The Hated Son

“Ah! my poor Chaverny!” she cried, weeping, “you so respectful, so gracious, YOU were always kind to me.”

She turned her eyes to her husband as if to persuade herself that that harsh face contained a promise of mercy, dearly brought. The count was awake. His yellow eyes, clear as those of a tiger, glittered beneath their tufted eyebrows and never had his glance been so incisive. The countess, terrified at having encountered it, slid back under the great counterpane and was motionless.

“Why are you weeping?” said the count, pulling away the covering which hid his wife.

That voice, always a terror to her, had a specious softness at this moment which seemed to her of good augury.

“I suffer much,” she answered.

“Well, my pretty one, it is no crime to suffer; why did you tremble when I looked at you? Alas! what must I do to be loved?” The wrinkles of his forehead between the eyebrows deepened. “I see plainly you are afraid of me,” he added, sighing.

Prompted by the instinct of feeble natures the countess interrupted the count by moans, exclaiming: —

“I fear a miscarriage! I clambered over the rocks last evening and tired myself.”

Hearing those words, the count cast so horribly suspicious a look upon his wife, that she reddened and shuddered. He mistook the fear of the innocent creature for remorse.

“Perhaps it is the beginning of a regular childbirth,” he said.

“What then?” she said.

“In any case, I must have a proper man here,” he said. “I will fetch one.”

The gloomy look which accompanied these words overcame the countess, who fell back in the bed with a moan, caused more by a sense of her fate than by the agony of the coming crisis; that moan convinced the count of the justice of the suspicions that were rising in his mind. Affecting a calmness which the tones of his voice, his gestures, and looks contradicted, he rose hastily, wrapped himself in a dressing-gown which lay on a chair, and began by locking a door near the chimney through which the state bedroom was entered from the reception rooms which communicated with the great staircase.

Seeing her husband pocket that key, the countess had a presentiment of danger. She next heard him open the door opposite to that which he had just locked and enter a room where the counts of Herouville slept when they did not honor their wives with their noble company. The countess knew of that room only by hearsay. Jealousy kept her husband always with her. If occasionally some military expedition forced him to leave her, the count left more than one Argus, whose incessant spying proved his shameful distrust.

In spite of the attention the countess now gave to the slightest noise, she heard nothing more. The count had, in fact, entered a long gallery leading from his room which continued down the western wing of the castle. Cardinal d’Herouville, his great-uncle, a passionate lover of the works of printing, had there collected a library as interesting for the number as for the beauty of its volumes, and prudence had caused him to build into the walls one of those curious inventions suggested by solitude or by monastic fears. A silver chain set in motion, by means of invisible wires, a bell placed at the bed’s head of a faithful servitor. The count now pulled the chain, and the boots and spurs of the man on duty sounded on the stone steps of a spiral staircase, placed in the tall tower which flanked the western corner of the chateau on the ocean side.

When the count heard the steps of his retainer he pulled back the rusty bolts which protected the door leading from the gallery to the tower, admitting into the sanctuary of learning a man of arms whose stalwart appearance was in keeping with that of his master. This man, scarcely awakened, seemed to have walked there by instinct; the horn lantern which he held in his hand threw so feeble a gleam down the long library that his master and he appeared in that visible darkness like two phantoms.

“Saddle my war-horse instantly, and come with me yourself.”

This order was given in a deep tone which roused the man’s intelligence. He raised his eyes to those of his master and encountered so piercing a look that the effect was that of an electric shock.

“Bertrand,” added the count laying his right hand on the servant’s arm, “take off your cuirass, and wear the uniform of a captain of guerrillas.”

“Heavens and earth, monseigneur! What? disguise myself as a Leaguer! Excuse me, I will obey you; but I would rather be hanged.”

The count smiled; then to efface that smile, which contrasted with the expression of his face, he answered roughly: —

“Choose the strongest horse there is in the stable and follow me. We shall ride like balls shot from an arquebuse. Be ready when I am ready. I will ring to let you know.”

Bertrand bowed in silence and went away; but when he had gone a few steps he said to himself, as he listened to the howling of the storm: —

“All the devils are abroad, jarnidieu! I’d have been surprised to see this one stay quietly in his bed. We took Saint-Lo in just such a tempest as this.”

The count kept in his room a disguise which often served him in his campaign stratagems. Putting on the shabby buff-coat that looked as thought it might belong to one of the poor horse-soldiers whose pittance was so seldom paid by Henri IV., he returned to the room where his wife was moaning.

“Try to suffer patiently,” he said to her. “I will founder my horse if necessary to bring you speedy relief.”

These words were certainly not alarming, and the countess, emboldened by them, was about to make a request when the count asked her suddenly: —

“Tell me where you keep your masks?”

“My masks!” she replied. “Good God! what do you want to do with them?”

“Where are they?” he repeated, with his usual violence.

“In the chest,” she said.

She shuddered when she saw her husband select from among her masks a “touret de nez,” the wearing of which was as common among the ladies of that time as the wearing of gloves in our day. The count became entirely unrecognizable after he had put on an old gray felt hat with a broken cock’s feather on his head. He girded round his loins a broad leathern belt, in which he stuck a dagger, which he did not wear habitually. These miserable garments gave him so terrifying an air and he approached the bed with so strange a motion that the countess thought her last hour had come.

“Ah! don’t kill us!” she cried, “leave me my child, and I will love you well.”

“You must feel yourself very guilty to offer as the ransom of your faults the love you owe me.”

The count’s voice was lugubrious and the bitter words were enforced by a look which fell like lead upon the countess.

“My God!” she cried sorrowfully, “can innocence be fatal?”

“Your death is not in question,” said her master, coming out of a sort of reverie into which he had fallen. “You are to do exactly, and for love of me, what I shall now tell you.”

He flung upon the bed one of the two masks he had taken from the chest, and smiled with derision as he saw the gesture of involuntary fear which the slight shock of the black velvet wrung from his wife.

“You will give me a puny child!” he cried. “Wear that mask on your face when I return. I’ll have no barber-surgeon boast that he has seen the Comtesse d’Herouville.”

“A man! – why choose a man for the purpose?” she said in a feeble voice.

“Ho! ho! my lady, am I not master here?” replied the count.

“What matters one horror the more!” murmured the countess; but her master had disappeared, and the exclamation did her no injury.

Presently, in a brief lull of the storm, the countess heard the gallop of two horses which seemed to fly across the sandy dunes by which the castle was surrounded. The sound was quickly lost in that of the waves. Soon she felt herself a prisoner in the vast apartment, alone in the midst of a night both silent and threatening, and without succor against an evil she saw approaching her with rapid strides. In vain she sought for some stratagem by which to save that child conceived in tears, already her consolation, the spring of all her thoughts, the future of her affections, her one frail hope.

Sustained by maternal courage, she took the horn with which her husband summoned his men, and, opening a window, blew through the brass tube feeble notes that died away upon the vast expanse of water, like a bubble blown into the air by a child. She felt the uselessness of that moan unheard of men, and turned to hasten through the apartments, hoping that all the issues were not closed upon her. Reaching the library she sought in vain for some secret passage; then, passing between the long rows of books, she reached a window which looked upon the courtyard. Again she sounded the horn, but without success against the voice of the hurricane.

In her helplessness she thought of trusting herself to one of the women, – all creatures of her husband, – when, passing into her oratory, she found that the count had locked the only door that led to their apartments. This was a horrible discovery. Such precautions taken to isolate her showed a desire to proceed without witnesses to some horrible execution. As moment after moment she lost hope, the pangs of childbirth grew stronger and keener. A presentiment of murder, joined to the fatigue of her efforts, overcame her last remaining strength. She was like a shipwrecked man who sinks, borne under by one last wave less furious than others he has vanquished. The bewildering pangs of her condition kept her from knowing the lapse of time. At the moment when she felt that, alone, without help, she was about to give birth to her child, and to all her other terrors was added that of the accidents to which her ignorance exposed her, the count appeared, without a sound that let her know of his arrival. The man was there, like a demon claiming at the close of a compact the soul that was sold to him. He muttered angrily at finding his wife’s face uncovered; then after masking her carefully, he took her in his arms and laid her on the bed in her chamber.

CHAPTER II. THE BONESETTER

The terror of that apparition and hasty removal stopped for a moment the physical sufferings of the countess, and so enabled her to cast a furtive glance at the actors in this mysterious scene. She did not recognize Bertrand, who was there disguised and masked as carefully as his master. After lighting in haste some candles, the light of which mingled with the first rays of the sun which were reddening the window panes, the old servitor had gone to the embrasure of a window and stood leaning against a corner of it. There, with his face towards the wall, he seemed to be estimating its thickness, keeping his body in such absolute immobility that he might have been taken for a statue. In the middle of the room the countess beheld a short, stout man, apparently out of breath and stupefied, whose eyes were blindfolded and his features so distorted with terror that it was impossible to guess at their natural expression.

“God’s death! you scamp,” said the count, giving him back his eyesight by a rough movement which threw upon the man’s neck the bandage that had been upon his eyes. “I warn you not to look at anything but the wretched woman on whom you are now to exercise your skill; if you do, I’ll fling you into the river that flows beneath those windows, with a collar round your neck weighing a hundred pounds!”

With that, he pulled down upon the breast of his stupefied hearer the cravat with which his eyes had been bandaged.

“Examine first if this can be a miscarriage,” he continued; “in which case your life will answer to me for the mother’s; but, if the child is living, you are to bring it to me.”