The Two Brothers

“My good fellow,” said Giroudeau in a soothing and humble tone, “this is the gallant cavalry officer of the Imperial Guard of whom I spoke to you.”

“Eh! well?” said Finot, eyeing Philippe, who, like Giroudeau, lost all his assurance before the diplomatist of the press.

“My dear boy,” said Giroudeau, trying to pose as an uncle, “the colonel has just returned from Texas.”

“Ah! you were taken in by that affair of the Champ d’Asile, were you? Seems to me you were rather young to turn into a Soldier-laborer.”

The bitterness of this jest will only be understood by those who remember the deluge of engravings, screens, clocks, bronzes, and plaster-casts produced by the idea of the Soldier-laborer, a splendid image of Napoleon and his heroes, which afterwards made its appearance on the stage in vaudevilles. That idea, however, obtained a national subscription; and we still find, in the depths of the provinces, old wall-papers which bear the effigy of the Soldier-laborer. If this young man had not been Giroudeau’s nephew, Philippe would have boxed his ears.

“Yes, I was taken in by it; I lost my time, and twelve thousand francs to boot,” answered Philippe, trying to force a grin.

“You are still fond of the Emperor?” asked Finot.

“He is my god,” answered Philippe Bridau.

“You are a Liberal?”

“I shall always belong to the Constitutional Opposition. Oh Foy! oh Manuel! oh Laffitte! what men they are! They’ll rid us of these others, – these wretches, who came back to France at the heels of the enemy.”

“Well,” said Finot coldly, “you ought to make something out of your misfortunes; for you are the victim of the Liberals, my good fellow. Stay a Liberal, if you really value your opinions, but threaten the party with the follies in Texas which you are ready to show up. You never got a farthing of the national subscription, did you? Well, then you hold a fine position: demand an account of that subscription. I’ll tell you how you can do it. A new Opposition journal is just starting, under the auspices of the deputies of the Left; you shall be the cashier, with a salary of three thousand francs. A permanent place. All you want is some one to go security for you in twenty thousand francs; find that, and you shall be installed within a week. I’ll advise the Liberals to silence you by giving you the place. Meantime, talk, threaten, – threaten loudly.”

Giroudeau let Philippe, who was profuse in his thanks, go down a few steps before him, and then he turned back to say to his nephew, “Well, you are a queer fellow! you keep me here on twelve hundred francs – ”

“That journal won’t live a year,” said Finot. “I’ve got something better for you.”

“Thunder!” cried Philippe to Giroudeau. “He’s no fool, that nephew of yours. I never once thought of making something, as he calls it, out of my position.”

That night at the cafe Lemblin and the cafe Minerve Colonel Philippe fulminated against the Liberal party, which had raised subscriptions, sent heroes to Texas, talked hypocritically of Soldier-laborers, and left them to starve, after taking the money they had put into it, and keeping them in exile for two years.

“I am going to demand an account of the moneys collected by the subscription for the Champ d’Asile,” he said to one of the frequenters of the cafe, who repeated it to the journalists of the Left.

Philippe did not go back to the rue Mazarin; he went to Mariette and told her of his forthcoming appointment on a newspaper with ten thousand subscribers, in which her choregraphic claims should be warmly advanced.

Agathe and Madame Descoings waited up for Philippe in fear and trembling, for the Duc de Berry had just been assassinated. The colonel came home a few minutes after breakfast; and when his mother showed her uneasiness at his absence, he grew angry and asked if he were not of age.

“In the name of thunder, what’s all this! here have I brought you some good news, and you both look like tombstones. The Duc de Berry is dead, is he? – well, so much the better! that’s one the less, at any rate. As for me, I am to be cashier of a newspaper, with a salary of three thousand francs, and there you are, out of all your anxieties on my account.”

“Is it possible?” cried Agathe.

“Yes; provided you can go security for me in twenty thousand francs; you need only deposit your shares in the Funds, you will draw the interest all the same.”

The two widows, who for nearly two months had been desperately anxious to find out what Philippe was about, and how he could be provided for, were so overjoyed at this prospect that they gave no thought to their other catastrophes. That evening, the Grecian sages, old Du Bruel, Claparon, whose health was failing, and the inflexible Desroches were unanimous; they all advised Madame Bridau to go security for her son. The new journal, which fortunately was started before the assassination of the Duc de Berry, just escaped the blow which Monsieur Decazes then launched at the press. Madame Bridau’s shares in the Funds, representing thirteen hundred francs’ interest, were transferred as security for Philippe, who was then appointed cashier. That good son at once promised to pay one hundred francs every month to the two widows, for his board and lodging, and was declared by both to be the best of sons. Those who had thought ill of him now congratulated Agathe.

“We were unjust to him,” they said.

Poor Joseph, not to be behind his brother in generosity, resolved to pay for his own support, and succeeded.

CHAPTER IV

Three months later, the colonel, who ate and drank enough for four men, finding fault with the food and compelling the poor widows, on the score of his payments, to spend much money on their table, had not yet paid down a single penny. His mother and Madame Descoings were unwilling, out of delicacy, to remind him of his promise. The year went by without one of those coins which Leon Gozlan so vigorously called “tigers with five claws” finding its way from Philippe’s pocket to the household purse. It is true that the colonel quieted his conscience on this score by seldom dining at home.

“Well, he is happy,” said his mother; “he is easy in mind; he has a place.”

Through the influence of a feuilleton, edited by Vernou, a friend of Bixiou, Finot, and Giroudeau, Mariette made her appearance, not at the Panorama-Dramatique but at the Porte-Saint-Martin, where she triumphed beside the famous Begrand. Among the directors of the theatre was a rich and luxurious general officer, in love with an actress, for whose sake he had made himself an impresario. In Paris, we frequently meet with men so fascinated with actresses, singers, or ballet-dancers, that they are willing to become directors of a theatre out of love. This officer knew Philippe and Giroudeau. Mariette’s first appearance, heralded already by Finot’s journal and also by Philippe’s, was promptly arranged by the three officers; for there seems to be solidarity among the passions in a matter of folly.

The mischievous Bixiou was not long in revealing to his grandmother and the devoted Agathe that Philippe, the cashier, the hero of heroes, was in love with Mariette, the celebrated ballet-dancer at the Porte-Saint-Martin. The news was a thunder-clap to the two widows; Agathe’s religious principles taught her to think that all women on the stage were brands in the burning; moreover, she thought, and so did Madame Descoings, that women of that kind dined off gold, drank pearls, and wasted fortunes.

“Now do you suppose,” said Joseph to his mother, “that my brother is such a fool as to spend his money on Mariette? Such women only ruin rich men.”

“They talk of engaging Mariette at the Opera,” said Bixiou. “Don’t be worried, Madame Bridau; the diplomatic body often comes to the Porte-Saint-Martin, and that handsome girl won’t stay long with your son. I did hear that an ambassador was madly in love with her. By the bye, another piece of news! Old Claparon is dead, and his son, who has become a banker, has ordered the cheapest kind of funeral for him. That fellow has no education; they wouldn’t behave like that in China.”

Philippe, prompted by mercenary motives, proposed to Mariette that she should marry him; but she, knowing herself on the eve of an engagement at the Grand Opera, refused the offer, either because she guessed the colonel’s motive, or because she saw how important her independence would be to her future fortune. For the remainder of this year, Philippe never came more than twice a month to see his mother. Where was he? Either at his office, or the theatre, or with Mariette. No light whatever as to his conduct reached the household of the rue Mazarin. Giroudeau, Finot, Bixiou, Vernou, Lousteau, saw him leading a life of pleasure. Philippe shared the gay amusements of Tullia, a leading singer at the Opera, of Florentine, who took Mariette’s place at the Porte-Saint-Martin, of Florine and Matifat, Coralie and Camusot. After four o’clock, when he left his office, until midnight, he amused himself; some party of pleasure had usually been arranged the night before, – a good dinner, a card-party, a supper by some one or other of the set. Philippe was in his element.

This carnival, which lasted eighteen months, was not altogether without its troubles. The beautiful Mariette no sooner appeared at the Opera, in January, 1821, than she captured one of the most distinguished dukes of the court of Louis XVIII. Philippe tried to make head against the peer, and by the month of April he was compelled by his passion, notwithstanding some luck at cards, to dip into the funds of which he was cashier. By May he had taken eleven hundred francs. In that fatal month Mariette started for London, to see what could be done with the lords while the temporary opera house in the Hotel Choiseul, rue Lepelletier, was being prepared. The luckless Philippe had ended, as often happens, in loving Mariette notwithstanding her flagrant infidelities; she herself had never thought him anything but a dull-minded, brutal soldier, the first rung of a ladder on which she had never intended to remain long. So, foreseeing the time when Philippe would have spent all his money, she captured other journalistic support which released her from the necessity of depending on him; nevertheless, she did feel the peculiar gratitude that class of women acknowledge towards the first man who smooths their way, as it were, among the difficulties and horrors of a theatrical career.

Forced to let his terrible mistress go to London without him, Philippe went into winter quarters, as he called it, – that is, he returned to his attic room in his mother’s appartement. He made some gloomy reflections as he went to bed that night, and when he got up again. He was conscious within himself of the inability to live otherwise than as he had been living the last year. The luxury that surrounded Mariette, the dinners, the suppers, the evenings in the side-scenes, the animation of wits and journalists, the sort of racket that went on around him, the delights that tickled both his senses and his vanity, – such a life, found only in Paris, and offering daily the charm of some new thing, was now more than habit, – it had become to Philippe as much a necessity as his tobacco or his brandy. He saw plainly that he could not live without these continual enjoyments. The idea of suicide came into his head; not on account of the deficit which must soon be discovered in his accounts, but because he could no longer live with Mariette in the atmosphere of pleasure in which he had disported himself for over a year. Full of these gloomy thoughts, he entered for the first time his brother’s painting-room, where he found the painter in a blue blouse, copying a picture for a dealer.

“So that’s how pictures are made,” said Philippe, by way of opening the conversation.

“No,” said Joseph, “that is how they are copied.”

“How much do they pay you for that?”

“Eh! never enough; two hundred and fifty francs. But I study the manner of the masters and learn a great deal; I found out the secrets of their method. There’s one of my own pictures,” he added, pointing with the end of his brush to a sketch with the colors still moist.

“How much do you pocket in a year?”

“Unfortunately, I am known only to painters. Schinner backs me; and he has got me some work at the Chateau de Presles, where I am going in October to do some arabesques, panels, and other decorations, for which the Comte de Serizy, no doubt, will pay well. With such trifles and with orders from the dealers, I may manage to earn eighteen hundred to two thousand francs a year over and above the working expenses. I shall send that picture to the next exhibition; if it hits the public taste, my fortune is made. My friends think well of it.”

“I don’t know anything about such things,” said Philippe, in a subdued voice which caused Joseph to turn and look at him.

“What is the matter?” said the artist, seeing that his brother was very pale.

“I should like to know how long it would take you to paint my portrait?”

“If I worked steadily, and the weather were clear, I could finish it in three or four days.”

“That’s too long; I have only one day to give you. My poor mother loves me so much that I wished to leave her my likeness. We will say no more about it.”

“Why! are you going away again?”

“I am going never to return,” replied Philippe with an air of forced gayety.

“Look here, Philippe, what is the matter? If it is anything serious, I am a man and not a ninny. I am accustomed to hard struggles, and if discretion is needed, I have it.”

“Are you sure?”

“On my honor.”