Darkmans

Darkmans
Nicola Barker

This is a rowdy, riotous tale, a tale in which the medieval past takes on a face, name, and occupation and roams around the humdrum town of Ashford, bringing chaos to the lives of those it picks on. No one is safe: not upstanding Beede and his drug-dealing son, nor teen chav Kelly who zestily finds God (much to the dismay of the Reverend responsible), or Gaffar, the tiny, amorous Kurd with an unusual fear of salad.Darkmans is a world where language snaps and crackles like static, twitching with barely containable energy. Past and present mingle and blur, and the lines between fantasy and reality, sanity and madness are continually rubbed out and redrawn - but by whose hand? And what about the grand scheme of things - is life a coincidence or is it a pattern, plotted by all-seeing, unknown forces?The third of Nicola Barker's visionary narratives of the Thames Gateway, Darkmans is a very modern book about very old-fashioned subjects: love and jealousy. It's also about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. Shortlisted for the Man Booker Prize 2007 and following on from Wide Open (winner Dublin IMPAC award 2000) and Behindlings it confirms Nicola Barker as one of Britain's most original, innovative and exciting literary talents.

NICOLA BARKER

Darkmans

Dedication (#ulink_d69d7b12-8eab-5c90-b88d-25a31cefd20b)

For Scott Ehrig-Burgess in Del Mar, who filled out that comment card

Epigraph (#ulink_081dee3c-547c-5a37-81ce-4007f0b0cccb)

‘These demanders for glimmer be for the most part women;

for glimmer, in their language, is fire.’

Thomas Harman – A Caveat for Common Cursitors 1567

Contents

Cover (#u56808340-c1da-5091-814e-9845ed4c0d1f)

Title page (#ud50be84c-a106-5653-9374-394a0cfb90bf)

Dedication (#u6cb8ec7c-6019-5beb-b33b-70002e470155)

Epigraph (#u2aae7b98-4194-5b46-910f-bf211e62949b)

PART ONE (#u14f504f2-5662-5ecb-a6cd-1ed5465156f0)

ONE (#uf7fce8ba-3afa-59e0-8ca6-ba2a3d329893)

TWO (#uc48573af-5805-54f5-b6c4-0a76d7bb9b99)

THREE (#uc85d7498-08fc-5d7f-8e72-732b547e7eb8)

FOUR (#u9765fe54-5752-51d7-8817-32a79880398a)

FIVE (#u299e22fa-47c1-5abd-9345-67ab1390ec2a)

SIX (#ue9487bc6-3c52-5361-90d1-0e144241ff44)

SEVEN (#u7f7db67b-caaf-57b0-9679-8c1c850d76af)

EIGHT (#uf36a5ba0-2e1b-50f8-ab76-e747720b9769)

PART TWO (#ubb07f9fc-1b49-51db-9b20-fda042217bd3)

FLEET (#udcdf25da-6097-5936-89b1-0d90b0d92351)

ELEN (#u67cc40bb-d669-579b-8ba4-d7f1f245d20c)

ABACUS BUILDERS LTD (#u4e710b68-5c5c-5378-ab3d-4c992f42a753)

ISIDORE (#litres_trial_promo)

PART THREE (#litres_trial_promo)

ONE (#litres_trial_promo)

TWO (#litres_trial_promo)

THREE (#litres_trial_promo)

FOUR (#litres_trial_promo)

FIVE (#litres_trial_promo)

SIX (#litres_trial_promo)

SEVEN (#litres_trial_promo)

EIGHT (#litres_trial_promo)

NINE (#litres_trial_promo)

TEN (#litres_trial_promo)

ELEVEN (#litres_trial_promo)

PART FOUR (#litres_trial_promo)

DUNGENESS (#litres_trial_promo)

JURY’S GAP (#litres_trial_promo)

WINCHELSEA (#litres_trial_promo)

BECKLEY, NO, NO…BIXLEY WOODS (#litres_trial_promo)

PART FIVE (#litres_trial_promo)

ONE (#litres_trial_promo)

TWO (#litres_trial_promo)

THREE (#litres_trial_promo)