Lost Illusions

"Could you let me have that book?" he asked.

"Yes," said Chaboisseau, transformed into a bookseller.

"How much?"

"Fifty francs."

"It is dear, but I want it. And I can only pay you with one of the bills which you refuse to take."

"You have a bill there for five hundred francs at six months; I will take that one of you," said Chaboisseau.

Apparently at the last statement of accounts, there had been a balance of five hundred francs in favor of Fendant and Cavalier.

They went back to the classical department. Chaboisseau made out a little memorandum, interest so much and commission so much, total deduction thirty francs, then he subtracted fifty francs for Ducerceau's book; finally, from a cash-box full of coin, he took four hundred and twenty francs.

"Look here, though, M. Chaboisseau, the bills are either all of them good, or all bad alike; why don't you take the rest?"

"This is not discounting; I am paying myself for a sale," said the old man.

Etienne and Lucien were still laughing at Chaboisseau, without understanding him, when they reached Dauriat's shop, and Etienne asked Gabusson to give them the name of a bill-broker. Gabusson thus appealed to gave them a letter of introduction to a broker in the Boulevard Poissonniere, telling them at the same time that this was the "oddest and queerest party" (to use his own expression) that he, Gabusson, had come across. The friends took a cab by the hour, and went to the address.

"If Samanon won't take your bills," Gabusson had said, "nobody else will look at them."

A second-hand bookseller on the ground floor, a second-hand clothes-dealer on the first story, and a seller of indecent prints on the second, Samanon carried on a fourth business – he was a money-lender into the bargain. No character in Hoffmann's romances, no sinister-brooding miser of Scott's, can compare with this freak of human and Parisian nature (always admitting that Samanon was human). In spite of himself, Lucien shuddered at the sight of the dried-up little old creature, whose bones seemed to be cutting a leather skin, spotted with all sorts of little green and yellow patches, like a portrait by Titian or Veronese when you look at it closely. One of Samanon's eyes was fixed and glassy, the other lively and bright; he seemed to keep that dead eye for the bill-discounting part of his profession, and the other for the trade in the pornographic curiosities upstairs. A few stray white hairs escaping from under a small, sleek, rusty black wig, stood erect above a sallow forehead with a suggestion of menace about it; a hollow trench in either cheek defined the outline of the jaws; while a set of projecting teeth, still white, seemed to stretch the skin of the lips with the effect of an equine yawn. The contrast between the ill-assorted eyes and grinning mouth gave Samanon a passably ferocious air; and the very bristles on the man's chin looked stiff and sharp as pins.

Nor was there the slightest sign about him of any desire to redeem a sinister appearance by attention to the toilet; his threadbare jacket was all but dropping to pieces; a cravat, which had once been black, was frayed by contact with a stubble chin, and left on exhibition a throat as wrinkled as a turkey-gobbler's.

This was the individual whom Etienne and Lucien discovered in his filthy counting-house, busily affixing tickets to the backs of a parcel of books from a recent sale. In a glance, the friends exchanged the innumerable questions raised by the existence of such a creature; then they presented Gabusson's introduction and Fendant and Cavalier's bills. Samanon was still reading the note when a third comer entered, the wearer of a short jacket, which seemed in the dimly-lighted shop to be cut out of a piece of zinc roofing, so solid was it by reason of alloy with all kinds of foreign matter. Oddly attired as he was, the man was an artist of no small intellectual power, and ten years later he was destined to assist in the inauguration of the great but ill-founded Saint-Simonian system.

"I want my coat, my black trousers, and satin waistcoat," said this person, pressing a numbered ticket on Samanon's attention. Samanon touched the brass button of a bell-pull, and a woman came down from some upper region, a Normande apparently, to judge by her rich, fresh complexion.

"Let the gentleman have his clothes," said Samanon, holding out a hand to the newcomer. "It's a pleasure to do business with you, sir; but that youngster whom one of your friends introduced to me took me in most abominably."

"Took him in!" chuckled the newcomer, pointing out Samanon to the two journalists with an extremely comical gesture. The great man dropped thirty sous into the money-lender's yellow, wrinkled hand; like the Neapolitan lazzaroni, he was taking his best clothes out of pawn for a state occasion. The coins dropped jingling into the till.

"What queer business are you up to?" asked Lousteau of the artist, an opium-eater who dwelt among visions of enchanted palaces till he either could not or would not create.

"He lends you a good deal more than an ordinary pawnbroker on anything you pledge; and, besides, he is so awfully charitable, he allows you to take your clothes out when you must have something to wear. I am going to dine with the Kellers and my mistress to-night," he continued; "and to me it is easier to find thirty sous than two hundred francs, so I keep my wardrobe here. It has brought the charitable usurer a hundred francs in the last six months. Samanon has devoured my library already, volume by volume" (livre a livre).

"And sou by sou," Lousteau said with a laugh.

"I will let you have fifteen hundred francs," said Samanon, looking up.

Lucien started, as if the bill-broker had thrust a red-hot skewer through his heart. Samanon was subjecting the bills and their dates to a close scrutiny.

"And even then," he added, "I must see Fendant first. He ought to deposit some books with me. You aren't worth much" (turning to Lucien); "you are living with Coralie, and your furniture has been attached."

Lousteau, watching Lucien, saw him take up his bills, and dash out into the street. "He is the devil himself!" exclaimed the poet. For several seconds he stood outside gazing at the shop front. The whole place was so pitiful, that a passer-by could not see it without smiling at the sight, and wondering what kind of business a man could do among those mean, dirty shelves of ticketed books.

A very few moments later, the great man, in incognito, came out, very well dressed, smiled at his friends, and turned to go with them in the direction of the Passage des Panoramas, where he meant to complete his toilet by the polishing of his boots.

"If you see Samanon in a bookseller's shop, or calling on a paper-merchant or a printer, you may know that it is all over with that man," said the artist. "Samanon is the undertaker come to take the measurements for a coffin."

"You won't discount your bills now, Lucien," said Etienne.

"If Samanon will not take them, nobody else will; he is the ultima ratio," said the stranger. "He is one of Gigonnet's lambs, a spy for Palma, Werbrust, Gobseck, and the rest of those crocodiles who swim in the Paris money-market. Every man with a fortune to make, or unmake, is sure to come across one of them sooner or later."

"If you cannot discount your bills at fifty per cent," remarked

Lousteau, "you must exchange them for hard cash."

"How?"

"Give them to Coralie; Camusot will cash them for her. – You are disgusted," added Lousteau, as Lucien cut him short with a start. "What nonsense! How can you allow such a silly scruple to turn the scale, when your future is in the balance?"

"I shall take this money to Coralie in any case," began Lucien.

"Here is more folly!" cried Lousteau. "You will not keep your creditors quiet with four hundred francs when you must have four thousand. Let us keep a little and get drunk on it, if we lose the rest at rouge et noir."

"That is sound advice," said the great man.

Those words, spoken not four paces from Frascati's, were magnetic in their effect. The friends dismissed their cab and went up to the gaming-table.

At the outset they won three thousand francs, then they lost and fell to five hundred; again they won three thousand seven hundred francs, and again they lost all but a five-franc piece. After another turn of luck they staked two thousand francs on an even number to double the stake at a stroke; an even number had not turned up for five times in succession, and this was the sixth time. They punted the whole sum, and an odd number turned up once more.

After two hours of all-absorbing, frenzied excitement, the two dashed down the staircase with the hundred francs kept back for the dinner. Upon the steps, between two pillars which support the little sheet-iron veranda to which so many eyes have been upturned in longing or despair, Lousteau stopped and looked into Lucien's flushed, excited face.

"Let us just try fifty francs," he said.

And up the stairs again they went. An hour later they owned a thousand crowns. Black had turned up for the fifth consecutive time; they trusted that their previous luck would not repeat itself, and put the whole sum on the red – black turned up for the sixth time. They had lost. It was now six o'clock.

"Let us just try twenty-five francs," said Lucien.

The new venture was soon made – and lost. The twenty-five francs went in five stakes. Then Lucien, in a frenzy, flung down his last twenty-five francs on the number of his age, and won. No words can describe how his hands trembled as he raked in the coins which the bank paid him one by one. He handed ten louis to Lousteau.

"Fly!" he cried; "take it to Very's."

Lousteau took the hint and went to order dinner. Lucien, left alone, laid his thirty louis on the red and won. Emboldened by the inner voice which a gambler always hears, he staked the whole again on the red, and again he won. He felt as if there were a furnace within him. Without heeding the voice, he laid a hundred and twenty louis on the black and lost. Then to the torturing excitement of suspense succeeded the delicious feeling of relief known to the gambler who has nothing left to lose, and must perforce leave the palace of fire in which his dreams melt and vanish.

He found Lousteau at Very's, and flung himself upon the cookery (to make use of Lafontaine's expression), and drowned his cares in wine. By nine o'clock his ideas were so confused that he could not imagine why the portress in the Rue de Vendome persisted in sending him to the Rue de la Lune.

"Mlle. Coralie has gone," said the woman. "She has taken lodgings elsewhere. She left her address with me on this scrap of paper."

Lucien was too far gone to be surprised at anything. He went back to the cab which had brought him, and was driven to the Rue de la Lune, making puns to himself on the name of the street as he went.

The news of the failure of the Panorama-Dramatique had come like a thunder-clap. Coralie, taking alarm, made haste to sell her furniture (with the consent of her creditors) to little old Cardot, who installed Florentine in the rooms at once. The tradition of the house remained unbroken. Coralie paid her creditors and satisfied the landlord, proceeding with her "washing-day," as she called it, while Berenice bought the absolutely indispensable necessaries to furnish a fourth-floor lodging in the Rue de la Lune, a few doors from the Gymnase. Here Coralie was waiting for Lucien's return. She had brought her love unsullied out of the shipwreck and twelve hundred francs.

Lucien, more than half intoxicated, poured out his woes to Coralie and