observed, and that our own life, provided only that we have outgrown the first phase, is no less positive as to the reality of states hitherto unsuspected by us, through which we have to pass, and can then abandon them altogether. Such was for me this state of love divided among several girls at once. Divided—say rather undivided, for more often than not what was so delicious to me, different from the rest of the world, what was beginning to become so precious to me that the hope of finding it again on the morrow was the greatest happiness in my life, was rather the whole of the group of girls, taken as they were all together on those afternoons on the cliffs, during those lifeless hours, upon that strip of grass on which were laid those forms, so exciting to my imagination, of Albertine, Rosemonde, Andrée; and that without my being able to say which of them it was that made those scenes so precious to me, which of them I was most anxious to love. At the start of a new love as at its ending, we are not exclusively attached to the object of that love, but rather the desire to be loving from which it will presently emerge (and, later on, the memory which it leaves behind) wanders voluptuously through a zone of interchangeable charms—simply natural charms, it may be, gratification of appetite, enjoyment of one’s surroundings—which are so far harmonised among themselves that it does not in the presence of any one of them feel itself out of place. Besides, as my perception of them was not yet dulled by familiarity, I had still the faculty of seeing them, that is to say of feeling a profound astonishment every time that I found myself in their presence. No doubt this astonishment is to some extent due to the fact that the other person on such occasions presents himself in a fresh aspect; but so great is the multiformity of each of us, so abundant the wealth of lines of face and body, lines so few of which leave any trace, once we have parted from the other person, on the arbitrary simplicity of our memory. As our mind has selected some peculiarity that had struck us, has isolated it, exaggerated it, making of a woman who has appeared to us tall, a sketch in which her figure is absurdly elongated, or of a woman who has seemed to be pink-cheeked and golden-haired a pure ‘Harmony in pink and gold,’ so, the moment that woman is once again standing before us, all the other forgotten qualities which restore the balance of that one remembered feature at once assail us, in their confused complexity, diminishing her height, paling her cheeks, and substituting for what we have come to her solely to seek other peculiarities which we remember now that we did notice the first time, and fail to understand how we can so far have forgotten to look out for again. We thought we remembered; it was a peahen, surely; we go to see it and find a peony. And this inevitable astonishment is not the only one; for, side by side with it comes another, born of the difference, not now between the stereotyped forms of memory and reality, but between the person whom we saw last time and him who appears to us to-day from another angle and shews us another aspect. The human face is indeed, like the face of the God of some Oriental theogony, a whole cluster of faces, crowded together but on different surfaces so that one does not see them all at once.

But to a great extent our astonishment springs from the other person’s presenting to us also a face that is the same as before. It would require so immense an effort to reconstruct everything that has been imparted to us by things other than ourselves—were it only the taste of a fruit—that no sooner is the impression received than we begin imperceptibly to descend the slope of memory and, without noticing anything, in a very short time, we have come a long way from what we actually felt. So that every fresh encounter is a sort of rectification, which brings us back to what we really did see. We have no longer any recollection of this, to such an extent does what we call remembering a person consist really in forgetting him. But so long as we can still see at the moment when the forgotten aspect appears, we recognise it, we are obliged to correct the straying line; thus the perpetual and fruitful surprise which made so salutary and invigorating for me these daily outings with the charming damsels of the sea shore, consisted fully as much in recognition as in discovery. When there is added to this the agitation aroused by what these girls were to me, which was never quite what I had supposed, and meant that my expectancy of our next meeting resembled not so much my expectancy the time before as the still throbbing memory of our latest conversation, it will be realised that each of our excursions made a violent interruption in the course of my thoughts and moved them clean out of the direction which, in the solitude of my own room, I had been able to trace for them at my leisure. That plotted course was forgotten, had ceased to exist, when I returned home buzzing like a hive of bees with remarks which had disquieted me when I heard them and were still echoing in my brain. The other person is destroyed when we cease to see him; after which his next appearance means a fresh creation of him, different from that which immediately preceded it, if not from them all. For the minimum variation that is to be found in these creations is duality. If we have in mind a strong and searching glance, a bold manner, it is inevitably, next time, by a half-languid profile, a sort of dreamy gentleness, overlooked by us in our previous impression, that we shall be, on meeting him again, astonished, that is to say almost solely struck. In confronting our memory with the new reality it is this that will mark the extent of our disappointment or surprise, will appear to us like the revised version of an earlier reality warning us that we had not remembered it correctly. In its turn, the facial aspect neglected the time before, and for that very reason the most striking this time, the most real, the most documentary, will become a matter for dreams and memories. It is a languorous and rounded profile, a gentle, dreamy expression which we shall now desire to see again. And then, next time, such resolution, such strength of character as there may be in the piercing eyes, the pointed nose, the tight lips, will come to correct the discrepancy between our desire and the object to which it has supposed itself to correspond. It is understood, of course, that this loyalty to the first and purely physical impressions which I formed afresh at each encounter with my friends did not involve only their facial appearance, since the reader has seen that I was sensible also of their voices, more disquieting still, perhaps (for not only does a voice offer the same strange and sensuous surfaces as a face, it issues from that unknown, inaccessible region the mere thought of which sets the mind swimming with unattainable kisses), their voices each like the unique sound of a little instrument into which the player put all her artistry and which was found only in her possession. Traced by a casual inflexion, a sudden deep chord in one of their voices would astonish me when I recognised after having forgotten it. So much so that the corrections which after every fresh meeting I was obliged to make so as to ensure absolute accuracy were as much those of a tuner or singing-master as a draughtsman’s.

As for the harmonious cohesion in which had been neutralised for some time, by the resistance that each brought to bear against the expansion of the others, the several waves of sentiment set in motion in me by these girls, it was broken in Albertine’s favour one afternoon when we were playing the game of ‘ferret.’ It was in a little wood on the cliff. Stationed between two girls, strangers to the little band, whom the band had brought in its train because we wanted that day to have a bigger party than usual, I gazed enviously at Albertine’s neighbour, a young man, saying to myself that if I had been in his place I could have been touching my friend’s hands all those miraculous moments which might perhaps never recur, and that this would have been but the first stage in a great advance. Already, by itself, and even without the consequences which it would probably have involved, the contact of Albertine’s hands would have been delicious to me. Not that I had never seen prettier hands than hers. Even in the group of her friends, those of Andrée, slender hands and much more finely modelled, had as it were a private life of their own, obedient to the commands of their mistress, but independent, and used often to strain out before her like a leash of thoroughbred greyhounds, with lazy pauses, long dreams, sudden stretchings of a joint, seeing which Elstir had made a number of studies of these hands. And in one of them, in which you saw Andrée warming her hands at the fire, they had, with the light behind them, the gilded transparency of two autumn leaves. But, plumper than these, the hands of Albertine would yield for a moment, then resist the pressure of the hand that clasped them, giving a sensation that was quite peculiar to themselves. The act of pressing Albertine’s hand had a sensual sweetness which was in keeping somehow with the rosy, almost mauve colouring of her skin. That pressure seemed to allow you to penetrate into the girl’s being, to plumb the depths of her senses, like the ringing sound of her laughter, indecent as may be the cooing of doves or certain animal cries. She was the sort of woman with whom shaking hands affords so much pleasure that one feels grateful to civilisation for having made of the handclasp a lawful act between young men and girls when they meet. If the arbitrary code of good manners had replaced the clasp of hands by some other gesture, I should have gazed, day after day, at the unattainable hands of Albertine with a curiosity to know the feel of them as ardent as was my curiosity to learn the savour of her cheeks. But in the pleasure of holding her hand unrestrictedly in mine, had I been next to her at ‘ferret’ I did not envisage that pleasure alone; what avowals, declarations silenced hitherto by my bashfulness, I could have conveyed by certain pressures of hand on hand; on her side, how easy it would have been for her, in responding by other pressures, to shew me that she accepted; what complicity, what a vista of happiness stood open! My love would be able to make more advance in a few minutes spent thus by her side than it had yet made in all the time that I had known her. Feeling that they would last but a short time, were rapidly nearing their end, since presumably we were not going on much longer with this game, and that once it was over I should be too late, I could not keep in my place for another moment. I let myself deliberately be caught with the ring, and, having gone into the middle, when the ring passed I pretended not to see it but followed its course with my eyes, waiting for the moment when it should come into the hands of the young man next to Albertine, who herself, pealing with helpless laughter, and in the excitement and pleasure of the game, was blushing like a rose. “Why, we really are in the Fairy Wood!” said Andrée to me, pointing to the trees that grew all round, with a smile in her eyes which was meant only for me and seemed to pass over the heads of the other players, as though we two alone were clever enough to double our parts, and make, in connexion with the game we were playing, a remark of a poetic nature. She even carried the delicacy of her fancy so far as to sing half-unconsciously: “The Ferret of the Wood has passed this way, Sweet Ladies; he has passed by this way, the Ferret of Fairy Wood!” like those people who cannot visit Trianon without getting up a party in Louis XVI costume, or think in effective to have a song sung to its original setting. I should no doubt have been sorry that I could see no charm in this piece of mimicry, had I had time to think of it. But my thoughts were all elsewhere. The players began to shew surprise at my stupidity in never getting the ring. I was looking at Albertine, so pretty, so indifferent, so gay, who, though she little knew it, was to be my neighbour when at last I should catch the ring in the right hands, thanks to a stratagem which she did not suspect, and would certainly have resented if she had. In the heat of the game her long hair had become loosened, and fell in curling locks over her cheeks on which it served to intensify, by its dry brownness, the carnation pink. “You have the tresses of Laura Dianti, of Eleanor of Guyenne, and of her descendant so beloved of Chateaubriand. You ought always to wear your hair half down like that,” I murmured in her ear as an excuse for drawing close to her. Suddenly the ring passed to her neighbour. I sprang upon him at once, forced open his hands and seized it; he was obliged now to take my place inside the circle, while I took his beside Albertine. A few minutes earlier I had been envying this young man, when I saw that his hands as they slipped over the cord were constantly brushing against hers. Now that my turn was come, too shy to seek, too much moved to enjoy this contact, I no longer felt anything save the rapid and painful beating of my heart. At one moment Albertine leaned towards me, with an air of connivance, her round and rosy face, making a show of having the ring, so as to deceive the ferret, and keep him from looking in the direction in which she was just going to pass it. I realised at once that this was the sole object of Albertine’s mysterious, confidential gaze, but I was a little shocked to see thus kindle in her eyes the image—purely fictitious, invented to serve the needs of the game—of a secret, an understanding between her and myself which did not exist, but which from that moment seemed to me to be possible and would have been divinely sweet. While I was still being swept aloft by this thought, I felt a slight pressure of Albertine’s hand against mine, and her caressing finger slip under my finger along the cord, and I saw her, at the same moment, give me a wink which she tried to make pass unperceived by the others. At once, a mass of hopes, invisible hitherto by myself, crystallised within me. “She is taking advantage of the game to let me feel that she really does love me,” I thought to myself, in an acme of joy, from which no sooner had I reached it than I fell, on hearing Albertine mutter furiously: “Why can’t you take it? I’ve been shoving it at you for the last hour.” Stunned with grief, I let go the cord, the ferret saw that ring and swooped down on it, and I had to go back into the middle, where I stood helpless, in despair, looking at the unbridled rout which continued to circle round me, stung by the jeering shouts of all the players, obliged, in reply, to laugh when I had so little mind for laughter, while Albertine kept on repeating: “People can’t play if they don’t pay attention, and spoil the game for the others. He shan’t be asked again when we’re going to play, Andrée; if he is, I don’t come.” Andrée, with a mind above the game, still chanting her ‘Fairy Wood’ which, in a spirit of imitation, Rosemonde had taken up too, but without conviction, sought to make a diversion from Albertine’s reproaches by saying to me: “We’re quite close to those old Creuniers you wanted so much to see. Look, I’ll take you there by a dear little path, and we’ll leave these silly idiots to go on playing like babies in the nursery.” As Andrée was extremely nice to me, as we went along I said to her everything about Albertine that seemed calculated to make me attractive to the latter. Andrée replied that she too was very fond of Albertine, thought her charming; in spite of which the compliments that I was paying to her friend did not seem altogether to please her. Suddenly, in the little sunken path, I stopped short, touched to the heart by an exquisite memory of my childhood. I had just recognised, by the fretted and glossy leaves which it thrust out towards me, a hawthorn-bush, flowerless, alas, now that spring was over. Around me floated the atmosphere of far-off Months of Mary, of Sunday afternoons, of beliefs, or errors long ago forgotten. I wanted to stay it in its passage. I stood still for a moment, and Andrée, with a charming divination of what was in my mind, left me to converse with the leaves of the bush. I asked them for news of the flowers, those hawthorn flowers that were like merry little girls, headstrong, provocative, pious. “The young ladies have been gone from here for a long time now,” the leaves told me. And perhaps they thought that, for the great friend of those young ladies that I pretended to be, I seemed to have singularly little knowledge of their habits. A great friend, but one who had never been to see them again for all these years, despite his promises. And yet, as Gilberte had been my first love among girls, so these had been my first love among flowers. “Yes, I know all that, they leave about the middle of June,” I answered, “but I am so delighted to see the place where they stayed when they were here. They came to see me, too, at Combray, in my room; my mother brought them when I was ill in bed. And we used to meet on Saturday evenings, too, at the Month of Mary devotions. Can they get to them from here?” “Oh, of course! Why, they make a special point of having our young ladies at Saint-Denis du Désert, the church near here.” “Then, if I want to see them now?” “Oh, not before May, next year.” “But I can be sure that they will be here?” “They come regularly every year.” “Only I don’t know whether it will be easy to find the place.” “Oh, dear, yes! They are so gay, the young ladies, they stop laughing only to sing hymns together, so that you can’t possibly miss them, you can tell by the scent from the other end of the path.”

I caught up Andrée, and began again to sing Albertine’s praises. It was inconceivable to me that she would not repeat what I said to her friend, seeing the emphasis that I put into it. And yet I never heard that Albertine had been told. Andrée had, nevertheless, a far greater understanding of the things of the heart, a refinement of nice behaviour; finding the look, the word, the action that could most ingeniously give pleasure, keeping to herself a remark that might possibly cause pain, making a sacrifice (and making it as though it were no sacrifice at all) of an afternoon’s play, or it might be an ‘at home’ or a garden party in order to stay beside a friend who was feeling sad, and thus shew him or her that she preferred the simple company of a friend to frivolous pleasures; these were her habitual delicacies. But when one knew her a little better one would have said that it was with her as with those heroic cravens who wish not to be afraid, and whose bravery is especially meritorious, one would have said that in her true character there was none of that generosity which she displayed at every moment out of moral distinction, or sensibility, or a noble desire to shew herself a true friend. When I listened to all the charming things she was saying to me about a possible affection between Albertine and myself it seemed as though she were bound to do everything in her power to bring it to pass. Whereas, by mere chance perhaps, not even of the least of the various minor opportunities which were at her disposal and might have proved effective in uniting me to Albertine did she ever make any use, and I would not swear that my effort to make myself loved by Albertine did not—if not provoke in her friend secret stratagems destined to bring it to nought—at any rate arouse in her an anger which however she took good care to hide and against which even, in her delicacy of feeling, she may herself have fought. Of the countless refinements of goodness which Andrée shewed Albertine would have been incapable, and yet I was not certain of the underlying goodness of the former as I was to be, later on, of the latter’s. Shewing herself always tenderly indulgent to the exuberant frivolity of Albertine, Andrée would greet her with speeches, with smiles which were those of a friend, better still, she always acted towards her as a friend. I have seen her, day after day, in order to give the benefit of her own wealth, to bring some happiness to this penniless friend take, without any possibility of advantage to herself, more pains than a courtier would take who sought to win his sovereign’s favour. She was charmingly gentle always, charming in her choice of sweet, pathetic expressions, when you said to her what a pity it was that Albertine was so poor, and took infinitely more trouble on her behalf than she would have taken for a wealthy friend. But if anyone were to hint that Albertine was perhaps not quite so poor as people made out, a just discernible cloud would veil the light of Andrée’s eyes and brow; she seemed out of temper. And if you went on to say that after all Albertine might perhaps be less difficult to marry off than people supposed, she would vehemently contradict you, repeating almost angrily: “Oh dear, no; she will never get married! I am quite certain of it; it is a dreadful worry to me!” In so far as I myself was concerned, Andrée was the only one of the girls who would never have repeated to me anything not very pleasant that might have been said about me by a third person; more than that, if it were I who told her what had been said she would make a pretence of not believing it, or would furnish some explanation which made the remark inoffensive; it is the aggregate of these qualities that goes by the name of tact. Tact is the attribute of those people who, if we have called a man out in a duel, congratulate us and add that there was no necessity, really; so as to enhance still further in our own eyes the courage of which we have given proof without having been forced to do so. They are the opposite of the people who, in similar circumstances, say: “It must have been a horrid nuisance for you, fighting a duel, but on the other hand you couldn’t possibly swallow an insult like that, there was nothing else to be done.” But as there, is always something to be said on both sides, if the pleasure, or at least the indifference shewn by our friends in repeating something offensive that they have heard said about us, proves that they do not exactly put themselves in our skin at the moment of speaking, but thrust in the pin-point, turn the knife-blade as though it were gold-beater’s skin and not human, the art of always keeping hidden from us what might be disagreeable to us in what they have heard said about our actions, or in the opinion which those actions have led the speakers themselves to form of us, proves that there is in the other kind of friends, in the friends who are so full of tact, a strong vein of dissimulation. It does no harm if indeed they are incapable of thinking evil, and if what is said by other people only makes them suffer as it would make us. I supposed this to be the case with Andrée, without, however, being absolutely sure.

We had left the little wood and had followed a network of overgrown paths through which Andrée managed to find her way with great skill. Suddenly, “Look now,” she said to me, “there are your famous Creuniers, and, I say, you are in luck, it’s just the time of day, and the light is the same as when Elstir painted them.” But I was still too wretched at having fallen, during the game of ‘ferret,’ from such a pinnacle of hopes. And so it was not with the pleasure which otherwise I should doubtless have felt that I caught sight, almost below my feet, crouching among the rocks, where they had gone for protection from the heat, of marine goddesses for whom Elstir had lain in wait and surprised them there, beneath a dark glaze as lovely as Leonardo would have painted, the marvellous Shadows, sheltered and furtive, nimble and voiceless, ready at the first glimmer of light to slip behind the stone, to hide in a cranny, and prompt, once the menacing ray had passed, to return to rock or seaweed beneath the sun that crumbled the cliffs and the colourless ocean, over whose slumbers they seemed to be watching, motionless lightfoot guardians letting appear on the water’s surface their viscous bodies and the attentive gaze of their deep blue eyes.

We went back to the wood to pick up the other girls and go home together. I knew now that I was in love with Albertine; but, alas! I had no thought of letting her know it. This was because, since the days of our games in the Champs-Elysées, my conception of love had become different, even if the persons to whom my love was successively assigned remained practically the same. For one thing, the avowal, the declaration of my passion to her whom I loved no longer seemed to me one of the vital and necessary incidents of love, nor love itself an external reality, but simply a subjective pleasure. And as for this pleasure, I felt that Albertine would do everything necessary to furnish it, all the more since she would not know that I was enjoying it.

As we walked home the image of Albertine, bathed in the light that streamed from the other girls, was not the only one that existed for me. But as the moon, which is no more than a tiny white cloud of a more definite and fixed shape than other clouds during the day, assumes her full power as soon as daylight dies, so when I was once more in the hotel it was Albertine’s sole image that rose from my heart and began to shine. My room seemed to me to have become suddenly a new place. Of course, for a long time past, it had not been the hostile room of my first night in it. All our lives we go on patiently modifying the surroundings in which we dwell; and gradually, as habit dispenses us from feeling them, we suppress the noxious elements of colour, shape and smell which were at the root of our discomfort. Nor was it any longer the room, still potent enough over my sensibility, not certainly to make me suffer, but to give me joy, the fount of summer days, like a marble basin in which, half way up its polished sides, they mirrored an azure surface steeped in light over which glided for an instant, impalpable and white as a wave of heat, a shadowy and fleeting cloud; not the room, wholly aesthetic, of the pictorial evening hours; it was the room in which I had been now for so many days that I no longer saw it. And now I was just beginning again to open my eyes to it, but this time from the selfish angle which is that of love. I liked to feel that the fine big mirror across one corner, the handsome bookcases with their fronts of glass would give Albertine, if she came to see me, a good impression of myself. Instead of a place of transit in which I would stay for a few minutes before escaping to the beach or to Rivebelle, my room became real and dear to me, fashioned itself anew, for I looked at and appreciated each article of its furniture with the eyes of Albertine.

A few days after the game of ‘ferret,’ when, having allowed ourselves to wander rather too far afield, we had been fortunate in finding at Maine-ville a couple of little “tubs” with two seats in each which would enable us to be back in time for dinner, the keenness, already intense, of my love for Albertine, had the following effect, first of all, that it was Rosemonde and Andrée in turn that I invited to be my companion, and never once Albertine, after which, in spite of my manifest preference for Andrée or Rosemonde, I led everybody, by secondary considerations of time and distance, cloaks and so forth, to decide, as though against my wishes, that the most practical policy was that I should take Albertine, to whose company I pretended to resign myself for good or ill. Unfortunately, since love tends to the complete assimilation of another person, while other people are not comestible by way of conversation alone, Albertine might be (and indeed was) as friendly as possible to me on our way home; when I had deposited her at her own door she left me happy but more famished for her even than I had been at the start, and reckoning the moments that we had spent together as only à prelude, of little importance in itself, to those that were still to come. And yet this prelude had that initial charm which is not to be found again. I had not yet asked anything of Albertine. She could imagine what I wanted, but, not being certain of it, would suppose that I was tending only towards relations without any definite purpose, in which my friend would find that delicious vagueness, rich in surprising fulfilments of expectations, which is true romance.

In the week that followed I scarcely attempted to see Albertine. I made a show of preferring Andrée. Love is born; one would like to remain, for her whom one loves, the unknown whom she may love in turn, but one has need of her, one requires contact not so much with her body as with her attention, her heart. One slips into a letter some spiteful expression which will force the indifferent reader to ask for some little kindness in compensation, and love, following an unvarying procedure, sets going with an alternating movement the machinery in which one can no longer either refrain from loving or be loved. I gave to Andrée the hours spent by the others at a party which I knew that she would sacrifice for my sake, with pleasure, and would have sacrificed even with reluctance, from a moral nicety, so as not to let either the others or herself think that she attached any importance to a relatively frivolous amusement. I arranged in this way to have her entirely to myself every evening, meaning not to make Albertine jealous, but to improve my position in her eyes, or at any rate not to imperil it by letting Albertine know that it was herself and not Andrée that I loved. Nor did I confide this to Andrée either, lest she should repeat it to her friend. When I spoke of Albertine to Andrée I affected a coldness by which she was perhaps less deceived that I by her apparent credulity. She made a show of believing in my indifference to Albertine, of desiring the closest possible union between Albertine and myself. It is probable that, on the contrary, she neither believed in the one nor wished for the other. While I was saying to her that I did not care very greatly for her friend, I was thinking of one thing only, how to become acquainted with Mme. Bontemps, who was staying for a few days near Balbec, and to whom Albertine was going presently on a short visit. Naturally I did not let Andrée become aware of this desire, and when I spoke to her of Albertine’s people, it was in the most careless manner possible. Andrée’s direct answers did not appear to throw any doubt on my sincerity. Why then did she blurt out suddenly, about that time: “Oh, guess who’ I’ve just seen—Albertine’s aunt!” It is true that she had not said in so many words: “I could see through your casual remarks all right that the one thing you were really thinking of was how you could make friends with Albertine’s aunt.” But it was clearly to the presence in Andrée’s mind of some such idea which she felt it more becoming to keep from me that the word ‘just’ seemed to point. It was of a kind with certain glances, certain gestures which, for all that they have not a form that is logical, rational, deliberately calculated to match the listener’s intelligence, reach him nevertheless in their true significance, just as human speech, converted into electricity in the telephone, is turned into speech again when it strikes the ear. In order to remove from Andree’s mind the idea that I was interested in Mme. Bontemps, I spoke of her from that time onwards not only carelessly but with downright malice, saying that I had once met that idiot of a woman, and trusted I should never have that experience again. Whereas I was seeking by every means in my power to meet her.

I tried to induce Elstir (but without mentioning to anyone else that I had asked him) to speak to her about me and to bring us together. He promised to introduce me to her, though he seemed greatly surprised at my wishing it, for he regarded her as a contemptible woman, a born intriguer, as little interesting as she was disinterested. Reflecting that if I did see Mme. Bontemps, Andrée would be sure to hear of it sooner or later, I thought it best to warn her in advance. “The things one tries hardest to avoid are what one finds one cannot escape,” I told her. “Nothing in the world could bore me so much as meeting Mme. Bontemps again, and yet I can’t get out of it, Elstir has arranged to invite us together.” “I have never doubted it for a single instant,” exclaimed Andrée in a bitter tone, while her eyes, enlarged and altered by her annoyance, focussed themselves upon some invisible object. These words of Andree’s were not the most recent statement of a thought which might be expressed thus: “I know that you are in love with Albertine, and that you are working day and night to get in touch with her people.” But they were the shapeless fragments, easily pieced together again by me, of some such thought which I had exploded by striking it, through the shield of Andree’s self-control. Like her ‘just,’ these words had no meaning save in the second degree, that is to say they were words of the sort which (rather than direct affirmatives) inspires in us respect or distrust for another person, and leads to a rupture.

If Andrée had not believed me when I told her that Albertine’s relatives left me indifferent, that was because she thought that I was in love with Albertine. And probably she was none too happy in the thought.

She was generally present as a third party at my meetings with her friend. And yet there were days when I was to see Albertine by herself, days to which I looked forward with feverish impatience, which passed without bringing me any decisive result, without having, any of them, been that cardinal day whose part I immediately entrusted to the day that was to follow, which would prove no more apt to play it; thus there crumbled and collapsed, one after another, like waves of the sea, those peaks at once replaced by others.

About a month after the day on which we had played ‘ferret’ together, I learned that Albertine was going away next morning to spend a couple of days with Mme. Bontemps, and, since she would have to start early, was coming to sleep that night at the Grand Hotel, from which, by taking the omnibus, she would be able, without disturbing the friends with whom she was staying, to catch the first train in the morning. I mentioned this to Andrée. “I don’t believe a word of it,” she replied, with a look of annoyance. “Anyhow it won’t help you at all, for I’m quite sure Albertine won’t want to see you if she goes to the hotel by herself. It wouldn’t be ‘regulation,’” she added, employing an epithet which had recently come into favour with her, in the sense of ‘what is done.’ “I tell you this because I understand Albertine. What difference do you suppose it makes to me, whether you see her or not? Not the slightest, I can assure you!”

We were joined by Octave who had no hesitation in telling Andrée the number of strokes he had gone round in, the day before, at golf, then by Albertine, counting her diabolo as she walked along, like a nun telling her beads. Thanks to this pastime she could be left alone for hours on end without growing bored. As soon as she joined us I became conscious of the obstinate tip of her nose, which I had omitted from my mental pictures of her during the last few days; beneath her dark hair the vertical front of her brow controverted—and not for the first time—the indefinite image that I had preserved of her, while its whiteness made a vivid splash in my field of vision; emerging from the dust of memory, Albertine was built up afresh before my eyes. Golf gives one a taste for solitary pleasures. The pleasure to be derived from diabolo is undoubtedly one of these. And yet, after she had joined us, Albertine continued to toss up and catch her missile, just as a lady on whom friends have come to call does not on their account stop working at her crochet. “I hear that Mme. de Villeparisis,” she remarked to Octave, “has been complaining to your father.” I could hear, underlying the word, one of those notes that were peculiar to Albertine; always, just as I had made certain that I had forgotten them, I would be reminded of a glimpse caught through them before of Albertine’s determined and typically Gallic mien. I might have been blind, and yet have detected certain of her qualities, alert and slightly provincial, from those notes, just as plainly as from the tip of her nose. These were equivalent and might have been substituted for one another, and her voice was like what we are promised in the photo-telephone of the future; the visual image was clearly outlined in the sound. “She’s not written only to your father, either, she wrote to the Mayor of Balbec at the same time, to say that we must stop playing diabolo on the ‘front’ as somebody hit her in the face with one.” “Yes, I was hearing about that. It’s too silly. There’s little enough to do here as it is.” Andrée did not join in the conversation; she was not acquainted, any more than was Albertine or Octave, with Mme. de Villeparisis. She did, however, remark: “I can’t think why this lady should make such a song about it. O’d Mme. de Cambremer got hit in the face, and she never complained.” “I will explain the difference,” replied Octave gravely, striking a match as he spoke. “It’s my belief that Mme. de Cambremer is a woman of the world, and Mme. de Villeparisis is just an upstart. Are you playing golf this afternoon?” And he left us, followed by Andrée. I was alone now with Albertine. “Do you see,” she began, “I’m wearing my hair now the way you like—look at my ringlet. They all laugh at me and nobody knows who’ I’m doing it for. My aunt will laugh at me too. But I shan’t tell her why, either.” I had a sidelong view of Albertine’s cheeks, which often appeared pale, but, seen thus, were flushed with a coursing stream of blood which lighted them up, gave them that dazzling clearness which certain winter mornings have when the stones sparkling in the sun seem blocks of pink granite and radiate joy. The joy that I was drawing at this moment from the sight of Albertine’s cheeks was equally keen, but led to another desire on my part, which was not to walk with her but to take her in my arms. I asked her if the report of her plans which I had heard were correct. “Yes,” she told me, “I shall be sleeping at your hotel to-night, and in fact as I’ve got rather a chill, I shall be going to bed before dinner. You can come and sit by my bed and watch me eat, if you like, and afterwards we’ll play at anything you choose. I should have liked you to come to the station to-morrow morning, but I’m afraid it might look rather odd, I don’t say to Andrée, who is a sensible person, but to the others who will be there; if my aunt got to know, I should never hear the last of it. But we can spend the evening together, at any rate. My aunt will know nothing about that. I must go and say good-bye to Andrée. So long, then. Come early, so that we can have a nice long time together,” she added, smiling. At these words I was swept back past the days in which I loved Gilberte to those in which love seemed to me not only an external entity but one that could be realised as a whole. Whereas the Gilberte whom I used to see in the Champs-Elysées was a different Gilberte from the one whom I found waiting inside myself when I was alone again, suddenly in the real Albertine, her whom I saw every day, whom I supposed to be stuffed with middle-class prejudices and entirely open with her aunt, there was incarnate the imaginary Albertine, she whom, when I still did not know her, I had suspected of casting furtive glances at myself on the ‘front,’ she who had worn an air of being reluctant to go indoors when she saw me making off in the other direction.

I went in to dinner with my grandmother. I felt within me a secret which she could never guess. Similarly with Albertine; to-morrow her friends would be with her, not knowing what novel experience she and I had in common; and when she kissed her niece on the brow Mme. Bontemps would never imagine that I stood between them, in that arrangement of Albertine’s hair which had for its object, concealed from all the world, to give me pleasure, me who had until then so greatly envied Mme. Bontemps because, being related to the same people as her niece, she had the same occasions to don mourning, the same family visits to pay; and now I found myself meaning more to Albertine than did the aunt herself. When she was with her aunt, it was of me that she would be thinking. What was going to happen that evening, I scarcely knew. In any event, the Grand Hotel, the evening, would no longer seem empty to me; they contained my happiness. I rang for the lift-boy to take me up to the room which Albertine had engaged, a room that looked over the valley. The slightest movements, such as that of sitting down on the bench in the lift, were satisfying, because they were in direct relation to my heart; I saw in the ropes that drew the cage upwards, in the few steps that I had still to climb, only a materialisation of the machinery, the stages of my joy. I had only two or three steps to take now along the corridor before coming to that room in which was enshrined the precious substance of that rosy form—that room which, even if there were to be done in it delicious things, would keep that air of permanence, of being, to a chance visitor who knew nothing of its history, just like any other room, which makes of inanimate things the obstinately mute witnesses, the scrupulous confidants, the inviolable depositaries of our pleasure. Those few steps from the landing to Albertine’s door, those few steps which no one now could prevent my taking, I took with delight, with prudence, as though plunged into a new and strange element, as if in going forward I had been gently displacing the liquid stream of happiness, and at the same time with a strange feeling of absolute power, and of entering at length into an inheritance which had belonged to me from all time. Then suddenly I reflected that it was wrong to be in any doubt; she had told me to come when she was in bed. It was as clear as daylight; I pranced for joy, I nearly knocked over Françoise who was standing in my way, I ran, with glowing eyes, towards my friend’s room. I found Albertine in bed. Leaving her throat bare, her white nightgown altered the proportions of her face, which, flushed by being in bed or by her cold or by dinner, seemed pinker than before; I thought of the colours which I had had, a few hours earlier, displayed beside me, on the ‘front,’ the savour of which I was now at last to taste; her cheek was crossed obliquely by one of those long, dark, curling tresses, which, to please me, she had undone altogether. She looked at me and smiled. Beyond her, through the window, the valley lay bright beneath the moon. The sight of Albertine’s bare throat, of those strangely vivid cheeks, had so intoxicated me (that is to say had placed the reality of the world for me no longer in nature, but in the torrent of my sensations which it was all I could do to keep within bounds), as to have destroyed the balance between the life, immense and indestructible, which circulated in my being, and the life of the universe, so puny in comparison. The sea, which was visible through the window as well as the valley, the swelling breasts of the first of the Maineville cliffs, the sky in which the moon had not yet climbed to the zenith, all of these seemed less than a featherweight on my eyeballs, which between their lids I could feel dilated, resisting, ready to bear very different burdens, all the mountains of the world upon their fragile surface. Their orbit no longer found even the sphere of the horizon adequate to fill it. And everything that nature could have brought me of life would have seemed wretchedly meagre, the sigh of the waves far too short a sound to express the enormous aspiration that was surging in my breast. I bent over Albertine to kiss her. Death might have struck me down in that moment; it would have seemed to me a trivial, or rather an impossible thing, for life was not outside, it was in me; I should have smiled pityingly had a philosopher then expressed the idea that some day, even some distant day, I should have to die, that the external forces of nature would survive me, the forces of that nature beneath whose godlike feet I was no more than a grain of dust; that, after me, there would still remain those rounded, swelling cliffs, that sea, that moonlight and that sky! How was that possible; how could the world last longer than myself, since it was it that was enclosed in me, in me whom it went a long way short of filling, in me, where, feeling that there was room to store so many other treasures, I flung contemptuously into a corner sky, sea and cliffs. “Stop that, or I’ll ring the bell!” cried Albertine, seeing that I was flinging myself upon her to kiss her. But I reminded myself that it was not for no purpose that a girl made a young man come to her room in secret, arranging that her aunt should not know—that boldness, moreover, rewards those who know how to seize their opportunities; in the state of exaltation in which I was, the round face of Albertine, lighted by an inner flame, like the glass bowl of a lamp, started into such prominence that, copying the rotation of a burning sphere, it seemed to me to be turning, like those faces of Michelangelo which are being swept past in the arrested headlong flight of a whirlwind. I was going to learn the fragrance, the flavour which this strange pink fruit concealed. I heard a sound, precipitous, prolonged, shrill. Albertine had pulled the bell with all her might.

* * *

I had supposed that the love which I felt for Albertine was not based on the hope of carnal possession. And yet, when the lesson to be drawn from my experience that evening was, apparently, that such possession was impossible; when, after having had not the least doubt, that first day, on the beach, of Albertine’s being unchaste, and having then passed through various intermediate assumptions, I seemed to have quite definitely reached the conclusion that she was absolutely virtuous; when, on her return from her aunt’s, a week later, she greeted me coldly with: “I forgive you; in fact I’m sorry to have upset you, but you must never do it again,”—then, in contrast to what I had felt on learning from Bloch that one could always have all the women one liked, and as if, in place of a real girl, I had known a wax doll, it came to pass that gradually there detached itself from her my desire to penetrate into her life, to follow her through the places in which she had spent her childhood, to be initiated by her into the athletic life; my intellectual curiosity to know what were her thoughts on this subject or that did not survive my belief that I might take her in my arms if I chose. My dreams abandoned her, once they had ceased to be nourished by the hope of a possession of which I had supposed them to be independent. Thenceforward they found themselves once more at liberty to transmit themselves, according to the attraction that I had found in her on any particular day, above all according to the chances that I seemed to detect of my being, possibly, one day, loved by her—to one or another of Albertine’s friends, and to Andrée first of all. And yet, if Albertine had not existed, perhaps I should not have had the pleasure which I began to feel more and more strongly during the days that followed in the kindness that was shewn me by Andrée. Albertine told no one of the check which I had received at her hands. She was one of those pretty girls who, from their earliest youth, by their beauty, but especially by an attraction, a charm which remains somewhat mysterious and has its source perhaps in reserves of vitality to which others less favoured by nature come to quench their thirst, have always—in their home circle, among their friends, in society—proved more attractive than other more beautiful and richer girls; she was one of those people from whom, before the age of love and ever so much more after it is reached, one asks more than they ask in return, more even than they are able to give. From her childhood Albertine had always had round her in an adoring circle four or five little girl friends, among them Andrée who was so far her superior and knew it (and perhaps this attraction which Albertine exerted quite involuntarily had been the origin, had laid the foundations of the little band). This attraction was still potent even at a great social distance, in circles quite brilliant in comparison, where if there was a pavane to be danced, they would send for Albertine rather than have it danced by another girl of better family. The consequence was that, not having a penny to her name, living a hard enough life, moreover, on the hands of M. Bontemps, who was said to be ‘on the rocks,’ and was anyhow anxious to be rid of her, she was nevertheless invited, not only to dine but to stay, by people who, in Saint-Loup’s sight, might not have had any distinction, but to Rosemonde’s mother or Andrée’s, women who though very rich themselves did not know these other and richer people, represented something quite incalculable. Thus Albertine spent a few weeks every year with the family of one of the Governors of the Bank of France, who was also Chairman of the Board of Directors of a great Railway Company. The wife of this financier entertained people of importance, and had never mentioned her ‘day’ to Andrée’s mother, who thought her wanting in politeness, but was nevertheless prodigiously interested in everything that went on in her house. Accordingly she encouraged Andrée every year to invite Albertine down to their villa, because, as she said, it was a real charity to offer a holiday by the sea to a girl who had not herself the means to travel and whose aunt did so little for her; Andrée’s mother was probably not prompted by the thought that the banker and his wife, learning that Albertine was made much of by her and her daughter, would form a high opinion of them both; still less did she hope that Albertine, good and clever as she was, would manage to get her invited, or at least to get Andrée invited, to the financier’s garden-parties. But every evening at the dinner-table, while she assumed an air of indifference slightly tinged with contempt, she was fascinated by Albertine’s accounts of everything that had happened at the big house while she was staying there, and the names of the other guests, almost all of them people whom she knew by sight or by name. True, the thought that she knew them only in this indirect fashion, that is to say did not know them at all (she called this kind of acquaintance knowing people ‘all my life’), gave Andrée’s mother a touch of melancholy while she plied Albertine with questions about them in a lofty and distant tone, speaking with closed lips, and might have left her doubtful and uneasy as to the importance of her own social position had she not been able to reassure herself, to return safely to the ‘realities of life,’ by saying to the butler: “Please tell the chef that he has not made the peas soft enough.” She then recovered her serenity. And she was quite determined that Andrée was to marry nobody but a man—of the best family, of course—rich enough for her too to be able to keep a chef and a couple of coachmen. This was the proof positive, the practical indication of ‘position.’ But the fact that Albertine had dined at the banker’s house in the country with this or that great lady, and that the said great lady had invited the girl to stay with her next winter, did not invalidate a sort of special consideration which Albertine shewed towards Andrée’s mother, which went very well with the pity, and even repulsion, excited by the tale of her misfortunes, a repulsion increased by the fact that M. Bontemps had proved a traitor to the cause (he was even, people said, vaguely Panamist) and had rallied to the Government. Not that this deterred Andrée’s mother, in her passion for abstract truth, from withering with her scorn the people who appeared to believe that Albertine was of humble origin. “What’s that you say? Why, they’re one of the best families in the country. Simonet with a single ‘n,’ you know!” Certainly, in view of the class of society in which all this went on, in which money plays so important a part, and mere charm makes people ask you out but not marry you, a ‘comfortable’ marriage did not appear to be for Albertine a practical outcome of the so distinguished patronage which she enjoyed but which would not have been held to compensate for her poverty. But even by themselves, and with no prospect of any matrimonial consequence, Albertine’s ‘successes’ in society excited the envy of certain spiteful mothers, furious at seeing her received like one of the family by the banker’s wife, even by Andrée’s mother, neither of whom they themselves really knew. They therefore went about telling common friends of those ladies and their own that both ladies would be very angry if they knew the facts, which were that Albertine repeated to each of them everything that the intimacy to which she was rashly admitted enabled her to spy out in the household of the other, a thousand little secrets which it must be infinitely unpleasant to the interested party to have made public. These envious women said this so that it might be repeated and might get Albertine into trouble with her patrons. But, as often happens, their machinations met with no success. The spite that prompted them was too apparent, and their only result was to make the women who had planned them appear rather more contemptible than before. Andrée’s mother was too firm in her opinion of Albertine to change her mind about her now. She looked upon her as a ‘poor wretch,’ but the best-natured girl living, and one who would do anything in the world to give pleasure.

If this sort of select popularity to which Albertine had attained did not seem likely to lead to any practical result, it had stamped Andrée’s friend with the distinctive marks of people who, being always sought after, have never any need to offer themselves, marks (to be found also, and for analogous reasons, at the other end of the social scale among the leaders of fashion) which consist in their not making any display of the successes they have scored, but rather keeping them to themselves. She would never say to anyone: “So-and-so is anxious to meet me,” would speak of everyone with the greatest good nature, and as if it had been she who ran after, who sought to know other people, and not they. If you spoke of a young man who, a few minutes earlier, had been, in private conversation with her, heaping the bitterest reproaches upon her because she had refused him an assignation, so far from proclaiming this in public, or betraying any resentment she would stand up for him: “He is such a nice boy!” Indeed it quite annoyed her when she attracted people, because that compelled her to disappoint them, whereas her natural instinct was always to give pleasure. So much did she enjoy giving pleasure that she had come to employ a particular kind of falsehood, found among utilitarians and men who have ‘arrived.’ Existing besides in an embryonic state in a vast number of people, this form of insincerity consists in not being able to confine the pleasure arising out of a single act of politeness to a single person. For instance, if Albertine’s aunt wished her niece to accompany her to a party which was not very lively, Albertine might have found it sufficient to extract from the incident the moral profit of having given pleasure to her aunt. But being courteously welcomed by her host and hostess, she thought it better to say to them that she had been wanting to see them for so long that she had finally seized this opportunity and begged her aunt to take her to their party. Even this was not enough: at the same party there happened to be one of Albertine’s friends who was in great distress. “I did not like the idea of your being here by yourself. I thought it might do you good to have me with you. If you would rather come away from here, go somewhere else, I am ready to do anything you like; all I want is to see you look not so sad.”—Which, as it happened, was true also. Sometimes it happened however that the fictitious object destroyed the real. Thus, Albertine, having a favour to ask on behalf of one of her friends, went on purpose to see a certain lady who could help her. But on arriving at the house of this lady—a kind and sympathetic soul—the girl, unconsciously following the principle of utilising a single action in a number of ways, felt it to be more ingratiating to appear to have come there solely on account of the pleasure she knew she would derive from seeing the lady again. The lady was deeply touched that Albertine should have taken a long journey purely out of friendship for herself. Seeing her almost overcome by emotion, Albertine began to like the lady still better. Only, there was this awkward consequence: she now felt so keenly the pleasure of friendship which she pretended to have been her motive in coming, that she was afraid of making the lady suspect the genuineness of sentiments which were actually quite sincere if she now asked her to do the favour, whatever it may have been, for her friend. The lady would think that Albertine had come for that purpose, which was true, but would conclude also that Albertine had no disinterested pleasure in seeing her, which was not. With the result that she came away without having asked the favour, like a man sometimes who has been so good to a woman, in the hope of winning her, that he refrains from declaring his passion in order to preserve for his goodness an air of nobility. In other instances it would be wrong to say that the true object was sacrificed to the subordinate and subsequently conceived idea, but the two were so far incompatible that if the person to whom Albertine endeared herself by stating the second had known of the existence of the first, his pleasure would at once have been turned into the deepest annoyance. At a much later point in this story, we shall have occasion to see this kind of incompatibility expressed in clearer terms. Let us say for the present, borrowing an example of a completely different order, that they occur very frequently in the most divergent situations that life has to offer. A husband has established his mistress in the town where he is quartered with his regiment. His wife, left by herself in Paris, and with an inkling of the truth, grows more and more miserable, and writes her husband letters embittered by jealousy. Very well; the mistress is obliged to go up to Paris for the day. The husband cannot resist her entreaties that he will go with her, and applies for short leave, which is granted. But as he is a good-natured fellow, and hates to make his wife unhappy, he goes to her and tells her, shedding a few quite genuine tears, that, driven to desperation by her letters, he has found the means of getting away from his duties to come to her, to console her in his arms. He has thus contrived by a single journey to furnish wife and mistress alike with proofs of his affection. But if the wife were to learn the reason for which he has come to Paris, her joy would doubtless be turned into grief, unless her pleasure in seeing the faithless wretch outweighed, in spite of everything, the pain that his infidelities had caused her. Among the men who have struck me as practising with most perseverance this system of what might be called killing any number of birds with one stone, must be included M. de Norpois. He would now and then agree to act as intermediary between two of his friends who had quarrelled, which led to his being called the most obliging of men. But it was not sufficient for him to appear to be doing a service to the friend who had come to him to demand it; he would represent to the other the steps which he was taking to effect a reconciliation as undertaken not at the request of the first friend but in the interest of the second, an attitude of the sincerity of which he had never any difficulty in convincing a listener already influenced by the idea that he saw before him the ‘most serviceable of men.’ In this fashion, playing in two scenes turn about, what in stage parlance is called ‘doubling’ two parts, he never allowed his influence to be in the slightest degree imperilled, and the services which he rendered constituted not an expenditure of capital but a dividend upon some part of his credit. At the same time every service, seemingly rendered twice over, correspondingly enhanced his reputation as an obliging friend, and, better still, a friend whose interventions were efficacious, one who did not draw bows at a venture, whose efforts were always justified by success, as was shewn by the gratitude of both parties. This duplicity in rendering services was—allowing for disappointments such as are the lot of every human being—an important element of M. de Norpois’s character. And often at the Ministry he would make use of my father, who was a simple soul, while making him believe that it was he, M. de Norpois, who was being useful to my father. Attracting people more easily than she wished, and having no need to proclaim her conquests abroad, Albertine kept silence with regard to the scene with myself by her bedside, which a plain girl would have wished the whole world to know. And yet of her attitude during that scene I could not arrive at any satisfactory explanation. Taking first of all the supposition that she was absolutely chaste (a supposition with which I had originally accounted for the violence with which Albertine had refused to let herself be taken in my arms and kissed, though it was by no means essential to my conception of the goodness, the fundamentally honourable character of my friend), I could not accept it without a copious revision of its terms. It ran so entirely counter to the hypothesis which I had constructed that day when I saw Albertine for the first time. Then ever so many different acts, all acts of kindness towards myself (a kindness that was caressing, at times uneasy, alarmed, jealous of my predilection for Andrée) came up on all sides to challenge the brutal gesture with which, to escape from me, she had pulled the bell. Why then had she invited me to come and spend the evening by her bedside? Why had she spoken all the time in the language of affection? What object is there in your desire to see a friend, in your fear that he is fonder of another of your friends than of you; why seek to give him pleasure, why tell him, so romantically, that the others will never know that he has spent the evening in your room, if you refuse him so simple a pleasure and if to you it is no pleasure at all? I could not believe, all the same, that Albertine’s chastity was carried to such a pitch as that, and I had begun to ask myself whether her violence might not have been due to some reason of coquetry, a disagreeable odour, for instance, which she suspected of lingering about her person, and by which she was afraid that I might be disgusted, or else of cowardice, if for instance she imagined, in her ignorance of the facts of love, that my state of nervous exhaustion was due to something contagious, communicable to her in a kiss. She was genuinely distressed by her failure to afford me pleasure, and gave me a little gold pencil-case, with that virtuous perversity which people shew who, moved by your supplications and yet not consenting to grant you what those supplications demand, are anxious all the same to bestow on you some mark of their affection; the critic, an article from whose pen would so gratify the novelist, asks him instead to dinner; the duchess does not take the snob with her to the theatre but lends him her box on an evening when she will not be using it herself. So far are those who do least for us, and might easily do nothing, driven by conscience to do something. I told Albertine that in giving me this pencil-case she was affording me great pleasure, and yet not so great as I should have felt if, on the night she had spent at the hotel, she had permitted me to embrace her. “It would have made me so happy; what possible harm could it have done you? I was simply astounded at your refusing to let me do it.” “What astounds me,” she retorted, “is that you should have thought it astounding. Funny sort of girls you must know if my behaviour surprises you.” “I am extremely sorry if I annoyed you, but even now I cannot say that I think I was in the wrong. What I feel is that all that sort of thing is of no importance, really, and I can’t understand a girl who could so easily give pleasure not consenting to do so. Let us be quite clear about it,” I went on, throwing a sop of sorts to her moral scruples, as I recalled how she and her friends had scarified the girl who went about with the actress Léa. “I don’t mean to say for a moment that a girl can behave exactly as she likes, or that there’s no such thing as immorality. Take, let me see now, yes, what you were saying the other day about a girl who is staying at Balbec and her relations with an actress; I call that degrading, so degrading that I feel sure it must all have been made up by the girl’s enemies, and that there can’t be any truth in the story. It strikes me as improbable, impossible. But to let a friend kiss you, and go farther than that even—since you say that I am your friend …” “So you are, but I have had friends before now, I have known lots of young men who were every bit as friendly, I can assure you. There wasn’t one of them would ever have dared to do a thing like that. They knew they’d get their ears boxed if they tried it on. Besides, they never dreamed of trying, we would shake hands in an open, friendly sort of way, like good pals, but there was never a word said about kissing, and yet we weren’t any the less friends for that. Why, if it’s my friendship you are after, you’ve nothing to complain of; I must be jolly fond of you to forgive you. But I’m sure you don’t care two straws about me, really. Own up now, it’s Andrée you’re in love with. After all, you’re quite right; she is ever so much prettier than I am, and perfectly charming! Oh! You men!” Despite my recent disappointment, these words so frankly uttered, by giving me a great respect for Albertine, made a very pleasant impression on me. And perhaps this impression was to have serious and vexatious consequences for me later on, for it was round it that there began to form that feeling almost of brotherly intimacy, that moral core which was always to remain at the heart of my love for Albertine. A feeling of this sort may be the cause of the keenest pain. For in order really to suffer at the hands of a woman one must have believed in her completely. For the moment, that embryo of moral esteem, of friendship, was left embedded in me like a stepping-stone in a stream. It could have availed nothing, by itself, against my happiness if it had remained there without growing, in an inertia which it was to retain the following year, and still more during the final weeks of this first visit to Balbec. It dwelt in me like one of those foreign bodies which it would be wiser when all is said to expel, but which we leave where they are without disturbing them, so harmless for the present does their weakness, their isolation amid a strange environment render them.

My dreams were now once more at liberty to concentrate on one or another of Albertine’s friends, and returned first of all to Andrée, whose kindnesses might perhaps have appealed to me less strongly had I not been certain that they would come to Albertine’s ears. Undoubtedly the preference that I had long been pretending to feel for Andrée had furnished me—in the habit of conversation with her, of declaring my affection—with, so to speak, the material, prepared and ready, for a love of her which had hitherto lacked only the complement of a genuine sentiment, and this my heart being once more free was now in a position to supply. But for me really to love Andrée, she was too intellectual, too neurotic, too sickly, too much like myself. If Albertine now seemed to me to be void of substance, Andrée was filled with something which I knew only too well. I had thought, that first day, that what I saw on the beach there was the mistress of some racing cyclist, passionately athletic; and now Andrée told me that if she had taken up athletic pastimes, it was under orders from her doctor, to cure her neurasthenia, her digestive troubles, but that her happiest hours were those which she spent in translating one of George Eliot’s novels. The misunderstanding, due to an initial mistake as to what Andrée was, had not, as a matter of fact, the slightest importance. But my mistake was one of the kind which, if they allow love to be born, and are not recognised as mistakes until it has ceased to be under control, become a cause of suffering. Such mistakes—which may be quite different from mine with regard to Andrée, and even its exact opposite—are frequently due (and this was especially the case here) to our paying too much attention to the aspect, the manners of what a person is not but would like to be, in forming our first impression of that person. To the outward appearance affectation, imitation, the longing to be admired, whether by the good or by the wicked, add misleading similarities of speech and gesture. These are cynicisms and cruelties which, when put to the test, prove no more genuine than certain apparent virtues and generosities. Just as we often discover a vain miser beneath the cloak of a man famed for his bountiful charity, so her flaunting of vice leads us to suppose a Messalina a respectable girl with middle-class prejudices. I had thought to find in Andrée a healthy, primitive creature, whereas she was merely a person in search of health, as were doubtless many of those in whom she herself had thought to find it, and who were in reality no more healthy than a burly arthritic with a red face and in white flannels is necessarily a Hercules. Now there are circumstances in which it is not immaterial to our happiness that the person whom we have loved because of what appeared to be so healthy about her is in reality only one of those invalids who receive such health as they possess from others, as the planets borrow their light, as certain bodies are only conductors of electricity.

No matter, Andrée, like Rosemonde and Gisèle, indeed more than they, was, when all was said, a friend of Albertine, sharing her life, imitating her conduct, so closely that, the first day, I had not at once distinguished them one from another. Over these girls, flowering sprays of roses whose principal charm was that they outlined themselves against the sea, the same undivided partnership prevailed as at the time when I did not know them, when the appearance of no matter which of them had caused me such violent emotion by its announcement that the little band was not far off. And even now the sight of one of them filled me with a pleasure into which there entered, to an extent which I should not have found it easy to define, the thought of seeing the others follow her in due course, and even if they did not come that day, speaking about them, and knowing that they would be told that I had been on the beach.

It was no longer simply the attraction of those first days, it was a regular love-longing which hesitated among them all, so far was each the natural substitute for the others. My bitterest grief would not have been to be thrown over by whichever of the girls I liked best, but I should at once have liked best, because I should have fastened on to her the whole of the melancholy dream which had been floating vaguely among them all, her who had thrown me over. It would, moreover, in that event, be the loss of all her friends, in whose eyes I should speedily have forfeited whatever advantage I might possess, that I should, in losing her, have unconsciously regretted, having vowed to them that sort of collective love which the politician and the actor feel for the public for whose desertion of them after they have enjoyed all its favours they can never be consoled. Even those favours which I had failed to win from Albertine I would hope suddenly to receive from one or other who had parted from me in the evening with a word or glance of ambiguous meaning, thanks to which it was to her that, for the next day or so, my desire would turn. It strayed among them all the more voluptuously in that upon those volatile faces a comparative fixation of features had now begun, and had been carried far enough for the eye to distinguish—even if it were to change yet further—each malleable and floating effigy. To the differences that existed among them there was doubtless very little that corresponded in the no less marked differences in the length and breadth of those features, any of which might, perhaps, dissimilar as the girls appeared, almost have been lifted bodily from one face and imposed at random upon any other. But our knowledge of faces is not mathematical. In the first place, it does not begin with the measurement of the parts, it takes as its starting point an expression, a combination of the whole. In Andrée, for instance, the fineness of her gentle eyes seemed to go with the thinness of her nose, as slender as a mere curve which one could imagine as having been traced in order to produce along a single line the idea of delicacy divided higher up between the dual smile of her twin gaze. A line equally fine was engraved in her hair, pliant and deep as the line with which the wind furrows the sand. And in her it must have been hereditary; for the snow-white hair of Andrée’s mother was driven in the same way, forming here a swelling, there a depression, like a snowdrift that rises or sinks according to the irregularities of the soil. Certainly, when compared with the fine delineation of Andrée’s, Rosemonde’s nose seemed to present broad surfaces, like a high tower raised upon massive foundations. Albeit expression suffices to make us believe in enormous differences between things that are separated by infinitely little—albeit that infinitely little may by itself create an expression that is absolutely unique, an individuality—it was not only the infinitely little of its lines and the originality of its expression that made each of these faces appear irreducible to terms of any other. Between my friends’ faces their colouring established a separation wider still, not so much by the varied beauty of the tones with which it provided them, so contrasted that I felt when I looked at Rosemonde—flooded with a sulphurous rose colour, with the further contrast of the greenish light in her eyes—and then at Andrée—whose white cheeks received such an austere distinction from her black hair—the same kind of pleasure as if I had been looking alternately at a geranium growing by a sunlit sea and a camellia in the night; but principally because the infinitely little differences of their lines were enlarged out of all proportion, the relations between one and another surface entirely changed by this new element of colour which, in addition to being a dispenser of tints, is great at restoring, or rather at altering, dimensions. So that faces which were perhaps constructed on not dissimilar lines, according as they were lighted by the flaming torch of an auburn poll or high complexion, or by the white glimmer of a dull pallor, grew sharper or broader, became something else, like those properties used in the Russian ballet, consisting sometimes, when they are seen in the light of day, of a mere disc of paper, out of which the genius of a Bakst, according to the blood-red or moonlit effect in which he plunges his stage, makes a hard incrustation, like a turquoise on a palace well, or a swooning softness, as of a Bengal rose in an eastern garden. And so when acquiring a knowledge of faces we take careful measurements, but as painters, not as surveyors.

So it was with Albertine as with her friends. On certain days, slim, with grey cheeks, a sullen air, a violet transparency falling obliquely from her such as we notice sometimes on the sea, she seemed to be feeling the sorrows of exile. On other days her face, more sleek, caught and glued my desires to its varnished surface and prevented them from going any farther; unless I caught a sudden glimpse of her from the side, for her dull cheeks, like white wax on the surface, were visibly pink beneath, which made me anxious to kiss them, to reach that different tint which thus avoided my touch. At other times happiness bathed her cheeks with a clarity so mobile that the skin, grown fluid and vague, gave passage to a sort of stealthy and subcutaneous gaze, which made it appear to be of another colour but not of another substance than her eyes; sometimes, instinctively, when one looked at her face punctuated with tiny brown marks among which floated what were simply two larger, bluer stains, it was like looking at the egg of a goldfinch—or often like an opalescent agate cut and polished in two places only, where, from the heart of the brown stone, shone like the transparent wings of a sky-blue butterfly her eyes, those features in which the flesh becomes a mirror and gives us the illusion that it allows us, more than through the other parts of the body, to approach the soul. But most often of all she shewed more colour, and was then more animated; sometimes the only pink thing in her white face was the tip of her nose, as finely pointed as that of a mischievous kitten with which one would have liked to stop and play; sometimes her cheeks were so glossy that one’s glance slipped, as over the surface of a miniature, over their pink enamel, which was made to appear still more delicate, more private, by the enclosing though half-opened case of her black hair; or it might happen that the tint of her cheeks had deepened to the violet shade of the red cyclamen, and, at times, even, when she was flushed or feverish, with a suggestion of un-healthiness which lowered my desire to something more sensual and made her glance expressive of something more perverse and unwholesome, to the deep purple of certain roses, a red that was almost black; and each of these Albertines was different, as in every fresh appearance of the dancer whose colours, form, character, are transmuted according to the innumerably varied play of a projected limelight. It was perhaps because they were so different, the persons whom I used to contemplate in her at this period, that later on I became myself a different person, corresponding to the particular Albertine to whom my thoughts had turned; a jealous, an indifferent, a voluptuous, a melancholy, a frenzied person, created anew not merely by the accident of what memory had risen to the surface, but in proportion also to the strength of the belief that was lent to the support of one and the same memory by the varying manner in which I appreciated it. For this is the point to which we must always return, to these beliefs with which most of the time we are quite unconsciously filled, but which for all that are of more importance to our happiness than is the average person whom we see, for it is through them that we see him, it is they that impart his momentary greatness to the person seen. To be quite accurate I ought to give a different name to each of the ‘me’s’ who were to think about Albertine in time to come; I ought still more to give a different name to each of the Albertines who appeared before me, never the same, like—called by me simply and for the sake of convenience ‘the sea’—those seas that succeeded one another on the beach, in front of which, a nymph likewise, she stood apart. But above all, in the same way as, in telling a story (though to far greater purpose here), one mentions what the weather was like on such and such a day, I ought always to give its name to the belief that, on any given day on which I saw Albertine, was reigning in my soul, creating its atmosphere, the appearance of people like that of seas being dependent on those clouds, themselves barely visible, which change the colour of everything by their concentration, their mobility, their dissemination, their flight—like that cloud which Elstir had rent one evening by not introducing me to these girls, with whom he had stopped to talk, whereupon their forms, as they moved away, had suddenly increased in beauty—a cloud that had formed again a few days later when I did get to know the girls, veiling their brightness, interposing itself frequently between my eyes and them, opaque and soft, like Virgil’s Leucothea.

No doubt, all their faces had assumed quite new meanings for me since the manner in which they were to be read had been to some extent indicated to me by their talk, talk to which I could ascribe a value all the greater in that, by questioning them, I could prompt it whenever I chose, could vary it like an experimenter who seeks by corroborative proofs to establish the truth of his theory. And it is, after all, as good a way as any of solving the problem of existence to approach near enough to the things that have appeared to us from a distance to be beautiful and mysterious, to be able to satisfy ourselves that they have neither mystery nor beauty. It is one of the systems of hygiene among which we are at liberty to choose our own, a system which is perhaps not to be recommended too strongly, but it gives us a certain tranquillity with which to spend what remains of life, and also—since it enables us to regref nothing, by assuring us that we have attained to the best, and that the best was nothing out of the common—with which to resign ourselves to death.

I had now substituted, in the brains of these girls, for their supposed contempt for chastity, their memories of daily ‘incidents,’ honest principles, liable, it might be, to relaxation, but principles which had hitherto kept unscathed the children who had acquired them in their own respectable homes. And yet, when one has been mistaken from the start, even in trifling details, when an error of assumption or recollection makes one seek for the author of a malicious slander, or for the place where one has lost something, in the wrong direction, it frequently happens that one discovers one’s error only to substitute for it not the truth but a fresh error. I drew, so far as their manner of life and the proper way to behave with them went, all the possible conclusions from the word ‘Innocence’ which I had read, in talking familiarly with them, upon their faces. But perhaps I had been reading carelessly, with the inaccuracy born of a too rapid deciphering, and it was no more written there than was the name of Jules Ferry on the programme of the performance at which I had heard Berma for the first time, an omission which had not prevented me from maintaining to M. de Norpois that Jules Ferry, beyond any possibility of doubt, was a person who wrote curtain-raisers.

No matter which it might be of my friends of the little band, was not inevitably the face that I had last seen the only face that I could recall, since, of our memories with respect to a person, the mind eliminates everything that does not agree with our immediate purpose of our daily relations (especially if those relations are quickened with an element of love which, ever unsatisfied, lives always in the moment that is about to come)? That purpose allows the chain of spent days to slip away, holding on only to the very end of it, often of a quite different metal from the links that have vanished in the night, and in the journey which we make through life, counts as real only in the place in which we at any given moment are. But all those earliest impressions, already so remote, could not find, against the blunting process that assailed them day after day, any remedy in my memory; during the long hours which I spent in talking, eating, playing with these girls, I did not remember even that they were the same ruthless, sensual virgins whom I had seen, as in a fresco, file past between me and the sea.

Geographers, archaeologists may conduct us over Calypso’s island, may excavate the Palace of Minos. Only Calypso becomes then nothing more than a woman, Minos than a king with no semblance of divinity. Even the good and bad qualities which history teaches us to have been the attributes of those quite real personages, often differ widely from those which we had ascribed to the fabulous beings who bore the same names as they. Thus had there faded and vanished all the lovely mythology of Ocean which I had composed in those first days. But it is not altogether immaterial that we do succeed, at any rate now and then, in spending our time in familiar intercourse with what we have thought to be unattainable and have longed to possess. In our later dealings with people whom at first we found disagreeable there persists always, even among the artificial pleasure which we have come at length to enjoy in their society, the lingering taint of the defects which they have succeeded in hiding. But, in relations such as I was now having with Albertine and her friends, the genuine pleasure which was there at the start leaves that fragrance which no amount of skill can impart to hot-house fruits, to grapes that have not ripened in the sun. The supernatural creatures which for a little time they had been to me still introduced, even without any intention on my part, a miraculous element into the most commonplace dealings that I might have with them, or rather prevented such dealings from ever becoming commonplace at all. My desire had sought so ardently to learn the significance of the eyes which now knew and smiled to see me, but whose glances on the first day had crossed mine like rays from another universe; it had distributed so generously, so carefully, so minutely, colour and fragrance over the carnation surfaces of these girls who now, outstretched on the cliff-top, were simply offering me sandwiches or guessing riddles, that often, in the afternoon, while I lay there among them, like those painters who seek to match the grandeurs of antiquity in modern life, give to a woman cutting her toe-nail the nobility of the Spinario, or, like Rubens, make goddesses out of women whom they know, to people some mythological scene; at those lovely forms, dark and fair, so dissimilar in type, scattered around me in the grass, I would gaze without emptying them, perhaps, of all the mediocre contents with which my everyday experience had filled them, and at the same time without expressly recalling their heavenly origin, as if, like young Hercules or young Telemachus, I had been set to play amid a band of nymphs.

Then the concerts ended, the bad weather began, my friends left Balbec; not all at once, like the swallows, but all in the same week. Albertine was the first to go, abruptly, without any of her friends understanding, then or afterwards, why she had returned suddenly to Paris whither neither her work nor any amusement summoned her. “She said neither why nor wherefore, and with that she left!” muttered Françoise, who, for that matter, would have liked us to leave as well. We were, she thought, inconsiderate towards the staff, now greatly reduced in number, but retained on account of the few visitors who were still staying on, and towards the manager who was ‘just eating up money.’ It was true that the hotel, which would very soon be closed for the winter, had long since seen most of its patrons depart, but never had it been so attractive. This view was not shared by the manager; from end to end of the rooms in which we sat shivering, and and at the doors of which no page now stood on guard, he paced the corridors, wearing a new frock coat, so well tended by the hairdresser that his insipid face appeared to be made of some composition in which, for one part of flesh, there were three of cosmetics, incessantly changing his neckties. (These refinements cost less than having the place heated and keeping on the staff, just as a man who is no longer able to subscribe ten thousand francs to a charity can still parade his generosity without inconvenience to himself by tipping the boy who brings him a telegram with five.) He appeared to be inspecting the empty air, to be seeking to give, by the smartness of his personal appearance, a provisional splendour to the desolation that could now be felt in this hotel where the season had not been good, and walked like the ghost of a monarch who returns to haunt the ruins of what was once his palace. He was particularly annoyed when the little local railway company, finding the supply of passengers inadequate, discontinued its trains until the following spring. “What is lacking here,” said the manager, “is the means of commotion.” In spite of the deficit which his books shewed, he was making plans for the future on a lavish scale. And as he was, after all, capable of retaining an exact memory of fine language when it was directly applicable to the hotel-keeping industry and had the effect of enhancing its importance: “I was not adequately supported, although in the dining room I had an efficient squad,” he explained; “but the pages left something to be desired. You will see, next year, what a phalanx I shall collect.” In the meantime the suspension of the services of the B. C. B. obliged him to send for letters and occasionally to dispatch visitors in a light cart. I would often ask leave to sit by the driver, and in this way I managed to be out in all weathers, as in the winter that I had spent at Combray.

Sometimes, however, the driving rain kept my grandmother and me, the Casino being closed, in rooms almost completely deserted, as in the lowest hold of a ship when a storm is raging; and there, day by day, as in the course of a sea-voyage, a new person from among those in whose company we had spent three months without getting to know them, the chief magistrate from Caen, the leader of the Cherbourg bar, an American lady and her daughters, came up to us, started conversation, discovered some way of making the time pass less slowly, revealed some social accomplishment, taught us a new game, invited us to drink tea or to listen to music, to meet them at a certain hour, to plan together some of those diversions which contain the true secret of pleasure-giving, which is to aim not at giving pleasure but simply at helping us to pass the time of our boredom, in a word, formed with us, at the end of our stay at Balbec, ties of friendship which, in a day or two, their successive departures from the place would sever. I even made the acquaintance of the rich young man, of one of his pair of aristocratic friends and of the actress, who had reappeared for a few days; but their little society was composed now of three persons only, the other friend having returned to Paris. They asked me to come out to dinner with them at their restaurant. I think, they were just as well pleased that I did not accept. But they had given the invitation in the most friendly way imaginable, and albeit it came actually from the rich young man, since the others were only his guests, as the friend who was staying with him, the Marquis Maurice de Vaudémont, came of a very good family indeed, instinctively the actress, in asking me whether I would not come, said, to flatter my vanity: “Maurice will be so pleased.”

And when in the hall of the hotel I met them all three together, it was M. de Vaudémont (the rich young man effacing himself) who said to me: “Won’t you give us the pleasure of dining with us?”

On the whole I had derived very little benefit from Balbec, but this only strengthened my desire to return there. It seemed to me that I had not stayed there long enough. This was not what my friends at home were thinking, who wrote to ask whether I meant to stay there for the rest of my life. And when I saw that it was the name ‘Balbec’ which they were obliged to put on the envelope—just as my window looked out not over a landscape or a street but on to the plains of the sea, as I heard through the night its murmur to which I had before going to sleep entrusted my ship of dreams, I had the illusion that this life of promiscuity with the waves must effectively, without my knowledge, pervade me with the notion of their charm, like those lessons which one leams by heart while one is asleep.

The manager offered to reserve better rooms for me next year, but I had now become attached to mine, into which I went without ever noticing the scent of flowering grasses, while my mind, which had once found such difficulty in rising to fill its space had come now to take its measurements so exactly that I was obliged to submit it to a reverse process when I had to sleep in Paris, in my own room, the ceiling of which was low.

It was high time, indeed, to leave Balbec, for the cold and damp had become too penetrating for us to stay any longer in a hotel which had neither fireplaces in the rooms nor a central furnace. Moreover, I forgot almost immediately these last weeks of our stay. What my mind’s eye did almost invariably see when I thought of Balbec were the hours which, every morning during the fine weather, as I was going out in the afternoon with Albertine and her friends, my grandmother, following the doctor’s orders, insisted on my spending lying down, with the room darkened. The manager gave instructions that no noise was to be made on my landing, and came up himself to see that they were obeyed. Because the light outside was so strong, I kept drawn for as long as possible the big violet curtains which had adopted so hostile an attitude towards me the first evening. But as, in spite of the pins with which, so that the light should not enter, Françoise fastened them every night, pins which she alone knew how to unfasten; as in spite of the rugs, the red cretonne table-cover, the various fabrics collected here and there which she fitted in to her defensive scheme, she never succeeded in making them meet exactly, the darkness was not complete, and they allowed to spill over the carpet as it were a scarlet shower of anemone-petals, among which I could not resist the temptation to plunge my bare feet for a moment. And on the wall which faced the window and so was partially lighted, a cylinder of gold with no visible support was placed vertically and moved slowly along like the pillar of fire which went before the Hebrews in the desert. I went back to bed; obliged to taste without moving, in imagination only, and all at once, the pleasures of games, bathing, walks which the morning prompted, joy made my heart beat thunderingly like a machine set going at full speed but fixed to the ground, which can spend its energy only by turning upon its own axis.

I knew that my friends were on the ‘front,’ but I did not see them as they passed before the links of the sea’s uneven chain, far at the back of which, and nestling amid its bluish peaks like an Italian citadel, one could occasionally, in a clear moment, make out the little town of Rivebelle, drawn in minutest detail by the sun. I did not see my friends, but (while there mounted to my belvedere the shout of the newsboy, the ‘journalists’ as Françoise used to call them, the shouts of the bathers and of children at play, punctuating like the cries of sea-birds the sound of the gently breaking waves) I guessed their presence, I heard their laughter enveloped like the laughter of the Nereids in the smooth tide of sound that rose to my ears. “We looked up,” said Albertine in the evening, “to see if you were coming down. But your shutters were still closed when the concert began.” At ten o’clock, sure enough, it broke out beneath my windows. In the intervals in the blare of the instruments, if the tide were high, would begin again, slurred and continuous, the gliding surge of a wave which seemed to enfold the notes of the violin in its crystal spirals and to be spraying its foam over echoes of a submarine music. I grew impatient because no one had yet come with my things, so that I might rise and dress. Twelve o’clock struck, Françoise arrived at last. And for months on end, in this Balbec to which I had so looked forward because I imagined it only as battered by the storm and buried in fogs, the weather had been so dazzling and so unchanging that when she came to open the window I could always, without once being wrong, expect to see the same patch of sunlight folded in the corner of the outer wall, of an unalterable colour which was less moving as a sign of summer than depressing as the colour of a lifeless and composed enamel. And after Françoise had removed her pins from the mouldings of the window-frame, taken down her various cloths, and drawn back the curtains, the summer day which she disclosed seemed as dead, as immemorially ancient as would have been a sumptuously attired dynastic mummy from which our old servant had done no more than pre-cautionally unwind the linen wrappings before displaying it to my gaze, embalmed in its vesture of gold.

Madame Swann at Home

A break in the narrative: old friends in new aspects—The Marquis de Norpois—Bergotte—How I cease for the time being to see Gilberte: a general outline of the sorrow caused by a parting and of the irregular process of oblivion.

My mother, when it was a question of our having M. de Norpois to dinner for the first time, having expressed her regret that Professor Cottard was away from home, and that she herself had quite ceased to see anything of Swann, since either of these might have helped to entertain the old Ambassador, my father replied that so eminent a guest, so distinguished a man of science as Cottard could never be out of place at a dinner-table, but that Swann, with his ostentation, his habit of crying aloud from the housetops the name of everyone that he knew, however slightly, was an impossible vulgarian whom the Marquis de Norpois would be sure to dismiss as—to use his own epithet—a ‘pestilent’ fellow. Now, this attitude on my father’s part may be felt to require a few words of explanation, inasmuch as some of us, no doubt, remember a Cottard of distinct mediocrity and a Swann by whom modesty and discretion, in all his social relations, were carried to the utmost refinement of delicacy. But in his case, what had happened was that, to the original ‘young Swann’ and also to the Swann of the Jockey Club, our old friend had added a fresh personality (which was not to be his last), that of Odette’s husband. Adapting to the humble ambitions of that lady the instinct, the desire, the industry which he had always had, he had laboriously constructed for himself, a long way beneath the old, a new position more appropriate to the companion who was to share it with him. In this he shewed himself another man. Since (while he continued to go, by himself, to the houses of his own friends, on whom he did not care to inflict Odette unless they had expressly asked that she should be introduced to them) it was a new life that he had begun to lead, in common with his wife, among a new set of people, it was quite intelligible that, in order to estimate the importance of these new friends and thereby the pleasure, the self-esteem that were to be derived from entertaining them, he should have made use, as a standard of comparison, not of the brilliant society in which he himself had moved before his marriage but of the earlier environment of Odette. And yet, even when one knew that it was with unfashionable officials and their faded wives, the wallflowers of ministerial ball-rooms, that he was now anxious to associate, it was still astonishing to hear him, who in the old days, and even still, would so gracefully refrain from mentioning an invitation to Twickenham or to Marlborough House, proclaim with quite unnecessary emphasis that the wife of some Assistant Under-Secretary for Something had returned Mme. Swann’s call. It will perhaps be objected here that what this really implied was that the simplicity of the fashionable Swann had been nothing more than a supreme refinement of vanity, and that, like certain other Israelites, my parents’ old friend had contrived to illustrate in turn all the stages through which his race had passed, from the crudest and coarsest form of snobbishness up to the highest pitch of good manners. But the chief reason—and one which is applicable to humanity as a whole—was that our virtues themselves are not free and floating qualities over which we retain a permanent control and power of disposal; they come to be so closely linked in our minds with the actions in conjunction with which we make it our duty to practise them, that, if we are suddenly called upon to perform some action of a different order, it takes us by surprise, and without our supposing for a moment that it might involve the bringing of those very same virtues into play. Swann, in his intense consciousness of his new social surroundings, and in the pride with which he referred to them, was like those great artists—modest or generous by nature—who, if at the end of their career they take to cooking or to gardening, display a childlike gratification at the compliments that are paid to their dishes or their borders, and will not listen to any of the criticism which they heard unmoved when it was applied to their real achievements; or who, after giving away a canvas, cannot conceal their annoyance if they lose a couple of francs at dominoes.

As for Professor Cottard, we shall meet him again and can study him at our leisure, much later in the course of our story, with the ‘Mistress,’ Mme. Verdurin, in her country house La Raspelière. For the present, the following observations must suffice; first of all, in the case of Swann the alteration might indeed be surprising, since it had been accomplished and yet was not suspected by me when I used to see Gilberte’s father in the Champs-Elysées, where, moreover, as he never spoke to me, he could not very well have made any display of his political relations. It is true that, if he had done so, I might not at once have discerned his vanity, for the idea that one has long held of a person is apt to stop one’s eyes and ears; my mother, for three whole years, had no more noticed the salve with which one of her nieces used to paint her lips than if it had been wholly and invisibly dissolved in some clear liquid; until one day a streak too much, or possibly something else, brought about the phenomenon known as super-saturation; all the paint that had hitherto passed unperceived was now crystallised, and my mother, in the face of this sudden riot of colour, declared, in the best Combray manner, that it was a perfect scandal, and almost severed relations with her niece. With Cottard, on the contrary, the epoch in which we have seen him assisting at the first introduction of Swann to the Verdurins was now buried in the past; whereas honours, offices and titles come with the passage of years; moreover, a man may be illiterate, and make stupid puns, and yet have a special gift, which no amount of general culture can replace—such as the gift of a great strategist or physician. And so it was not merely as an obscure practitioner, who had attained in course of time to European celebrity, that the rest of his profession regarded Cottard. The most intelligent of the younger doctors used to assert—for a year or two, that is to say, for fashions, being themselves begotten of the desire for change, are quick to change also—that if they themselves ever fell ill Cottard was the only one of the leading men to whom they would entrust their lives. No doubt they preferred, socially, to meet certain others who were better read, more artistic, with whom they could discuss Nietzsche and Wagner. When there was a musical party at Mme. Cottard’s, on the evenings when she entertained—in the hope that it might one day make him Dean of the Faculty—the colleagues and pupils of her husband, he, instead of listening, preferred to play cards in another room. Yet everybody praised the quickness, the penetration, the unerring confidence with which, at a glance, he could diagnose disease. Thirdly, in considering the general impression which Professor Cottard must have made on a man like my father, we must bear in mind that the character which a man exhibits in the latter half of his life is not always, even if it is often his original character developed or withered, attenuated or enlarged; it is sometimes the exact opposite, like a garment that has been turned. Except from the Verdurins, who were infatuated with him, Cottard’s hesitating manner, his excessive timidity and affability had, in his young days, called down upon him endless taunts and sneers. What charitable friend counselled that glacial air? The importance of his professional standing made it all the more easy to adopt. Wherever he went, save at the Verdurins’, where he instinctively became himself again, he would assume a repellent coldness, remain silent as long as possible, be peremptory when he was obliged to speak, and not forget to say the most cutting things. He had every opportunity of rehearsing this new attitude before his patients, who, seeing him for the first time, were not in a position to make comparisons, and would have been greatly surprised to learn that he was not at all a rude man by nature. Complete impassivity was what he strove to attain, and even while visiting his hospital wards, when he allowed himself to utter one of those puns which left everyone, from the house physician to the junior student, helpless with laughter, he would always make it without moving a muscle of his face, while even that was no longer recognisable now that he had shaved off his beard and moustache.

But who, the reader has been asking, was the Marquis de Norpois? Well, he had been Minister Plenipotentiary before the War, and was actually an Ambassador on the Sixteenth of May; in spite of which, and to the general astonishment, he had since been several times chosen to represent France on Extraordinary Missions—even as Controller of the Public Debt in Egypt, where, thanks to his great capability as a financier, he had rendered important services—by Radical Cabinets under which a reactionary of the middle classes would have declined to serve, and in whose eyes M. de Norpois, in view of his past, his connexions and his opinions, ought presumably to have been suspect. But these advanced Ministers seemed to consider that, in making such an appointment, they were shewing how broad their own minds were, when the supreme interests of France were at stake, were raising themselves above the general run of politicians, were meriting, from the Journal des Débats itself, the title of ‘Statesmen,’ and were reaping direct advantage from the weight that attaches to an aristocratic name and the dramatic interest always aroused by an unexpected appointment. And they knew also that they could reap these advantages by making an appeal to M. de Norpois, without having to fear any want of political loyalty on his part, a fault against which his noble birth not only need not put them on their guard but offered a positive guarantee. And in this calculation the Government of the Republic were not mistaken. In the first place, because an aristocrat of a certain type, brought up from his cradle to regard his name as an integral part of himself of which no accident can deprive him (an asset of whose value his peers, or persons of even higher rank, can form a fairly exact estimate), knows that he can dispense with the efforts (since they can in no way enhance his position) in which, without any appreciable result, so many public men of the middle class spend themselves—to profess only the ‘right’ opinions, to frequent only the ‘sound’ people. Anxious, on the other hand, to increase his own importance in the eyes of the princely or ducal families which take immediate precedence of his own, he knows that he can do so by giving his name that complement which hitherto it has lacked, which will give it priority over other names heraldically its equals: such as political power, a literary or an artistic reputation, or a large fortune. And so what he saves by avoiding the society of the ineffective country squires, after whom all the professional families run helter-skelter, but of his intimacy with whom, were he to profess it, a prince would think nothing, he will lavish on the politicians who (free-masons, or worse, though they be) can advance him in Diplomacy or ‘back’ him in an election, and on the artists or scientists whose patronage can help him to ‘arrive’ in those departments in which they excel, on everyone, in fact, who is in a position to confer a fresh distinction or to ‘bring off’ a rich marriage.

But in the character of M. de Norpois there was this predominant feature, that, in the course of a long career of diplomacy, he had become imbued with that negative, methodical, conservative spirit, called ‘governmental,’ which is common to all Governments and, under every Government, particularly inspires its Foreign Office. He had imbibed, during that career, an aversion, a dread, a contempt for the methods of procedure, more or less revolutionary and in any event quite incorrect, which are those of an Opposition. Save in the case of a few illiterates—high or low, it makes no matter—by whom no difference in quality is perceptible, what attracts men one to another is not a common point of view but a consanguinity of spirit. An Academician of the kind of Legouvé, and therefore an upholder of the classics, would applaud Maxime Ducamp’s or Mezière’s eulogy of Victor Hugo with more fervour than that of Boileau by Claudel. A common Nationalism suffices to endear Barrés to his electors, who scarcely distinguish between him and M. Georges Berry, but does not endear him to those of his brother Academicians who, with a similar outlook on politics but a different type of mind, will prefer to him even such open adversaries as M. Ribot and M. Deschanel, with whom, in turn, the most loyal Monarchists feel themselves more closely allied than with Maurras or Léon Daudet, although these also are living in the hope of a glorious Restoration. Miserly in the use of words, not only from a professional scruple of prudence and reserve, but because words themselves have more value, present more subtleties of definition to men whose efforts, protracted over a decade, to bring two countries to an understanding, are condensed, translated—in a speech or in a protocol—into a single adjective, colourless in all appearance, but to them pregnant with a world of meaning, M. de Norpois was considered very stiff, at the Commission, where he sat next to my father, whom everyone else congratulated on the astonishing way in which the old Ambassador unbent to him. My father was himself more astonished than anyone. For not being, as a rule, very affable, his company was little sought outside his own intimate circle, a limitation which he used modestly and frankly to avow. He realised that these overtures were an outcome, in the diplomat, of that point of view which everyone adopts for himself in making his choice of friends, from which all a man’s intellectual qualities, his refinement, his affection are a far less potent recommendation of him, when at the same time he bores or irritates one, than are the mere straightforwardness and good-humour of another man whom most people would regard as frivolous or even fatuous. “De Norpois has asked me to dinner again; it’s quite extraordinary; everyone on the Commission is amazed, as he never has any personal relations with any of us. I am sure he’s going to tell me something thrilling, again, about the ‘Seventy war.” My father knew that M. de Norpois had warned, had perhaps been alone in warning the Emperor of the growing strength and bellicose designs of Prussia, and that Bismarck rated his intelligence most highly. Only the other day, at the Opera, during the gala performance given for King Theodosius, the newspapers had all drawn attention to the long conversation which that Monarch had held with M. de Norpois. “I must ask him whether the King’s visit had any real significance,” my father went on, for he was keenly interested in foreign politics. “I know old Norpois keeps very close as a rule, but when he’s with me he opens out quite charmingly.”

As for my mother, perhaps the Ambassador had not the type of mind towards which she felt herself most attracted. I should add that his conversation furnished so exhaustive a glossary of the superannuated forms of speech peculiar to a certain profession, class and period—a period which, for that profession and that class, might be said not to have altogether passed away—that I sometimes regret that I have not kept any literal record simply of the things that I have heard him say. I should thus have obtained an effect of old-fashioned courtesy by the same process and at as little expense as that actor at the Palais-Royal who, when asked where on earth he managed to find his astounding hats, answered, “I do not find my hats. I keep them.” In a word, I suppose that my mother considered M. de Norpois a trifle ‘out-of-date,’ which was by no means a fault in her eyes, so far as manners were concerned, but attracted her less in the region—not, in this instance, of ideas, for those of M. de Norpois were extremely modern—but of idiom. She felt, however, that she was paying a delicate compliment to her husband when she spoke admiringly of the diplomat who had shewn so remarkable a predilection for him. By confirming in my father’s mind the good opinion that he already had of M. de Norpois, and so inducing him to form a good opinion of himself also, she knew that she was carrying out that one of her wifely duties which consisted in making life pleasant and comfortable for her husband, just as when she saw to it that his dinner was perfectly cooked and served in silence. And as she was incapable of deceiving my father, she compelled herself to admire the old Ambassador, so as to be able to praise him with sincerity. Incidentally she could naturally, and did, appreciate his kindness, his somewhat antiquated courtesy (so ceremonious that when, as he was walking along the street, his tall figure rigidly erect, he caught sight of my mother driving past, before raising his hat to her he would fling away the cigar that he had just lighted); his conversation, so elaborately circumspect, in which he referred as seldom as possible to himself and always considered what might interest the person to whom he was speaking; his promptness in answering a letter, which was so astonishing that whenever my father, just after posting one himself to M. de Norpois, saw his handwriting upon an envelope, his first thought was always one of annoyance that their letters must, unfortunately, have crossed in the post; which, one was led to suppose, bestowed upon him the special and luxurious privilege of extraordinary deliveries and collections at all hours of the day and night. My mother marvelled at his being so punctilious although so busy, so friendly although so much in demand, never realising that ‘although,’ with such people, is invariably an unrecognised ‘because,’ and that (just as old men are always wonderful for their age, and kings extraordinarily simple, and country cousins astonishingly well-informed) it was the same system of habits that enabled M. de Norpois to undertake so many duties and to be so methodical in answering letters, to go everywhere and to be so friendly when he came to us. Moreover she made the mistake which everyone makes who is unduly modest; she rated everything that concerned herself below, and consequently outside the range of, other people’s duties and engagements. The letter which it seemed to her so meritorious in my father’s friend to have written us promptly, since in the course of the day he must have had ever so many letters to write, she excepted from that great number of letters, of which actually it was a unit; in the same way she did not consider that dining with us was, for M. de Norpois, merely one of the innumerable activities of his social life; she never guessed that the Ambassador had trained himself, long ago, to look upon dining-out as one of his diplomatic functions, and to display, at table, an inveterate charm which it would have been too much to have expected him specially to discard when he came to dine with us.

The evening on which M. de Norpois first appeared at our table, in a year when I still went to play in the Champs-Elysées, has remained fixed in my memory because the afternoon of the same day was that upon which I at last went to hear Berma, at a matinée, in Phèdre, and also because in talking to M. de Norpois I realised suddenly, and in a new and different way, how completely the feelings aroused in me by all that concerned Gilberte Swann and her parents differed from any that the same family could inspire in anyone else.

It was no doubt the sight of the depression in which I was plunged by the approach of the New Year holidays, in which, as she herself had informed me, I was to see nothing of Gilberte, that prompted my mother one day, in the hope of distracting my mind, to suggest, “If you are still so anxious to hear Berma, I think that your father would allow you perhaps to go; your grandmother can take you.”

But it was because M. de Norpois had told him that he ought to let me hear Berma, that it was an experience for a young man to remember in later life, that my father, who had hitherto been so resolutely opposed to my going and wasting my time, with the added risk of my falling ill again, on what he used to shock my grandmother by calling ‘futilities,’ was now not far from regarding this manner of spending an afternoon as included, in some vague way, in the list of precious formulae for success in a brilliant career. My grandmother, who, in renouncing on my behalf the profit which, according to her, I should have derived from hearing Berma, had made a considerable sacrifice in the interests of my health, was surprised to find that this last had become of no account at a mere word from M. de Norpois. Reposing the unconquerable hopes of her rationalist spirit in the strict course of fresh air and early hours which had been prescribed for me, she now deplored, as something disastrous, this infringement that I was to make of my rules, and in a tone of despair protested, “How easily led you are!” to my father, who replied angrily “What! So it’s you that are not for letting him go, now. That is really too much, after your telling us all day and every day that it would be so good for him.”

M. de Norpois had also brought about a change in my father’s plans in a matter of far greater importance to myself. My father had always meant me to become a diplomat, and I could not endure the thought that, even if I did have to stay for some years, first, at the Ministry, I should run the risk of being sent, later on, as Ambassador, to capitals in which no Gilberte dwelt. I should have preferred to return to the literary career that I had planned for myself, and had been abandoned, years before, in my wanderings along the Guermantes way. But my father had steadily opposed my devoting myself to literature, which he regarded as vastly inferior to diplomacy, refusing even to dignify it with the title of career, until the day when M. de Norpois, who had little love for the more recent generations of diplomatic agents, assured him that it was quite possible, by writing, to attract as much attention, to receive as much consideration, to exercise as much influence, and at the same time to preserve more independence than in the Embassies.
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