Perhaps he takes care to see that the ends of his necktie are properly adjusted.
Or he smoothes down the ruffles or front of his shirt or evening-dress.
Or he tries to find out by a questioning and furtive glance whether his wig, blonde or brown, curled or plain, is in its natural position.
Perhaps he looks at his nails to see whether they are clean and duly cut.
Perhaps with a hand which is either white or untidy, well-gloved or otherwise, he twirls his moustache, or his whiskers, or picks his teeth with a little tortoise-shell toothpick.
Or by slow and repeated movements he tries to place his chin exactly over the centre of his necktie.
Or perhaps he crosses one foot over the other, putting his hands in his pockets.
Or perhaps he gives a twist to his shoe, and looks at it as if he thought, “Now, there’s a foot that is not badly formed.”
Or according as he has come on foot or in a carriage, he rubs off or he does not rub off the slight patches of mud which soil his shoes.
Or perhaps he remains as motionless as a Dutchman smoking his pipe.
Or perhaps he fixes his eyes on the door and looks like a soul escaped from Purgatory and waiting for Saint Peter with the keys.
Perhaps he hesitates to pull the bell; perhaps he seizes it negligently, precipitately, familiarly, or like a man who is quite sure of himself.
Perhaps he pulls it timidly, producing a faint tinkle which is lost in the silence of the apartments, as the first bell of matins in winter-time, in a convent of Minims; or perhaps after having rung with energy, he rings again impatient that the footman has not heard him.
Perhaps he exhales a delicate scent, as he chews a pastille.
Perhaps with a solemn air he takes a pinch of snuff, brushing off with care the grains that might mar the whiteness of his linen.
Perhaps he looks around like a man estimating the value of the staircase lamp, the balustrade, the carpet, as if he were a furniture dealer or a contractor.
Perhaps this celibate seems a young or an old man, is cold or hot, arrives slowly, with an expression of sadness or merriment, etc.
You see that here, at the very foot of your staircase, you are met by an astonishing mass of things to observe.
The light pencil-strokes, with which we have tried to outline this figure, will suggest to you what is in reality a moral kaleidoscope with millions of variations. And yet we have not even attempted to bring any woman on to the threshold which reveals so much; for in that case our remarks, already considerable in number, would have been countless and light as the grains of sand on the seashore.
For as a matter of fact, when he stands before the shut door, a man believes that he is quite alone; and he would have no hesitation in beginning a silent monologue, a dreamy soliloquy, in which he revealed his desires, his intentions, his personal qualities, his faults, his virtues, etc.; for undoubtedly a man on a stoop is exactly like a young girl of fifteen at confession, the evening before her first communion.
Do you want any proof of this? Notice the sudden change of face and manner in this celibate from the very moment he steps within the house. No machinist in the Opera, no change in the temperature in the clouds or in the sun can more suddenly transform the appearance of a theatre, the effect of the atmosphere, or the scenery of the heavens.
On reaching the first plank of your antechamber, instead of betraying with so much innocence the myriad thoughts which were suggested to you on the steps, the celibate has not a single glance to which you could attach any significance. The mask of social convention wraps with its thick veil his whole bearing; but a clever husband must already have divined at a single look the object of his visit, and he reads the soul of the new arrival as if it were a printed book.
The manner in which he approaches your wife, in which he addresses her, looks at her, greets her and retires – there are volumes of observations, more or less trifling, to be made on these subjects.
The tone of his voice, his bearing, his awkwardness, it may be his smile, even his gloom, his avoidance of your eye, – all are significant, all ought to be studied, but without apparent attention. You ought to conceal the most disagreeable discovery you may make by an easy manner and remarks such as are ready at hand to a man of society. As we are unable to detail the minutiae of this subject we leave them entirely to the sagacity of the reader, who must by this time have perceived the drift of our investigation, as well as the extent of this science which begins at the analysis of glances and ends in the direction of such movements as contempt may inspire in a great toe hidden under the satin of a lady’s slipper or the leather of a man’s boot.
But the exit! – for we must allow for occasions where you have omitted your rigid scrutiny at the threshold of the doorway, and in that case the exit becomes of vital importance, and all the more so because this fresh study of the celibate ought to be made on the same lines, but from an opposite point of view, from that which we have already outlined.
In the exit the situation assumes a special gravity; for then is the moment in which the enemy has crossed all the intrenchments within which he was subject to our examination and has escaped into the street! At this point a man of understanding when he sees a visitor passing under the porte-cochere should be able to divine the import of the whole visit. The indications are indeed fewer in number, but how distinct is their character! The denouement has arrived and the man instantly betrays the importance of it by the frankest expression of happiness, pain or joy.
These revelations are therefore easy to apprehend; they appear in the glance cast either at the building or at the windows of the apartment; in a slow or loitering gait, in the rubbing of hands, on the part of a fool, in the bounding gait of a coxcomb, or the involuntary arrest of his footsteps, which marks the man who is deeply moved; in a word, you see upon the stoop certain questions as clearly proposed to you as if a provincial academy had offered a hundred crowns for an essay; but in the exit you behold the solution of these questions clearly and precisely given to you. Our task would be far above the power of human intelligence if it consisted in enumerating the different ways by which men betray their feelings, the discernment of such things is purely a matter of tact and sentiment.
If strangers are the subject of these principles of observation, you have a still stronger reason for submitting your wife to the formal safeguards which we have outlined.
A married man should make a profound study of his wife’s countenance. Such a study is easy, it is even involuntary and continuous. For him the pretty face of his wife must needs contain no mysteries, he knows how her feelings are depicted there and with what expression she shuns the fire of his glance.
The slightest movement of the lips, the faintest contraction of the nostrils, scarcely perceptible changes in the expression of the eye, an altered voice, and those indescribable shades of feeling which pass over her features, or the light which sometimes bursts forth from them, are intelligible language to you.
The whole woman nature stands before you; all look at her, but none can interpret her thoughts. But for you, the eye is more or less dimmed, wide-opened or closed; the lid twitches, the eyebrow moves; a wrinkle, which vanishes as quickly as a ripple on the ocean, furrows her brow for one moment; the lip tightens, it is slightly curved or it is wreathed with animation – for you the woman has spoken.
If in those puzzling moments in which a woman tries dissimulation in presence of her husband, you have the spirit of a sphinx in seeing through her, you will plainly observe that your custom-house restrictions are mere child’s play to her.
When she comes home or goes out, when in a word she believes she is alone, your wife will exhibit all the imprudence of a jackdaw and will tell her secret aloud to herself; moreover, by her sudden change of expression the moment she notices you (and despite the rapidity of this change, you will not fail to have observed the expression she wore behind your back) you may read her soul as if you were reading a book of Plain Song. Moreover, your wife will often find herself just on the point of indulging in soliloquies, and on such occasions her husband may recognize the secret feelings of his wife.
Is there a man as heedless of love’s mysteries as not to have admired, over and over again, the light, mincing, even bewitching gait of a woman who flies on her way to keep an assignation? She glides through the crowd, like a snake through the grass. The costumes and stuffs of the latest fashion spread out their dazzling attractions in the shop windows without claiming her attention; on, on she goes like the faithful animal who follows the invisible tracks of his master; she is deaf to all compliments, blind to all glances, insensible even to the light touch of the crowd, which is inevitable amid the circulation of Parisian humanity. Oh, how deeply she feels the value of a minute! Her gait, her toilet, the expression of her face, involve her in a thousand indiscretions, but oh, what a ravishing picture she presents to the idler, and what an ominous page for the eye of a husband to read, is the face of this woman when she returns from the secret place of rendezvous in which her heart ever dwells! Her happiness is impressed even on the unmistakable disarray of her hair, the mass of whose wavy tresses has not received from the broken comb of the celibate that radiant lustre, that elegant and well-proportioned adjustment which only the practiced hand of her maid can give. And what charming ease appears in her gait! How is it possible to describe the emotion which adds such rich tints to her complexion! – which robs her eyes of all their assurance and gives to them an expression of mingled melancholy and delight, of shame which is yet blended with pride!
These observations, stolen from our Meditation, Of the Last Symptoms, and which are really suggested by the situation of a woman who tries to conceal everything, may enable you to divine by analogy the rich crop of observation which is left for you to harvest when your wife arrives home, or when, without having committed the great crime she innocently lets out the secrets of her thoughts. For our own part we never see a landing without wishing to set up there a mariner’s card and a weather-cock.
As the means to be employed for constructing a sort of domestic observatory depend altogether on places and circumstances, we must leave to the address of a jealous husband the execution of the methods suggested in this Meditation.
MEDITATION XVI. THE CHARTER OF MARRIAGE
I acknowledge that I really know of but one house in Paris which is managed in accordance with the system unfolded in the two preceding Meditations. But I ought to add, also, that I have built up my system on the example of that house. The admirable fortress I allude to belonged to a young councillor of state, who was mad with love and jealousy.
As soon as he learned that there existed a man who was exclusively occupied in bringing to perfection the institution of marriage in France, he had the generosity to open the doors of his mansion to me and to show me his gyneceum. I admired the profound genius which so cleverly disguised the precautions of almost oriental jealousy under the elegance of furniture, beauty of carpets and brightness of painted decorations. I agreed with him that it was impossible for his wife to render his home a scene of treachery.
“Sir,” said I, to this Othello of the council of state who did not seem to me peculiarly strong in the haute politique of marriage, “I have no doubt that the viscountess is delighted to live in this little Paradise; she ought indeed to take prodigious pleasure in it, especially if you are here often. But the time will come when she will have had enough of it; for, my dear sir, we grow tired of everything, even of the sublime. What will you do then, when madame, failing to find in all your inventions their primitive charm, shall open her mouth in a yawn, and perhaps make a request with a view to the exercise of two rights, both of which are indispensable to her happiness: individual liberty, that is, the privilege of going and coming according to the caprice of her will; and the liberty of the press, that is, the privilege of writing and receiving letters without fear of your censure?”
Scarcely had I said these words when the Vicomte de V – grasped my arm tightly and cried:
“Yes, such is the ingratitude of woman! If there is any thing more ungrateful than a king, it is a nation; but, sir, woman is more ungrateful than either of them. A married woman treats us as the citizens of a constitutional monarchy treat their king; every measure has been taken to give these citizens a life of prosperity in a prosperous country; the government has taken all the pains in the world with its gendarmes, its churches, its ministry and all the paraphernalia of its military forces, to prevent the people from dying of hunger, to light the cities by gas at the expense of the citizens, to give warmth to every one by means of the sun which shines at the forty-fifth degree of latitude, and to forbid every one, excepting the tax-gatherers, to ask for money; it has labored hard to give to all the main roads a more or less substantial pavement – but none of these advantages of our fair Utopia is appreciated! The citizens want something else. They are not ashamed to demand the right of traveling over the roads at their own will, and of being informed where that money given to the tax-gatherers goes. And, finally, the monarch will soon be obliged, if we pay any attention to the chatter of certain scribblers, to give to every individual a share in the throne or to adopt certain revolutionary ideas, which are mere Punch and Judy shows for the public, manipulated by a band of self-styled patriots, riff-raff, always ready to sell their conscience for a million francs, for an honest woman, or for a ducal coronet.”
“But, monsieur,” I said, interrupting him, “while I perfectly agree with you on this last point, the question remains, how will you escape giving an answer to the just demands of your wife?”
“Sir” he replied, “I shall do – I shall answer as the government answers, that is, those governments which are not so stupid as the opposition would make out to their constituents. I shall begin by solemnly interdicting any arrangement, by virtue of which my wife will be declared entirely free. I fully recognize her right to go wherever it seems good to her, to write to whom she chooses, and to receive letters, the contents of which I do not know. My wife shall have all the rights that belong to an English Parliament; I shall let her talk as much as she likes, discuss and propose strong and energetic measures, but without the power to put them into execution, and then after that – well, we shall see!”
“By St. Joseph!” said I to myself, “Here is a man who understands the science of marriage as well as I myself do. And then, you will see, sir,” I answered aloud, in order to obtain from him the fullest revelation of his experience; “you will see, some fine morning, that you are as big a fool as the next man.”
“Sir,” he gravely replied, “allow me to finish what I was saying. Here is what the great politicians call a theory, but in practice they can make that theory vanish in smoke; and ministers possess in a greater degree than even the lawyers of Normandy, the art of making fact yield to fancy. M. de Metternich and M. de Pilat, men of the highest authority, have been for a long time asking each other whether Europe is in its right senses, whether it is dreaming, whether it knows whither it is going, whether it has ever exercised its reason, a thing impossible on the part of the masses, of nations and of women. M. de Metternich and M. de Pilat are terrified to see this age carried away by a passion for constitutions, as the preceding age was by the passion for philosophy, as that of Luther was for a reform of abuses in the Roman religion; for it truly seems as if different generations of men were like those conspirators whose actions are directed to the same end, as soon as the watchword has been given them. But their alarm is a mistake, and it is on this point alone that I condemn them, for they are right in their wish to enjoy power without permitting the middle class to come on a fixed day from the depth of each of their six kingdoms, to torment them. How could men of such remarkable talent fail to divine that the constitutional comedy has in it a moral of profound meaning, and to see that it is the very best policy to give the age a bone to exercise its teeth upon! I think exactly as they do on the subject of sovereignty. A power is a moral being as much interested as a man is in self-preservation. This sentiment of self-preservation is under the control of an essential principle which may be expressed in three words —to lose nothing. But in order to lose nothing, a power must grow or remain indefinite, for a power which remains stationary is nullified. If it retrogrades, it is under the control of something else, and loses its independent existence. I am quite as well aware, as are those gentlemen, in what a false position an unlimited power puts itself by making concessions; it allows to another power whose essence is to expand a place within its own sphere of activity. One of them will necessarily nullify the other, for every existing thing aims at the greatest possible development of its own forces. A power, therefore, never makes concessions which it does not afterwards seek to retract. This struggle between two powers is the basis on which stands the balance of government, whose elasticity so mistakenly alarmed the patriarch of Austrian diplomacy, for comparing comedy with comedy the least perilous and the most advantageous administration is found in the seesaw system of the English and of the French politics. These two countries have said to the people, ‘You are free;’ and the people have been satisfied; they enter the government like the zeros which give value to the unit. But if the people wish to take an active part in the government, immediately they are treated, like Sancho Panza, on that occasion when the squire, having become sovereign over an island on terra firma, made an attempt at dinner to eat the viands set before him.
“Now we ought to parody this admirable scene in the management of our homes. Thus, my wife has a perfect right to go out, provided she tell me where she is going, how she is going, what is the business she is engaged in when she is out and at what hour she will return. Instead of demanding this information with the brutality of the police, who will doubtless some day become perfect, I take pains to speak to her in the most gracious terms. On my lips, in my eyes, in my whole countenance, an expression plays, which indicates both curiosity and indifference, seriousness and pleasantry, harshness and tenderness. These little conjugal scenes are so full of vivacity, of tact and address that it is a pleasure to take part in them. The very day on which I took from the head of my wife the wreath of orange blossoms which she wore, I understood that we were playing at a royal coronation – the first scene in a comic pantomime! – I have my gendarmes! – I have my guard royal! – I have my attorney general – that I do!” he continued enthusiastically. “Do you think that I would allow madame to go anywhere on foot unaccompanied by a lackey in livery? Is not that the best style? Not to count the pleasure she takes in saying to everybody, ‘I have my people here.’ It has always been a conservative principle of mine that my times of exercise should coincide with those of my wife, and for two years I have proved to her that I take an ever fresh pleasure in giving her my arm. If the weather is not suitable for walking, I try to teach her how to drive with success a frisky horse; but I swear to you that I undertake this in such a manner that she does not learn very quickly! – If either by chance, or prompted by a deliberate wish, she takes measures to escape without a passport, that is to say, alone in the carriage, have I not a driver, a footman, a groom? My wife, therefore, go where she will, takes with her a complete Santa Hermandad, and I am perfectly easy in mind – But, my dear sir, there is abundance of means by which to annul the charter of marriage by our manner of fulfilling it! I have remarked that the manners of high society induce a habit of idleness which absorbs half of the life of a woman without permitting her to feel that she is alive. For my part, I have formed the project of dexterously leading my wife along, up to her fortieth year, without letting her think of adultery, just as poor Musson used to amuse himself in leading some simple fellow from the Rue Saint-Denis to Pierrefitte without letting him think that he had left the shadows of St. Lew’s tower.”
“How is it,” I said, interrupting him, “that you have hit upon those admirable methods of deception which I was intending to describe in a Meditation entitled The Act of Putting Death into Life! Alas! I thought I was the first man to discover that science. The epigrammatic title was suggested to me by an account which a young doctor gave me of an excellent composition of Crabbe, as yet unpublished. In this work, the English poet has introduced a fantastic being called Life in Death. This personage crosses the oceans of the world in pursuit of a living skeleton called Death in Life– I recollect at the time very few people, among the guests of a certain elegant translator of English poetry, understood the mystic meaning of a fable as true as it was fanciful. Myself alone, perhaps, as I sat buried in silence, thought of the whole generations which as they were hurried along by life, passed on their way without living. Before my eyes rose faces of women by the million, by the myriad, all dead, all disappointed and shedding tears of despair, as they looked back upon the lost moments of their ignorant youth. In the distance I saw a playful Meditation rise to birth, I heard the satanic laughter which ran through it, and now you doubtless are about to kill it. – But come, tell me in confidence what means you have discovered by which to assist a woman to squander the swift moments during which her beauty is at its full flower and her desires at their full strength. – Perhaps you have some stratagems, some clever devices, to describe to me – ”
The viscount began to laugh at this literary disappointment of mine, and he said to me, with a self-satisfied air:
“My wife, like all the young people of our happy century, has been accustomed, for three or four consecutive years, to press her fingers on the keys of a piano, a long-suffering instrument. She has hammered out Beethoven, warbled the airs of Rossini and run through the exercises of Crammer. I had already taken pains to convince her of the excellence of music; to attain this end, I have applauded her, I have listened without yawning to the most tiresome sonatas in the world, and I have at last consented to give her a box at the Bouffons. I have thus gained three quiet evenings out of the seven which God has created in the week. I am the mainstay of the music shops. At Paris there are drawing-rooms which exactly resemble the musical snuff-boxes of Germany. They are a sort of continuous orchestra to which I regularly go in search of that surfeit of harmony which my wife calls a concert. But most part of the time my wife keeps herself buried in her music-books – ”