The White Conquerors: A Tale of Toltec and Aztec

"But," continued he of the purple robe, "they do say that the king has already forbidden their advance, and that the strangers pay no heed to his words."

"Then will Huitzil, the all-powerful, awake, and destroy them with a breath."

"But they do say that some of them are gods mighty and terrible in themselves, having the forms both of men and beasts greater and more frightful than ever were seen. And they do say," he almost whispered in his earnestness, "that they breathe fire and smoke like Popocatepetl himself, and that their weapons are thunderbolts."

"Aye, and they do say truly," interrupted a book-seller who had overheard these remarks, "for here it is pictured out in detail, a copy made from one of the reports sent to the king himself."

With this the new-comer unfolded a fan-like sheet of parchment, on which were drawn likenesses of white men in armor, some on horseback and others on foot, of cannon belching forth fire and smoke, and of many other things so strange and wonderful to Aztec eyes that in a few moments the trio were surrounded by a gaping crowd, eagerly pushing and struggling for a glimpse of the marvellous pictures.

Amid the excitement caused by these evidences that the rumors of the white gods, busily circulated for many months, were only too true, the armorer remained calm and self-possessed. He even expressed a contempt for the strange beings who, he declared, were but sea-monsters, after all.

"Can such creatures harm the children of the sun so long as Huitzil, the god of gods, watches over them from his seat above the clouds?" he cried. "Not that he will be called upon to so much as lift a finger; for is not Montezuma, our lord and the lord of lords, able of his own might to drive them into the sea, whence they came? Shall he who overcame Tlahuicol, the greatest warrior of the age, forbid the advance of men, monsters, fire-breathing beasts, or even of gods, in vain? Shame on you for thus belittling your own gods and your king! Alas! that I, in my poverty, am compelled to forge weapons for such as you!"

"They do say," here interposed he of the purple robe, anxious to change the subject, "that Tlahuicol the Tlascalan, who is doomed to sacrifice this day, has demanded the privilege of a warrior who has never turned back to foe, and that the king has granted it."

"Not the battle of despair?" exclaimed the armorer.

"Even so," nodded the other.

"Then will I at once put away my wares, and hasten to secure a place within the serpent wall, for if he meet with worthy foemen the sight of this battle will be worth all the other sights of earth, and I would not miss it, though with my right hand I was forced to pay for admission within the sacred wall."

It was even so. Tlahuicol was to lend a crowning glory to the great festival of his enemies by fighting, for their entertainment, the battle of despair. This was the poor privilege granted to any captive warrior who had never turned back to foe, of fighting for his life and liberty, with a single weapon, and with one foot tethered, against any six who might challenge him, and who might attack him singly or in couples, as they chose. In all Aztec history no captive had ever gained his freedom in this manner, and even so famous a warrior as Tlahuicol was not supposed to have the slightest chance of victory in so unequal a contest. It was well known that he had been out of practice, and had taken almost no exercise for a year. Thus it was held by many that he was now no more than equal to a warrior of ordinary attainments. As to his overcoming six, selected from the throng of young Aztec nobles who eagerly sought this opportunity for acquiring fame and the order of knighthood, which would be conferred upon him who should deal a fatal blow to the redoubtable Tlascalan, the idea was unworthy of consideration. Nevertheless all agreed that Tlahuicol would make a pretty fight, and even to witness the death-struggle of the warrior whose name had so long been a terror to Aztec ears, was deemed so great a privilege that, hours before the time set for the battle, every inch of available space in the amphitheatre adjoining the great temple was occupied by the eager populace.

This amphitheatre was but a small portion of the vast area reserved in the heart of the city, and enclosed by a stone wall eight feet high, called the Coatapantli, or wall of serpents, for the temple of Huitzil, the war-god. Here were the dwellings of thousands of priests, and quarters for ten thousand troops, granaries, arsenals, seminaries for the priestly education of youth of both sexes, and numerous monuments, the most notable of which was that constructed of one hundred thousand human skulls of victims sacrificed on Huitzil's altars. In the exact centre of the whole towered the great temple, a lofty pyramid of masonry rising in five terraces, which were gained by as many flights of stairs. Each of these gave access to a single terrace, and they were so arranged that from the top of one the entire circuit of the pyramid must be made ere the next flight could be reached.

The top of this mighty pyramid presented a flat surface of nearly an acre in extent. On it, rising to a height of sixty feet, was a shrine sheltering a hideous image of the god and its bloody altar, on which was laid daily offerings of human hearts torn from living bodies. Outside of the shrine stood another altar, on which burned the never-dying fire. It was commonly believed that if by any chance this should be extinguished some dire calamity would overtake the nation. Near by stood the great war-drum of serpents' skins, which was only struck in times of emergency, when the awe-inspiring sound of its hollow boomings could be heard for leagues.

The only other object on the broad level space was a large block of jasper, slightly convex on its upper side. It was the stone of sacrifice, across which victims were laid for the greater convenience of the priests in cutting open their breasts and tearing out the still palpitating hearts in which the blood-loving god delighted. The whole place bore the aspect of a shambles, and was pervaded by a sickening stench. The priests who officiated here, and of whom Topil was the chief, were blood-besmeared from head to foot, and allowed their long hair, also clotted with blood, to hang in elf-locks over their shoulders. Thus their appearance was more savage and terrible than can well be imagined.

CHAPTER IV.

TLAHUICOL'S LAST BATTLE

The amphitheatre in which Tlahuicol was to make so desperate a fight for his life was enclosed on three sides by low buildings, having terraced roofs on which a vast number of spectators could be accommodated. In its centre was an immense circular stone, like a gigantic mill-stone, on the flat surface of which were fought all gladiatorial combats. Late in the afternoon of the day of feasting, when the thousands of spectators were weary of the brutal games by which until that time they had been entertained, an expectant murmur suddenly swept over the vast assemblage, and then broke into a roar of applause. Six warriors of noble birth, wearing on their heads golden casques in the likenesses of a dog, a fox, a wolf, a bear, an ocelot, and a mountain-lion, with a carriage that bespoke their martial training, had entered the amphitheatre, and were marching slowly around the outer edge of the great stone. When they reached the point nearest the pavilion in which, beneath a canopy of royal green, reclined the king, surrounded by his attendant nobles, the six warriors prostrated themselves until their foreheads touched the pavement. Then they continued their measured march until they reached the side of the amphitheatre opposite that by which they had entered.

Now, to the barbaric music of drums, attabals, and shells, there entered a single figure between a double file of soldiers, and the hurricane of applause by which he was greeted would have proclaimed his identity even had not his name been heard on all sides.

"Tlahuicol the ocelot!" "Tlahuicol the wolf!" "Tlahuicol the mountain-lion!" "Tlahuicol the terrible!" shouted the spectators, and the eyes of the great warrior lighted with a momentary gleam of triumph at these tributes from his enemies. He was conducted directly to the centre of the great stone, where one of his ankles was tethered by a short chain to a ring-bolt let into the unyielding rock. Then one of his guards stripped the tilmatli from his shoulders, disclosing the fact that he was naked, save for a cloth about his loins, and unprotected by armor of any kind. At the same moment another soldier handed the prisoner the maquahuitl with which he was to defend his life.

Tlahuicol balanced it for a moment in his hand, then suddenly snapped its tough staff in two without apparent effort, and disdainfully flung the pieces from him. Turning toward the king he cried, in a loud voice:

"It was but a toy! a child's plaything, and yet it was given me for the defence of my life! Let me, I pray thee, O king, have my own good sword. Then will I show thee a fight that may prove of interest."

The king nodded his assent. A soldier was despatched for the weapon, and shortly returned, bearing in both hands a maquahuitl so huge that a murmur of amazement arose from the spectators, who deemed it impossible that any man could wield it. But Tlahuicol received it with a smile of satisfaction, swung it lightly twice or thrice above his head, and then leaned upon it with an expectant air as though inviting his enemies to approach. No further invitation was needed, for no Aztec warrior worthy of the name was ever lacking in bravery. The young noble who wore the head of a fox sprang forward, and, with guarded movements, approached the chained but still terrible champion.

Cautiously the fox circled about his adversary seeking an unguarded point at which to strike. On account of his fettered leg Tlahuicol could only turn half-way round, but he would then whirl about so quickly that, in spite of his disadvantage, he presented no opening for attack for some minutes. At length, wearying of such fruitless play, he purposely made his movements slower, until the Fox, thinking his opportunity had come, sprang forward to deliver a deadly blow. In an instant his sword was struck from his hand. Broken and useless it was sent spinning to the further side of the arena, and the Fox reeled backward with the force of the blow. Recovering himself he sprang to a soldier who stood near, snatched a javelin from his hand, and hurled it with deadly aim at Tlahuicol's head. Without moving his body, the Toltec bent his head to one side, caught the hurtling weapon in his left hand, and, almost with the same motion, flung it back with such terrible force that it passed completely through the body of the Aztec and fell to the ground behind him. He staggered, fell, and was borne, dying, from the scene.

Instantly two of his companions took his vacant place. Filled with rage they advanced impetuously and somewhat incautiously. As their weapons were raised to strike, the terrible maquahuitl of Tlahuicol crushed the skull of one like an egg-shell, and then, with a fierce backward blow, sent the other reeling a dozen paces away, so severely wounded that it was doubtful if he might ever recover. Marvellous as this feat was, it did not wholly save the Toltec from the descending sword of his third enemy. The keen obsidian blade cut a frightful gash in his side, and he was instantly bathed in his own blood.

But the wounded warrior had no time to consider his own condition, for, almost before he realized that he had been struck, two fresh assailants were upon him. One of these was cleft from casque to shoulders by Tlahuicol's awful weapon, which seemed to the breathless spectators like a thunderbolt in the hands of a god. Ere the Toltec could recover himself, the other rushed in and bore him to the ground, where, falling uppermost, the Aztec hoped to deal a fatal blow with his dagger. Before he could accomplish his purpose the champion's arms had enfolded him in an embrace so deadly that the breath was driven from his body with a sound that might be heard in all parts of the amphitheatre, and his ribs were crushed like pipe-stems. Leaping to his feet, amid thunders of applause from the frenzied spectators, the Toltec flung the lifeless body from him, and regained his ponderous sword just in time to meet the onset of his sixth, and most powerful, assailant, he whose casque was fashioned in the likeness of an ocelot.

Now the breath of the champion came in sobbing gasps, and he was so weakened by loss of blood that it seemed impossible for him to withstand the furious onslaught of this fresh adversary. For the space of two minutes the exchange of blows was so rapid that there was but one continuous crash of sound. Then the ocelot leaped back beyond reach of his tethered opponent. The Toltec staggered and seemed about to fall. Suddenly, rallying his failing strength, he hurled his heavy weapon so truly, and with such mighty force, that the last of his assailants was swept over the edge of the platform on which they had fought, and rolled, to all appearance lifeless, to the base of the royal pavilion.

For an instant there was a silence as of death in the vast amphitheatre. Then it was broken by a thrilling cry in the Mayan tongue of "Father! oh, Father! you have conquered! you are free!"

Tlahuicol, who had fallen to his knees with the force of his last effort, lifted his drooping head and looked to where Huetzin struggled in the grasp of two brawny priests. Then, very feebly, with his right hand, he made a sign such as but two persons in that vast concourse recognized. He touched his forehead, his breast, and both shoulders. It was the sign of the God of the Four Winds, the almost forgotten symbol of the Toltec faith. Huetzin knew it, and so did one of the priests who held him.

With the making of this sacred symbol of his race, the mighty warrior fell forward and lay prone on the bloody stone, unmindful of the wild storm of plaudits by which his unprecedented victory was hailed.

Suddenly, while all was confusion, the fierce figure of Topil, the chief priest, sprang to the platform, and, snatching the dread knife of sacrifice from his girdle, bent over the prostrate man. The next moment he rose, and with a savage cry of triumph held aloft the heart of the bravest son of Anahuac. The cheering of the multitude sank into a shuddering cry of horror at this dastardly act. Had another committed it he would have been rent in pieces, but the person of the chief priest was sacred.

Even the elements seemed aghast at the dreadful deed; for, though the sun had not yet set, the sky was darkened by a veil of inky blackness, and an ominous moaning filled the air.

Paying no heed to these portents, nor to the black looks of those about him, Topil screamed to his fellows that the son should share the fate of the father, and that the god was weary of waiting for the offering of their hearts. Then, bidding them follow him with the prisoner, he sprang up the steps of the great temple. With shrill cries the obedient priests forced a passage through the surging multitude, and hurried Huetzin in the same direction. Even the king had no power to stop them, for in Tenochtitlan the chief priest was mightier than he.

So the compact body of white-robed priests mounted flight after flight of steps, and swept around the four sides of the teocal along terrace above terrace. Finally they gained the summit of the lofty pyramid, and disappeared from the view of the silent throngs who gazed, as though fascinated, after them.

Inevitable and awful as was the fate before him, Huetzin had but one thought as he was dragged up those weary flights, and along those interminable terraces. It was not for himself, but for his sister Tiata, the dear one who, with his last words, the dead father had entrusted to his care. Without father, mother, or brother, what would be her fate? What would become of her? As they stripped him and stretched his naked body on the dread stone of sacrifice, he cried aloud in his agony:

"Tiata! sister! To the god of the Toltecs, our father's god and our god, I commend thee!"

CHAPTER V.

HUETZIN'S MIRACULOUS ESCAPE

At this supreme moment in the life of Huetzin, the young Toltec, the scene, of which he formed the central figure, was of such a character as to inspire a nameless fear in the hearts of all beholders. To the silent multitude who, with upturned faces, were gathered about the temple of their most dreaded god, awaiting the wild chant of priests that should proclaim the sacrifice accomplished, the summit of the lofty pyramid was lost in the pall-like blackness of the heavens. Only a fitful gleam of altar-fire formed a point of light on which the eye could rest. The broad space surmounting the temple was the dramatic focus of the weird scene. About it moaned the spirits of upper air, as though with the voices of the innumerable dead who had breathed their last on that accursed spot. There was an absolute calm, and no breath of wind disturbed the straight column of altar-flame that cast a lurid light across the blood-stained platform. In front of the altar, and clustered in a dark mass about the stone of sacrifice, were the priests of Huitzil. Their white robes had been thrown aside, and all the hideous features of their blood-smeared bodies and streaming locks of matted hair were revealed. In their midst, cruelly outstretched on the mass of polished jasper, lay the naked body of the beautiful youth whose death was to close the pagan rites with which the great calendar stone was dedicated.

Suddenly the dread silence was broken by a single stroke upon the huge drum of serpent skins. Out through the blackness rolled its booming echoes, proclaiming to the utmost limits of the city, and far beyond, that the final act of the drama was about to be consummated. As the significant sound smote upon the ears of those gathered at the base of the teocal, a shuddering cry broke from the vast concourse. It was heard by Topil, the chief priest, who had just sounded the signal, and now strode, knife in hand, toward his waiting victim; but it only caused him to smile scornfully. It was but another tribute to his power, and he exulted in the natural accessories that rendered this final scene so impressive.

As Topil stood beside his victim, Huetzin gave utterance to the prayer recorded in the preceding chapter. Then the dread knife, that had drunk the blood of thousands, was uplifted. Ere it could descend there came, from out the enveloping blackness, a flash of light so vivid, and a crash of thunder so awful, that the very earth trembled with the shock and the mighty pyramid rocked on its foundations. A huge globe of fire, a veritable thunderbolt of the gods launched with unerring aim and irresistible force, had fallen on Huitzil's temple. It burst as it struck the rock-paved summit of the teocal, and for a moment the whole space was bathed in leaping flames of such dazzling intensity that no mortal eye might gaze upon them. Many of the stone blocks were shattered into fragments, the altar on which burned the eternal fire was overthrown and its sacred flame extinguished. The priests, gathered about the stone of sacrifice, were flung, stunned and breathless, in every direction. Some of them, in the madness of their terror, even leaped from the edge of the trembling platform, and were dashed to the pavement of the courtyard far below.

An instant of darkness followed this first exhibition of the storm god's power. While it lasted, cries of terror and lamentation arose from all parts of the wide-spread city. From every quarter it was seen that the sacred fire no longer burned, and into every mind flashed the foreboding of calamity thus portended. Only for a moment was the wrath of the storm god stayed, and then bolt upon bolt crashed above the devoted city, their awful din mingled with the wild shriekings of unfettered winces, and a downpour of rain that seemed like to deluge the world.

With the first outbreak of the tempest, Huetzin, released by the terrified priests who had held him, rolled unconscious to the pavement beside the stone of sacrifice. When he recovered his senses and staggered to his feet, a furious storm of wind and rain was buffeting his naked body, while lightning glared and thunder crashed incessantly about him. But he still lived, and of those who so recently condemned him to death, not one was to be seen. A sudden hope sprang into his breast, and he glanced about for a way of escape. There was none. If he descended the long flights of steps he would certainly be apprehended in the walled court below. He might seek a temporary refuge in the shrine at one end of the platform; but at the best, that would only prolong his existence for a few wretched hours. Last of all, he might end his misery at once by a leap from the giddy verge of the platform on which he stood. Yes, that was best. There was no other way. As he was about to carry out this intention, a human figure rose from beyond the sacrificial stone, and stepped to where he stood. It was that of a priest, and, as a flash of lightning betrayed his presence, Huetzin's impulse to seize him and force him also to take the death-leap was checked by a sight that filled him with amazement.

A second gleam of lightning revealed the startling fact that this priest of Huitzil was making the sacred symbol of the Toltec faith, the sign made by his own father as his dying act, and which he deemed unknown to any in all Tenochtitlan save himself. As he stood motionless with amazement, the strange priest cried, in a voice to be heard above the tumult of the storm:

"Follow me and I will save you, for I, too, know the holy sign of the Four Winds! I, too, am a Toltec!"

With this he seized the youth's hand, and the latter allowed himself to be led away. Instead of turning toward the outer stairway, as Huetzin fancied they would, they entered the foul and evil-smelling shrine of the Aztec war-god. The monstrous image, with its hideous features, was dimly revealed by the intermittent flashes of lightning, and Huetzin shuddered as he stood before it. To him it was the embodiment of that cruel and cowardly religion with which the fair land of his ancestors was cursed, and could he have destroyed it at the expense of his own life, he would gladly have done so.

Passing swiftly to the back of the image, the priest, who had just proclaimed himself to be of the Toltec race, caused a panel of stone to slide noiselessly back in polished grooves, and disclosed a place of utter blackness. Entering this he drew Huetzin after him. Then he closed the opening, and, bidding the other stand motionless, passed his hands carefully over the stone floor at their feet. There was a slight grating sound, and Huetzin knew, by a sudden upflow of damp air, that some concealed passage-way had been opened.

"Now," whispered his guide, "we are about to descend a secret stairway known only to the chief priest and myself. Moreover, should he even suspect that I was possessed of its knowledge, my heart would smoke on Huitzil's altar. For this reason I claim thy oath, by the immortal God of the Four Winds, never to reveal this secret, so long as Huitzil sits upon his throne."

"By the sacred name of the Four Winds I swear never to reveal it," answered the youth.

Then they began to descend, carefully closing the opening above them, and feeling their way with the utmost caution. The air was damp and chill, the narrow stone steps were slippery with moisture. They formed a stairway of zigzags, and to Huetzin it seemed as though they must penetrate below the foundations of the temple, so long was it before the bottom of the last flight was reached.