Rise and Fall of Cesar Birotteau

“What sum do you mean to put in the workmen’s pockets?” asked Grindot.

“How much do you think it will cost?”

“An architect can estimate on a new building almost to a farthing,” answered the young man; “but as I don’t know how to deal with a bourgeois – ah! excuse me, monsieur, the word slipped out – I must warn you that it is impossible to calculate the costs of tearing down and rebuilding. It will take at least eight days before I can give even an approximate idea of them. Trust yourself to me: you shall have a charming staircase, lighted from above, with a pretty vestibule opening from the street, and in the space under the stairway – ”

“Must that be used?”

“Don’t be worried – I will find room for a little porter’s lodge. Your house shall be studied and remodelled con amore. Yes, monsieur, I look to art and not to fortune. Above all things I do not want fame before I have earned it. To my mind, the best means of winning credit is not to play into the hands of contractors, but to get at good effects cheaply.”

“With such ideas, young man,” said Birotteau in a patronizing tone, “you will succeed.”

“Therefore,” resumed Grindot, “employ the masons, painters, locksmiths, carpenters, and upholsterers yourself. I will simply look over their accounts. Pay me only two thousand francs commission. It will be money well laid out. Give me the premises to-morrow at twelve o’clock, and have your workmen on the spot.”

“How much it will cost, at a rough guess?” said Birotteau.

“From ten to twelve thousand francs,” said Grindot. “That does not count the furniture; of course you will renew that. Give me the address of your cabinet-maker; I shall have to arrange with him about the choice of colors, so as to have everything in keeping.”

“Monsieur Braschon, Rue Saint-Antoine, takes my orders,” said Birotteau, assuming a ducal air.

The architect wrote down the address in one of those pretty note-books which invariably come from women.

“Well,” said Birotteau, “I trust to you, monsieur; only you must wait till the lease of the adjoining house is made over to me, and I will get permission to cut through the wall.”

“Send me a note this evening,” said the architect; “it will take me all night to draw the plans – we would rather work for a bourgeois than for the King of Prussia, that is to say for ourselves. I will now take the dimensions, the pitch, the size of the widows, the pictures – ”

“It must be finished on the appointed day,” said Birotteau. “If not, no pay.”

“It shall be done,” said the architect. “The workmen must do without sleep; we will use drying oil in the paint. But don’t let yourself be taken in by the contractors; always ask their price in advance, and have a written agreement.”

“Paris is the only place in the world where you can wave a magic wand like that,” said Birotteau, with an Asiatic gesture worthy of the Arabian Nights. “You will do me the honor to come to my ball, monsieur? Men of talent are not all disdainful of commerce; and you will meet a scientific man of the first order, Monsieur Vauquelin of the Institute; also Monsieur de la Billardiere, Monsieur le comte de Fontaine, Monsieur Lebas, judge and president of the Court of commerce, various magistrates, Monsieur le comte de Grandville of the royal suite, Monsieur Camusot of the Court of commerce, and Monsieur Cardot, his father-in-law, and, perhaps, Monsieur le duc de Lenoncourt, first gentleman of the bed-chamber to the king. I assemble my friends as much – to celebrate the emancipation of our territory – as to commemorate my – promotion to the order of the Legion of honor,” – here Grindot made a curious gesture. “Possibly I showed myself worthy of that – signal – and royal – favor, by my services on the bench, and by fighting for the Bourbons upon the steps of Saint-Roch on the 13th Vendemiaire, where I was wounded by Napoleon. These claims – ”

Constance, in a morning gown, here came out of her daughter’s bedroom, where she had been dressing; her first glance cut short Cesar’s eloquence just as he was about to formulate in flowing phrase, though modestly, the tale of his merits.

“Tiens, Mimi, this is Monsieur de Grindot, a young man distinguished in his own sphere of life, and the possessor of a great talent. Monsieur is the architect recommended to us by Monsieur de la Billardiere to superintend our little alteration.”

The perfumer slipped behind his wife and made a sign to the architect to take notice of the word little, putting his finger on his lips. Grindot took the cue.

“Will it be very expensive?” said Constance to the architect.

“Oh, no, madame; six thousand francs at a rough guess.”

“A rough guess!” exclaimed Madame Birotteau. “Monsieur, I entreat you, begin nothing without an estimate and the specifications signed. I know the ways of contractors: six thousand francs means twenty thousand. We are not in a position to commit such extravagance. I beg you, monsieur, – though of course my husband is master in his own house, – give him time to reflect.”

“Madame, monsieur the deputy-mayor has ordered me to deliver the premises, all finished, in twenty days. If we delay, you will be likely to incur the expense without obtaining the looked-for result.”

“There are expenses and expenses,” said the handsome mistress of “The Queen of Roses.”

“Ah! madame, do you think an architect who seeks to put up public buildings finds it glorious to decorate a mere appartement? I have come down to such details merely to oblige Monsieur de la Billardiere; and if you fear – ”

Here he made a movement to retreat.

“Well, well, monsieur,” said Constance re-entering her daughter’s room, where she threw her head on Cesarine’s shoulder.

“Ah, my daughter!” she cried, “your father will ruin himself! He has engaged an architect with mustachios, who talks about public buildings! He is going to pitch the house out of windows and build us a Louvre. Cesar is never idle about his follies; he only spoke to me about it in the night, and he begins it in the morning!”

“Never mind, mamma; let papa do as he likes. The good God has always taken care of him,” said Cesarine, kissing her mother and sitting down to the piano, to let the architect know that the perfumer’s daughter was not ignorant of the fine arts.

When Grindot came in to measure the bedroom he was surprised and taken aback at the beauty of Cesarine. Just out of her dressing-room and wearing a pretty morning-gown, fresh and rosy as a young girl is fresh and rosy at eighteen, blond and slender, with blue eyes, Cesarine seemed to the young artist a picture of the elasticity, so rare in Paris, that fills and rounds the delicate cheek, and tints with the color adored of painters, the tracery of blue veins throbbing beneath the whiteness of her clear skin. Though she lived in the lymphatic atmosphere of a Parisian shop, where the air stagnates and the sun seldom shines, her habits gave her the same advantages which the open-air life of Rome gives to the Transteverine peasant-woman. Her hair, – which was abundant, and grew, like that of her father, in points upon her forehead, – was caught up in a twist which showed the lines of a well-set neck, and then rippled downward in curls that were scrupulously cared for, after the fashion of young shop-women, whose desire to attract attention inspires the truly English minutiae of their toilet. The beauty of this young girl was not the beauty of an English lady, nor of a French duchess, but the round and glowing beauty of a Flemish Rubens. Cesarine had the turned-up nose of her father, but it was piquant through the delicacy of its modelling, – like those noses, essentially French, which have been so well reproduced by Largilliere. Her skin, of a firm full texture, bespoke the vitality of a virgin; she had the fine brow of her mother, but it was clear with the serenity of a young girl who knows no care. Her liquid blue eyes, bathed in rich fluid, expressed the tender grace of a glowing happiness. If that happiness took from her head the poetry which painters insist on giving to their pictures my making them a shade too pensive, the vague physical languor of a young girl who has never left her mother’s side made up for it, and gave her a species of ideality. Notwithstanding the graceful lines of her figure, she was strongly built. Her feet betrayed the peasant origin of her father and her own defects of race, as did the redness of her hands, the sign of the thoroughly bourgeois life. Sooner or later she would grow stout. She had caught the sentiment of dress from the elegant young women who came to the shop, and had learned from them certain movements of the head, certain ways of speaking and of moving; and she could play the well-bred woman in a way that turned the heads of all the young men, especially the clerks, in whose eyes she appeared truly distinguished. Popinot swore that he would have no other wife than Cesarine. The liquid brightness of that eye, which a look, or a tone of reproach, might cause to overflow in tears, was all that kept him to a sense of masculine superiority. The charming girl inspired love without leaving time to ask whether she had mind enough to make it durable. But of what value is the thing they call in Paris mind to a class whose principal element of happiness is virtue and good sense?

In her moral qualities Cesarine was like her mother, somewhat bettered by the superfluities of education; she loved music, drew the Madonna della Sedia in chalk, and read the works of Mmes. Cottin and Riccoboni, of Bernadin de Saint-Pierre, Fenelon, and Racine. She was never seen behind the counter with her mother except for a few moments before sitting down to dinner, or on some special occasion when she replaced her. Her father and mother, like all persons who have risen from small beginnings, and who cultivate the ingratitude of their children by putting them above themselves, delighted in deifying Cesarine, who happily had the virtues of her class, and took no advantage of their weakness.

Madame Birotteau followed the architect with an anxious and appealing eye, watching with terror, and pointing out to her daughter, the fantastic movements of the four-foot rule, that wand of architects and builders, with which Grindot was measuring. She saw in those mysterious weavings a conjuring spirit that augured evil; she wished the walls were less high, the rooms less large, and dared not question the young man on the effects of his sorcery.

“Do not be afraid, madame, I shall carry nothing off,” said the artist, smiling.

Cesarine could not help smiling.

“Monsieur,” said Constance, in a supplicating voice, not even noticing the tit-for-tat of the young man, “consider economy, and later we may be able to serve you – ”

Before starting to see Monsieur Molineux, the owner of the adjoining house, Cesar wished to get from Roguin the private deed about the transference of the lease which Alexandre Crottat had been ordered to draw up. As he left the notary’s house, he saw du Tillet at the window of Roguin’s study. Although the liaison of his former clerk with the lawyer’s wife made it not unlikely that he should see du Tillet there at this hour when the negotiations about the Madeleine were going on, Birotteau, in spite of his extreme confidence, felt uneasy. The excited manner of du Tillet seemed the sign of a discussion. “Can he be in it?” thought Cesar, with a flash of commercial prudence. The suspicion passed like lightning through his mind. He looked again and saw Madame Roguin, and the presence of du Tillet was no longer suspicious. “Still, suppose Constance were right?” he said to himself. “What a fool I am to listen to women’s notions! I’ll speak of it to my uncle Pillerault this morning; it is only a step from the Cour Batave, where Monsieur Molineux lives, to the Rue des Bourdonnais.”

A cautious observer, or a merchant who had met with swindlers in his business career, would have been saved by this sight; but the antecedents of Birotteau, the incapacity of his mind, which had little power to follow up the chain of inductions by which a superior man reaches a conclusion, all conspired to blind him. He found the umbrella-man in full dress, and they were about to start, when Virginie, the cook, caught him by the arm: —

“Monsieur, madame does not wish you to go out – ”

“Pshaw!” said Birotteau, “more women’s notions!”

“ – without your coffee, which is ready.”

“That’s true. My neighbor,” he said to Cayron, “I have so many things in my head that I can’t think of my stomach. Do me the kindness to go forward; we will meet at Monsieur Molineux’ door, unless you are willing to go up and explain matters to him, which would save time.”

Monsieur Molineux was a grotesque little man, living on his rents, – a species of being that exists nowhere but in Paris, like a certain lichen which grows only in Iceland. This comparison is all the more apt because he belonged to a mixed nature, to an animal-vegetable kingdom which some modern Mercier might build up of cryptograms that push up upon, and flower, and die in or under the plastered walls of the strange unhealthy houses where they prefer to cluster. The first aspect of this human plant – umbelliferous, judging by the fluted blue cap which crowned it, with a stalk encased in greenish trousers, and bulbous roots swathed in list shoes – offered to the eye a flat and faded countenance, which certainly betrayed nothing poisonous. In this queer product might be recognized the typical stockholder, who believes every report which the daily press baptizes with ink, and is content, for all response, to say, “Read what the papers say,” – the bourgeois, essentially the friend of order, always revolting in his moral being against power, though always obeying it; a creature feeble in the mass but fierce in isolated circumstances, hard as a constable when his own rights are in question, yet giving fresh chickweed to his bird and fish-bones to his cat, interrupting the signing of a lease to whistle to a canary, suspicious as a jailer, but apt to put his money into a bad business and then endeavor to get it back by niggardly avarice. The evil savor of this hybrid flower was only revealed by use; its nauseous bitterness needed the stewing of some business in which his interests were mingled with those of other men, to bring it fully out. Like all Parisians, Molineux had the lust of dominating; he craved the share of sovereignty which is exercised more or less by every one, even a porter, over a greater or lesser number of victims, – over wife, children, tenants, clerks, horses, dogs, monkeys, to whom they send, on the rebound, the mortifications they have endured in the higher spheres to which they aspired.

This annoying old man had neither wife, child, nephew, or niece. He bullied his servant-of-all-work too much to make her a victim; for she escaped all contact with her master by doing her work and keeping out of his way. His appetite for tyranny was thus balked; and to satisfy it in some way he patiently studied the laws relating to rentals and party-walls; he fathomed the jurisprudence which regulates the dwellings of Paris in an infinite number of petty questions as to tenants, abutters, liabilities, taxes, repairs, sweepings, decorations for the Fete-Dieu, waste-pipes, lighting, projections over the public way, and the neighborhood of unhealthy buildings. His means, his strength, in fact his whole mind was spent in keeping his proprietary rights on a complete war-footing. He had made it an amusement, and the amusement had become a monomania. He was fond of protecting citizens against the encroachment of illegal proceedings; but finding such subjects of complaint rare, he had finally turned upon his own tenants. A tenant became his enemy, his inferior, his subject, his vassal; he laid claim to his subservience, and looked upon any man as a brute who passed him on the stairway without speaking. He wrote out his bills for rent himself, and sent them on the morning of the day they fell due. The debtor who was behindhand in his payment received a legal notice to quit at an appointed time. Then followed seizures, law-suits, costs, and the whole judicial array set in motion with the rapidity of what the head’s-man calls the “mechanism.” Molineux granted neither grace nor time; his heart was a callus in the direction of a lease.

“I will lend you the money if you want it,” he would say to a man he thought solvent, “but pay my rent; all delays carry with them a loss of interest for which the law does not indemnify us.”

After long study of the caprices and capers of tenants who persisted, after the fashion of dynasties, in upsetting the arrangements of their predecessors, he had drawn up a charter of his own and followed it religiously. In accordance therewith, the old fellow made no repairs: no chimney ever smoked, the stairs were clean, the ceilings white, the cornices irreproachable, the floors firm on their joists, the paint satisfactory; the locks were never more than three years old, not a pane of glass was missing, there were no cracks, and he saw no broken tiles until a tenant vacated the premises. When he met the tenants on their first arrival he was accompanied by a locksmith and a painter and glazier, – very convenient folks, as he remarked. The lessee was at liberty to make improvements; but if the unhappy man did so, little Molineux thought night and day of how he could dislodge him and relet the improved appartement on better terms. He watched and waited and spun the web of his mischievous legal proceedings. He knew all the tricks of Parisian legislation in the matter of leases. Factious and fond of scribbling, he wrote polite and specious letters to his tenants; but at the bottom of all his civil sentences could be seen, as in his faded and cozening face, the soul of a Shylock. He always demanded six months’ rent in advance, to be deducted from the last quarter of the lease under an array of prickly conditions which he invented. If new tenants offered themselves, he got information about them from the police; for he would not have people of certain callings, – he was afraid, for instance, of hammers. When the lease was to be signed, he kept the deed and spelled it over for a week, fearing what he called the et caetera of lawyers.

Outside of his notions as a proprietor, Jean-Baptiste Molineux seemed good and obliging. He played at boston without complaining of the players; he laughed at the things which make a bourgeois laugh; talked of what others of his kind talked about, – the arbitrary powers of bakers who nefariously sell false weights, of the police, of the heroic seventeen deputies of the Left. He read the “Good Sense” of the Cure Meslier, and went to Mass; not that he had any choice between deism and Christianity, but he took the wafer when offered to him, and argued that he was therefore safe from the interfering claims of the clergy. The indefatigable litigant wrote letters on this subject to the newspapers, which the newspapers did not insert and never answered. He was in other respects one of those estimable bourgeois who solemnly put Christmas logs on their fire, draw kings at play, invent April-fools, stroll on the boulevards when the weather is fine, go to see the skating, and are always to be found on the terrace of the Place Louis XV. at two o’clock on the days of the fireworks, with a roll in their pockets so that they may get and keep a front place.

The Cour Batave, where the little old man lived, is the product of one of those fantastic speculations of which no man can explain the meaning after they are once completed. This cloistral structure, with arcades and interior galleries built of free-stone, with a fountain at one end, – a parched fountain, which opens its lion’s mouth less to give water than to ask it from the passers-by, – was doubtless invented to endow the Saint-Denis quarter with a species of Palais-Royal. The place, unhealthy and buried on all four sides by the high walls of its houses, has no life or movement except in the daytime; it is a central spot where dark passages meet, and connect the quarter of the markets with the Saint-Martin quarter by means of the famous Rue Quincampoix, – damp ways in which hurried foot-passengers contract rheumatism. But at night no spot in Paris is more deserted; it might be called the catacombs of commerce. In it there are various industrial cloaca, very few Dutchmen, but a great many grocers. The apartments in this merchant-place have, naturally, no other outlook than that of the common court on which all the windows give, so that rents are at a minimum.

Monsieur Molineux lived in one of the angles, on the sixth floor for sanitary reasons, the air not being pure at a less height than seventy feet above the ground. At this altitude the worthy proprietor enjoyed an enchanting view of the windmills of Montmartre as he walked among the gutters on the roof, where he cultivated flowers, in spite of police regulations against the hanging gardens of our modern Babylon. His appartement was made up of four rooms, without counting the precious anglaises on the floor above him of which he had the key; they belonged to him, he had made them, and he felt he was legally entitled to them. On entering his appartement, a repulsive barrenness plainly showed the avarice of the owner: in the antechamber were six straw chairs and a porcelain stove; on the walls, which were covered with a bottle-green paper, were four engravings bought at auction. In the dining-room were two sideboards, two cages full of birds, a table covered with oil-cloth, a barometer, a window-door which opened on the hanging gardens, and chairs of dark mahogany covered with horse-hair. The salon had little curtains of some old green-silk stuff, and furniture of painted white-wood covered with green worsted velvet. As to the chamber of the old celibate it was furnished with Louis XV. articles, so dirty and disfigured through long usage that a woman dressed in white would have been afraid of soiling herself by contact with them. The chimney-piece was adorned by a clock with two columns, between which was a dial-case that served as a pedestal to Pallas brandishing her lance: a myth. The floor was covered with plates full of scraps intended for the cats, on which there was much danger of stepping. Above a chest of drawers in rosewood hung a portrait done in pastel, – Molineux in his youth. There were also books, tables covered with shabby green bandboxes, on a bracket a number of his deceased canaries stuffed; and, finally, a chilly bed that might formerly have belonged to a Carmelite.

Cesar Birotteau was delighted with the extreme politeness of Molineux, whom he found wrapped in a gray woollen dressing-gown, watching his milk in a little metal heater on the edge of his fireplace, while his coffee-grounds were boiling in a little brown earthenware jug from which, every now and then, he poured a few drops into his coffee-pot. The umbrella-man, anxious not to disturb his landlord, had gone to the door to admit Birotteau. Molineux held the mayors and deputies of the city of Paris in much esteem; he called them “my municipal officers.” At sight of the magistrate he rose, and remained standing, cap in hand, until the great Birotteau was seated.

“No, monsieur; yes, monsieur; ah, monsieur, if I had known I should have had the honor of receiving in the bosom of my humble penates a member of the municipality of Paris, believe me I should have made it my duty to call upon you, although I am your landlord – or, on the point of becoming so.”