Darkmans

I mean wasn’t that more plausible? Even from the outside?

Over time (their working relationship – their ‘friendship’ – had lasted about twenty-two months, in total) Beede had started to modify things. He knew that this was risky (perilous, even) but he simply could not stop himself. He’d long observed in Dory a kind of helpless paranoia (a desperate vulnerability) which somehow made the truth seem so immeasurably illogical (and stupid and cruel) that it was sometimes virtually impossible not to suddenly find yourself quickly inserting a small –

Tiny

– neat, white lie to try and make things more bearable. He knew that Elen sometimes did the same. It was difficult not to when you cared for a person. It was only natural (call it a maternal/paternal instinct) to feel a tugging need to assuage their distress in some way; to apply some kind of remedial blotter to the leaking ink of their misery.

So approximately ten minutes into the walk Beede had begun to modify the story (it was boredom, more than anything. Dory would keep on asking the same questions – again and again and again – until he felt satisfied by the answers; and if he wasn’t satisfied he may well turn hostile. There might be –

God forbid

– an ‘episode’.)

Consequently – according to Beede – the horse had simply ‘escaped from a field’. Beede had ‘just happened across it, wandering around in the road’, so had gone off in pursuit of it, then Dory had arrived – ‘in the nick of time’ – and had helped him to subdue it.

In this new scenario Dory was quite the hero…

‘Yes, I know you hate horses. Don’t you see? That’s what made the whole thing so…so admirable.’

The only problem with this approach was that Dory wouldn’t automatically give up on all his former scraps –

Dammit

– and a few hours later there was always the risk that he might suddenly remember being in the play area (for example) and then get all agitated and jumpy, and the questions would start over. He was tenacious. He was suspicious.

Things were definitely –

Definitely

– getting worse on that score. Elen had said so herself (and Isidore had strongly indicated as much too, in some of his rare – but precious – moments of unselfconsciousness).

On the positive side (and there was always a positive side), he was actually ‘going under’ slightly less often than he had done previously; but when he did, he ‘fell’ much more quickly, was in deeper, and for significantly longer.

When he came to he was just a mess; he was in chaos. It was as if his brain had been placed inside a food processor (set on to its ‘chopping’ function); everything got hacked-up and jumbled together. And the end result? A horrible, indigestible mental coleslaw.

On this particular occasion Beede had taken the precaution of checking his watch at his very first sighting of Dory in the French Connection, and he’d calculated (another quick peek. Yup) that it’d taken twenty-five minutes for him to return to himself (fully return – so that he remembered his address, his wife, his child, his date of birth; all the basics, in other words).

Beede had been on hand for almost the entire process, and so far as he could gauge, things were definitely degenerating. Elen had told him that this’d happened twice before (a serious degeneration): once when they were first engaged, and once a short while after Fleet was born, when Dory had been forced to quit his job with Ashford’s Fire Department (a severe blow from which he’d still barely recovered).

While Beede was certainly no expert, the attacks themselves seemed to have become far more…more perverse…more…uh…tricksy of late –

For want of a better word

More dangerous (even). They were stealthy. They seemed almost to creep up on him. They had no sense of propriety; were untimely, inexpedient and often socially embarrassing. They never (or very rarely) stood on any kind of ceremony. They were merciless. They were indecorous. They were delinquent.

Previously – and again, this was chiefly relying on the information which Elen had given him – they’d had a much more controllable evolution. They were constant but reliable. Were predictable. Were minimal. Had exhibited an internal logic of some kind.

Now there was something almost cruel, almost…

Vindictive?

Is that too emotional?

Now there were ‘flashpoints’. And the paranoia was terrible. Really terrible. Much more severe than it had ever been (ever, Elen said). And the denial was absolute. But worse than all of this – worst of all – Dory had become – and this might not seem like much, superficially, but it was actually the most heart-breaking element of the whole thing – he’d become humourless.

He’d lost his ability to just laugh it all off. He was really – really – brought down by it. He was depressed. He kept saying (for example) that he was finding it ‘hard to focus’ (he’d been twice to get his eyes tested over the last six weeks. His eyesight was pronounced perfect, on both occasions).

He was barely sleeping. Insomnia. He’d always been a light sleeper (needed only four good hours, at most – like Margaret Thatcher), but there was no doubt – no doubt whatsoever – that sleep was a major factor in the whole scenario; a ‘trigger’.

Nobody dared use the word ‘narcolepsy’, and certainly not in front of him (he was German. Self-reliance was his watchword – and clarity, and precision). There was a stigma – Dory felt – with this particular condition, because of its inevitable connection with childhood trauma; the underlying sense of an inability to cope. At some fundamental level Dory closely aligned coping with his masculinity (coping was something he needed to do, and do well, to be a successful male).

Isidore’s finer feelings aside, however, narcolepsy was definitely one of the medical conditions which best fitted his particular combination of symptoms. It didn’t fit completely (symptoms could be like that). Elen said it was as though Dory was missing a shoe, and narcolepsy was a slipper (ie they were related, but not entirely compatible). Beede found this description telling. He found it apt.

The other unsayable word was – but of course – schizophrenia. This word made everybody panic (even Elen). But it was not a fearful word for Beede. For Beede it was just a combination of letters which didn’t even feature in his old Pocket Oxford. The closest they came to it there was ‘schist’; a kind of crystalline rock, whose components were arranged in distinct layers. Beede liked that. He’d tried to tell Elen about it (the ‘layers’ ie the concept of something separate but unified), yet for some reason she seemed to gain no palpable sense of relief from the idea.

Of course Isidore had been medicated for his condition in the past – so far as it was possible (which wasn’t very far at all), because every doctor he visited seemed to have a different opinion (and these medical practitioners were few and far between). Dory hated doctors – found them ‘meddlesome’ – flew into a blind panic at the idea of ‘a diagnosis’. To be diagnosed was to be boxed up, to be compartmentalised, to be made separate, to be lost. For Dory a diagnosis represented ‘the death of hope’. His optimism – and he was optimistic, by and large – thrived in unknowing.

There were some things (some symptoms – side-effects, you might say) which Dory simply wouldn’t factor in during medical consultations (refused to, point-blank, Elen said), and this obviously made it very difficult for any kind of practitioner to complete their medical assessment of him. He could be extremely secretive (for such an extraordinarily ‘open’ person), as if protecting something precious – something vulnerable – inside of him.

And like nearly all people with serious long-term medical conditions, Dory associated medication – being medicated – with a lot of the bad stuff from his past (things from his childhood which he’d never openly discuss: his mother was over-protective, his father very controlling, the usual stuff). So he was heavily resistant to any kind of ‘help’ (medical, analytical), which obviously made things incredibly difficult…

‘Damn!’

Beede suddenly (and unexpectedly) ground to a halt. He put a hand to his chest and drew a deep breath (he was surprisingly short of puff). As he exhaled, he quickly checked his watch. He cursed again. Dory – who was at least ten paces ahead (not even a vague sheen of sweat on him; he was fit as a cheetah) – heard the horse come to a stop. He turned, quick as a flash. ‘Beede? Something wrong?’

Beede glanced up, almost guiltily. ‘No. Nothing. Just a meeting…’ he shrugged, ‘I’m late. In fact I’ve already missed her. I completely forgot…’

‘A meeting at work?’

‘No…’ Beede shook his head. ‘Not at work.’

‘At home?’

Dory looked flabbergasted (this was for comic effect, Beede presumed).

‘Yes, Dory, at home.’

Beede crisply enunciated his response to try and railroad any potential ribbing. It wasn’t a successful ploy.

‘A personal arrangement?’

Still, Dory maintained his little act.

Beede found himself blushing. He had no idea why. He said nothing.

Dory’s eyes flew even wider. ‘What? Beede – Mr Daniel Beede – actually socialising?!’

Beede’s flushed but sombre face cracked into a smile (Ah yes. This was the real Dory. The real him. He could be tender yet mocking, could needle you in that special, gentle way of his which even the most ferocious curmudgeon would do well to take umbrage at).